Three Billboards Outside Ebbing, Missouri is a film that has got a lot of people talking since its release. Talk is of its unique story line, but also of its themes.
The film begins seven months after a teenager from Ebbing, Missouri named Angela Hayes was brutally raped and murdered. The case remains unsolved. Mother Mildred Hayes goes to the office of businessman Red Welby to rent three billboards outside her home and unused for 30 years to post a message directed to the police of Ebbing, especially officer Willoughby, advertising what she sees of a lack of action. She isn’t even afraid to be interviewed by the media where she doesn’t hesitate to mention the negative treatment of African Americans by the police.
This hits the police hard. Chief Willoughby is angry about this, but sympathetic to her situation as DNA tests failed to result in a lead. Officer Jason Dixon is a lot more hostile as he goes about angrily arguing with Mildred, threatening Red, and even arresting Mildred’s African American co-worker from her shop on suspicious marijuana charges. Dixon is the cop in ebbing who has been acting the most hostile to African Americans.
Outside the police, the hype surrounding the billboards creates a lot of heated discussion throughout the town. Many throughout the town find it insensitive as Willoughby is battling terminal pancreas cancer. Robbie is upset about it, especially since it made him a victim of harassment at school. Her ex-husband Charlie, who’s currently dating a 19 year-old named Penelope, even visits and violently blames her for Angela’s death.
Nevertheless Mildred stays firm, even despite knowing she can expect violence any minute. Mildred even receives a surprise when she learned an anonymous person gave her money to keep the signs active for another month. Her dentist makes mention that he heard the story, but she impulsively reacts by using his dental drill on his fingernail. Chief Willoughby brings her into questioning after the incident, but accidentally coughs up blood on her. It’s obvious his cancer is getting worse and he will die very soon. Willoughby is to be in the hospital for a set period of time, but leaves early despite doctor’s demands. Willoughby sets out to the lake to have an idyllic day with his wife Anne and two daughters. The next day, he commits suicide, leaving behind suicide notes for Anne, Mildred and Jason.
The police react with hurt over Willoughby’s death. A male customer in Mildred’s store reacts angrily over his death and even threatens her. Jason reacts to his death by assaulting Red in his office and even throwing him out of the window. This is all witnessed by Ebbing’s new chief of police, who happens to be black. On his first day, the new Chief fires Dixon. Dixon however does not return his badge, claiming it’s missing. Right after Anne reads her suicide note, she angrily hands Mildred her note. Willoughby tells her she’s not responsible for his death and he’s the one who paid for the extra month, admiring her stunt and wishing her justice in the future. Shortly after, the billboards are set ablaze.
Jason learns he has a note from Willoughby waiting at the police office. He goes during a night during the closed hours. Willoughby writes he thinks Dixon would make a great detective as long as he learns to slow down, think and not react so hostile. Mildred reacts to the sign burning by burning the police office, believing it to be closed and no one there. Right in the blaze, Dixon comes falling out of the building in from of Mildred with the suicide note and the Angela Hayes case in his hands. Dixon is hospitalized for his burns in the same room as Red, recovering from Dixon’s assault. Dixon apologizes.
After Dixon is released, he goes into a bar. He comes across the male customer who threatened Mildred. What catches his ear is that he brags about an incident similar to the Angela Hayes murder. Dixon gets into a brawl with him, but only to use the brawl as opportunity to gather DNA evidence for the Angela Hayes case, as well as his Idaho license place number. He even phones Mildred to inform her. However the DNA results prove unsuccessful and that the man was an armed forces officer overseas at the time. To which, Dixon returns his badge.
After an unsuccessful date with James, who witnessed Mildred torch the police officer and cover her up, Mildred sees Charlie on a date with Penelope and even learned he was the one who burned the signs. Mildred gives him a bottle of champagne and tells him to treat her well. The film ends in a way one doesn’t expect and even leaves one questioning.
The thing about this film is that the audience will expect the film to be about something and for it to end in a certain way, but it doesn’t. Most of you probably expect this film to be like a crime story where those billboards succeed in bringing Angela Hayes’ killer to justice, but it ends in a completely different way. The film may be about the themes you think it’s about, but its main theme appears to be something else. Yes, there’s the theme of racism in there. We see that even in the name of racist officer Jason Dixon; possibly a reference to the Mason/Dixon line under which Missouri was a ‘slave state.’ Sure, there’s the theme of police brutality and how they sometimes act before they think, especially in Ebbing as we witness. However the film is a lot more. The film has themes about stories and truths. There are the stories we hear, the ‘truths’ we assume, and what is the real story. We see that in the town of Ebbing, Missouri, we see it in the individual residents, we see it in people’s family members, we see it in their police force, and we see that in the media team filming story after story.
I feel the biggest theme of the film had to be about two people who were polar opposites that somehow found themselves coming together at the end as they’re both fighting their personal demons: demons they both had in common and their own personal demons.
The first demon is their impulsiveness. Mildred Hayes is a mother angry because of what she sees as justice denied. She wants her daughter’s murder solved and hopes those three billboards will be the trick to do it. She appears ignorant towards how her son Robbie feels about the issue and is ignorant over his hurt and depression. Mildred is a woman fast on the draw with what she says and fast on the draw for the way she reacts. We learn how impulsive a person she is when she impulsively attacks her dentist just by simply mentioning he learned of the story. He didn’t voice support for it or show anger for it. He just mentioned it and that’s all it took for her to drill that hole in his fingernail. We also see her impulsiveness as the billboards are set ablaze right after Chief Willoughby’s death and she rushes out to put out the flames. The sign company would later fix the signs as it was part of her policy. Jason Dixon’s impulsiveness and acting before he thinks is also a problem. He feels that using brute force or use arrests to look menacing would get justice done. His violence even becomes a case of revenge on Red Welby. He doesn’t hesitate to use his racism when carrying out his police ‘efforts.’ This all makes the police unit of Ebbing look bad.
Both also had their own separate demons. Jason had his racism problem. It’s evident as he lives with his mother who also has a racist attitude. It’s obvious where he learned to be bigoted. Mildred also had her problem with her family life. She had just gone through a divorce with her abusive husband and is trying to live life again despite everything. Her ex-husband has not lost his abusive ways despite the divorce and even while he’s dating a woman half his age. There’s even the memory of the last words she said to her daughter. Words of anger: “I hope you get raped!” And it happened as she was murdered. Maybe it’s her own personal blame.
The most bizarre thing is that Chief Willoughby eventually ends up being the mediator between the two and hit was his suicide that would lead the two onto their meeting and their eventual road to healing. However it was not without its friction immediately after. First came the hate from the male customer to Mildred , then Jason assaulting Red Welby witnessed by the new Chief of Police, then Jason’s firing and finally the billboards being torched. It was through the suicide notes to Mildred and Jason that we all learn what really happened despite what everyone else thought. It’s that scene when Jason comes out of the burning police building in from of Mildred holding the Angela Hayes file for protection that it was a turning point for the behavior of both. The film does a very good job of placement of both the main characters and the events. That scene where Jason is in the hospital recovering from his burns in the same room as Red especially serves as a scene of the main characters knowing they need to change.
One of the top qualities of a film is delivering an ending of a film that the audience doesn’t expect or anticipate, but turns out to be right. We all thought that Mildred’s hopeless date with James would end up in a brawl with Charlie just after Mildred buys the bottle of champagne. Admit it! We all thought she’d smash it across his head! Instead she gives it to him and tells him to treat Penelope well. A sign of her personal changes. Most of us all thought that Jason’s evidence he collected from the brawl with that customer would lead to Angela Hayes’ killer being identified, but it doesn’t. It shows how Jason has become a person who now thinks before he acts, but not the result we hoped for. Even that common plotline in police movies where a cop saves the day after losing his job gets defeated there too.
SPOILER ALERT – Do Not Read This Paragraph If You Don’t Want To Know The Ending: That end-scene where we see Mildred and Jason in the same car on their vigilante mission against that man will surprise a lot of people and even ask “That’s it?” I even thought that too. However it does seem appropriate as it’s a case of two impulsive people who were two polar opposites and even at each other’s throats find themselves together as allies. It even makes one wonder if the ‘abrupt’ ending was the right decision. However I constantly remind myself of what Sean Penn said many years ago: “Movies should leave people asking questions rather than give the answers.” Maybe that’s the quality of the ending; get the audience to decide for themselves what happens next.
This film is the best work of writer/director Martin McDonagh. Dark comedies appear to be McDonagh’s expertise as he has delivered before with In Bruges and Seven Psychopaths. Here, McDonagh delivers something I thought would be impossible. I was surprised to learn this is a drama-comedy of a mother trying to get justice for the rape-murder of her daughter. I find nothing funny at all about rape and murder, or even the hurt family members go through. However McDonagh achieved it through clever plotting of the story and the events as well as placing of the humorous dialogue without compromising the drama behind it. He delivers a story that’s very thematic and gets people thinking.
The acting performances definitely boosted the film’s excellence. Frances McDormand’s performance as the protagonist was an excellent mix of both drama and humor. For those who saw her in Fargo, you’ll know she knows how to make that work. That’s where she won her Best Actress Oscar. Her ability in handling a character that’s both dramatic and humorous again shines here and could win her another Oscar. Also Oscar-worthy is Sam Rockwell who plays what first appears to be a stock character of a redneck cop, but later shows his dimension after the later chain of events. Also a standout is Woody Harrelson. He delivers an excellent performance as the cop under fire who handles the billboard situation cooler than Dixon and even uses his suicide as the event to start the resolve. His character even makes the words in his suicide notes sound like poetry. There were also minor supporting performances that stood out and owned the film like Lucas Hedges as the son hurting inside, Caleb Landry Jones as the well-meaning businessman, Peter Dinklage as the man trying to win Mildred despite his hopeless chances, Abbie Cornish as the wife of the chief, and John Hawkes as the abusive ex-husband trying to change.
The film also features a lot of standout technical aspects too. There’s the cinematography from Ben Davis that add to the power of the story. There’s the editing from Jon Gregory that places the chain of events and plotlines together in a creative way. There’s also the addition of music from the mix of classic songs from the 60’s and 70’s to the blending of Carter Burwell’s score in between scenes
Three Billboards Outside Ebbing, Missouri is a film whose best qualities are delivering a story different from what you thought it would end up being. You will appreciate it for being just that.
The VIFF is my best chance to see a Canadian feature film each year. I got my chance with Suck It Up. I’m glad I saw it.
The film begins with Ronnie collapsing by a lawnmower drunk. Ronnie has just lost her older brother Garrett. Faye is in Vancouver having a job interview for a school board job she really wants when she learns the news about Ronnie. Ronnie was her best friend until Faye broke up with Garrett last year. She is encouraged by Ronnie’s guardian aunt and uncle to come over to Calgary. Faye meets with them all and they feel the best way to help Ronnie recuperate is for her and Faye to go someplace for a getaway. Faye decides to go to their old cabin in Invermere.
At first, you think things won’t work. Faye is the cool one under control while Ronnie is outrageous enough to flash her breasts to any car full of guys passing by. Once in Invermere, they try to make themselves comfortable in the cabin. However it seems Ronnie is making herself all too comfortable with every guy she meets up with. Especially this creepy guy names Dale who rubs Faye the wrong way. As Ronnie is getting closer to a guy names Shamus and his freewheeling friends from the bowling alley, Faye meets a guy of her own. His name is Granville. Granville may come across as geeky at first because of his asthma and diabetes, but the two connect as Faye is charmed by his artistic dreaminess.
Things prove too much for Faye as Ronnie’s craziness is cramping her style and her life. Faye tries to have a good time, but can’t deny that she has things to take care of in her life, like a potential job in Vancouver. One day, Ronnie and her friends come after a day of fun and give Faye some lemonade. It’s after Faye drinks it that she finds out it’s laced with MDMA, and just 1/2 an hour before her job interview on Skype! Faye humiliates herself during the interview.
Even though Faye is given a second interview days from now, Faye appears to be the one falling apart now. It’s not just about the interview and dealing with Ronnie. It’s because Faye is having trouble dealing with Garrett’s death. She can’t handle that she didn’t answer the call from Garrett’s phone just hours before he died. She came to Invermere with Garrett’s ashes and two envelopes from Garrett: one for her and one for Ronnie. She open’s Ronnie’s envelope instead. Even hearing info about Garrett from a woman names Alex who works at the town ice cream parlor makes things all that more frustrating for Faye.
Then the two decide to hold a party at the cabin. All of their Invermere friends are invited and they all show up, including shady Dale and his mud-filled inflatable pool for mud wrestling. Ronnie’s in a partying mood but Faye is having issues. It’s still all about Garrett. Spending time with Granville doesn’t make things easier and talking with Alex makes things worse. Then Ronnie films out what Faye did with her letter. She confronts Faye with harsh words about the phone call from Garrett’s phone. This leads to a fist fight where they both end up in the pool of mud. But after that, the two suddenly make peace and resolve all that happened. Even the opened letter. It turns out Garrett was a controlling person in his life and tried to control both of them. Faye and Ronnie pack up with Ronnie being in great spirits and not looking as troubled as she was at the beginning. They promise to get together again soon.
At first, I found this comedy entertaining. Then I did a bit of thinking. This is a kind of comedy that I can see the script working in Hollywood. Have you seen a lot of the Hollywood comedies in theatres now? They’re pretty dreadful, eh? They’re relying too much on jokes with shock value and even lewd or crude one-liners to get a laugh. They make you think they’re that desperate for laughs. This comedy doesn’t need to rely on one-liners or crude jokes. All it has to rely on are the characters and the scenarios to make this work. That’s what made this comedy work. We have a bizarre situation of two friends who are two opposites going away to a resort town to help one recover from her brother’s death. The other friend has unresolved issues over his death too. The mix of the two causes havoc, but it all ends when they get into a fight where they accidentally end up in the mud wrestling pool. Then the friendship is rekindled and they’re both able to make peace with his death. To think Hollywood couldn’t think this up, but Canadians did!
The film is also about ironies. The two girls are complete opposites. You first wonder how on earth they became friends in the first place. You first think Granville is a nerdy guy, but he becomes the perfect one for Faye. There are even times later on when you wonder which of the two are having a harder time dealing with Garrett’s death. It’s the fistfight that becomes the turning point where Faye and Ronnie are finally able to resolve things and go back to being the good friends they were. In the end, both get over his death when they come to terms with what a control freak he was in his lifetime. Even seeing Ronnie toss Garrett’s ashes off a cliff with them still in the jar is a bit of comedic irony too.
One thing about the film is that it doesn’t try to mess with the crowd too much. The subject of death and how Ronnie’s family is full of cancer-related deaths even makes you wonder if this would become a tragedy soon, but it doesn’t. It’s able to take a dark troubling matter and turn it into a good comedy. It also won’t get too manipulative. One thing you’ll notice is that there are no flashbacks to when Garrett was alive, nor are there scenes of Garrett coming from nowhere to talk to either of the two. Another thing about this film is that the story lines are placed out very well. I’ll admit the film starts on a scene that makes you think it could have been given another take, but the film gets better over time and the whole story is kept consistent from start to finish.
This film directed by Jordan Canning and written by Julia Hoff was very well-done and well put-together, even more than most Hollywood comedies nowadays. This is kudos for Julia because this is her first screenplay for a feature-length film. Erin Carter did a great job as Faye and Grace Glowicki was great as Ronnie. The film needed them to be in their characters to make it work, but they were able to keep their roles from being one-dimensional. I addition, they had the right chemistry together to make this story work on screen. Dan Beirne was also very good portraying the misfit Granville who wins Faye’s love. Toby Marks was also great as Alex: the one caught in the middle between Faye and Garrett.
Suck It Up is a Canadian-made comedy that is way better-done than most of today’s Hollywood comedies. It starts out sluggish and even may appear to tread into ‘drama territory’ at times, but it ends on the right note.
Normally I don’t see live-action family movies unless the renown for it catches my eye. In the last three months, there were two that caught my eye: Paddington and Cinderella. I’m glad I had the chance to see them.
For the first time, Paddington Bear comes to the big screen. And in live-action format rather than animation. However this did involve taking some chances. The first chance was making a movie that could entertain today’s children. The second was not having to mess with the Paddington Bear people know and love.
The film does a good job of keeping many aspects of Paddington such as his love of all things British, especially marmalade. The film also does a decent job of not trying to resort to too many cheap laughs like one would come to expect in today’s children’s films. It’s not to say there were some questionable moments, like the scene where Paddington thinks the toothbrushes are ‘earbrushes.’ The film also does a good job in presenting Paddington in today’s world and meeting the Brown family who are actually reluctant to adopt at first.
I give kudos to director/writer Paul King and co-writer Hamish McColl for coming up with a very good adaptation of Paddington Bear into a feature-length film. It was no easy task to make such a film especially when Paddington has resorted to being simple children’s books since the 1950’s. The plot where Paddington boats from Peru to London only to find a cold country, a reluctance to adopt from the Brown family and being pursued by the daughter of a poacher whose goal was to make him hers to kill and stuff worked well to entertain crowds. The inclusion of the effects in the film couldn’t be avoided as nowadays family movies have to have some special effects to win crowds. Even though Paddington wouldn’t be the type of movie for a lot of visual effects, the effects included did things right without messing with the story.
I also give them credit for not messing with the spirit of Paddington whose sweet charm is the reason why he has become one of the most beloved children’s book characters in recent decades. He’s even so beloved in England to the point there’s a bronze statue of Paddington Bear at Paddington Station where he got his name from. I also give them kudos for adding character to the Brown family. They may not be much like the Browns in the Paddington books but the character of the Browns do fit well in the movie.
Just as much deserving of respect are the performances of the actors. Hugh Bonneville and Sally Hawkins did a very good job playing the Brown parents. Madeleine Harris and Samuel Joslin also did well as playing the Brown children. They both played their roles well without being too overly-cutesy. Julie Walters succeeded in stealing scenes as the wise Mrs. Bird. Nicole Kidman also did a good job of playing the evil Millicent Clyde without becoming too hateable. Actually Millicent Clyde was rather entertaining as a villain. Finally Ben Whishaw did a very good voice-over as the voice of Paddington. Paddington needed a sweetness in order to make the story work and Whishaw was the right fit.
Paddington is now out on DVD and BluRay. For those that didn’t see it in theatres, it’s worth seeing. I don’t know if it’s the type of family movie one won’t need to see with a family of their own but it is entertaining and very good quality entertainment.
If you think making a film about Paddington Bear is difficult, try making a live-action version of Cinderella. And knowing that it will be Disney doing the work, you can understand they’d be under a lot of pressure. We’re talking about the film company that made their 1950 animated version a staple into many people’s hearts. So it would not be surprising that there would be a lot of questions surrounding the make of the new live action version. Will it have the same Disney spirit? Will it stray too much from the animated version that lives on in the hearts of millions? Or even the book? How will the sets and costumes be done? And will it entertain crowds of today?
There’s no question that making a live-action version of a fairy tale can be expensive in production. Cinderella wasn’t too expensive to make but $95 million is expensive enough. For a film like Cinderella to work, there’s no question that one of the top aspects to focus on would be the technical areas like set design and costuming. Dante Ferretti was a top choice for set design. We’re talking about a set designer whose works have earned him nine Oscar nominations and three wins for The Aviator, Sweeney Todd and Hugo. Ferretti did not let anyone down. In fact his set designs in all scenes worked perfectly for the movie. It was hard to notice a glitch.
Costumer Sandy Powell was another top pick with loads of cred including ten Oscar nominations and three wins. Here she again adds to the reputation by making costumes perfect not only for Cinderella but for all characters in the movie. My favorite costumes were actually the bratty looking outfits for Drisella and Anastasia. It fit their brattiness perfectly. However Cinderella’s glass slippers really caught my eye. They looked more like crystal slippers. The visual effects team also did a top job in adding the necessary visual effects for the film and giving them the magic that will remind people of the magic Disney movies are famous for. They even succeed in making the mice and lizards human enough without being too ridiculously cartoonish.
Credit should also be given to director Kenneth Branagh and writer Chris Weitz. People easily forget that Branagh is as much of a director as he is an actor directing films from Shakespeare (Henry V) to comedy (Love’s Labor’s Lost) to superhero action flicks (Thor). Now he ventures into the territory of fantasy films. The result is excellent. Just as excellent is the writing from scriptwriter from Chris Weitz. He does a very good adaptation by retaining the spirit of Disney and even including some aspects not included in the original. Actually his writing makes you forget he wrote American Pie!
Despite all those efforts, the success of the movie would have to bow down to the roles being done right. The inclusion of the king, the prince’s father, added to the story as did the appearances of Cinderella’s parents. The characterizations of the mice and lizards were well done and didn’t go over the top or even cheesy. The characters of the two stepsisters were very good depictions. They were nasty and bratty but you’ll actually find yourself laughing at how stupid they are rather than hating them. If there’s one character you will hate, it’s the stepmother Lady Tremaine. Cate Blanchett did an excellent job of depicting Lady Tremaine as both cruel and hurting on the inside to the point she feels she should hurt Cinderella. Her depiction also fits within the common Disney theme of featuring a female villain who’s beautiful rather than ugly. Blanchett’s depiction actually seems more like the queen from Snow White rather than the stepmother of the animated version.
There were some radical choices for character depictions in the movie. The first was the prince as being more of an awkward young adult rather than the flawless Prince Charming we come to expect. Even referring to himself as ‘an apprentice’ during the casual contact with Cinderella is something no one would have expected. The most radical of character depictions has to be Helena Bonham Carter as the fairy godmother. I found it very different to have a clumsy fairy godmother this time around. I wasn’t expecting another fairy godmother that sang ‘Bibbity Bobbity Boo’ but this was way different from what I expected.
Finally I focus on the character of Cinderella. Lily James did a very good job as Ella. She’s already an experienced actress in her native England and she does a very good portrayal here. She portrays Ella as a young woman who doesn’t make having an imagination look like a weakness. We shouldn’t forget her imagination has kept her holding her head high during the toughest of times such as the deaths of her parents and keeps her going strong with her stepmother and stepsisters whom even her father described as ‘trying.’ Hah, ‘trying’ is an understatement! However she does not come across as naive as most would come to expect of her or anyone with an active imagination. In fact it’s the scene where she says to her stepmother: “You were never my mother and you never will be.” shows Cinderella to have more inner strength than most thought.
Focusing on Cinderella lastly seems appropriate because she is essentially the epitome of the theme of the movie. The movie showed two people who had a lot of tragedy in their lives: Cinderella and Lady Tremaine. One was bitter about it. The other did what her mother said: “Have courage and be kind.” Cinderella’s courageous positivity upset Lady Tremaine to the point she had to hurt her however she can. Cinderella stayed strong. There were some points where her courage was tested but she still stayed strong. I guess that’s what this version of Cinderella was trying to say. That staying positive is not being oblivious. That having an imagination is not a weakness. That’s what was not only shown in Cinderella but almost every Disney movie.
Both movies have had their own box office success stories. Cinderella has grossed $197 million in North America and over $500 million worldwide. Paddington was not as big of a hit but it did have its own success with $76 million in North America and $259 million Worldwide. Impressive since it was done with a $55 million budget. The marketers of Paddington did a common job but a smart job in releasing it in most of Europe, South America and Asia first during the latter weeks of 2014 before releasing it in the US on January 16th. That’s a common technique used to plug movies with characters common in European pop culture. They did that with Tintin back in 2012.
Paddington and Cinderella are two family movies that have pleased the critics and will also please audiences alike. Both have what it takes to entertain children but they both also have elements that will please adults.
How many of you are familiar with the Broadway musical Les Miserables? Lots of you, I’m sure. Yes, Les Miserables was the one Broadway musical phenomenon from the 1980’s that could even have Andrew Lloyd Webber looking over his shoulder. When you heard that the musical finally would have a film adaptation, how many of you looked forward to seeing it? I’m sure a lot of you have including me, but does it deliver to movie crowds and especially to fans of the musical?
One thing I’ve learned about hit musicals being adapted to the big screen is that it’s a very tricky job. The whole filmmaking crew has the job of dealing with the fact the fans of the musicals want something that won’t disappoint them. The scriptwriter has the duty to make a script that includes the musical’s most popular songs mixed with the emotions of the characters in each scene. The director has the duty of making the songs, the emotions, the setting and the theme fit into a 2 1/2 hour long movie. The actors have the duty of delivering a performance that’s both believable and entertaining in both their acting and their singing, especially when a camera is filming them up close and it will be seen by all.
For the record, I saw the stage musical when it came to Canada in 1995. Most of the numbers possessed the same energy, spirit and emotion that was present in the stage musical. The only number I thought was lacking the same spirit was “Master Of The House”. That was the one number that had the least spirit and flavor that was present in the musical. Also Gavroche didn’t make that grand of an introduction. I know he does so in the stage musical but he just didn’t seem to grab you attention at the beginning the way he does on stage.
One thing I have to say about the film version is that it gave me a better understanding of what the musical is all about. Back when I first saw it on stage, I didn’t fully understand it. Now that I’m older and my attention span is better, I can understand it’s about redemption and the triumph and trials of justice in a world devoid of morals and justice. It was entertaining to watch on stage but it was through seeing it on film that it’s like a story from a Dickens novel where a man makes a promise to a dying woman and keeps his promise despite his trials and rivals until the end.
We should remember that there are many loyalists of the musical Les Miserables who hold the stage production dearly to themselves. The musical version of the Victor Hugo novel began in Paris in 1980 by Claude-Michel Schonberg and Alain Boulbil and became a musical on Broadway in 1985 thanks to the translations of Herbert Kretzmer. If you remember Broadway back in 1985 there were two types of musicals: those of Andrew Lloyd Webber that go on to charm the word and every other musical. Ever since it’s been released it’s become a huge Broadway phenomenon that could even rival some of Webber’s most legendary musicals. Every city it touched, it drew huge crowds. So you can imagine that when the film version of the musical came out, there would be a lot of pressure placed by fans of the musicals. It’s like that with any musical where loyal fans expect it done excellently if not perfect. There have been many musical adaptations that have been hits and misses in terms of comparing it with the stage play. Chicago and Hairspray are two examples where the film version hit. Rent and Nine are two examples of the film version missing. I myself have seen the stage production. I personally was impressed by it and I don’t see anything that would let anyone loyal to the stage musical down. I feel Tom Hooper and the producers did a very good job with it. I talked earlier about the energy of most of the songs still there. That had to be the best quality in terms of keeping it true.
There has been some flack from Tweeters and some fans of the musical about the use of actors in the movie. You’ve heard the disses: “Actors trying to sing.” I do give them partial credit because many actors had to learn singing for the sake of getting acting jobs in musicals. In fact John Travolta even made it clear after Saturday Night Fever that if you wanted to get acting work in New York, you had to sing, dance and act. Don’t forget that if there were singers in the film, there would be disses like: ‘singers trying to act.’
Anyways getting to the nitty gritty, one can notice those that are able to sing their roles gracefully from the actors just trying to sing. Russell Crowe gave his best effort as Javert but often came across as too forced and sometimes uncomfortable at what he was doing. Eddie Redmayne also didn’t look too comfortable performing as Marius. That’s the risk when you take when you insist on singing your parts instead of ADR. Hugh Jackman did an excellent job not just in singing and acting as Jean Valjean but also for being consistent in having the biggest role in the musical. Anne Hathaway as Fantine was however the best at combining both singing and acting in their role and coming across the most gracefully. In fact it was her performance of “I Dreamed A Dream” that stood out above all others. It’s no surprise to me if she wins the Oscar. The lead actors were not the only ones who impressed. Helena Bonham Carter and Sacha Baron Cohen did a good job in their supporting roles. Daniel Huttlestone was a good scene stealer as Gavroche is supposed to be. If there’s any fresh face that could rival the veterans, it’s Samantha Barks that was excellent in her supporting performance as Eponine.
Tom Hooper was given the difficult task of taking the musical and putting it on screen and he succeeded very well in doing it. William Nicholson also had the challenge of turning the script and songs of the musical and turning it into something for the big screen. He did a very good job of it retaining the spirit of the musical and of the songs. Also noticeable is that there are some scenes of dialogue. The stage musical doesn’t have that. Good to see he added those small parts of dialogue without dulling or upsetting the musical. As I said before, the music was great with Schonberg, Boulbil and Kretzmer even composing a new song ‘Suddenly’. The technical aspects like the sets, costuming, cinematography and sound mixing were also top notch.
Les Miserables finally has its chance to hit the big screen and faced a huge whack of pressures expected on any adaptation of a legendary Broadway musical before opening. The end result is an accomplishment, if not a triumph.
John Carter is not a superhero character invented for a movie. John Carter is actually a protagonist for an 11-volume series of novels by Edgar Rice Burroughs known as the Barsoom series. The first John Carter movie comes courtesy of Disney. Does it deliver?
The movie starts detailing that Mars is a dying planet with warring civilians. The live-action begins with a nephew of John Carter’s learning he’s dead, or maybe he’s not. He’s buried in a mausoleum that can be unlocked by a secret code.
Impressive beginning that leads to the origin of John Carter which actually comes across as too predictable. We learn that John, a citizen of the Confederate state of Virginia, is seen as an outlaw in New York. The opening shtick which leads John being a rebel in New York to being sent to Mars is all too common and formulaic for superheroes to be first learning of their superpowers.
The developing story of how John Carter learns of the race of four armed Martians and of the warring cities of Helium and Zodanga give promise to more climax. Additional climax is possible by possible cease fire if the princess of Helium being offered to marry the Jeddak of Zodanga. Often the quests that lead to battles and even gladiator matches become too predictable to a point. Even the gladiator-like scene looks like it was added in more for the sake of thrills than for the story.
If there’s one place that is out of the ordinary, it’s the ending. At first the triumph of John Carter at the end appears to be the ending but there is a surprise which leads us back to the framing story of John’s nephew that leads to an unexpected ending. That was one part that did impress me.
The problem with the movie is that it shifts too much. We don’t know if John Carter is supposed to be a superhero character or a gladiator-type character. Even seeing how it appears to have borrowed from too many movies also adds to the problem. John Carter landing on Mars appears like many superhero movies when they first learn of their superhuman trait. The gladiator scene comes across too much like Gladiator. There were even times I thought they borrowed a scene or two from Thor. The movie is good in terms of special effects and especially the costuming but its storyline’s confusing in terms of plot and character development. Even the acting appeared one-dimensional because the characters were mostly the stock type that one would come to expect from a superhero movie. They’re there to put on a show but lack depth. The script was what you’d expect for a superhero movie: stagy events thick on emphasizing the drama in the plot and full of high-climax moments but little depth. There was a bit of comic relief with the Martians calling John Carter “Virginia’ but not much else.
In terms of box office, John Carter is not looking all that good. The movie cost $250 million to make. Its opening weekend only amassed $30.2 million. Currently it sits at $62.4 million. It’s questionable how well it will finish. One thing to take into account is the record for the biggest money-losing movie of all time. It belongs to 2002’s Pluto Nash with a loss of $93 million. I hope John Carter doesn’t break that record. Already there’s talk that the movie will lose an additional $100 million it spent on advertising. Overseas things are looking better as it has so far grossed almost $172 million outside the US, according to Box Office Mojo. So all is not lost. Lots but not all. Nevertheless there’s probably no chance for a sequel. A bit of a shame because the ending looked like it was made to be the set up for the beginning of a sequel. Guess not. It’s even questionable whether this will be the star boost for Taylor Kitsch. Maybe his next big movie.
John Carter is an ambitious attempt from Disney at getting a new movie series off the ground but looks like it fell flat. If you’re going to start a movie series, a lot is expected, and it just didn’t deliver.