If there is one genre of movie that stands out during the summer movie season, it’s the superhero movies. Every year they win crowds and give them their enjoyment for the most part. For this summary, I will review two such movies: Captain America: Civil War and The Suicide Squad. Both are two different types of superhero movies in the way the people try to be heroes and with the comic franchises: Marvel vs. DC once again.
Captain America: Civil War
While DC Comics has the two biggest superheroes, Marvel’s edge is its multitude of different superheroes: take your pick. This time around in Captain America: Civil War, the focus is on Captain America. Or is it?
Watching the film, I was expecting it to be a story about Captain America. You can imagine my surprise to see all the other Avengers characters. I was cool with it at first. However things started getting uncomfortable for me when I saw them take up so much screen time. They all took up so much time, I even questioned whether Captain America was even the lead role in the film. I even thought if it was to have one hero as the lead role, it should probably be Iron Man.
Nevertheless the film does have a lot of excellent qualities. The first is a story that is thought-provoking. There’s a situation where international rules are imposed on the Avengers. Right when an incident happens, it causes friction within the team and even division. The question remains of what is the right thing to do? The movie attempts to give you the answer. Virtues and morals are an uncompromisable ingredient in superhero movies no matter how much action is involved. Even top directors will say that the values of humanity are necessary for a winning superhero movie. Here we have a movie that gets one questioning what is the right thing to do considering the situation. That adds to the film as it gets the audience thinking.
Of course high-tech special effects and action battles are a must in superhero movies. The crowds come to get blown away. Captain America: Civil War delivers on such action just like most of the Marvel comic movies before it. It has moments that will leave you on the edge of your seat. In addition, it adds some comedy too as it gives us a young Peter Parker, played by Tom Holland, as a preview for the new upcoming Spider-Man installment. Here Peter comes across as your typical young idiotic yuts. Gives anticipation of what to expect when Spider-Man comes out.
The Russo brothers return to direct the movie. They directed the last Captain America movie. They did a very good job of delivering another great superhero movie. Christopher Markus and Stephen McFeely return with the Russos to write the latest installment. They did a good job despite the push of some actors to have more screen time. Of course, Robert Downey Jr. stole the movie and Chris Evans appeared to have a supporting role this time. The other actors did their parts well and didn’t appear to get into too much of the mix-up. The special effects delivered and Henry Jackson’s music added to the film.
For all intents and purposes, Captain America: Civil War is an Avengers movie in disguise. Don’t be fooled. However the quality of the story is maintained as it gives a thought-provoking story with the superhero action to deliver.
There’s something about the knack to do an anti-hero movie. We saw that with Marvel when they released Deadpool. Now we see DC Comics making the attempt with the Suicide Squad. Do they succeed?
You’d think after Sausage Party, I’d start again on how this movie of a bad-guy superhero squad is trying to ‘bring back the 90’s’ but you’re wrong. A story where it takes bad guys and makes heroes out of them is actually a very common theme. It’s even been done in film as far back as the 1930’s as I once saw 1939’s Stagecoach take the outcasts of society and turn them into heroes. It’s a theme that has been done decade after decade. We see it done here again with the Suicide Squad. The people recruited to be part of the Squad are criminals and crazies that look like they deserved to be shunned away from society but an intelligence operative sees them as the right people for the job. They even make clear that they’re bad, not evil.
The ‘bad vs. evil’ theme is what makes this movie unique among the superhero movies of this year. Even from Deadpool. While Marvel’s Deadpool is about a selfish man who’s disinterested in being the superhero bestowed upon him, Suicide Squad is about a conscience present in even the baddest of badasses. A reminder that bad and evil are two completely different things. Don’t forget we’re dealing with a world where Superman is deceased, as exhibited in Batman vs. Superman: Dawn Of Justice months earlier.
Now the Suicide Squad is not a team of badass superheroes created in vain after Deadpool: an attempt at having ‘anti-Avengers.’ It’s a team that actually debuted in DC Comics in 1959 in their monthly Brave And The Bold series and made a return in 1987 in their Legends series back then. The comic would be a monthly series that would issue for some months, end temporarily for a year or two and then make a comeback from time to time. Now seems like the right time to bring them to the screen. I must say their craziness and eccentricities were big time scene-stealers. While Deadpool mostly relied on the idiotic actions and lines from its lead characters, the characters of the Suicide Squad were more about their crazy and even eccentric personalities. That was their edge and I’m sure that’s what won the crowds to them this year. It’s no wonder it’s the 4th highest grossing movie of the summer.
This is David Ayer’s first attempt at directing and writing a superhero movie. He has a resume for writing and directing a lot of good police dramas and action movies in the past. However his experience doesn’t completely translate the best. Imperfections are easy to notice and it seems the movie does get a bit disjointed at times. Even in terms of the characters, there’s not that much depth to their roles and it often appears like the actors are trying to play characters more than acting out roles. I’ve noticed that DC Comics movies this year are lacking in terms of writing. It’s noticeable in Batman vs. Superman too.
Nevertheless the actors do deliver on character acting and that’s one quality I feel made the movie. In addition the actors succeeded in making characters you want to hate at first and then surprise you as they become heroes and then return as bad guys. Margot Robbie was the standout as Harley Quinn. Her character was the one that knew how to grab your attention, even upstaging Will Smith. Others standouts include Jared Leto as the Joker, Jay Hernandez as El Diablo and Jai Courtney as Captain Boomerang. Visual effects were top notch and loaded with bright color that’s eye catching and very rare to see in most other movies, especially superhero movies. The mix of music was also an added quality. It seems like after Guardians Of The Galaxy, filmmakers are playing around and even experimenting with use of songs in the movies. Here they mix in music spanning five decades and it produces an entertainingly winning result.
Suicide Squad may be lacking in the script and in the editing but it’s the on-fire character acting, colorful visual effects and the eclectic music track that make the movie entertaining and a winner for the summer.
Sure, I only have two superhero movies in my summary of the genre but both do shed some light on the presence of the superhero movies of the summer and why they continue to win us over. They have spectacular action but they also test our conscience as well. I saw that in Batman vs. Superman earlier in the role of a superhero even after they cause destruction to do good. I see it again in Captain America as the Avengers question whether it’s right to break the law to do what’s right. I also see it in the Suicide Squad as outcasts get a shot at redemption and even remind themselves as well as others that they do possess a conscience and can even do what’s right despite their criminal minds.
Once again, the superhero genre remains one of the most winning movie genres of the summer. Even with the surprise success of Deadpool, families still come to the movies to see the good guys win. Some even like to get their ‘bad boy/bad girl’ kicks. All deliver in terms of action and a message.
You saw I did a triple-movie review yesterday. That’s what I plan to do as far as reviewing summer movies. Review two or three summer movies that are in the same genre. Yesterday was a review of three summer comedies. Today is the review of the two hit animated movies of the summer: Inside Out and The Minions Movie. Both were two of the biggest hit movies this 2015 and both were different but both also had their own qualities.
This is actually Pixar’s first original movie since Brave. It’s been awhile and it was commonly assumed that the buzz of Pixar–the buzz of quality and creativity–was fading with movies like Cars 2 and Planes. They also had to face the fact in recent years they were no longer alone at the top with Illumination Entertainment emerging and Walt Disney Studios returning to their winning ways. However Pixar did come back with a vengeance this year with Inside Out.
Pixar went once again to its dream team with Up director Pete Docter doing the direction as well as co-writing the script with Josh Cooley and Meg Le Fauve. Michael Giacchino returns to do the music and vocal talent comes from the likes of Amy Poehler, Lewis Black, Diane Lane, Bill Hader and John Ratzenberger.
The biggest achievement of the film is that it doesn’t just simply deliver a great story that can keep the audience intrigued but it creates a unique and dazzling world of the human mind. Here they invented the world of the human brain called Headquarters, creates characters related to human emotions, creates a system where emotions are delivered by Headquarters subconsciously via a control console that any of the five emotions can control, has memories kept in colored orbs in its own storage system and has islands that reflect the most dominant aspects of a person’s personality connected by the train of thought which is an actual locomotive.
That already looks like creative stuff on pen and paper. However it took Pixar’s animators to make this world come alive. If you’ve seen Inside Out, you too would be dazzled to see the world inside the mind of Riley Anderson, the main character. It’s one thing to think up this world. It’s another thing to have this world come alive on screen and be good enough to dazzle and even mesmerize the audience. Were you mesmerized? I was.
However despite the mesmerizing world, it still had to have a solid and entertaining story to go with it. The story consists of five characters representing the five core emotions. Those emotional characters are inside the mind of Riley Anderson: a hockey-loving 11 year-old girl who is trying to adjust to a move from Minnesota to San Francisco. Promising enough. However it also took the right juggling of the story to go from focus on Riley to focus on the emotions and their world inside Riley’s head. It was a balancing act.
The story had to make Riley a likeable and identifiable character. It also had to make the emotions likeable characters too. Like it couldn’t make Anger as an abusive brute or Sadness into a manic depressant. C’mon, this is a family film for people to enjoy rather than see characters that cut deep. I’ll admit I did find the story rather confusing at first. However it starts to make more sense over time long after you leave the theatre. Inside Out is like a lot of Pixar movies where the focus is more on the story or the world rather than it being too character-driven or too entertainment-driven. That’s how Pixar has created some of the best animated movies of the past 20 years and that’s how they succeed here again.
Inside Out isn’t simply another charming animated story from Pixar but an escape to a world that will leave you dazzled. The ending will even get you thinking you have five characters in your head just like them!
Without a doubt, this decade’s top movie stars are not of flesh and blood but yellow and pill-shaped. Yes, the Minions who have been the aces at stealing the show from Gru in all the Despicable Me movies. Their popularity over time made the possibility of their own movie eventual. However it was to be a big question of The Minions Movie. Yes, they can steal the show from Gru but can the hold their own? Or will people become sick of an hour and a half of Minions?
Firstly in order to do a 90 minute-long film about Minions, one should have a solid but entertaining story to go with it. Interestingly enough they didn’t pick Despicable Me writers Cinco Paul and Ken Daurio to write the story. It went to newcomer Brian Lynch who actually wrote for the Minions Mayhem short three years ago. Despicable Me co-director Pierre Coffin returns to direct this but his co-director this time is Kyle Balda, who co-directed The Lorax with Despicable Me co-director Chris Renaud. Renaud is Executive Producer of the Minions movie. Hmmm, looks like Pixar’s not the only animation team in town.
The story does seem a bit formulaic as they try to look for a master of evil to serve. The master they think they found turning on them isn’t that original either. Even the ending where they eventually find themselves the master of Gru was not unexpected. The strength of the story was for it to have a decent plot but put major emphasis on the entertainment factor. Let’s face it, people are in love with the Minion characters. If one writes a story that’s very plot-centred like most Pixar movies, the flavor of the Minion characters would be lost. People love the goofy nature of the Minions. They story could not be two plot-centred if the Minions had to have their hyper but cute charm maintained.
Nevertheless they had to have a good story not just to keep it going to a feature-length but to entertain as well. That was achieved well with the story of Scarlet Overkill having them under their wing. Sandra Bullock made Scarlet fun to watch. Even if you knew the Minions would turn out okay with whatever Scarlet plotted against them, the movie still kept you wondering and hoping that they’d come out alright.
I give the writers and directors credit to writing and directing an entertainingly good story of how the Minions found Gru. However like most other movies, I usually question the choices made or if it could have been done better. Sometimes I wonder was it a good idea to pick three Minion characters as the lead Minions instead of maybe more? Was there too little time spent on how they met Gru at the end? Was Bob more idiotic than he should be? Actually I can’t really judge because I’m not a Hollywood writer. However I do feel that the ‘Hair’ number shouldn’t have been the only Minion musical number.
Minions is a mission accomplished: making a feature-length film of the top scene stealers in Hollywood right now. However it is imperfect and can make some people think it could have been done better.
As for the two movies, they both turned out to be the two biggest money makers of the year. Sure, Jurassic World is #1 but both are comfortably in this year’s Top 5 with Inside Out grossing $352.8 million and Minions grossing $332.8 million. It looks like animated movies are among the strongest films out there right now. Often they’re better at making favorite characters than most live-action movies. What Pixar and the other animation teams have up their sleeves has yet to be seen.
Inside Out and Minions are two of the biggest winners of the summer. they not only entertained but they also showed why animated movies are one of the tour de forces in moviemaking right now.
At first I was not interested in seeing Lucy. What got me seeing it was all the talk so many people who’ve seen it have said about it. I thought I’d check it out myself.
For those who haven’t seen the movie, it’s about a young woman who goes by the name of Lucy caught in a crime heist by surprise thanks to her shady and no-longer-living boyfriend. She then becomes a drug mule for a set of mind drugs that expands the brain’s use at one time from the alleged normal 10% to as much as 100%. This sets her up with getting even with her crime bosses, connecting with the other drug mules involved and making sense with the human race thanks to a college professor and her own mind’s supernatural ability to travel through time. Sound confusing? Well, you be the judge after you see the movie.
The funny thing about the movie is the whole plot of trying to make a connection between brain use at one time to the evolution of humanity coinciding with a criminal act. It’s a movie that tries to be humorous as in the case of Lucy telling her roommate of her health condition as well as action-filled in the story of as well as try and provoke thought about the human race and people’s ability to think. This is a complicated mix to try and create a good script that can entertain moviegoers.
One thing about the film is that it doesn’t make complete sense. Yes it’s a complicated story and yes there are parts that try to make it make sense over time. In fact the movie looked very ambitious at the beginning and appeared like it would deliver something to think about as the plot unraveled. However there are many times in which I wonder if it could have been organized out better or even played out better. Like those parts where Lucy connects with the ape-like human from eons ago made me question its purpose and whether it really worked or not. This is one case when I leave the movie theatre thinking of what scenes could have been done better and how. I will give credit to the effort by director/writer Luc Besson given to make such a movie that includes an intriguing story. In fact I found the best thing about the movie is the fact we never know Lucy’s real name. But all the elements included in this story don’t blend together well as a whole. I felt it to be uneven and confusing at times.
The movie did have a lot of positive qualities. The best thing about it had to be the acting. I can’t complain about that. Scarlet Johansson and Morgan Freeman were good in their roles. They knew how to work their roles well otherwise the movie would have come across as completely ridiculous. They also knew how to keep our intrigue to the unfolding events. Choi Min-Sik and Amr Waked also acted well enough to keep the story intriguing and intact. The movies’ special effects were also excellent, and for not even $40 million. The score to the film by Eric Serra also fit the story well.
One thing I have to say about Lucy is that it was actually successful in getting people to talk about the movie’s topics. From the 10% brain-use hypothesis to the belief of evolution, that got a lot of people thinking, despite how disjointed the movie seemed. In fact I myself went to see it after two people I knew mentioned they saw it and gave their comments of what they thought of it. I find it interesting. That’s all I will say. It also paid off at the box office too. It’s still in theatres but it has made almost $125 million in North America and $378 million worldwide. I think the topic of the plot paid off in getting people to come. One feat it has achieved is this is Besson’s highest-grossing film to date.
Lucy is an ambitious science fiction movie that tries to make us think while keeping us fixated on the story and the action along the way. However it’s not all that together of a movie. Attention-grabbing, thought-provoking, but not really together.