The Oscar-nominated short films were back in theatres again. However this year I only had the chances to see the live-action one day and the animated another. I have no problem writing separate reviews for both. So here’s my take on the live-action shorts:
–Ave Maria (Palestine/France/Germany): dirs. Eric Dupont and Basil Khalil – Five nuns pray at a convent in a ‘war-zone’ area of Palestine. Then they hear what sounds like an explosive car crash. One tries to help despite the fact they are under a vow of silence. What happened was a car driven by Jewish residents accidentally crashed into the Virgin Mary statue. They try to help but there are conflicts with the nuns’ vows of silence and the family’s strict adherence to the Sabbath and with kosherisms. Not to mention they don’t want to be noticed by Arab residents in the area.
The film does focus on the religious tensions in Palestine but in a humorous way. All of this takes place in the area of the convent. However it’s funny how something as little as a car crash and people trying to seek out help can lead to such religious conflicts. That may have been the least of problems in Palestine but even then it just shows the humor of the whole situation and of how in the end it’s all about doing the right thing. I feel the film’s mix of humor while conveying a social message is why I predict it Will Win the Oscar.
–Shok (Kosovo/UK): dir. Jamie Donoughue – A car driving on a Kosovo road stops at an abandoned child’s bicycle. But why would a grown male from the car leave the car to look at the bicycle? And why would he ride it soon after?
The answer flashes back to the mid-90’s. Two Kosovar Albanian boys Petrit and Oki are the closest of friends. They frequently go to school riding on the bicycle Oki bought after a year of selling almonds. Petrit wants a bike of his own but feels he can get it by selling drugs and rolling papers to Serbian soldiers who’ve taken over the area. He feels it could also prevent them invading their village despite news stories of other areas of Kosovo being invaded. He even tells Oki he’s safe with him.
However Petrit’s promise and ‘business’ is put under heavy question during one of his ‘deals’ as a Serbian soldier wants Oki’s bicycle. It’s not the lost bicycle Oki’s angry about but the fact Petrit is willing to do something dangerous and dishonest for money and it threatens their friendship. They reconcile after Petrit is willing to take an assault from a soldier after Albanian books are found in Oki’s bag and Petrit claims them as his own. Unfortunately the invasion of their village eventually comes and with it the tragic end of the friendship of Oki and Petrit.
Of all five shorts, this is the one that still stayed with me long after I left the theatre. This is a story based on true events. I easily remember the war in the Balkans, especially the bloodshed in Bosnia, back in the 90’s. It dominated the news that decade. The war in Kosovo just years after the war in Bosnia ended was another example of the tyranny and I remember that as well. It does leave you feeling it was unfair of what happened to Oki. He was the smart one. He was the one who kept Petrit’s head on straight. But he was the one killed. Also that end scene where we see a grown-up Petrit still haunted by the war more that fifteen years later reminds you that war still haunts even as time passes and even if Kosovo did get its independence. My cousin once said: “No country’s freedom came without some amount of bloodshed.” True, but the bloodshed still leaves people with a trauma not even independence can solve. That’s why I pick Shok to be my Should Win pick.
–Eveything Will Be Okay (Austria/Germany): dir. Patrick Vollrath – The film starts on a simple note. A man named Michael goes to see his daughter Lea for visitation. His ex-wife and new boyfriend don’t have a problem with that at all so we think it will just be a fun day of the two of them without incident. It starts on a fun note as he buys her a big Playmobil toy and promises to taker her to the fair afterwards. However things get a bit suspicious as the two go to a photo booth where he gets Lea to have a photo of her own and takes to a passport office for rush processing. Things get even fishier when Michael sells his car and they take a cab to the airport. Soon we get what’s going on. It’s a miracle the flight to Dubai was cancelled but they have a replacement flight the next morning. Despite Lea wanting to go home, Michael is insistent on taking her and for her to cooperate. It’s by the luck of Lea making a phone call to her mother overnight that they’re able to prevent an abduction from happening. But not without a struggle.
This is a film of a scenario that happens all too often. A broken marriage and children caught in the middle even to the point of them being abducted. This is something that happens all over the world. However the story is not just about the child caught in the middle but the parent who’s hurting and feels that the child is being taken away from him. The film leaves you wondering if Michael suffers from a mental illness or if he’s just a hurting person. It leaves you feeling that way of a lot of parents from failed marriages. Is that why they abduct their children? The film also leaves you relieved that the flight was cancelled and that Lea was able to make that phone call to her mother in the early morning. Not as many children are as lucky.
The best quality of the film is that it helps the audience live the moment. We don’t know what’s really happening at first but we soon get a better understanding of what’s happening as time goes on. Even as they go to the fair and ride the bumper cars, we still can’t take our mind off of what we suspect will happen. And as time moves on, what we suspect is exactly what’s happening. In addition that scene which we think is the end where the police, Lea’s mother and the hotel personnel try to stop the heist ends up being a scene where a new conflict begins. Michael still struggle to hang onto Lea. That’s another quality of the film where right where we think it’s all over, it’s not and a new struggle begins. On top of that the film’s story is shown without any musical score which adds to the intensity of the drama.
This is a film of a story of an incident that happens all too often in our world. The film’s best qualities are the story unfolding quietly as time unfolds and the unexpected twists in the drama.
-Stutterer (UK/Ireland): dirs. Benjamin Cleary and Serena Armitage – Greenwood, a twentysomething London male with a stutter finds life difficult. His stutter is so severe, it causes problems when calling customer service. He has a job as a typographer but his social life is limited to him with his father. Often he fakes himself as death to try and avoid conversation. His thoughts however are perfectly coherent.
Despite his social flaws and his speech problem, he has developed an online relationship with a woman named Ellie. That works excellently and they keep the relationship going for six months despite never meeting face to face. However the day comes when Ellie would like to meet Greenwood for the first time. He’s in a crisis of what to do and abandons her at first but agrees to do so the next day despite being nervous as hell. The ending will surprise you.
This is a charming story. It takes you into the person’s feelings as well as their insecurities. You learn of Greenwood’s stutter and of what he’s really thinking and easily see the barriers he has to face. You learn about Greenwood the person and hope that in the end he does win Ellie. The ending will delight you. Very clever short film.
–Day One (USA): dir. Henry Hughes – Feda is a young woman just hired by the U.S. Army to act as interpreter. She’s in her 30’s and admits to her colleague who also speaks Arabic that she’s never been married and has no children. Her operation on Day One involves dealing with an enemy bomb maker the army is about to arrest. The operation involves a lot more. It also involves bring his fatherless niece to safety. It also involves dealing with his wife who’s about to give birth.
As if trying to deliver the baby isn’t stressful enough, there’s the fact the baby’s hand is hanging out. The doctor tests for a pulse from the baby and assumes there isn’t one. Feda is given orders to cut the deceased baby’s limbs so that the mother doesn’t bleed to death. Even before Feda attempts the first cut, she notices the hand move. The baby’s alive. There is a sigh of relief but there’s the new stress of making sure the baby’s born right and the mother not bleeding to death. The film ends on a sad but hopeful note.
Just like Everything Will Be Okay, it captures the drama of the moment and allows the audience to capture the intensity as the events are slowly unfolding. The various twists and turns in the story also adds to the continuous drama. The happy ending we all hope for doesn’t happen but it does end with a moment of hope, especially for Feda.
In conclusion, I feel Shok should win the Oscar because of how it’s a story that stays with you long after you leave the theatre. It was creative and it told a story that will touch you deep down inside. I still remember hearing a couple of people in tears after Oki was shot. However I don’t know if the Academy will pick a short that’s all too serious. I think they might want to go for a story leading more to the humorous side. I think Ave Maria with its mix of humor and social awareness will take the Oscar. I think the Academy would prefer a film like that.
And there are my thoughts for this year’s five nominees in the category of Best Live Action Short Film. Winners to be decided on the big night. Also click here for my reviews of the animated shorts.
Hi. I know it’s been a long time for me to publish a blog. That’s a common trait of mine that if I do a lot of writing for one period of time, I tire out for a long time. That explains the lack of blogging. However I hope to get back to the process over the next while. I’m planning some more movie reviews and even a political topic or two.
Here, I’ll be posting my long-awaited Top 10 films list of the year. Here are the links to past years:
When it comes to reviewing movies, I’m not your typical ‘film snob.’ Most of the time I’m okay with the typical commercial Hollywood movies as long as it’s done well. I approach them with the attitude: “Okay I know it’s your job to sell big but give the audience their money’s worth.” I also have my own approach to the artsy film-fest fare type of films: “Okay I know you want to be creative and do your own inspired thing but don’t forget this will be shown in front of an audience. Don’t alienate them.”
That’s how I approach films. That’s also how I approach my Top 10 list. Bonus points are given to films that go beyond my expectations. With that in mind, here are my Top 10 films of 2014:
- American Sniper
- The Grand Budapest Hotel
- The Imitation Game
- The Theory of Everything
- Gone Girl
- Still Alice
- The LEGO Movie
When you hear about The Theory of Everything being about Stephen Hawking, you’d probably assume it’s about his scientific conclusions. You will actually be quite surprised.
Stephen Hawking is an astrophysics student at Cambridge in 1963. Stephen is awkward-looking, rather clumsy and already his imaginative thinking is being noticed by students and professors with varying reactions. One night, he meets Jane Wilde, a literature student. They form an unlikely couple with Jane actually taking an interest and liking in Stephen’s imagination.
The following year, there are two incidents that will change Stephen’s life: the first being a lecture on black holes which inspires him to write a thesis about time; the second being when he learns he has ALS–Lou Gehrig’s disease– and is given two years to live. Stephen becomes a recluse upon hearing the news but Jane tells him he loves him and will marry him. The two marry and they have a son Robert.
Stephen continues giving lectures as his condition deteriorates from using crutches to needing a motorized wheelchair and even talking with great difficulty. Jane is always there to help him but it’s becoming very hard on her. Nevertheless he continues to give lectures about black holes, evolution and time to top professors. Some professors find it erroneous while others praise it and give him an honorary doctorate.
Over time Hawking continues to win more acclaim in the science world including becoming a world-renowned physicist. Nevertheless the fame and his physical condition is making it hard for Jane both as a wife and as an educator. Upon her mother’s advice, she joins the church choir where she meets conductor Jonathan Hellyer Jones. Jonathan becomes a friend of the family but the birth of her third child causes suspicion from her mother if Jonathan is simply a friend. Jonathan senses the suspicion and leaves the family for a bit but Stephen tells Jonathan himself she needs him.
While Stephen’s in Bordeaux, Jane has a camping trip with Jonathan and the children and it’s obvious their feeling for each other are shown. The trip ends as Jane learns Stephen contracted pneumonia and needs a tracheotomy in order to fight this. Jane agrees. However Jane finds dealing with Stephen too difficult and hires a helper named Elaine. Elaine works well with him on the letter board. Then computerized technology comes in play and Stephen is able to communicate with a talking machine. He’s able to speak better with the machine than he did when he still had his own voice. It enables him to write a book where he dictates and Jane and Elaine type. The book, A Brief History Of Time, becomes a best-seller and wins Stephen worldwide renown. However it does mark the end of the marriage as he plans to accept an award in the US with Elaine instead of Jane. Nevertheless the film ends on a positive note leaving one to believe Jane and Stephen are still soul mates despite no longer being married.
The remarkable thing about the film is that it shows Stephen Hawking in a light we don’t normally notice. Yes, it shows Stephen and his scientific thoughts. Yes, it shows Stephen in his wild imagination. In fact there are times when it makes Stephen look like the Albert Einstein of our times. However it also shows other aspects of Stephen like how ALS can paralyze his body but not his mind. It’s safe to assume ALS made him a stronger person and the movie shows him acquiring his personal strength over time. He was expected to live only two years when he was first diagnosed and he’s still alive today. It shows how he won’t even let ALS stop him from getting a Penthouse subscription. It also shows him as a father and a husband but also a man with some personal weaknesses such as being sucked into his new-found fame and falling for his assistant Elaine.
But somehow it often appears the movie is not about Stephen. It appears more like it’s about Jane. We shouldn’t forget the film is based off of Jane’s memoirs of being Stephen’s wife. It shows Jane as she’s first attracted to Stephen despite being nerdy and having an eccentric mind. It shows her as the one who got Stephen out and living right after he learns he has ALS and even marries him. It shows her as the one that stood behind Stephen every time he gave a lecture on his Black Holes Theory even when top professors would dismiss it as rubbish. It also shows her as the one who helped Stephen write his legendary book with his talking machine. It almost appears like she was his arms and legs.
The film however does make Jane out to be a saint. It does show Jane’s struggle of being both a wife to a man with a disability. In fact it was the scene when Stephen is playing croquet just after his diagnosis and Jane sees how much it’s deteriorated him that sent me the message this movie could be about Jane. Despite Jane doing her best to be a supporting wife, there are times she can’t hide the frustration and it upsets her. Her frustration is a common frustration people who are spouses with disabilities go through. The film also shows Jane in another flawed light when she falls in love with Jonathan and has a long affair. This film highlights Jane’s own flaws as it highlights Stephen’s.
Without a doubt, the highlight of the film has to be the performances of the two leads. Eddie Redmayne was beyond dead-on as Stephen. In fact it’s the scene of the divorce where Eddie playing Stephen said more with his face than his talking machine did that caught my attention. There were many times in the film Eddie was able to say more in silence as Stephen than when he was talking. From beginning to end he was excellent and embodied the ALS flawlessly. It wasn’t just the ALS. Eddie also gave us an inside look into Stephen’s imagination which adds to the character. Imaginative minds must be something for a topic for film this year. First Alan Turing and now Stephen Hawking. Felicity Jones was not only excellent but also did a great job of stealing the show. Her embodiment of Jane Hawking helps you get to know Jane better as well as have a new found respect for her. In terms of acting, this is mostly a two-person film. Nevertheless there were some good supporting performances from Charlie Cox as Jonathan and Maxine Peake as Elaine that added color to the story. Even the minor appearances of Stephen’s college mates and Stephen’s family added to the story too.
James Marsh did a very good job in directing, especially since he’s more of a documentarian (Man On Wire). This is his second feature-length film that isn’t a documentary and he does a great job of directing the story and bringing out the characters. Anthony McCarten did a great job of adapting Jane Hawking’s memoirs into a good story with great character depth. However it did often come across as a two-actor screenplay and could have added more depth to the other actors. The film had other great efforts too such as Benoit Delhomme’s cinematography, the score from Johan Johannson and added visual effects that dazzled.
The Theory Of Everything isn’t a perfect depiction of Stephen Hawking and his marriage to Jane but it is entertaining. We get to know the two better and feel for them both.