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Double Movie Review: Inside Out and The Minions Movie

You saw I did a triple-movie review yesterday. That’s what I plan to do as far as reviewing summer movies. Review two or three summer movies that are in the same genre. Yesterday was a review of three summer comedies. Today is the review of the two hit animated movies of the summer: Inside Out and The Minions Movie. Both were two of the biggest hit movies this 2015 and both were different but both also had their own qualities.

Inside Out features five characters of human feelings and takes one to an amazing world of the subconscious.

Inside Out features five characters of human feelings and takes one to an amazing world of the subconscious.

INSIDE OUT

This is actually Pixar’s first original movie since Brave. It’s been awhile and it was commonly assumed that the buzz of Pixar–the buzz of quality and creativity–was fading with movies like Cars 2 and Planes. They also had to face the fact in recent years they were no longer alone at the top with Illumination Entertainment emerging and Walt Disney Studios returning to their winning ways. However Pixar did come back with a vengeance this year with Inside Out.

Pixar went once again to its dream team with Up director Pete Docter doing the direction as well as co-writing the script with Josh Cooley and Meg Le Fauve. Michael Giacchino returns to do the music and vocal talent comes from the likes of Amy Poehler, Lewis Black, Diane Lane, Bill Hader and John Ratzenberger.

The biggest achievement of the film is that it doesn’t just simply deliver a great story that can keep the audience intrigued but it creates a unique and dazzling world of the human mind. Here they invented the world of the human brain called Headquarters, creates characters related to human emotions, creates a system where emotions are delivered by Headquarters subconsciously via a control console that any of the five emotions can control, has memories kept in colored orbs in its own storage system and has islands that reflect the most dominant aspects of a person’s personality connected by the train of thought which is an actual locomotive.

That already looks like creative stuff on pen and paper. However it took Pixar’s animators to make this world come alive. If you’ve seen Inside Out, you too would be dazzled to see the world inside the mind of Riley Anderson, the main character. It’s one thing to think up this world. It’s another thing to have this world come alive on screen and be good enough to dazzle and even mesmerize the audience. Were you mesmerized? I was.

However despite the mesmerizing world, it still had to have a solid and entertaining story to go with it. The story consists of five characters representing the five core emotions. Those emotional characters are inside the mind of Riley Anderson: a hockey-loving 11 year-old girl who is trying to adjust to a move from Minnesota to San Francisco. Promising enough. However it also took the right juggling of the story to go from focus on Riley to focus on the emotions and their world inside Riley’s head. It was a balancing act.

The story had to make Riley a likeable and identifiable character. It also had to make the emotions likeable characters too. Like it couldn’t make Anger as an abusive brute or Sadness into a manic depressant. C’mon, this is a family film for people to enjoy rather than see characters that cut deep. I’ll admit I did find the story rather confusing at first. However it starts to make more sense over time long after you leave the theatre. Inside Out is like a lot of Pixar movies where the focus is more on the story or the world rather than it being too character-driven or too entertainment-driven. That’s how Pixar has created some of the best animated movies of the past 20 years and that’s how they succeed here again.

Inside Out isn’t simply another charming animated story from Pixar but an escape to a world that will leave you dazzled. The ending will even get you thinking you have five characters in your head just like them!

The Minions movie is about Stuart, Kevin and Bob searching for a master of evil to serve.

The Minions movie is about Stuart, Kevin and Bob searching for a master of evil to serve.

MINIONS

Without a doubt, this decade’s top movie stars are not of flesh and blood but yellow and pill-shaped. Yes, the Minions who have been the aces at stealing the show from Gru in all the Despicable Me movies. Their popularity over time made the possibility of their own movie eventual. However it was to be a big question of The Minions Movie. Yes, they can steal the show from Gru but can the hold their own? Or will people become sick of an hour and a half of Minions?

Firstly in order to do a 90 minute-long film about Minions, one should have a solid but entertaining story to go with it. Interestingly enough they didn’t pick Despicable Me writers Cinco Paul and Ken Daurio to write the story. It went to newcomer Brian Lynch who actually wrote for the Minions Mayhem short three years ago. Despicable Me co-director Pierre Coffin returns to direct this but his co-director this time is Kyle Balda, who co-directed The Lorax with Despicable Me co-director Chris Renaud. Renaud is Executive Producer of the Minions movie. Hmmm, looks like Pixar’s not the only animation team in town.

The story does seem a bit formulaic as they try to look for a master of evil to serve. The master they think they found turning on them isn’t that original either. Even the ending where they eventually find themselves the master of Gru was not unexpected. The strength of the story was for it to have a decent plot but put major emphasis on the entertainment factor. Let’s face it, people are in love with the Minion characters. If one writes a story that’s very plot-centred like most Pixar movies, the flavor of the Minion characters would be lost. People love the goofy nature of the Minions. They story could not be two plot-centred if the Minions had to have their hyper but cute charm maintained.

Nevertheless they had to have a good story not just to keep it going to a feature-length but to entertain as well. That was achieved well with the story of Scarlet Overkill having them under their wing. Sandra Bullock made Scarlet fun to watch. Even if you knew the Minions would turn out okay with whatever Scarlet plotted against them, the movie still kept you wondering and hoping that they’d come out alright.

I give the writers and directors credit to writing and directing an entertainingly good story of how the Minions found Gru. However like most other movies, I usually question the choices made or if it could have been done better. Sometimes I wonder was it a good idea to pick three Minion characters as the lead Minions instead of maybe more? Was there too little time spent on how they met Gru at the end? Was Bob more idiotic than he should be? Actually I can’t really judge because I’m not a Hollywood writer. However I do feel that the ‘Hair’ number shouldn’t have been the only Minion musical number.

Minions is a mission accomplished: making a feature-length film of the top scene stealers in Hollywood right now. However it is imperfect and can make some people think it could have been done better.

As for the two movies, they both turned out to be the two biggest money makers of the year. Sure, Jurassic World is #1 but both are comfortably in this year’s Top 5 with Inside Out grossing $352.8 million and Minions grossing $332.8 million. It looks like animated movies are among the strongest films out there right now. Often they’re better at making favorite characters than most live-action movies. What Pixar and the other animation teams have up their sleeves has yet to be seen.

Inside Out and Minions are two of the biggest winners of the summer. they not only entertained but they also showed why animated movies are one of the tour de forces in moviemaking right now.

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Triple Movie Review: Trainwreck, Vacation and Me And Earl And The Dying Girl

Okay, I said I’d do double-movie reviews reflecting a common theme. I actually would like to try something different: a triple-movie review. All three are comedies from this summer. All had a pre-opening buzz to them and all had mixed results. I know summer’s long over but I don’t mind publishing this now as this is more of a movie ‘summary than a movie review.

Amy Schumer and Bill Hader star as an unlikely couple in the unlikely romantic comedy Trainwreck.

Amy Schumer and Bill Hader star as an unlikely couple in the unlikely romantic comedy Trainwreck.

Trainwreck

Okay. I’ll start with a film that had medium-sized buzz. The film featured a rising comedic talent named Amy Schumer who also wrote the script. The film was directed by Judd Apatow who has delivered some of the best comedies in the last 10 years like the 40 Year-Old Virgin, Knocked Up and Bridesmaids. Here he and Amy both deliver the best comedy of the summer.

Part of it was giving it a common situation of the offspring of negligent parents. One daughter, Kim,  has things together and is making the effort to make a family. The other, Amy who is actually the prime source of the film’s humor, is a successful writer but lives irresponsibly and has a negative outlook on just about everything and everyone. Much like her father. That explains why she writes for a magazine an awful lot like Maxim. The humor comes when her attitude and habits are challenged with the situations she encounters and meets Mr. Right as the subject of her latest article.

A lot of it is Judd’s direction but a lot of it is Amy’s humor. Amy is a comedian who is not afraid to play idiotic women. Here Amy shows a character that has been devastated by a divorce in her childhood and never picked herself up. Her father said at the divorce “Monogamy’s not possible.” Here she lives it for herself and feels all the guys in her life have the same attitude. Even before she meets Dr. Aaron Connors, she gets a wake-up call from an athlete she has a one-night-stand with. She tells him banging every girl in the world is every guy’s dream but the athlete tells her “It’s not mine.” That was the first sign she needed changing but she was afraid to do it. It’s the encounter of Aaron that changes her but with difficulty as she still hangs on to her bad habits like drinking, toking up and fooling around.

It’s not just about the main situations in Amy Townsend’s path to love that make the story. There’s some unexpected humor too. There’s the feisty father in a nursing home. Then there’s his funeral where Amy starts the eulogy with “My father was an asshole,” but ends with “My father was the best father ever.” I’ve never seen a eulogy like that. There’s the addition of the homeless man Amy occasionally sees on the streets daily. The crude humor from the man blends in with the story well. There’s Amy’s relationship with her sister Kim’s step-family whom she doesn’t take to well, especially her socially awkward step-nephew Allister. There’s even the inclusion of pro-athletes in the movie that helps make the story that more fun. Hey, Amare Stoudemire isn’t the only one in there.

Amy is not the comedic performance to make the film. Colin Quinn adds his bit in as the irresponsible father whom Amy seems to model her own life with. He’s a father feisty to the end. Bill Hader was a good choice for playing the doctor and the love interest of Amy. However it was odd to see Bill play a character that was low-key in terms of comedy. I’ve seen him do more outlandish stuff in the past. I think he wanted to play it conservative here. Brie Larson was also good as Kim, the sister who has it together. Tilda Swinton was also good at playing the cold boss of Amy’s, Dianna. Makes you wonder who the brains behind all these men’s magazines are. Additional humor was added from Dave Attell as Noam, the homeless guy who Amy’s generous to.

Trainwreck is a rarity. A comedy that pulls the right kind of punches, delivers the right kind of shock without becoming too clumsy and sticks to its situation and characters. It also propels Amy Schumer to be a rising comedic talent for the future. My fav comedy of the summer. besides I like awkward romances.

Me Earl DyingMe And Earl And The Dying Girl

Me And Earl And The Dying Girl sounds like an awkward title. Even shocking. But the story actually turns out to be good if you give it a chance. This film won a comedic film award this year’s Sundance Film Fest.

The story is centered around Greg Gaines, a high school senior in Pittsburgh on the verge of graduating and heading to college. However he’s frustrated about what he wants to do with the rest of his life. Adding to the frustration is a mother who comes across as a ‘nagging machine,’ teachers who put pressure on him and the various cliques of students from the jocks to the drama dweebs to the loner freaks to his long time crush. Already that is one humorous element of the film. Senior year, the pressures to graduate and go to college, and the difficulty of fitting in with the other students. Funny how those of us long graduated can identify and laugh at the difficulties Greg is going through. Because we’ve all been there!

It’s not just about fitting in. It also included his friendship with Earl: a childhood friend whom Greg makes films with together. Humorous short films often relying on goofy and even crude humor.

The film’s humor isn’t just in things we can identify with but also in unusual situations. There’s Rachel, who learns she has leukemia. I’m sure all of us knew a kid in our high school days who had to fight cancer. However Greg is compelled to befriend her just to stop his mother from nagging. Over time we see the friendship grow from something Greg is forced to do into something real.

The film shows the positive aspects in the friendship between Greg and Rachel, Greg and Earl, and Greg, Earl and Rachel. Nevertheless the friendships do face a challenge as Rachel’s’ condition worsens and she decides to take herself off the medicine. That leads to a boiling point between the two that also leads to the end (albeit temporary) to the friendship of Greg and Earl as well as Greg being confronted by the fact his college acceptance had been declined because he spent too much time with Rachel.

I guess that’s what the film’s best attribute is. The film’s best quality is Greg’s situations resembling situations most of us all went through when we were 17 where we’d try to fit into school, try to decide what to do with our lives and try to make the best of situations. Even situations many of us don’t normally go through like befriending a cancer patient didn’t appear to deviate too much from our own lives.

It’s not to say it was all humorous. The scene where Rachel blurts out the hard truth about Greg befriending Rachel reminds us of how at 17 we would inhesitantly say brutal truths to people we either loved or hated out of our moods. Even the friction between Greg and Earl brings back ugly memories of us.

This was a very good comedy based off the book from Jesse Andrews with Alfonso Gomez-Rejon directing. They do a good job of creating a dark comedy of a high school scenario most of us can relate to with a twist. Befriending the terminally-ill Rachel was intended to be more humorous than tragic and I feel it hit a lot of right spots even when it didn’t compromise some of the more difficult elements. The friendship of Earl was also given good attention instead of having Earl be the ‘token black guy’ like in so many indie movies. Earl had a significant part in this movie.

The acting itself also made the movie. Thomas Mann did a very good job of playing a frustrated teenager who had a lot of growing up to do and achieved a lot of it in the span of a school year. Olivia Cooke did well as Rachel by making her look like a person trying to stay positive despite her terminal illness but imperfectly being the teenager she is. Ronald Cyler II is also good as the no-nonsense Earl who is a good friend but isn’t afraid to be brutally honest with Greg.

Me And Earl And The Dying Girl is a dark comedy full of ironies. It tries to make humor out of a tragedy in the middle of your typical teenage drama. It appears to have made the right moves.

VacationVacation

Even before Vacation hit theaters, even before I saw the trailer, I questioned whether this was a good idea. Seeing the trailer worsened my perception of the movie. However seeing it for myself convinced me this was the biggest waste of money I did this summer.

The film first seems like a good concept: Rusty Griswold, married with children now wants to take his own family to WalleyWorld. However it’s all downhill from here. The biggest faults come from writers/directors Jonathan Goldstein and John Francis Daley. They take the Vacation movie formula and appear to have sabotage it with the lewdest, rudest, crudest humor you can come up with. There were many scenes I found hard to watch. Add to the mix unlikeable characters for Kevin Griswold as the foul-mouthed jerk of a younger son and James Griswold as the weenie of an older son and of course Rusty which I will get to later. Even Debbie Griswold was a turn-off with some of her stupidity.

Another big fault was the super-stocky character of Rusty Griswold delivered by Ed Helms. I’ve seen Ed do funnier stuff such as in the first Hangover when he did a more reserved character. I also saw him do a funny stock character as the idiotic kingpin in We’re The Millers. Here, his stocky character of Rusty Griswold was a complete miss. Just completely unfunny from the dialogue he’s given to the stocky delivery. He comes across looking idiotic. You’ll notice it at the beginning when he does his pilot job. You’ll get a bigger sense soon after when he talks to his sons about ‘boys having a vagina.’ Yes, sensing trouble that soon in the movie.

However the biggest thing that annoys me about Ed Helms’ performance is that he sabotages the role of Rusty. I’ve seen the other vacation movies and Rusty appeared to have a head on his shoulders. Even his stupidities in the other Vacation movies weren’t as different from the stupidities of other boys his age. Here, it gives the impression that Rusty went stupid overnight: even stupider than Clark ever was. There were even many times I left the theatre thinking this this may not have intended to be a movie of the Vacation series but an Ed Helms movie instead.

And since we’re on the topic of the Vacation series, the film gives the appearance near the end that it’s trying to have the ‘passing of the torch’ of the Vacation series from Clark to Rusty. Yes, that scene where Rusty is given Clark’s station wagon form the original 1983 National Lampoon’s Vacation while Russ and the fam stay at Clark and Ellen’s B&B in San Francisco with an appearance from Clark and Ellen themselves: Chevy Chase and Beverly D’Angelo. The whole movie from start to finish and Ed Helms’ irritating acting shows it’s unworthy of such a passing of the torch.’ It has no feel of the other Vacation movies and often feels like it’s going for the shock laughs and fails miserably.

I will admit there was a scene or two I found with a decent amount of humor like the four cops from the four states at ‘Four States Corner.’ However most of the time it feels like the humor is there to disgust us or make us sick rather than play into the movie. Don’t get me wrong. I’ve seen mean-spirited, punch-below-the-belt humor done well but that’s something the likes of the South Park duo or Seth MacFarlane know how to ace and all those involved with Vacation fail consistently.

Vacation appears like it’s trying to do a lot of things. Try to be the latest in the vacation series, try to propel Ed Helms’ stardom or try to ‘entertain’ us with shock humor. Whatever it tries to do, it fails in every which way.

In conclusion, Trainwreck was the surprise comedic delight of the summer, Me and Earl And The Dying Girl was the offbeat comedy of the summer and Vacation was the comedy fail of the summer. There you go for summer comedies.