Those who know my film watching during the VIFF know that I try to watch at least one segment of short films. I saw a segment of seven films by Canadian directors entitled To Live In Infamy. In each of the films, there is some element of crime or taboo. Even some things that don’t qualify as a penal code may be seen as a crime of some sort, or even a simple wrongdoing. All of them are interesting in their own way.
Delphine (dir. Chloe Robichaud): A woman named Nicole looks back to a girl she only encountered for two brief times in her childhood. Her name was Delphine and she was a Lebanese immigrant to Quebec. The first flashback is in a private grade school where Delphine could only say one word in French: ‘oui.’ The other classmates make fun of her. Nicole, who is Lesbian-Canadian, doesn’t participate with her peers, silently shares in Delphine’s ostracism. The vice-principal of the school however does scold Nicole and the girls for lewdness. The second meeting between Nicole and Delphine is at sixteen in a public school. Delphine has a bully named Aminata who appears to try to dominate over every female. She attempts to dominate over Nicole too, but Nicole is physically resistant.
The story leaves us with the necessary questions. Some may ask were Nicole and Delphine lesbians? However the story is reflective of childhood. It reflects on fun memories like of some mischief and of family warmth. But also of upsetting memories like of being made to feel different and facing nemeses either violent or non-violent. We all have those moments in our childhood where we’re reminded how the world is a cruel place. It’s a story many can connect with, even if they didn’t live it exactly.
I’ll End Up In Jail (dir. Alexandre Dostie): A woman named Maureen is frustrated with her life. She tries to cover it up from her son and his boyfriend, but she can’t take it no more. One day, she drives off on an icy hilly road hoping for an escape but crashes into a parked car. It appears the car is parked so that a teen boy and his girlfriend can get stoned in the trunk of a car together. The girlfriend is dead. The boy learns she’s the mother of his classmates. They work to hide the body of the girl, but while Maureen is stuck underneath a tree, she learns a truth. She acts out in a way where she really has to be on the run from the law.
This film is a dark comedy that makes a lot of humorous situations in crime and personal problems. Even the uncovering of a dark truth appears humorously surprising, if not disturbing. The ending however feels a bit incomplete or doesn’t appear clear enough. I know it’s about Maureen’s escape and how it doesn’t go as planned, but it still looks like it’s missing something.
Shadow Trap (dirs. Damien Gillis and Michael Bourquin): In 1909, a white bounty hunter is out searching for Gitxsan business man Simon Gunanoot who is wanted for murder. The bounty hunter stocks up with a lot of supplies ready to find Simon, a reputed trapper and fur-trader, for a big reward. However the frontiers of Okanagan B.C. prove too much for him and he is in danger of freezing to death, until he’s rescued and sheltered by an Indigenous man. Is it Simon in hiding? He returns to the town with hides to trade.
This is a fictionalization of a true incident in Canadian history that says a lot. The message I seemed to get from the story may be about the common perception of Indigenous peoples by whites at the time as ‘savages,’ and how wrong they are. Even now as we’re trying to make reconciliation happen, I feel this story has a lot of value.
The Beach Raiders (dir. Tyson Breuer): A teen couple– the boyfriend having photography ambitions– is savoring the last days of summer at an Ontario beach. They have one last summer goal: steal some beer. They try to get it from the kitchen of a restaurant. However their attempt is not only in danger of being stopped by the owner, but their own relationship as both have differing goals. However their pursuit ends with a bang!
This film is a bit of an ode to the ‘young and stupid’ days. What starts with stealing one beer leads to a chance for something bigger. The film does however focus on a reality, though it is resolved in light fashion at the end.
Main Squeeze (dir. Brendan Prost): It’s Christmas. Benjy and Kiersey, a couple in an open relationship, are having fun in their apartment. However the fun is threatened when a young drunk woman smashes their window. It’s not just any woman, but Jacqui: Kiersey’s ‘other woman.’ He is not comfortable about having Jacqui in, but Kiersey insists. Benjy had every reason to be nervous because Jacqui says things making it clear she’s his rival. This not only threatens the relationship but the Christmas spirit too.
It’s a story that makes good use of a single location. It consists of a lot of moments where you don’t know what will happen next. It surprisingly ends with all conflict over.
Ghoulish Galactic Grievances (dir. Josh Owen): Wanna have some weird fun? A ghoul lives in a swamp, but she has a desire to pursue her friends in outer space. Her swamp friends want her to stay.
This is a fun and entertaining story of ghouls and aliens and creatures. It is definitely a fun comedic story to watch, but it succeeds in delivering a smart message within the theme.
Finding Uranus (dir. Ivan Li): This is the one short of this segment that is animated. A man is lost in a sea of internet porn and desires to find real sexual satisfaction. He pursues it through a very unorthodox trip.
This was entertaining, but bizarre at the same time. However I admire how the animator is not afraid to go crazy and let his creativity tread in territories many would not touch!
All seven shorts were entertaining in their own way. Some had a story to tell, while some were more about the show. Many were dramatic while some aimed more for comedy. All were good at telling their story, even if told in a bizarre style.
At the end, I can understand why this shorts segment is called To Live In Infamy. All of them had an infamy of some kind, whether big or small. Nevertheless all of them told their story well.
With every VIFF, it’s a goal of mine to see at least one shorts segment. I had the good fortune of seeing a segment as my first VIFF show. The segment titled Escape Routes consisted of six shorts by Canadian directors. Three of them were filmed in BC. All six were intriguing to watch.
The Subject (dir. Patrick Bouchard): We see a body on the table. We see a spike coming out of a foot at first. Then we see it start to be dissected. What’s happening is a whole lot of imagery happens around his body and coming from out of his body. Then when he’s dissected in his upper chest, we see a steel inside.
What’s happening in this film is the animator dissecting his own body. This film is the animator using self-dissection to show what his works are all about. His emotions, his memories, his fears, all go into his work. A couple of religious entendres may be telling how it plays into his fears. Even the artistic patterns that form around his skin give a picture about what the animator is saying about himself and how it plays into his works.
Girl On A Bus (dir. Matthew B. Schmidt): The film begins with people questioning about a girl who disappeared. Then the film shoots to a scene on a bus. A teenage/young adult female is one of the passengers and she’s just relaxing and looking at Instagram photos. The bus takes a break at a gas station along the highway. She uses the outside bathroom and changes her hair, makeup and clothes to something very different and takes social media pictures. The driver can’t recognize her and thinks a passenger is missing. As police are questioning the ‘missing girl,’ she gets interrogated and gives misleading questions. She mentions she’s running away but doesn’t say why. She leaves the interrogation booth. A picture from a child identifies her as the missing, but she walks away when asked.
At first, it seems like a nonsense film. A girl changes her look but is labeled missing? Then you get the sense of what’s happening. She says she’s running away but gives a vague answer why. When told to stay at the booth as the police leave temporarily, she leaves. When asked if the photo of her on a child’s pad is her, she doesn’t answer and walks away. It makes more sense later on. She comes across as a girl who wants to escape from it all. It’s not apparent exactly the reason or reasons why, but it’s obvious she wants to escape from everything. Only on social media would she want to be around people. I can identify because I had those same feelings when I was her age. A very good short story of a film.
Best Friends Read The Same Books (dir. Matthew Taylor Blais): The film consists of no sound at all, but of images of plants, colors, bushes, parks, coasts, and the director reading a book in various places and various seating positions on a bench. The film ends with a set of colors.
I’ll take it for what it is. This is the director trying to film in an abstract sort of way. The images, around various areas of Greater Vancouver, are meant to tell about his surroundings and reading the same book.
Train Hopper (dir. Amelie Hardy): The film begins with a passage of Allen Ginsberg’s poem America. Then cuts into a video of a young man who’s a customer service agent working at his desk with his headset. Later we catch the young man around trains on the train tracks. Then we see him hopping on the trains between the cars and going along for the ride. We even see his self-recorded videos of him during the trips. Within the second-half of the film and video footage, we hear the man talk about his dreams and his imagination and why he takes these trips, which include trips crossing into the United States. The film ends with audio of Ginsberg’s America.
The film begins with a statement that the Beat Generation is not dead. The whole film is a picturesque reminder that even in this day and age, there are still young people who still dare to dream, who dare to still want to live their dream out. This film shows it with this young man who’s a customer service agent by profession, but dreamer by passion. An excellent cinematic portrait.
Acres (dir. Rebeccah Love): The story begins with a young man working on a farm. Later on, his sister, her husband and a former girlfriend of his join for dinner. They talk about him managing his father’s farm after his death, as well as a dispute over use of the land that will require legal attention. The sister and brother-in-law leave for home but the ex-girlfriend decides to stay overnight. Possibly to help him with his situation. She is a photographer by passion. The two were in love while they were in college. This is happening while they’re talking of a way to properly mark the burial site of his father’s ashes. He had ambitions of becoming a businessman, but passions in his life that involved travelling caused him to leave everyone behind, including the family and even her. She tries to get to the bottom of this. Especially since this caused their break-up. Eventually they do rekindle.
The film is a picturesque way of showing a real-life situation. It’s a quiet situation, but one that needs to be discussed and resolved. The filmmaker does it with good storytelling and honest dialogue.
Biidaaban (dir. Amanda Strong): This is the one short that’s fully animated. There’s one young person of Indigenous decent, Biidaaban, and an older Sasquatch shapeshifter Sabe. They live in the same dwelling. They communicate with what you first think is a smartphone, but is actually a mystic rock that creates images and dialogue. Biidaaban seeks to collect sap from maple trees in a neighborhood. Sabe will assist Biidaaban. As they collect the sap, they are suddenly taken over by spirits and enter into a mystical world.
Upon the film’s Q&A, we learn the film is not just about Indigenous legends and myths. It’s also about gender-fluidity as Biidaaban is a gender-fluid youth. From what I remember about the Q & A, the gender-fluidity does tie in with Indigenous culture. The whole film was very dramatic and very mystical. The genre of animation allows the viewer to feel the imagination of the film and capture the mysticism.
All six shorts were very intriguing to watch. Even with one more thrilling than the other, and one not trying to be thrilling at all, all had something to say. Sometimes you wondered if all six fit the term Escape Routes. Some of the subjects or plots in a film or two didn’t look like physical escapes at all. However many of them turned out to be escapes of the mind. Escaping isn’t just about a road to somewhere.
Escape Routes was an excellent selection of six Canadian shorts. Each were different in their own way. All of them had something to say. And all would come off as an escape from something. You had to see it to know it.
Most of you outside of Canada or even Ontario have a bit of an idea about the Rob Ford fiasco happening there but aren’t too clear who Rob Ford is. Us Canadians on the other hand can’t walk away from it. It’s here, it’s there, it’s everywhere. But what is it and why should it matter for all of Canada? Even for a Vancouverite like myself?
NOTE: I’m sure there are many Torontonians and Ontarians that will find my article too simple. Fact is I have many followers from around the world. The point is to explain the situation to those who don’t know who Rob Ford is and what the fiasco is about. Besides I’m from Vancouver so I’m not all too familiar with Rob Ford myself.
Rob Ford was elected mayor of Toronto back in 2010 and assumed office in December of that year. He was a Toronto City Councilor for Etobicoke North the previous ten years. Rob comes from a political family with his father owning the business DECO Labels And Tags (which Rob, his mother, and his other three brothers direct) and a former Member of Provincial Parliament and his brother Doug Jr. has assumed the role of Etobicoke North City Councilor upon Rob’s election of Mayor of Toronto. He’s a huge favorite of popular hockey voice Don Cherry who was at his mayoral inauguration in a pink suit.
Ask any Torontonian and they will tell of Ford’s controversial politics as mayor. At his best, he’s against excessive government spending and calls for the ‘end of the gravy train’. At his worst, he will make opposition to policies leaning more to the left much to the chagrin of many Torontonians. He’s been long known for voicing his opinions leaning towards the right, much to the annoyance of a highly liberal city like Toronto. However it’s been his attitude and his outspoken comments and actions that had already made Ford notorious even before the whole recent Crack-smoking scandal. Having his own talk radio show on Toronto air waves may have something to do with it. As for his political verbal outbursts and such, hmmm, where do I start:
- In 2002 he got into a fight with fellow councilor Giorgio Mammoliti and called him a “Gino-boy”, leading him to charges of racism.
- In June 2006, he spoke out against a city donation of $1.5 million to prevent AIDS by responding: “If you’re not doing needles and you’re not gay, you wouldn’t get AIDS probably.”
- In March 2007, Ford made comments about cyclists use of roads saying: “Roads are built for buses, cars and trucks, not for people on bikes. My heart bleeds for them when I hear someone gets killed, but it’s their own fault at the end of the day.”
- In March 2008 he said at a council meeting: “Those Oriental people, they work like dogs. They work their hearts out. They are workers non-stop. They sleep beside their machines. That’s why they’re successful in life. I’m telling you, the Oriental people, they’re slowly taking over.”
- He’s been involved in many publicized incidents while driving including reading and talking on his cellphone.
- He asked city officials to approve drainage and road repairs outside the DECO Labels And Tags headquarters before it’s 50th anniversary party in August 2012.
- He was accused by CBC political comedian Mary Walsh for saying the F-word during one of her impromptu interviews with him.
- In May 2012, he was accused by news reporter Daniel Dale of cornering him and threatening to punch him. He’s frequently referred to journalists as ‘scumbags.’
- Even a month ago, he blurted out the F-word after accidentally being hit in the face by a camera. It was caught on camera and was shown on The Jimmy Kimmel Show.
Okay now you know what he’s like as a reckless politician. Now to see where all this crack-smoking fits in. Ford has had his brush with substances. He was arrested in 1999 in Miami for DUI and marijuana possession during his mayoral campaign. In 2006, Ford was accused of getting drunk at a Toronto Maple Leafs game and verbally assaulting the couple in front of him. In March 2013, former mayoral candidate Sarah Thomson accused Ford of touching her inappropriately and even suggested in a radio interview he was on cocaine. Even a Toronto City Councilor ask Ford to leave a function two weeks later because he appeared intoxicated.
Hard to believe all this that happened was just a forerunner to the ultimate, thanks to the website Gawker. Gawker claimed they had a video of Ford smoking crack cocaine from a Toronto Star reporter taken from a smartphone. Gawker said it appeared to show Ford in a clearly lit room although they also claim they can’t verify the authenticity of the video. Gawker even claimed the reporter asked for $200,000 for release of the video. Fact or fiction, the news sparked a heatwave of debate and talk all over Toronto. The heat could have come either because there’s so much opposition towards Rob Ford in Toronto or since it comes on the tails of another Canadian political scandal: senator Mike Duffy’s resignation after an expense controversy. Even Ford got into the act by claiming that the video is not true. Nevertheless this is rare for a scandal in Toronto politics to have all of Canada watching.
UPDATE: The last 48 hours have consisted of even juicier news on this. The man who reportedly showed Gawker the alleged video was recently murdered. Many councilors have since resigned over the controversy yesterday in which Ford called: ‘business as usual.’ This could lead to a bigger scandal than one thinks and could lead to Ford’s resignation in the future.
What will happen to Rob Ford after this incident and the aftermath remains unclear. He is still mayor of Toronto and shows no signs of resigning. The video is still unseen and still continues to make news. More news is expected to continue to unravel over the next days or weeks.
However the next election could tell the results. Ford might even resign before the election. I’m sure with Toronto having 2 1/2 years of experience with him, many thousands have already made up their minds should ford run for re-election. Also this incident shouldn’t really matter for all of Canada but it does show we can have some crazy politicians of our own.
WIKIPEDIA:Rob Ford. Wikipedia.com. 2013. Wikimedia Foundation Inc. <http://en.wikipedia.org/wiki/Rob_Ford>