With every VIFF, it’s a goal of mine to see at least one shorts segment. I had the good fortune of seeing a segment as my first VIFF show. The segment titled Escape Routes consisted of six shorts by Canadian directors. Three of them were filmed in BC. All six were intriguing to watch.
The Subject (dir. Patrick Bouchard): We see a body on the table. We see a spike coming out of a foot at first. Then we see it start to be dissected. What’s happening is a whole lot of imagery happens around his body and coming from out of his body. Then when he’s dissected in his upper chest, we see a steel inside.
What’s happening in this film is the animator dissecting his own body. This film is the animator using self-dissection to show what his works are all about. His emotions, his memories, his fears, all go into his work. A couple of religious entendres may be telling how it plays into his fears. Even the artistic patterns that form around his skin give a picture about what the animator is saying about himself and how it plays into his works.
Girl On A Bus (dir. Matthew B. Schmidt): The film begins with people questioning about a girl who disappeared. Then the film shoots to a scene on a bus. A teenage/young adult female is one of the passengers and she’s just relaxing and looking at Instagram photos. The bus takes a break at a gas station along the highway. She uses the outside bathroom and changes her hair, makeup and clothes to something very different and takes social media pictures. The driver can’t recognize her and thinks a passenger is missing. As police are questioning the ‘missing girl,’ she gets interrogated and gives misleading questions. She mentions she’s running away but doesn’t say why. She leaves the interrogation booth. A picture from a child identifies her as the missing, but she walks away when asked.
At first, it seems like a nonsense film. A girl changes her look but is labeled missing? Then you get the sense of what’s happening. She says she’s running away but gives a vague answer why. When told to stay at the booth as the police leave temporarily, she leaves. When asked if the photo of her on a child’s pad is her, she doesn’t answer and walks away. It makes more sense later on. She comes across as a girl who wants to escape from it all. It’s not apparent exactly the reason or reasons why, but it’s obvious she wants to escape from everything. Only on social media would she want to be around people. I can identify because I had those same feelings when I was her age. A very good short story of a film.
Best Friends Read The Same Books (dir. Matthew Taylor Blais): The film consists of no sound at all, but of images of plants, colors, bushes, parks, coasts, and the director reading a book in various places and various seating positions on a bench. The film ends with a set of colors.
I’ll take it for what it is. This is the director trying to film in an abstract sort of way. The images, around various areas of Greater Vancouver, are meant to tell about his surroundings and reading the same book.
Train Hopper (dir. Amelie Hardy): The film begins with a passage of Allen Ginsberg’s poem America. Then cuts into a video of a young man who’s a customer service agent working at his desk with his headset. Later we catch the young man around trains on the train tracks. Then we see him hopping on the trains between the cars and going along for the ride. We even see his self-recorded videos of him during the trips. Within the second-half of the film and video footage, we hear the man talk about his dreams and his imagination and why he takes these trips, which include trips crossing into the United States. The film ends with audio of Ginsberg’s America.
The film begins with a statement that the Beat Generation is not dead. The whole film is a picturesque reminder that even in this day and age, there are still young people who still dare to dream, who dare to still want to live their dream out. This film shows it with this young man who’s a customer service agent by profession, but dreamer by passion. An excellent cinematic portrait.
Acres (dir. Rebeccah Love): The story begins with a young man working on a farm. Later on, his sister, her husband and a former girlfriend of his join for dinner. They talk about him managing his father’s farm after his death, as well as a dispute over use of the land that will require legal attention. The sister and brother-in-law leave for home but the ex-girlfriend decides to stay overnight. Possibly to help him with his situation. She is a photographer by passion. The two were in love while they were in college. This is happening while they’re talking of a way to properly mark the burial site of his father’s ashes. He had ambitions of becoming a businessman, but passions in his life that involved travelling caused him to leave everyone behind, including the family and even her. She tries to get to the bottom of this. Especially since this caused their break-up. Eventually they do rekindle.
The film is a picturesque way of showing a real-life situation. It’s a quiet situation, but one that needs to be discussed and resolved. The filmmaker does it with good storytelling and honest dialogue.
Biidaaban (dir. Amanda Strong): This is the one short that’s fully animated. There’s one young person of Indigenous decent, Biidaaban, and an older Sasquatch shapeshifter Sabe. They live in the same dwelling. They communicate with what you first think is a smartphone, but is actually a mystic rock that creates images and dialogue. Biidaaban seeks to collect sap from maple trees in a neighborhood. Sabe will assist Biidaaban. As they collect the sap, they are suddenly taken over by spirits and enter into a mystical world.
Upon the film’s Q&A, we learn the film is not just about Indigenous legends and myths. It’s also about gender-fluidity as Biidaaban is a gender-fluid youth. From what I remember about the Q & A, the gender-fluidity does tie in with Indigenous culture. The whole film was very dramatic and very mystical. The genre of animation allows the viewer to feel the imagination of the film and capture the mysticism.
All six shorts were very intriguing to watch. Even with one more thrilling than the other, and one not trying to be thrilling at all, all had something to say. Sometimes you wondered if all six fit the term Escape Routes. Some of the subjects or plots in a film or two didn’t look like physical escapes at all. However many of them turned out to be escapes of the mind. Escaping isn’t just about a road to somewhere.
Escape Routes was an excellent selection of six Canadian shorts. Each were different in their own way. All of them had something to say. And all would come off as an escape from something. You had to see it to know it.
One thing of the VIFF I consider to be a treat is whenever I attend a shorts segment. The segment I saw entitled New Skins And Old Ceremonies was a selection of seven shorts from Canadian directors. They were all unique in their own way.
Lost Paradise Lost: dir. Yan Groulx- Two people named Julie and Victor are out of love and find themselves boarding a bus full of strangers to anywhere. Where it takes them is a bizarre place for those out of love and rivals and threats to deal with. An eccentric short nonetheless, but it captures the feel well and makes sense in the end.
Flood: dir. Amanda Strong- It’s an animated short about an indigenous person and how the Canadian system did what it could to make them and their people feel inferior. It’s a story worth telling. The mix of stop-motion for modern images and traditional indigenous art adds to the story. The film ends with a renewed sense of pride.
Cherry Cola: dir. Joseph Amenta- Two drag queens are out on a night to dress up, have fun, and get revenge on an ex-boyfriend. It seems confusing at first, despite being intriguing to watch. You first think it’s a comedy, but the story ends on a dark note. It exposes an overlooked heartache some transvestites have.
The Good Fight: dir. Mintie Pardoe- A young woman goes into a sex toy shop to buy a toy. This woman is a nun about to be ordained. She struggles with her sworn commitment to celibacy, but the secret does get exposed. And with a surprising ending. Directed by a recent UBC graduate, the story is basically for the sake of shock value as it appears no actually research on the Catholic Church and vocations were done. Basically that’s all it is: entertainment for hedonists.
Sea Monster: dirs. Daniel Rocque and Kassandra Tomczyk- Tomczyk co-wrote, co-directed and stars in this short. Charley and Aria are a couple cooped up in a hotel madly in love, but both are coping with trauma. Aria dreams of a squid. Then the two make out on night in the fashion of a squid, followed by a bizarre aftermath. This is a film that’s nothing short of experimental. This film is good at getting creative in its time frame and setting.
Thug: dir. Daniel Boos- We first see how three friends– Eman, Simon and Josh– are shooting a low-budget gangsta film. Director Josh recommends to Eman that he creates a hold-up scene on Simon unexpectedly to make the film more ‘real.’ Eman agrees, despite the risk to their friendship. It does a lot more; it arouses suspicion from the local police. Later, Eman and Simon talk about roles they wish they could play before Eman auditions for a role as a gangster thug. This short film sends a message about how minorities in acting get the short end of the stick in terms of the roles they are offered and are often limited to racial stereotypes.
Let Your Heart Be Light: dirs. Deragh Campbell and Sophy Romvari- Both Deragh and Sophy write, direct and act in opposite names in this short. Sophy is confined to spend Christmas alone after a break-up. Deragh pays a visit and makes her Christmas. The film is slow and lacking in energy, but it does a good job of making use of its time and keeping with the Christmas vibe.
In summary, all seven were different in their own way it terms of both style and quality. There were a couple that were either inconsistent in story or lacking in energy. There were a couple that were eccentric, but the eccentricities worked for the film. There were also some films that made you think. The ones that made me think were my favorites as the messages came across very well and very effectively.
New Skins And Old Ceremonies makes for a unique array of seven shorts by Canadian directors. Some were good, some were bad, but all were an opportunity for the directors to make names for themselves.
Lee Daniels’ The Butler is another surprise hit movie of the summer. It doesn’t feature the typical fare for what one would call a ‘summer movie.’ Actually it features more mature fair that’s meant for a release around October, November or even December. So how did it manage to become a hit this summer?
The Butler is a unique story of Cecil Gaines. Born in a cotton field, he was forced into labor by the Westfalls, a Georgia family who owned the plantation. Even though slavery was out of existence, it didn’t stop people from treating their black employees like slaves. The son raped Cecil’s mother and shot his father dead. The state’s caretaker, the mother, takes Cecil out of the farms and assigns him to be a house servant. However it would be a businessman whom encounters Cecil after he breaks into a bakery and steals a cake after running away. The businessman turns him into a successful butler who’s able to provide a good income for his wife and children. Something very rare for an African-American man to be able to do before 1960.
A breakthrough occurs when Cecil is offered a job as a butler at the White House. This is a big breakthrough for the Gaines family as they can improve their way of life. However it does not come without its prices as Gloria feels alienated from Cecil and his workaholic manner and turns to adultery. His son Louis becomes very involved with political activism and the Civil Rights Movement from restaurant sit-ins to the Black Panthers movement. That doesn’t sit well to Cecil at all to the point they fight and they don’t speak for years. His 34 year career as a butler in the White House takes some turns as he’s able to converse with the president and even influence many on how they deal with African-Americans. Cecil is also involved in other incidents such as the riots after Martin Luther King’s assassination to losing his son in the Vietnam War. The story intertwines with his career with social changes for Black America during that time period with his own family life from his childhood to his career to Obama’s inauguration.
A short while back when I was doing a Wikipedia search on the movie, I learned that this film is loosely based on Eugene Allen: an African-American butler who first served in the White House in 1952, advanced to Maitre d’Hotel in his career and finally retired in 1986. The movie admits that this is inspired by a true story rather than actually being a true story. Though one can doubt the truthfulness of the story, the script by Danny Strong does capture one’s attention and is able to mix the White House life of Cecil with moments of history and even the struggle of one family dealing with the changes and trying to make life better for themselves and for their race. It’s almost like Cecil could be labeled the ‘Black Forrest Gump.’ The relationship between Cecil and Louis also highlights the divisiveness between two generations of African Americans. One learned he had to work hard to get places. Another adopted the new attitudes of Black pride during the 60’s. The clashes between the two represent the clashes of the two generations of Black America. Lee Daniels also does a very good job of directing the movie with its complexities. This is a big move for him to go from something like Precious to something more polished. Nevertheless it’s a very good move and can allow him to replace Spike Lee as the top African American director in the business.
The actors were also excellent, especially Forest Whitaker as Cecil. I’m not sure if Forest is trying to imitate Eugene Allen or trying to make Cecil into his own character–I admit that I myself have never seen video footage of Eugene Allen–but he gave an excellent performance both in terms of the character’s personality and his aging. Oprah Winfrey also gave an excellent performance as Gloria encompassing the struggles of maintaining family unity while dealing with a husband that seems too preoccupied with success. David Oyelowo achieves a personal breakthrough here as Louis Gaines. He does a very good job of representing the new black attitude of his times in both life and personal political attitude through Louis Gaines. Supporting acting was also very good from star actors like Terrence Howard, Lenny Kravitz, Vanessa Redgrave, Mariah Carey and Jane Fonda. The supporting acting performances from the lesser-known actors like Mika Kelly, Nelsan Ellis, Elijah Kelley, Clarence Williams III and Yaya da Costa were also very good and added to the ensemble cast. One thing that struck me about Yaya da Costa’s performance of Louis’ girlfriend is the Black Panthers scene where she has a big afro and admits her desire to kill. Didn’t she remind you of Angela Davis in that scene?
There’s one glitch in the movie, it’s the casting for those who portray presidents in the past. At first I thought Robin Williams as Eisenhower was a good choice but the others didn’t seem so. John Cusack made Richard Nixon seem awfully young as did Liev Schreiber as Lyndon Johnson and James Marsden as John F. Kennedy. All three of them were at least ten years younger than the presidents they played when they assumed office. I feel the biggest miscast was Alan Rickman as Ronald Reagan. Reagan had a charming personality and Reagan was not seen as charming at all in the film but rather a toughie. Makes me wonder what was with this? Was it miscasting? Or were those the ways the presidents looked to Lee Daniels or through the eyes of Cecil Gaines?
One final note of the movie. This was the scene near the end showing Obama’s election to the Presidency in 2008. I know that there has been a ton of flack given to Obama over what he’s done or what he’s failed to do as President of the United States. One thing you can’t deny is that even in the five year’s since his election, he’s still the face of hope for a race and other racial minorities. That’s one thing that can’t be taken away.
Lee Daniels’ The Butler is an excellent movie worth watching. I have sometimes co-related to movie to Forrest Gump where a man is part of history. Despite some of its flaws, it was an excellent intelligent alternative to the hyped-up summer stuff and still draws audiences now.