Tag Archives: Jimmy

My Predictions For The 2017 Oscars

Chocolate Oscar

The Oscars will be awarded Sunday night. Jimmy Kimmel will be back. Last year’s ‘envelope guardians’ from PWC, Brian Cullinan and Martha Ruiz, won’t be for obvious reasons. I’ve seen enough movies and shorts to make up 90 of the nominations here. And to think just before Christmas, the only big-time contender I saw was Dunkirk. Whatever the situation, I succeeded again for the seventeenth year in a row in seeing all of the Best Picture nominees before Oscar night.

And now here are my predictions:

BEST PICTURE WRAP-UP:

Interesting how last year I did ‘summaries’ where I reviewed three in one blog. This time I had the energy to do one blog per film. So here’s my summary. All titles have links to my reviews:

-Call Me By Your Name– This is an excellent story about a love that’s meant to be, but is only temporary. It’s best quality is the story happening in a picturesque background. Excellent film, but I don’t think it has what it takes to win Best Picture.

-Darkest Hour– This is one film that was not considered a huge threat to the Best Picture race, but it did it. It has a lot to admire, especially Oldman’s acting. However I don’t think it has what it takes both as a picture and in terms of campaigning to win.

-DunkirkThis is a film that first appears like it has Best Picture material. This makes for n excellent case, but the script is lacking and there’s no single acting performance that stands out for this year. Excellent film, nevertheless.

-Get OutThis is one of the Top 3 bets for Best Picture. It has a lot of what it takes to win, and especially since this is a come-from-nowhere story. However the Academy has never taken well to horror movies. I think this is the first ever to be nominated for Best Picture? I think the Academy will back off in favor of the ‘other two’ contenders.

-Lady BirdThis is a charmer of a film and one of the more significant films of the year. It’s a film written and directed by a woman and sends the message about how much of an impact women can have in film. Excellent work, but usually the Academy doesn’t normally reward movies where a teenager is the central character.

-Phantom ThreadThis is a film that had the luck of a ‘late surge.’ The film was first seen having its best chances in nominations in Day-Lewis’ acting, Anderson’s writing and Bridges’ costuming. Instead it also acquired Best Picture and Best Director. Very good film, but lacks the muscle of some of the other contenders.

-The PostThis is another excellent Spielberg film. However it doesn’t compare to some of his more legendary works like Schindler’s List or Saving Private Ryan or even E.T.: The Extra-Terrestrial. Not this time Steven.

-The Shape Of WaterThis is the one film of the bunch that I can truly describe as ‘having it all.’ Top acting, top directing, top script, and even a lot of pluses along the way like top set design, excellent costuming, excellent make-up and excellent music. This is my pick for Should Win and Will Win.

-Three Billboards Outside Ebbing, MissouriThis is a film packed with top acting and a top script. I liked it because of its unpredictability. I don’t think it will win Best Picture, but I think this is the film that has the best chances of upsetting The Shape Of Water.

BEST DIRECTOR:

Should Win & Will Win – Guillermo del Toro, The Shape Of Water

How many of you have seen Pan’s Labyrinth? How many of you fell in love with that film? I’m one that has. I’ve been waiting for the longest time for Del Toro to get his acclaim as a director. Finally he gets his chance with The Shape Of Water.

BEST ACTOR:

Should Win and Will Win – Gary Oldman, Darkest Hour

Many people have felt that Gary Oldman is one of the most underrated actors around. He’s given us a lot to appreciate ever since he burst onto the scene with Sid And Nancy. After so long, he finally gets his long overdue respect. And if you saw Darkest Hour, you’d know it’s for all the right reasons.

BEST ACTRESS:

Should Win and Will Win – Frances McDormand, Three Billboards Outside Ebbing, Missouri

Frances knows how to mix the comedic with the dramatic. Those who saw Fargo ought to know. That’s where she won her first Best Actress Oscar. I read that Frances tried to adopt John Wayne as an influence for Mildred Hayes. In retrospect, I think she was dead on! It’s no wonder she’s favored to win her second Oscar here.

BEST SUPPORTING ACTOR:

Should Win and Will Win – Sam Rockwell, Three Billboards Outside Ebbing, Missouri

This year’s favorites for the acting categories are rather predictable. All of them have won the Golden Globe, The SAG and the BAFTA awards. The Oscar is a forgone conclusion. Same here for Sam Rockwell. Nevertheless he is deserving of it as he does some excellent character acting that makes him unrecognizable.

BEST SUPPORTING ACTRESS:

Should Win and Will Win – Allison Janney, I, Tonya

I’m sure all of you can name at least one movie where you saw Allison Janney catch your eye in a supporting role. Primary Colors, American Beauty, Nurse Betty, The Hours, Hairspray, Juno, The Help, The Way Way Back, the list goes on. Even if the role is small, she helps make the movie. Now it’s her turn for Oscar glory, and rightly so. She’ll leave you wondering if the movie’s about Tonya or LaVona.

BEST ORIGINAL SCREENPLAY:

Should Win – Jordan Peele, Get Out

Will Win – Martin McDonagh – Three Billboards Outside Ebbing, Missouri

It’s a tough call between the two scripts. I’d like to see Get Out because everybody loves a come-from-nowhere story. I think it will go to Three Billboards on the strength of it Best Picture buzz.

BEST ADAPTED SCREENPLAY:

Should Win and Will Win – James Ivory, Call Me By Your Name

I can see why it’s so highly acclaimed. It plays out like a lot of European films, even though it’s actually a love story about two Americans in Europe. Nevertheless the best choice in this category.

BEST ANIMATED FEATURE:

Should Win and Will Win: CoCo

2017’s line-up of animated movies really couldn’t compare to that of 2016. We’re talking a year where The Boss Baby was nominated and there was even the mere release of The Emoji Movie! However it’s like they saved the best for the end of the year with Ferdinand, CoCo and Loving Vincent. A lot of people loved the humor of Ferdinand, but I went with CoCo. I always love it when an animated movie takes you to another world, and CoCo is the movie that did it this year.

BEST ART DIRECTION:

Will Win: Paul Denham Austerberry, Shane Vieau and Jeff Melvin, The Shape Of Water

BEST CINEMATOGRAPHY:

Will Win: Roger Deakins, Blade Runner 2049

BEST COSTUME DESIGN:

Will Win: Mark Bridges, Phantom Thread

BEST DOCUMENTARY FEATURE:

Will Win: Faces Places

BEST FILM EDITING:

Will Win: Lee Smith, Dunkirk

BEST FOREIGN LANGUAGE FILM:

Will Win: The Square (Sweden)

BEST MAKEUP AND HAIRSTYLING:

Will Win: Darkest Hour

BEST ORIGINAL SCORE:

Will Win: Alexeandre Desplat, The Shape Of Water

It seems like every time John Williams creates a film score, it gets nominated. Actually his score for The Post–which had bigger nomination expectations than his score for The Last Jedi— didn’t get nominated! That’s odd. I always considered a nomination for John Williams a default. Whatever the situation, Alexandre Desplat looks to be the film composer most poised to be the next great one. He won for The Grand Budapest Hotel and he’s highly likely to do it again.

BEST ORIGINAL SONG:

Should Win & Will Win: ‘Remember Me’ from CoCo

BEST SOUND MIXING:

Will Win: Dunkirk

BEST SOUND EDITING:

Will Win: Dunkirk

BEST VISUAL EFFECTS:

Will Win: Blade Runner 2049

BEST LIVE-ACTION SHORT FILM:

Click here for reviews and predictions.

BEST ANIMATED SHORT FILM:

Click here for reviews and predictions.

BEST DOCUMENTARY SHORT SUBJECT:

Will Win: Edith+Eddie

JUST ONE MORE – TOP OSCAR UPSETS

Here are the five upsets I feel are most likely to occur:

  • Three Billboards wins Best Picture
  • Willem Dafoe wins Best Supporting Actor for The Florida Project
  • Jordan Peele wins Best Original Screenplay for Get Out
  • ‘This Is Me’ from The Greatest Showman wins Best Original Song
  • A Fantastic Woman from Chile wins Best Foreign Language Film

And there you have it. My predictions for this year’s Academy Awards. The 90th edition. I’m expecting them to show a lot of memories of the past. One thing I hope for this year is that they have all their envelopes right. Whatever the situation, it looks to be one entertaining night.

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My Predictions For The 2016 Academy Awards

DISCLAIMER: There was an incomplete post like this yesterday. The reason was I was editing from my smartphone and intended to update the draft, not publish the blog. It published anyways. This blog here is my complete blog for Oscar predictions.

Chocolate Oscar

The Academy Awards are here. I’ve seen enough movies to make up 82 of the nominations this year. It was quite the year with lots to offer and a lot of things that appeared guaranteed weren’t. So without further ado, let’s get on with the predictions:

BEST PICTURE WRAP-UP

You all saw my three summaries of all nine nominees. Doing shorter summaries were better for me this year. Maybe next year I won’t be so busy or have as many ailments. So here goes for predicting the winner:

-Arrival-  This is the first movie about aliens to be nominated for an Oscar. A very smart film that was loaded with buzz when it first came out. However its awards excitement faded over time as did its Best Picture chances.

-Fences- I like it when I see a celebrated play brought to the big screen. Especially around Oscar time. I felt it was done excellently. However it is up in this category against meatier competition. This is one category I think Fences won’t win.

-Hacksaw Ridge- Very rarely does a pro-religion movie have a chance for Best Picture. Hacksaw Ridge is the pro-religion film in the past 15 years most deserving of a nomination. However it does have some formulaic elements that come up every now and then and it has better chances in the technical categories instead of Best Picture.

-Hell Or High Water-  This year’s ‘summer survivor.’ Those like me who missed out on it during the summer missed out on a gem. A crime story that’s funny and entertaining, but smart too. However I’m not too optimistic in its Oscar chances here.

-Hidden Figures- This movie started with very little Oscar buzz at first but it increased as rapport from the film–from both critics and audience alike– grew. It seems like it doesn’t have good chances to win Best Picture but it could pull a surprise. A very slim chance of that but it is likely.

-La La Land- What can I say? People have been embracing it in droves. Why? Because people just really like a good musical? Because of its feel? Because it reminds one of the charm of old Hollywood? Whatever it is, it’s made it the frontrunner that looks hard to beat. That’s why it’s my Will Win pick. the biggest reason why I hope it win is because last year I said: “One more Best Picture winner that fails to gross $100 million and I’m done Oscarwatching.” I don’t know what made me carry on even after Spotlight won– and it didn’t even make $50 million— but La La Land makes me glad I did.

-Lion- I’m no expert in Oscar trivia but I think this is the first Australian film to be nominated for Best Picture, and a deserving nominee. It’s won over everyone I know who has seen it. It may have had better Best Picture chances in another year.

-Manchester By The Sea- This is a film that was loaded with buzz at the beginning of the Oscar race and looked to be the one film that could beat out La La Land. The buzz faded over time, despite how great the film was. May have an outside chance but not too likely.

-Moonlight- This is one film that proves that less is more. Less dialogue, more of a feel of what’s happening. Less showy characters, more knowing who the characters are. Less singing and dancing, more feel for the music in the film. This is the surprise of the Oscar race that was able to let it speak for itself. I know it faces a hell of a fight against La La Land to win Best Picture but I give this my Should Win pick.

BEST DIRECTOR:

Should Win – Barry Jenkins, Moonlight

Will Win – Damien Chazelle, La La Land

I felt that Moonlight is the better picture and Jenkins did an excellent job of directing but I know this is the year of La La Land and it’s Damien Chazelle’s to take.

BEST ACTOR:

Should Win and Will Win – Denzel Washington, Fences

These past two years saw the rise of the #OscarsSoWhite outcry. This year there are seven non-white acting nominees. Denzel may have won twice before but his performance as Troy Maxson has been getting loads of buzz and even surprised favorite Casey Affleck at the SAG Awards. The only way I can see Casey winning instead of Denzel is if the Academy doesn’t want to make this his third Oscar, and it is a possibility.

BEST ACTRESS:

Should Win – Isabelle Huppert, Elle

Will Win – Emma Stone, La La Land

Some are saying that Isabelle Huppert looks to be the biggest threat to Emma Stone’s win. It is a possibility but I think Casey Affleck beating out Denzel appears more likely. It’s Emma’s to lose.

BEST SUPPORTING ACTOR:

Should Win and Will Win – Mahershala Ali, Moonlight

Mahershala Ali may have only been seen in the first part of Moonlight but there was something about his performance of Juan that stood out like no other supporting performance this year. Was it Juan’s charisma? Was it his silent coolness? Whatever it is, it’s what made Mahershala stand out this year among all the supporting actor performances.

BEST SUPPORTING ACTRESS:

Should Win and Will Win – Viola Davis, Fences

What can I say? If there’s anyone who can steal the show from Denzel, it’s Viola Davis. She reminded us very well that Fences wasn’t just about Troy Maxson. It was about Rose too.

BEST ORIGINAL SCREENPLAY:

Should Win – Taylor Sheridan, Hell Or High Water

Will Win – Kenneth Lonergan, Manchester By The Sea

A lot of people are expecting Damien Chazelle to do it again here but I feel that Kenneth Lonergan will take it for one of the best scripts of the year. It was a film that cuts deep and doesn’t water down.

BEST ADAPTED SCREENPLAY:

Should Win and Will Win – Barry Jenkins and Terell Alvin McCraney, Moonlight

It all started with a short story by McCraney, then Jenkins developed a screenplay, and now it’s one of the best of the year. No stopping it.

BEST ANIMATED FEATURE:

Should Win: Kubo And The Two Strings

Will Win: Zootopia

Kubo was the best at taking your imagination away this year. However in comparison to frontrunner Zootopia, it isn’t really all that family friendly and that I believe is where it will hurt it. Zootopia was without a doubt this year’s crowd charmer. Besides this is the one category Disney wants to take year after year.

BEST ART DIRECTION:

Will Win: La La Land

Let’s face it. Any movie that shows off the classic areas in Los Angeles and even meshes it into the present will win this category.

BEST CINEMATOGRAPHY:

Will Win: Linus Sandgren, La La Land

BEST COSTUME DESIGN:

Will Win: Madeline Fontaine, Jackie

BEST DOCUMENTARY FEATURE:

Will Win: O. J. Simpson: Made In America

BEST FILM EDITING:

Will Win: Tom Cross, La La Land

BEST FOREIGN LANGUAGE FILM:

Will Win: The Salesman (Iran)

Salesman director Asghar Farhadi has been the subject of news as it was believed Donald Trump’s travel ban could prevent him from attending the Oscars. Whatever the situation, he boycotted the Oscars in protest of Trump’s policies.

BEST MAKEUP AND HAIRSTYLING:

Will Win: A Man Called Ove

BEST ORIGINAL SCORE:

Will Win: Justin Hurwitz, La La Land

I’m sure we’ve all been waiting for the longest time for a musical of original composition. Especially the Academy.

BEST ORIGINAL SONG:

Should Win: ‘Audition (The Fools Who Dream)’, La La Land

Will Win: ‘City Of Stars’, La La Land

BEST SOUND MIXING:

Will Win: La La Land

BEST SOUND EDITING:

Will Win: Hacksaw Ridge

BEST VISUAL EFFECTS:

Will Win: The Jungle Book

I think the reason why Star Wars lost this category last year is because having the best digital effects of the year is expected for a Star Wars movie. That’s where The Jungle Book has the edge for this year.

BEST LIVE-ACTION SHORT FILM:

Click here for reviews and predictions.

BEST ANIMATED SHORT FILM:

Click here for reviews and predictions.

BEST DOCUMENTARY SHORT SUBJECT:

Will Win: Joe’s Helmet

JUST ONE MORE – TOP OSCAR UPSETS

I did this for the first time last year. I want to do it again this year.:

  • Moonlight wins Best Picture
  • Casey Affleck wins Best Actor for Manchester By The Sea
  • Kubo And The Two Strings wins Best Animated Feature
  • Arrival wins Best Adapted Screenplay
  • Greig Fraser wins Best Cinematography for Lion.

And there you have it. My predictions for Hollywood’s night of nights. Let’s see how Jimmy Kimmel does as host this time.