Tag Archives: Inside

My Top 10 Movies of 2015

Yep, it’s that time when I publish my opinions on what were the top movies and films of the year. 2015 was a better year than 2014 in many ways. It gave people lots of reasons to go see a movie. It also gave a lot of good quality films as well. Basically the year gave a lot to be admired. It also helped the film industry breathe a sigh of relief as they may have felt that they were losing crowds because of new media forms.

Nope, people still like going to the cinema to see a movie. And 2015 gave lots of good reasons from your typical superhero movies to the return of a maverick series to a sci-fi film that came from nowhere to amaze people to a film that will infuriate you over bankers to a bear attack for the ages.

So without further ado, here are my Top 10 films of 2015:

Big Short

  1. The Big Short
  2. Mad Max: Fury Road
  3. Ex Machina
  4. Bridge of Spies
  5. The Revenant
  6. Spotlight
  7. Room
  8. Straight Outta Compton
  9. Carol
  10. Inside Out

Honorable Mention:

  • The Hateful Eight
  • Brooklyn
  • Star Wars: The Force Awakens
  • Love and Mercy
  • Anomalisa

And there you have it. My Top 10 films of 2015. For my past lists, just click on the links below:

 

Advertisements

2015 Box Office: On Pace To A Record Year

Movie (640x306)Usually during the year, I do a lot of focus on the box office and how it’s doing. This year I’ve been involved with so many other blogs, I’ve been distracted from it. However with only two months to go, I decided to do a focus on the box office of 2015 and boy has it been bustling!

Once again, I thank Box Office Mojo for all the monthly details.

The $405 million of January 2015 was not a record breaker but it was almost $20 million higher than January of 2014. They year started with the continuation of the success of the last Hobbit movie leading into Taken 3 and the monstrously successful American Sniper which had four #1 weekends.

February 2015 was a rather dull month with the successes of the SpongeBob movie, Focus and the critically panned 50 Shades Of Gray. The box office didn’t even hurt that much as its $711.1 million in February was only $1 million less than the previous year.

The $858 million of March 2015 was not the highest-grossing March by far but it outdid March 2014 by $17.2 million. The box office saw the #1 spot with a variety of movies and movie styles like Cinderella, Chappie, Focus, Insurgent and Home.

The $639 million of April 2015 was not only more than $100 million less than the gross of April 2014 but it lost whatever gains 2015 had accumulated over 2014 and sent it at least $60 million behind pace. Basically Furious 7 was not only the biggest thing that month but pretty much the only happening thing that month.

The summer season began in May on a questionable note as well with $1.182 billion. That was more than $50 million less than May of 2014. Sure, The Avengers: Age Of Ultron grossed enough to be one of the Top 10 highest grossing movies ever but most of the other movies did not perform as well despite pushes from Pitch Perfect and Tomorrowland. Even Mad Max: Fury Road and San Andreas didn’t perform well enough for the May to overtake last year’s May.

Leading into June 2015, trailing last year’s box office by $100 million seemed like a lot of ground to make up at first until the monster success of Jurassic World helped that along with strong openings from Inside Out, Spy and Ted 2. Three box office records were set this June. Two were by Jurassic World for highest opening-weekend gross of $208 million and highest non-opening weekend gross of $106.6 million. I believe that’s the first time a movie grossed more than $100 million in a weekend that wasn’t their opener. Also that weekend, Inside Out opened at $90.4 million making it the biggest opening weekend gross for a movie not at #1 for the weekend. June 2015 ended $1.378 billion, way more than the $997 million of June 2014 and putting 2015 back into pace of setting an annual box office record.

July 2015 continued outgrossing the year before with $1.293 billion: almost half a billion more than July of 2014. Keep in mind the June and July of 2014 were the first months in years to gross under a billion. You can imagine how much of an upper the summer of 2015 was. The month began with Inside Out finally taking #1 and releases like Ant-Man, Minions, and Mission Impossible: Rogue Nation pumping in that energy.

Box Office Mojo doesn’t have an exact total for August 2015. They have it at $546.5 million which is noticeably off if you look over the weekly charts of that month. One thing is sure and that August 2015 was less than the $1 billion made in August 2014. M.I.: Rogue Nation continued its reign at the top at the beginning of the month but the month delivered the summer’s biggest surprise hit in Straight Outta Compton. It’s safe to assume August 2015 made at least $700 million.

September is traditionally the quietest month of the movie calendar especially since the summer months went for it and now people are returning back to either work or their schools. This September set a record for September’s total gross: $690.5 million. You could tell the month gave a lot for moviegoers to see in September such as War Room, The Perfect Guy, Maze Runner 2 and Hotel Transylvania 2.

October 2015 is another month Box Office Mojo hasn’t totaled correctly. They have it at $550.1 million although it should be totaled around $700 million. Still it’s less than October 2014. This October was dominated by The Martian that was at the top all but one weekend which was taken over by Goosebumps.

November hasn’t ended yet so it’s too soon to tell if the total will outdo November 2015. This November’s tour de forces were The Peanuts Movie, Spectre and Mockingjay Part 2 which just opened surprisingly lower than expected. Next weekend will be Thanksgiving weekend and there’s a lot of promise for movies like The Good Dinosaur, Creed and Victor Frankenstein. December also has a lot of movies with buzz like Christmas Eve, MI: 5, In The Heart Of The Sea, The Big Short, Star Wars: The Force Awakens, Sisters, Joy, the latest Chipmunks movie and The Hateful Eight.

I will admit there’s no guarantee that 2015 will set a new box office record–that will be decided at the very end of the year– but its chances are good. Anyways stay tuned. And go out and see a movie.

Double Movie Review: Inside Out and The Minions Movie

You saw I did a triple-movie review yesterday. That’s what I plan to do as far as reviewing summer movies. Review two or three summer movies that are in the same genre. Yesterday was a review of three summer comedies. Today is the review of the two hit animated movies of the summer: Inside Out and The Minions Movie. Both were two of the biggest hit movies this 2015 and both were different but both also had their own qualities.

Inside Out features five characters of human feelings and takes one to an amazing world of the subconscious.

Inside Out features five characters of human feelings and takes one to an amazing world of the subconscious.

INSIDE OUT

This is actually Pixar’s first original movie since Brave. It’s been awhile and it was commonly assumed that the buzz of Pixar–the buzz of quality and creativity–was fading with movies like Cars 2 and Planes. They also had to face the fact in recent years they were no longer alone at the top with Illumination Entertainment emerging and Walt Disney Studios returning to their winning ways. However Pixar did come back with a vengeance this year with Inside Out.

Pixar went once again to its dream team with Up director Pete Docter doing the direction as well as co-writing the script with Josh Cooley and Meg Le Fauve. Michael Giacchino returns to do the music and vocal talent comes from the likes of Amy Poehler, Lewis Black, Diane Lane, Bill Hader and John Ratzenberger.

The biggest achievement of the film is that it doesn’t just simply deliver a great story that can keep the audience intrigued but it creates a unique and dazzling world of the human mind. Here they invented the world of the human brain called Headquarters, creates characters related to human emotions, creates a system where emotions are delivered by Headquarters subconsciously via a control console that any of the five emotions can control, has memories kept in colored orbs in its own storage system and has islands that reflect the most dominant aspects of a person’s personality connected by the train of thought which is an actual locomotive.

That already looks like creative stuff on pen and paper. However it took Pixar’s animators to make this world come alive. If you’ve seen Inside Out, you too would be dazzled to see the world inside the mind of Riley Anderson, the main character. It’s one thing to think up this world. It’s another thing to have this world come alive on screen and be good enough to dazzle and even mesmerize the audience. Were you mesmerized? I was.

However despite the mesmerizing world, it still had to have a solid and entertaining story to go with it. The story consists of five characters representing the five core emotions. Those emotional characters are inside the mind of Riley Anderson: a hockey-loving 11 year-old girl who is trying to adjust to a move from Minnesota to San Francisco. Promising enough. However it also took the right juggling of the story to go from focus on Riley to focus on the emotions and their world inside Riley’s head. It was a balancing act.

The story had to make Riley a likeable and identifiable character. It also had to make the emotions likeable characters too. Like it couldn’t make Anger as an abusive brute or Sadness into a manic depressant. C’mon, this is a family film for people to enjoy rather than see characters that cut deep. I’ll admit I did find the story rather confusing at first. However it starts to make more sense over time long after you leave the theatre. Inside Out is like a lot of Pixar movies where the focus is more on the story or the world rather than it being too character-driven or too entertainment-driven. That’s how Pixar has created some of the best animated movies of the past 20 years and that’s how they succeed here again.

Inside Out isn’t simply another charming animated story from Pixar but an escape to a world that will leave you dazzled. The ending will even get you thinking you have five characters in your head just like them!

The Minions movie is about Stuart, Kevin and Bob searching for a master of evil to serve.

The Minions movie is about Stuart, Kevin and Bob searching for a master of evil to serve.

MINIONS

Without a doubt, this decade’s top movie stars are not of flesh and blood but yellow and pill-shaped. Yes, the Minions who have been the aces at stealing the show from Gru in all the Despicable Me movies. Their popularity over time made the possibility of their own movie eventual. However it was to be a big question of The Minions Movie. Yes, they can steal the show from Gru but can the hold their own? Or will people become sick of an hour and a half of Minions?

Firstly in order to do a 90 minute-long film about Minions, one should have a solid but entertaining story to go with it. Interestingly enough they didn’t pick Despicable Me writers Cinco Paul and Ken Daurio to write the story. It went to newcomer Brian Lynch who actually wrote for the Minions Mayhem short three years ago. Despicable Me co-director Pierre Coffin returns to direct this but his co-director this time is Kyle Balda, who co-directed The Lorax with Despicable Me co-director Chris Renaud. Renaud is Executive Producer of the Minions movie. Hmmm, looks like Pixar’s not the only animation team in town.

The story does seem a bit formulaic as they try to look for a master of evil to serve. The master they think they found turning on them isn’t that original either. Even the ending where they eventually find themselves the master of Gru was not unexpected. The strength of the story was for it to have a decent plot but put major emphasis on the entertainment factor. Let’s face it, people are in love with the Minion characters. If one writes a story that’s very plot-centred like most Pixar movies, the flavor of the Minion characters would be lost. People love the goofy nature of the Minions. They story could not be two plot-centred if the Minions had to have their hyper but cute charm maintained.

Nevertheless they had to have a good story not just to keep it going to a feature-length but to entertain as well. That was achieved well with the story of Scarlet Overkill having them under their wing. Sandra Bullock made Scarlet fun to watch. Even if you knew the Minions would turn out okay with whatever Scarlet plotted against them, the movie still kept you wondering and hoping that they’d come out alright.

I give the writers and directors credit to writing and directing an entertainingly good story of how the Minions found Gru. However like most other movies, I usually question the choices made or if it could have been done better. Sometimes I wonder was it a good idea to pick three Minion characters as the lead Minions instead of maybe more? Was there too little time spent on how they met Gru at the end? Was Bob more idiotic than he should be? Actually I can’t really judge because I’m not a Hollywood writer. However I do feel that the ‘Hair’ number shouldn’t have been the only Minion musical number.

Minions is a mission accomplished: making a feature-length film of the top scene stealers in Hollywood right now. However it is imperfect and can make some people think it could have been done better.

As for the two movies, they both turned out to be the two biggest money makers of the year. Sure, Jurassic World is #1 but both are comfortably in this year’s Top 5 with Inside Out grossing $352.8 million and Minions grossing $332.8 million. It looks like animated movies are among the strongest films out there right now. Often they’re better at making favorite characters than most live-action movies. What Pixar and the other animation teams have up their sleeves has yet to be seen.

Inside Out and Minions are two of the biggest winners of the summer. they not only entertained but they also showed why animated movies are one of the tour de forces in moviemaking right now.