Summer of 85 is a film that will first attract people to watch for differing reasons. Some who are fans of French films, some for the LGBT-themes story, some who are fans of retro-80’s stuff, or some who are fans of teen love stories. Those who see it should be pleased.
The film begins with a young male, only 16. His name is Alexis and he’s under arrest by authorities. He’s frustrated over what he did. The authorities are wondering why he did what he did. Recklessness? Anti-semitism?
Alexis is willing to let us know how it all started. It all started one hot summer day along the Normand coast. One day he decides to go boating. However it’s on the day of a thunderstorm and Alexis is not all that good at sailing to begin with. His boat capsizes and it throws Alexis in the water. Alexis is almost drowning in the water until he’s rescued by a young male his age. His name is David Gorman. He is 18 years-old, Jewish, and works with his mother’s tourism business along the coast. Alexis is awestruck by David. David takes Alexis to his house where his mother offers him a bath to warm up.
Alexis and David are too completely different individuals. Alexis is the shy one just trying to find his way in the world. David is the daredevil rebel who isn’t afraid to drive like a crazy on his motorcycle and believes in living life unpredictably. Over time, Alexis and David are a lot more than simple friends. They do many a thing together like go to parties, go to carnivals, go to amusement parks and go to the beach. David’s mother even takes a liking to Alexis. Alexis’ mother notices that he’s become less shy since he met David. One night, the two rescue a drunken man who almost drowns in the beach. Another time after a fun night, the two make a promise to each other. If one dies before the other, they dance on their grave.
One day, a woman enters the picture. Her name is Kate and she’s a young student from the UK who speaks excellent French. David is welcoming to having Kate with the two of them, as a friend, but Alexis is uncomfortable with it. The two take Kate out sailing. Even though Alexis goes along with it, you can tell as David keeps Kate company, Alexis is sensing something. Eventually Alexis is justified. At a party, Alexis catches David making love to Kate. Alexis confronts David in his mother’s store. David acts like he couldn’t care less about Alexis’ feelings and just throws in his face how boring he is. Alexis starts a fight with him and trashes the store before leaving. David goes out to look for him and even gets violent at a party with others.
The next day, Alexis goes to visit the store, but David’s mother is infuriated with him. David died in a motorcycle accident trying to search for Alexis and she completely blames him for his death. She even threatens to call the police when Alexis comes to the house. Alexis is heartbroken and distraught. His mother doesn’t know how to deal with him. The only person he feels he can see about this is Kate. Kate says he’s over at the morgue. The only way Alexis can see David’s body is if he poses as his girlfriend. Alexis agrees to do so. As he sees the deceased David, Alexis can’t help but make love to him one last time, which gets them both booted out of the morgue. Kate is upset with how Alexis has been acting and has a falling out with him. Alexis feels he has one last mission. He goes to the town cemetery. He goes to the Jewish section to search for the newest grave. He finds David’s grave. He dances on top of it with Rod Stewart’s ‘Sailing’ playing from his Walkman. That’s when the police arrest him.
Alexis’ mother tries to reach out to him before his trial. Kate meets with Alexis one last time before she returns to the UK. She just lets Alexis know both of them weren’t in love with David. They were in love with their own image of David. At the trial, Alexis is given a lenient sentence. The Summer of 1985 appears on the verge of ending as Alexis notices a man at the beach. He’s the drunkard whom he and David saved from drowning. Alexis learns that he’s gay. The two get to know each other better.
I’m sure that when you first start to watch this film, many of you will impulsively thin kat the beginning you will get another case of Call Me By Your Name. I mean it has all the makings: Mediterranean Coast, a boy-meets-boy story, adaptation from a novel. However there are a lot of differences you’ll notice as time goes on. First of all this boy-meets-boy story is of a 16 year-old and an 18 year-old. One’s the more orderly, more sensitive type. One’s the rebel who likes to let loose. The inclusion of the young woman in the middle also adds for some twists and turns. Also like, CMBYN, this film is an adaptation of a book. The book is actually a 1982 British book by Aidan Chambers titled Dance On My Grave.
The film is as much of a tragedy as it is a comedy. David breaks up with Alexis in the most heartless way. David then dies young. Alexis doesn’t know how to deal with David, especially with seducing his corpse (and disguised as a female). He does the dance he promised, which is what leads him to be arrested in the first place. There are moments of heartbreak, but there are moments that will have you laughing. I’m sure you won’t have a hard time finding the humor in there.
At the same time, the story is a funny reminder to many of us of our young-and-stupid days. About days when we become adults for the first time and just let it all out in having fun as limitless as it gets. The film is also a reminder of our own immaturities as young adults. It’s noticeable in Alexis as he doesn’t know how to deal with his emotions. It’s evident in David how he drops Alexis cold because he sees him as a bore. Yeah, cases when we were that insensitive to those that ‘loved’ us are an uncomfortable reminder of our own immaturities we had when we were becoming adults. However the biggest surprise for me is that it’s set in 1985 and the public treat the gay couple like it’s no big deal. I remember 1985 very well. People were not that accepting of gay couples back then. Plus with the AIDS epidemic getting a lot of attention, the gay lifestyle was seen with a lot of contempt. Anyways, if the story included the realities of the time, it wouldn’t have made for the delight it is.
This is an excellent film from French director Francois Ozon. Ozon has had over twenty years of an illustrious filmmaking career including 8 Women, Swimming Pool, Potiche, Frantz and By The Grace Of God that won the Silver Bear at the 2019 Berlin Film Festival. This film doesn’t have the same awards-caliber as some of his past films, but it’s still a remarkable film as it shows a side of teen love most films don’t show. Some could even say this film looks a lot like a queer version of a John Hughes teen comedy. Also remarkable are the acting performances of the main protagonist Felix Lefebvre and his love interest Benjamin Voisin. Felix was excellent in depicting Alexis as the sensitive one who falls in love for the first time. Felix was great in depicting Alexis with his sensitivities, insecurities and immaturities. Voisin was excellent in playing the rebel whose bad-boy sex-appeal knows how to win Alexis and Kate, but is too selfish and stupid to relate to others. Philippine Velge was also excellent as Kate: the British girl in between the two. Valeria Bruni Tedeschi was also very good as David’s mother and did an excellent job in going from a loving mother to one grieving and hurting badly. Isabelle Nanty is also good as Alexis’ caring and concerned mother.
Summer of 85 hasn’t been a big darling at too many film festivals. Comedies like these normally aren’t. It hasn’t even won awards for LGBT-themed films. However it has been a nominee for the Gold Q-Hugo Award at the Chicago Film Festival and was nominated for two awards at the San Sebastian Film Festival. I’m sure when the awards season comes up later than usual in 2021, it will win or be nominated for many LGBT-themed awards.
That’s the unique thing about Summer of 85. It’s part-tragedy, part-comedy. Part teen romance, part coming-of-age story. Those who see it will be delighted.
2016 was a stellar year for animated movies from Zootopia to Moana to Kubo And The Two Strings to Finding Dory. 2016’s line-up gave people lots of reason to come to the movie theatres. 2017 was very lackluster in comparison. We’re talking about a year when The Boss Baby was nominated for Best Animated Feature and even the mere existence of The Emoji Movie. 2017 almost made it look like if Sausage Party were released that year instead, it would be a Best Animated Feature nominee! However the best animated movies of 2017 slowly made its way on the screen in the latter months of 2017. I was lucky to see Ferdinand, Coco and Loving Vincent: three of the best of the year.
When I was about to see Ferdinand, I wondered how they would able to take the small story and turn it into a feature-length picture. I myself remember an animated short made by the Walt Disney studios made decades ago that was very humorous. However I wondered how would a feature-length adaptation play out?
The story starts out well with an entertaining look, but a bit of sadness at the beginning. As it progresses to adult Ferdinand, Ferdinand is funny and charming as a husky but flower-loving bull. John Cena adds to the characterization of full-grown Ferdinand. The characters of Lupe, Una and the other bulls add to the story.
There were times I wondered how will they get to where Ferdinand is scouted out by his accidental outburst? How will it be written out? Although it’s not true to the fable, the writers were able to create a way for Ferdinand to be discovered and sent to the bull rings to fight.
Another case that had me wondering was right in the middle of the story. It had me wondering how on earth the story would have a happy ending? Of course the film needed to have a kid-friendly happy ending, but in a situation where the bull either becomes a fighting bull who dies in the ring or to the slaughterhouse as meat? Nevertheless the writers were able to make the story work with good events to the plot and not just simply drag it out over the time. Even creating an ending where Ferdinand wins over the crowd and getting them to want him to live works for the film.
For the most part, Ferdinand is not all about the type of intricate story you’d expect to find in a Disney/Pixar film. Instead Ferdinand is about creating a charming modern adaptation of the short fable with charming and entertaining characters. It succeeds in charming the audience as well as entertaining the children. Despite the story being elongated into a feature-length picture, the film does not waste time. It succeeds in being entertaining. It also adds in some other elements that gets one nervous of what will happen to Ferdinand, even if they know the story. The story works in its feature-length and will not disappoint fans of the fable. It’s also good at winning crowds too as it made a good $282 million at the worldwide box office.
Very often you know the Disney/Pixar collaboration will deliver something fresh and original in its arsenal that’s able to win us over. This year, they deliver Coco. Coco is unique because it’s of a Mexican family situated in Mexico. The question is will they make something original and unique entertaining to the public?
The team of writers and animators at Disney/Pixar are known for their innovations and their frequently-successful way of trying new concepts. First there was 1995’s Toy Story: the first-ever 3D animated feature. Then came A Bug’s Life which created an engaging story revolving around insects. Then Finding Nemo not only told a story about fish, but successfully took us to another world. The Incredibles was good at teaching morals in an entertaining way. Ratatouille made an entertaining story involving a rat. Wall-E magically gave us an engaging story about two robots in love with very little dialogue. It was Brave where they not only gave us their first female protagonist, but welcomed a female writer on their ‘dream team.’ And there was Inside Out which made character out of emotions.
Coco is not just a new movie from the Disney/Pixar collaboration, but a new chapter for them. They hired Mexican/American writer Adrian Molina as the scriptwriter along with Matthew Aldrich. Molina had already been part of Pixar as a 2D animator for Ratatouille, a storyboard artists for Toy Story 3 and Monsters University, and even wrote the script for Walt Disney Studios’ The Good Dinosaur. The voice cast is predominantly of Mexicans or Mexican Americans. Disney/Pixar even hired a ‘cultural consultant’ group of three Mexican-Americans including one former CEO of the Mexican Heritage Corp to make sure they were doing a film respectful of Mexican people.
The result is a film that has garnered praise even from both critics and even Mexican-American communities. The film even received excellent reviews from Latin American film critics. The film was also a top box office winner having grossed $730 million so far. Even in Mexico, it spent three weeks at #1 in the Mexican box office and grossed a total of $57.8 million in Mexico.
Now the film itself does what Disney/Pixar films have a reputation for: taking the audience to a new world. Here they give an excellent depiction of the Land Of The Dead that looks very intricate and maybe too big, but succeeds in making sense to the viewer. Once again the animation team does an excellent job in creating this new world and even the smallest detail is done with perfection. Once again Disney/Pixar is tops in animation quality.
However there was one time I was confused by the story. I’ll admit like most, I thought Ernesto was the great-great-grandfather. I was shocked when I learned that Ernesto killed Hector with poison. It left me wondering if Miguel’s great-great-grandfather was in fact a dirty killer. Even seeing Ernesto send Miguel to die in the cenote pit left me shocked. ‘Why would Ernesto do this to his own great-great-grandson?’ It’s in the pit with Hector that we learn that Hector is really the great-great-grandfather. That was a relief. It was there where it became better sense why Miguel needed to redeem the name of the family through the spirit of Hector. The story was very well-written and very entertaining. Also the song ‘Remember Me’ is an excellent song for the movie that makes for the perfect tearjerker moment you don’t feel manipulated by.
One again Disney/Pixar delivers a masterpiece in Coco. It is as top-quality as it is magical to watch.
Now the previous two films in which I just talked about are both the more family-friendly films. Loving Vincent is the polar opposite of both. It’s not cute, it’s less family-friendly, and it’s not even 3D computerized animation. It also didn’t even make $10 million at the box office. Nevertheless it is charming in its own ways.
The film is a plot where Armand Roulin is asked by his father Joseph to deliver a letter from Vincent Van Gogh who died a year earlier to his brother Theo. After learning Theo died, Armand looks to find the right person to give the letter to. Throughout the journey, Armand tries to get the answer to whether Vincent’s death was a suicide or not? He was released from a hospital after found to be in good mental capacity six weeks before.
Armand comes across many people in Vincent’s life. Some have positive things to say. Some negative things. All have something to say about the person of Vincent, the various people he met with or fought against, and his personal feelings before his death. This still leaves Armand confused and his question of Vincent’s death unanswered. It’s right after Dr. Gachet promises to give the letter to Theo’s widow that he learns van Gogh’s suicide wasn’t of mental agony, but to free himself and his brother. Later Armand receives a letter from Theo’s widow thanking him.
This animated film about Vincent Van Gogh couldn’t be a simple animated film. Instead this is a film in which the images were done by 100 painters trained to paint like Van Gogh. The object of the film was to create a story involving characters of people Van Gogh painted and was close to in his life across a backdrop that’s just like the paintings he painted. Basically an animated story about Van Gogh that captures the essence of Van Gogh’s art. The story may be fictional, but it succeeds in playing out like a Van Gogh painting. It even gets one that knows very little about Van Gogh’s works or his life intrigued. It even gets fans of Van Gogh’s art admiring the film for capturing the essence of the artist and his works. I also like how the film ended as “Vincent (Starry Starry Night)” was playing. It would make those who never understood what the song was all about understand it better.
So there’s my look at three of the best animated films of 2017. All three are nominated for an Oscar for Best Animated Feature. All three are enjoyable in their own way.
Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
I’ll admit I had my review of Doctor Strange started back when I saw it in November: Election Day to be exact. The reason for its late publish has a lot to do with my lack of ambition. Paying attention to my hit statistics and seeing how 2016 gave me my lowest annual hit stats since 2011 kept me from publishing. However the recent upswing of hits in January rejuvenated my blogging energy and I can finally publish my review!
Dr. Strange is not a new Marvel superhero. He first appeared in a 1963 addition of Strange Tales created to bring a different type of character and themes of mysticism to comics. It wasn’t completely welcome during its early years as some people thought those at Marvel comics must be on some kind of drugs. Dr. Strange would continue to have his own comic series for decades until the early 2000’s. Then he was placed as a supporting character in comic books of The Amazing Spider-Man and The Avengers. Dr. Strange has been able to reclaim his own at the start of this decade.
Marvel faced a huge task in bringing a superhero most people are unfamiliar with and making them a household name. They’ve done it before, with The Guardians Of The Galaxy being the most recent example. However it’s still a case of hit-and-miss as last year Ant-Man didn’t get the success most were hoping for. 2016 has been a good but complex year for the Marvel studios. Their latest X-Men movie didn’t go off so well. Captain America: Civil War was a hit but it didn’t have the same muscle as past Captain America movies. Deadpool was a big hit, especially as an R-rated movie about an anti-hero, but Marvel still wants to excel in creating superheroes, especially in a family-friendly format.
Now in order to make Doctor Strange come alive on the big screen, Marvel had to create the right story. This is the first Doctor Strange movie so the origin is a definite must. Also a must is Stephen Strange’s personality as the surgeon who lives for the fame but is given a reality check after the car accident and subsequent adoption of a superhero persona. In addition, morals are necessary for superhero movies. It’s like my brother-in-law said today’s people are tired out with life. People want entertainment that gives us heroes to look up. I agree. Despite the onslaught of Deadpool, Suicide Squad and Sausage Party, people welcome heroes and are comfortable with seeing morals redeemed. It’s not like the 90’s where we all has an insatiable appetite for entertainment that was ruthless, obnoxious and appeared to be an artistic middle-finger.
However there were two major things needed to make Doctor Strange take off. The first was Benedict Cumberbatch had to make the character of Doctor Strange work. Cumberbatch had to be able to portray Doctor Strange’s pre-accident arrogance well and to make his change in personality transfer successfully. Cumberbatch was very good in portraying the character. The other major thing needed most for this movie is top-of-the-line visual effects. Already Doctor Strange’s unique superpowers mostly involve the use of pyrotechnics. They had to look like the magic they are. The shifts from one world to the next would also require top-of-the-line visual effects. If you saw the movie yourself, I’m sure you would also be dazzled by the effects of the film from the pyrotechnics to the various worlds to the freezing of time.
Although Cumberbatch’s acting and the visual effects were the highlights of the movie, it had a lot of other ingredients responsible for its success. Scott Derrickson did a very good job of directing. Derrickson has developed a reputation with directing and writing sci-fi movies in the past and he was the right man for the job here. The script he co-wrote with Jon Spaihts and C. Robert Cargill also had to be very good because this was one superhero movie that was not too heavy on the action and placed more emphasis on the story, putting the thriller emphasis more on the slow intensity of the moment. It even included some humor which Marvel likes to include in the first movie of one of their superheroes. They succeeded in accomplishing that. The supporting acting performances like Chiwetel Ejiofor as the mentoring Karl Mordo, Benedict Wong as a non-stereotypical Asian martial arts master, Tilda Swinton as the Ancient One also mentoring Strange, and Rachel McAdams as Christine Palmer, the woman who gives Stephen Strange his reality check, also added to the strength to the story. The music from Michael Giacchino also fit the film and its various moments well.
Doctor Strange was released at the right time. It was released in November when movie crowds are starting to grow again right after the end of the summer season. Usually November is the biggest movie month outside the summer. People are used to settling back to their routines and they can now go out for enjoyment. Dr. Strange won its opening weekend with a draw of $88 million and remained on top for another week despite challenges from Trolls and Arrival. Even after facing rivalry from the following weeks with new releases like Fantastic Beasts and Moana, Doctor Strange did strong spending seven weeks in the box office Top 10 and grossing $231.6 million in North America and almost $665 million worldwide. As the Oscar nominations have approached, its visual effects were nominated. If you remember the effects, you too would think they were some of the best of the year.
As for a possible Doctor Strange sequel, Derrickson talked of a sequel even a month before its release. He mentioned he had fun with the character. The success of it is the perfect green light for a future sequel.
Doctor Strange is the biggest debut movie for a superhero since the Guardians Of The Galaxy. In a year that was a bit of a struggle for Marvel, it delivered in entertainment and thrills.
The Oscar-nominated short films were back in theatres again. However this year I only had the chances to see the live-action one day and the animated another. I have no problem writing separate reviews for both. So here’s my take on the live-action shorts:
–Ave Maria (Palestine/France/Germany): dirs. Eric Dupont and Basil Khalil – Five nuns pray at a convent in a ‘war-zone’ area of Palestine. Then they hear what sounds like an explosive car crash. One tries to help despite the fact they are under a vow of silence. What happened was a car driven by Jewish residents accidentally crashed into the Virgin Mary statue. They try to help but there are conflicts with the nuns’ vows of silence and the family’s strict adherence to the Sabbath and with kosherisms. Not to mention they don’t want to be noticed by Arab residents in the area.
The film does focus on the religious tensions in Palestine but in a humorous way. All of this takes place in the area of the convent. However it’s funny how something as little as a car crash and people trying to seek out help can lead to such religious conflicts. That may have been the least of problems in Palestine but even then it just shows the humor of the whole situation and of how in the end it’s all about doing the right thing. I feel the film’s mix of humor while conveying a social message is why I predict it Will Win the Oscar.
–Shok (Kosovo/UK): dir. Jamie Donoughue – A car driving on a Kosovo road stops at an abandoned child’s bicycle. But why would a grown male from the car leave the car to look at the bicycle? And why would he ride it soon after?
The answer flashes back to the mid-90’s. Two Kosovar Albanian boys Petrit and Oki are the closest of friends. They frequently go to school riding on the bicycle Oki bought after a year of selling almonds. Petrit wants a bike of his own but feels he can get it by selling drugs and rolling papers to Serbian soldiers who’ve taken over the area. He feels it could also prevent them invading their village despite news stories of other areas of Kosovo being invaded. He even tells Oki he’s safe with him.
However Petrit’s promise and ‘business’ is put under heavy question during one of his ‘deals’ as a Serbian soldier wants Oki’s bicycle. It’s not the lost bicycle Oki’s angry about but the fact Petrit is willing to do something dangerous and dishonest for money and it threatens their friendship. They reconcile after Petrit is willing to take an assault from a soldier after Albanian books are found in Oki’s bag and Petrit claims them as his own. Unfortunately the invasion of their village eventually comes and with it the tragic end of the friendship of Oki and Petrit.
Of all five shorts, this is the one that still stayed with me long after I left the theatre. This is a story based on true events. I easily remember the war in the Balkans, especially the bloodshed in Bosnia, back in the 90’s. It dominated the news that decade. The war in Kosovo just years after the war in Bosnia ended was another example of the tyranny and I remember that as well. It does leave you feeling it was unfair of what happened to Oki. He was the smart one. He was the one who kept Petrit’s head on straight. But he was the one killed. Also that end scene where we see a grown-up Petrit still haunted by the war more that fifteen years later reminds you that war still haunts even as time passes and even if Kosovo did get its independence. My cousin once said: “No country’s freedom came without some amount of bloodshed.” True, but the bloodshed still leaves people with a trauma not even independence can solve. That’s why I pick Shok to be my Should Win pick.
–Eveything Will Be Okay (Austria/Germany): dir. Patrick Vollrath – The film starts on a simple note. A man named Michael goes to see his daughter Lea for visitation. His ex-wife and new boyfriend don’t have a problem with that at all so we think it will just be a fun day of the two of them without incident. It starts on a fun note as he buys her a big Playmobil toy and promises to taker her to the fair afterwards. However things get a bit suspicious as the two go to a photo booth where he gets Lea to have a photo of her own and takes to a passport office for rush processing. Things get even fishier when Michael sells his car and they take a cab to the airport. Soon we get what’s going on. It’s a miracle the flight to Dubai was cancelled but they have a replacement flight the next morning. Despite Lea wanting to go home, Michael is insistent on taking her and for her to cooperate. It’s by the luck of Lea making a phone call to her mother overnight that they’re able to prevent an abduction from happening. But not without a struggle.
This is a film of a scenario that happens all too often. A broken marriage and children caught in the middle even to the point of them being abducted. This is something that happens all over the world. However the story is not just about the child caught in the middle but the parent who’s hurting and feels that the child is being taken away from him. The film leaves you wondering if Michael suffers from a mental illness or if he’s just a hurting person. It leaves you feeling that way of a lot of parents from failed marriages. Is that why they abduct their children? The film also leaves you relieved that the flight was cancelled and that Lea was able to make that phone call to her mother in the early morning. Not as many children are as lucky.
The best quality of the film is that it helps the audience live the moment. We don’t know what’s really happening at first but we soon get a better understanding of what’s happening as time goes on. Even as they go to the fair and ride the bumper cars, we still can’t take our mind off of what we suspect will happen. And as time moves on, what we suspect is exactly what’s happening. In addition that scene which we think is the end where the police, Lea’s mother and the hotel personnel try to stop the heist ends up being a scene where a new conflict begins. Michael still struggle to hang onto Lea. That’s another quality of the film where right where we think it’s all over, it’s not and a new struggle begins. On top of that the film’s story is shown without any musical score which adds to the intensity of the drama.
This is a film of a story of an incident that happens all too often in our world. The film’s best qualities are the story unfolding quietly as time unfolds and the unexpected twists in the drama.
-Stutterer (UK/Ireland): dirs. Benjamin Cleary and Serena Armitage – Greenwood, a twentysomething London male with a stutter finds life difficult. His stutter is so severe, it causes problems when calling customer service. He has a job as a typographer but his social life is limited to him with his father. Often he fakes himself as death to try and avoid conversation. His thoughts however are perfectly coherent.
Despite his social flaws and his speech problem, he has developed an online relationship with a woman named Ellie. That works excellently and they keep the relationship going for six months despite never meeting face to face. However the day comes when Ellie would like to meet Greenwood for the first time. He’s in a crisis of what to do and abandons her at first but agrees to do so the next day despite being nervous as hell. The ending will surprise you.
This is a charming story. It takes you into the person’s feelings as well as their insecurities. You learn of Greenwood’s stutter and of what he’s really thinking and easily see the barriers he has to face. You learn about Greenwood the person and hope that in the end he does win Ellie. The ending will delight you. Very clever short film.
–Day One (USA): dir. Henry Hughes – Feda is a young woman just hired by the U.S. Army to act as interpreter. She’s in her 30’s and admits to her colleague who also speaks Arabic that she’s never been married and has no children. Her operation on Day One involves dealing with an enemy bomb maker the army is about to arrest. The operation involves a lot more. It also involves bring his fatherless niece to safety. It also involves dealing with his wife who’s about to give birth.
As if trying to deliver the baby isn’t stressful enough, there’s the fact the baby’s hand is hanging out. The doctor tests for a pulse from the baby and assumes there isn’t one. Feda is given orders to cut the deceased baby’s limbs so that the mother doesn’t bleed to death. Even before Feda attempts the first cut, she notices the hand move. The baby’s alive. There is a sigh of relief but there’s the new stress of making sure the baby’s born right and the mother not bleeding to death. The film ends on a sad but hopeful note.
Just like Everything Will Be Okay, it captures the drama of the moment and allows the audience to capture the intensity as the events are slowly unfolding. The various twists and turns in the story also adds to the continuous drama. The happy ending we all hope for doesn’t happen but it does end with a moment of hope, especially for Feda.
In conclusion, I feel Shok should win the Oscar because of how it’s a story that stays with you long after you leave the theatre. It was creative and it told a story that will touch you deep down inside. I still remember hearing a couple of people in tears after Oki was shot. However I don’t know if the Academy will pick a short that’s all too serious. I think they might want to go for a story leading more to the humorous side. I think Ave Maria with its mix of humor and social awareness will take the Oscar. I think the Academy would prefer a film like that.
And there are my thoughts for this year’s five nominees in the category of Best Live Action Short Film. Winners to be decided on the big night. Also click here for my reviews of the animated shorts.