2022 Academy Awards: Best Picture Reviews – Part One

The 95th Academy Awards are coming soon. Once again, I saw all ten Best Picture nominees. For the first time in three years, I didn’t need a streaming service to see any one of them. Elvis was the only one I saw outside of a theatre; on an airplane divided by two flights. The other nine I was lucky to see in theatres. There is your mix of enjoyable and unenjoyable. A mix of common popcorn fare and serious topics.

This year’s batch have some notable details. For the second straight year, a film directed by Steven Spielberg is nominated. For the second straight year, a remake of a Best Picture winner is nominated. Two of the nominated films are sequels to legendary sci-fi or action films. Two of the nominated films have four acting nominations each. On the contrary, half the films have no acting nominations. Also interesting that comedies, which normally get the sort end of the stick at Oscar time, are this year’s toast as two of the heavy favorites are comedic films.

The purpose of my reviews are to give a summary of the Best Picture nominees. I will be saving my predictions for a separate prediction blog. In the meantime, here is the first of my reviews of the Best Picture nominees of the 2022 Academy Awards:

All Quiet On The Western Front – Just like the 1930 film, this is an angry film. This film makes it look like World War I was a vanity effort. Like all the war was where it was all about the egos of those in power. While the young men fought and many died, these leaders with the power only cared about themselves and the power they wanted to hold onto. Even those who worked in the military seemed to take the losses of life very lightly. Seemingly not caring that a generation of young men were being lost. The last 20 minutes of the film would especially enrage many. Armistice had been declared for November 11, 1918. Germany was the losing side, but the German leader wanted one last battle. Another bunch of young men dead, just shortly before the war finally ended. Will definitely have you leaving the theatre asking what was it all for?

I’m planning on doing a comparison of this film to the 1930 original for after the Oscars. So in looking at this film, I won’t compare it to the original. I won’t even call it a remake because even the original was adapted from a novel. It’s possible this film is a re-adaptation. I will say the film is an excellent work. The film does a good job in telling the story from the point of view from the young soldiers and the meetings with the leaders. It shows the two different worlds between the two very well. The battle scenes are also intense to look at. Of course, war is ugly. There’s no compromise in the story here. Most surprising is how they slowed down the last 24 hours of World War I over a period of just over twenty minutes. That paves the way for the final dramatic scenes that would make the viewer angry at the end.

Top credits go to director/writer Edward Berger. He brings back the horrors of World War I in grand style and delivers a film that has a big message to send even now as Ukraine is going through a war of its own. The acting from newcomer Felix Kammerer was also excellent, even if his part didn’t have that much depth. Albrecht Schuch was also very good at Kalczinsky. The film also had excellent technical elements like the music of Volker Bertelmann, the cinematography of James Friend and some of the best production design and visual effects of the year. The visual effects really did a good job for the battle scenes.

Avatar: The Way Of Water – Usually when a sequel comes out, the freshness of the original seems lost and the rehash seems to be too similar to the original. Nevertheless the story does aim to have some notable differences from the first. One of which is Jake’s new family on Pandora, including his relationship with his oldest son. The other is facing rivalries both from Earth and his world. The best thing about this film is that the first Avatar took the audience to a new world. This film is also successful in taking people to a new world. Although it feels there may be something missing in this film, it’s still very spectacular and gives the audience the escape they’re looking for. The new twists in the story will also give people the drama they’re looking for and the action scenes they all enjoy.

James Cameron does it again. Not only does he bring back the world of Pandora successfully, but he does it so in breaking box-office records! To think James Cameron films have knocked each other out in setting the record for the highest-grossing ever! First Titanic, then the first Avatar, and now this! However it’s not simply box-office numbers. Cameron succeeds in creating a world where people can escape and be enchanted by. Pandora dazzled people back in 2009 and 2010 and it does it again here. Cameron also wrote an excellent story with four other writers and compiled the official script with two of the writers. They had to make it a believable story, especially since this film is thirteen years since the first. It does a story that works for the film. There was very good acting from returning actors Sam Worthington and Zoe Saldana. Also excellent was newcomer Jamie Flatters in playing Jake’s oldest son. The film’s best qualities, nevertheless, are its visual effects. It’s these effects that give people the escape to Pandora they’re looking for and keep their attention on the drama as it unfolds. Simon Franglen also does a good job in composing a good score for the film.

The Banshees Of Inisherin – This is a film not everyone can understand at first. Even after one sees the film, they can only guess what the film is about. Some say it’s about human weaknesses, or about men and their inability to relate, or even about Irish pride as seen through the eyes of McDonagh. I’ve often felt the story is as much about the island town of Inisherin as it is about the central story. Inisherin is a town away from the mainland and lucky to be out of the range of fighting during the Irish civil war. However Inisherin comes across as a town where nothing really happens or nothing really improves. Anybody who wants to get anywhere have to be like Siobhan and leave the island. Sometimes it seems like the dead friendship of Padraic and Colm is symbolic of how dead the town of Inisherin is. In addition Inisherin being a small town, it’s often a case where word easily gets around about what’s happening. The feud between the two soon becomes the talk of the town.

This film is unique as it attempts to make a comedy out of something intense and dramatic. It’s a story of a drama that is slow, but the slowness is its quality. A story about a man deciding to end a friendship because his friend is ‘dull’ and spend the rest of his years composing music seems odd and pointless. Nevertheless the film allows for the intensity to build over time. It also has its ugly surprises, but the surprises become important to the drama. The different characters also add to the story. They help provide for the environment of the story almost as if the film is based on a classic Irish fable. In addition, the scenery adds to the story. The film is as much about the scenery and the landscapes as it is about the town and its drama. Its addition to the film help builds the story.

Top credit should go to director Martin McDonagh. McDonagh infrequently shells out works. It seems like almost once every four to five years. In fact his last film before Banshees, Three Billboards Outside Ebbing, Missouri, was five years ago! This is quite possibly his best work. It’s a story that gives you the unexpected and Martin did an excellent job with it. Also when you see the ending, you easily forget that this film is a comedy. Once again, a case of a film that mixes comedy with tragedy, and it does a memorable job here.

Additionally, the story came alive from the excellent acting. Colin Farrell did a great job making Padraic to be kind and loyal and always trying, but pushed to his limits near the end. Brendan Gleeson was also great as the stubborn Colm. He captured his hardness very well. Kerry Condon was also great as Siobhan, the sister who tries to find a way out. Also great was Barry Keoghan, the troubled son of the policeman Padraic and Siobhan try to help out. The supporting characters like the Garda, the banshee and the priest also added to the story. There were also additional technical feats with this film like the cinematography of Ben Davis and the score from Carter Burwell.

Elvis – It’s not easy doing a musical biography and making it into something different. On top of it, you can be sure there have been countless made-for-TV movies made about Elvis. So how can you make an Elvis movie for the big screen of 2023? One ingredient that makes it different is the story being told from the point of view of Colonel Tom Parker. Those of us who know a lot about Elvis may have overlooked his relationship with the Colonel, especially the rocky moments. Another is to add some creative flares. Those that remember Moulin Rouge will remember how that film has creative flares. Luhrmann applies similar creative flairs from Moulin Rouge here. Another ingredient is to have the best songs of a musician’s career as well as their career’s most significant moments. You can’t pack everything about Elvis into 159 minutes of story. This film does showcase the most famous moments of his career.

Another excellent work from Baz Luhrmann. Just when you thought you couldn’t bring Elvis back to the big screen, Luhrmann does it, and in a stylish winning way. He pulls the right moves to deliver an Elvis film people of today will want to see at the theatres. Of course it’s the performance of Austin Butler that has to be the biggest quality. A thirtysomething of today able to epitomize Elvis? The answer is Yes! Butler does an excellent job in playing The King in with a performance with dimension and doesn’t go cartoonish, as one can risk doing performing Elvis. Tom Hanks is also quite good as the colonel. It’s hard to picture him with a Dutch accent, and there were a few times when I questioned if it was off or not, but he did a good job with his role. The technical details also make the film excel. The cinematography, production design, makeup and costuming are all some of the best of this past year.

Everything Everywhere All At Once – Now there have been some absurdist films that have been nominated for Best Picture or other major categories. What makes this film-of-the-absurd is that this takes place in a multitude of worlds. Thanks to technology, Evelyn is able to make many trips of the mind to many different universes and assume many different personas: past, present and future. Even the persona of a rock somewhere in the desert is possible! Usually most people look at stories like these and ask “What the hell?” This is one absurd story that many people found enjoyable. The kung fu fighting scenes also helped a lot too. And to think this all started as Evelyn’s taxes were to be done and she was to get some bad news!

To think it’s the magic of the directing/writing team of the Daniels (Kwan and Scheinert) that delivered this gem. The two have not had a lot of directing experience. Until this film, they’ve only directed some short films together and their only feature was Swiss Army Man from back in 2016! Here they have the perfect breakthrough film for them, and boy is it unforgettable. It’s a fun, thrilling story that comes off as weird and bizarre at first, but starts making more sense as time goes on.

Also excellent is the combined acting. Michelle Yeoh shines as Evelyn. When I first saw her in Crouching Tiger, Hidden Dragon, I had a feeling she would go far. She had a lot of grace with her. Although this role is way more multidimensional, she still does excellently here and delivers one of the best performances of the year. Ke Huy Quan is also excellent as the meek Waymond. Quan is also this year’s former child actor comeback story. He is best remembered as Short Round from Indiana Jones and the Temple Of Doom and Data from The Goonies. Here he gets the adult actor breakthrough he was waiting for, and what a scene-stealing performance! Additional scene stealers are an unrecognizable Jamie Lee Curtis as the IRS agent and Stephanie Hsu as the daughter whose nihilism threatens the multiverse. All the aforementioned actors had a lot to do with their main role and their various roles in the many worlds of the multiverse. That’s a lot of work! Additional technical credits go to Shirley Kurata for the costuming and the band Son Lux for the score that fits the film well.

And there’s the first of it. This is the first half of my review of this year’s Best Picture nominees. Second half coming in a day or two.

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VIFF 2019 Review: When We Walk

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When We Walk mostly continues off from When I Walk ended. It starts with the creation of a family, but an eventual end to a marriage, and a life whose years appear numbered.

Many of you remember that I saw When I Walk. When We Walk appears to be the sequel, but it’s a lot more.

The first images we see are images of 1988 when a ten year-old Jason Da Silva is operating a videocamera for the first time and you hear his father instructing him how to use it. Then you hear Jason’s voiceover, but it’s not to us. It’s to his son Jase. You notice Jason’s voice is getting weaker.

The film then goes on to what has happened since When I Walk ended. When I Walk made its debut during Sundance 2013. On February 7, 2013, Jason Da Silva Jr. (nicknamed ‘Jase’) was born. It seemed like Jason’s dream is coming true and Jason, Alice and Jase were ready to be their own all-American family in their home in New York City.

Throughout the film, we see time is always the deciding factor and sometimes time cannot be kind. First off Jason’s MS has worsened to the point he needs 24-hour assistance. When he goes places with Jase, he can’t always follow up because there are many places and park paths people in wheelchairs can’t go. On top of it, Alice is feeling the burnout. 50% of marriages to a person with a disability fail because the fully-able partner gets burnout. Alice is obviously feeling it and the strain in their marriage can be noticed. In addition, Alice has more of a desire to live in Austin, Texas.

Jason tries to make it work by seeing if he can move to Texas. However New York is one of the best states in helping people with disabilities while Texas is one of the worst. Jason can live a normal life in his apartment in NYC with nurses coming to visit him and even do filmwork. In Texas, the most that Jason could get is being confined to a nursing home. Surrounding states are not much better, if any better at all. It becomes clear Jase is better off living with Alice in Texas and Jason in NYC.

Jason tries talking to Jase through Skype. Jase welcomes it at first, but Jase becomes unhappy to the point where he throws the camera. Jason is determined to see Jase more and flies out to Texas once every two weeks. However all the flights are proving to take a physical toll on him.

Jason tries to get the legal system to work for him by having Jase fly out from Texas more to see him. In the meantime, his physical condition worsens so much, he can no longer use his hands. He’s now a quadriplegic. Anytime, the next move will be he will lose his voice and then the next move is Jason will die. Jason tries to adjust to his quadriplegia by getting a new wheelchair and his assistants learning how to handle him. Jason tries to learn new ways of making his films. Then a court ruling happens. The New York family courts decide Jase can make visits once every two weeks to New York. Jason’s at the airport to greet him and Alice each time and their able to spend their quality time together. The film ends with Jason wrapping up the film as if he was wrapping up a letter to Jase. Also leaving the hint that the next film coming is When They Walk.

For those that saw When I Walk, they would have gotten a sense that there would be a continuation. First Alice was asked about being married to a person with a disability. As she answered, she talked of the fear of his worsening condition and breaks down. The film ended with the ultrasound of the successful pregnancy. When We Walk is a continuation. It’s not a sequel, but a new chapter. When I Walk gets released to a lot of acclaim and even an Emmy win. Jase is born. The dream of having his own family is true for only a few years. We see a marriage fall apart. We see Jason’s physical condition get worse. We she Jason try to make the efforts to see Jase as often as they can, even though they live halfway across the U.S. We see Jason reassess his own life and also what kind of husband he was to Alice. We see Jason reach out to his family and to his parents who both live in different cities. We see how others with disabilities struggle in different states. The film is a very telling story about a man with a disability, a family struggling to be together, and a race against time.

The film is also an eye-opener. The film shows the audience what it’s like not just to have a disability but a disability that is taking more and more of a toll on a person. We see as Jason is becoming more and more helpless. Jason even fills in the details of the physical declines that are yet to come. Nevertheless, he’s making the effort to keep his filmmaking skills going. He’s also making the effort to live a better more respectful quality of life by living in NYC. We are made aware just how being a person with a disability state by state can be worlds apart, especially for someone like Jason. We hear from those in Texas of how people with disabilities that are even more able than Jason are denied the type of quality of life Jason is getting. Hearing what the disabled in Texas have to say about what they’re denied adds to the film.

The film is not just a voice of one with a disability, or of many with disabilities. It’s also an intimate letter to his son Jase. Jason knows of his condition and how it will slowly degenerate his body over time. We even see how Jason goes from a paraplegic around the time of Jase’s birth to a quadriplegic around Jase’s fifth birthday. Jason makes clear his voice will be the next to go and then he will die. His condition of MS is a case of him dying slowly and slowly. Jason wants to make it like a letter to Jase if he dies before Jase is ever able to know him. You can understand why Jason narrates the film like a letter to Jase instead of narrated it in basic fashion. We the viewer also grow in knowledge to this letter. We understand Jason’s plight. Also we learn of his secret heartache. It makes pure sense Jason did this film this way.

Also we’re made aware that his next film will be When They Walk. It leaves those of us who know the story eager to see it when it comes out. Also it makes us nervous because we anticipate that this will be Jason da Silva’s last work ever.

When We Walk can be seen as one of many things. It can be seen as a glimpse of life played out, Jason’s personal message to his son, a sequel to When I Walk, a message of advocacy, or even a story about one finding the will to live despite all that is happening. One thing I see it as is a film that gives a voice to those that rarely get heard. I’m glad he does this.

BONUS: Many of you saw the website where Jason contributes. That being the site letting people with disabilities input to places, restaurants and buildings informing if they’re disability-friendly or not. The site is AXSMap. If you have a disability and you would like to contribute to the site, click here.

Oscars 2018 Best Picture Review: Bohemian Rhapsody

Rhapsody
In Bohemian Rhapsody, Rami Malek captures the essence of Freddie Mercury to a tee.

The musical biopic Bohemian Rhapsody came out in movie theatres this year. We’ve seen music biographies before. The big question is does this film simply chronicle Freddy Mercury’s life? Or does it do much more?

The film begins just as Queen is about to step to the stage to perform in the 1985 Live Aid Concert. The film then flashes back to 1970 when Smile is an English band consisting of Brian May, Roger Taylor and singer Tim Staffell. Faroukh ‘Freddie’ Bulsara is a Farsi immigrant who studies and also works as a baggage handler at Heathrow airport. Freddie faces a lot of discrimination for the color of his skin and mockery because of his hyperdontia which makes him look like he has a mega-overbite. However Freddie does lose himself in rock and roll.

One night, Staffell quits Smile in disappointment. Freddie was there attending the show. When he sees what happened, he asks to join the band. The band gets a rocky start as they play at small college gigs, but it looks promising and Freddie fully believes in them all. The rock singer gig does not go well with his family who feels he should earn his living more ‘honestly.’ Freddie also wins the attraction of college student Mary Austin during a clothes shopping trip. They start dating and romancing.

Over time, Queen gets bigger and they soon have to record an EP. It will cost a lot of money and Freddie agrees to sell the van for money. The EP is a success and it attracts major music producers including one from EMI Records interested in the band. The band changes their name to Queen and Freddie even legally changes his name to Freddie Mercury. The band is acquired by John Reid, Elton John’s manager, and assistant manager Paul Prenter. They bring the band to a gig on BBC’s Top Of The Pops where the band lip syncs Killer Queen. As success grows, including success in the US, Mary and Freddie get engaged. However soon after Freddie learns of his bisexuality.

The band try to record their album A Night At The Opera and the song Bohemian Rhapsody, but the song is too long and hard to perform. On top of that, producer Ray Foster is antagonistic on the band for both the song and the music for the whole album. After Foster refuses it as a single, Freddie gets a local DJ to play Bohemian Rhapsody. The song opens to a lot of negative reviews, but also scores big on the charts worldwide. However Freddie starts an affair with Prenter and has to call off the engagement with Mary. Mary is devastated, but agrees to remain friends.

In the film, the band has continued success in the early 1980’s with We Will Rock You. However the band experience tension both by Freddie’s lavish partying lifestyle and the increasing controlling ways of Prenter. Freddie even cheats on Paul with a waiter, but the waiter tells Freddie to find him after he finds himself. The friction between Freddie and the band grows to the point Freddie leaves the band to record a solo album upon the direction of Prenter. However it becomes obvious how much Prenter wants a piece of the action and Freddie both breaks up with him and fires him.

Soon Freddie learns he has HIV right when the devastating AIDS epidemic was at its most troubling times. He returns to the band confessing it was wrong for them to leave. They’re offered an appearance at the 1985 Live Aid Concert which will be broadcast worldwide to raise money for food supplies during the famine in Africa. This will be the band’s comeback concert, but it will take a lot of effort to bring the band back to their level of performance.

Just before the concert, Freddie confronts his parents to make peace with them. Freddie is also supported backstage by a pregnant Mary along with her husband David. Bob Geldof is hoping for a lot of call-in donations through this concert. Then Queen get on stage and it’s like they never missed a step. The crowd is blown away, television crowds are dazzled, and the donations accelerate like nobody’s business. Queen was back and alive!

There have been musical biographies in films done many times before. In order to make a winning story about a musician, the film will definitely have to include the music. That’s what made the musician great. The film will also have to include key events of the person’s life: the artistic moments, the triumphant moments and the struggles, even any tragedies. It’s all a matter of deciding the right moments for the right beginning, middle and end of the film.

The film does a smart move in making the Live Aid Concert the pivotal moment for Freddie Mercury both as the scene where the movie starts before flashing back in time and ultimately ending. The film also does a good job in picking out moments such as when Freddie joins the band Smile, changes it to Queen, first hits it big with Killer Queen releases their iconic Bohemian Rhapsody, faces friction as well as declining fame in the early 80’s, Freddie’s HIV diagnosis, and their return to winning the public at Live Aid.

However the film also risks disappointing a lot of Queen fans because of how inaccurate the story is. Despite Jim ‘Miami’ Beach being the film’s co-producer and May and Taylor being music consultants, The five biggest inaccuracies Queen fans are most likely to notice are, firstly, Freddie was actually introduced to Brian May and Roger Taylor of Smile by singer Tim Staffell when Staffell wanted to pursue further studies. Secondly, We Will Rock You was written and recorded in the late-70’s rather than the early-80’s. Thirdly, John Deacon was actually Queen’s fourth bassist rather than the original bassist. Fourthly, Queen never split up nor did they get back together at Live Aid. Freddie may have had solo work — the most famous being Barcelona: the duet with Montserrat Caballet — but Roger Taylor also had a solo album too. Fifthly, Freddie learned he was HIV-positive in 1987: after Live Aid. Those that know the true Queen story will know that a lot of these moments in the film were mostly common music-movie cliches rather than the truth about Queen.

Despite failing a lot of Queen fans with some of the inaccuracies and cliches, the film does succeed in a lot of ways and even presents some truths even Queen fans knew. Freddie did credit his extra teeth for his singing, he adored his cats, he held outlandish parties, the song Bohemian Rhapsody was considered too long and too ridiculous at first, Freddie did keep his ordeal with HIV and AIDS private as he did not want to be an object of pity, and finally his friendship with Mary Austin lasted until his death and she did live next door to him even while married to David. The film does stick to the truth in a lot of areas, including that of how Paul Prenter was a controlling person in Freddie’s life. However another added quality is that the film does an excellent job of capturing the essence and feel of Queen’s music. Those that haven’t heard much of Queen’s music will experience songs they never heard before. Those that are fans of the band will fall in love with the songs again. Also those that want to be rock musicians themselves will be inspired to pursue their dreams after watching the film. You not only hear the music, but you can also get the feel of a rock performer too.

The film has already grossed $844.4 million worldwide at press-time with $210.6 million coming from North America. However the film has also faced a ton of heat during the awards season. The cause for all of this was for director Bryan Singer. As you know, Singer has faced criminal charges of being a sex offender. How it happened that Dexter Fletcher stepped into directing the remainder of the film upon the departure of Bryan Singer is that Singer was fired after having violent clashes with Rami Malek. Singer, and not Fletcher, was credited as the film’s director. The awards season has seen the film win many accolades which many have voiced their displeasure about. Possibly due to hostility during the #MeToo movement, many are speaking their mind as if they’re saying a win for Bohemian Rhapsody is a win for a sex offender.  I personally feel that Fletcher should have been credited as director. However despite the fact that Singer was fired, people are still unhappy. Makes you wonder what will satisfy them all? Denying the film a release and trashing it altogether? This is a reflection on how toxic and bullying the free speech of social media can be.

Anthony McCarten in cooperation with Peter Morgan may have written a story that was more cliched than truth, but it did capture a lot of the essence of Queen and a lot of the essence of Freddie Mercury. As for the ending, I can understand why they went for the heavy drama by ending with the Live Aid Concert. I’d rather they went with the moment Freddie records The Show Must Go On. Those who know the story behind that will recognize it as one of the biggest triumphs of Mercury’s career and a testament of his mental toughness.

The film also captured the essence of Brian, John and Roger well too. Co-director Dexter Fletcher did a very good job of picking up where Singer left off and creates an exciting experience for the audience. However the biggest triumph is the performance of Rami Malek. Until Bohemian Rhapsody, he was facing the common difficulty of actors of Middle Eastern descent with limited opportunities. It almost seemed like the biggest thing he would ever be known for is playing the Pharaoh in the Night At The Museum movies. This also was not an easy task because Malek was not originally a fan of Queen. However that all changed when he was given the role. Malek was excellent in his performance and will blow away anyone who sees this film.

The actors portraying Brian, Roger and John — Gwilym Lee, Ben hardy and Joseph Mazzello, respectively — also added to the film. Lucy Boynton was also excellent as the friend Mary Austin. Even minor performances like Tom Hollander as Jim Beach, Mike Myers as Ray Foster, and Allen Leech as Paul Prenter did very well with the roles they were given. Julian Day did a very good job with the costuming, Aaron Haye did an excellent job with the set design, and the producers did a very good job in choosing the right songs for the film.

Bohemian Rhapsody has some noticeable errors in the film. However the film succeeds in capturing the spirit of Freddie Mercury, capturing the music of Queen and capturing the experience of a rock star. No wonder it dazzles those that see it.