Summer of 85 is a film that will first attract people to watch for differing reasons. Some who are fans of French films, some for the LGBT-themes story, some who are fans of retro-80’s stuff, or some who are fans of teen love stories. Those who see it should be pleased.
The film begins with a young male, only 16. His name is Alexis and he’s under arrest by authorities. He’s frustrated over what he did. The authorities are wondering why he did what he did. Recklessness? Anti-semitism?
Alexis is willing to let us know how it all started. It all started one hot summer day along the Normand coast. One day he decides to go boating. However it’s on the day of a thunderstorm and Alexis is not all that good at sailing to begin with. His boat capsizes and it throws Alexis in the water. Alexis is almost drowning in the water until he’s rescued by a young male his age. His name is David Gorman. He is 18 years-old, Jewish, and works with his mother’s tourism business along the coast. Alexis is awestruck by David. David takes Alexis to his house where his mother offers him a bath to warm up.
Alexis and David are too completely different individuals. Alexis is the shy one just trying to find his way in the world. David is the daredevil rebel who isn’t afraid to drive like a crazy on his motorcycle and believes in living life unpredictably. Over time, Alexis and David are a lot more than simple friends. They do many a thing together like go to parties, go to carnivals, go to amusement parks and go to the beach. David’s mother even takes a liking to Alexis. Alexis’ mother notices that he’s become less shy since he met David. One night, the two rescue a drunken man who almost drowns in the beach. Another time after a fun night, the two make a promise to each other. If one dies before the other, they dance on their grave.
One day, a woman enters the picture. Her name is Kate and she’s a young student from the UK who speaks excellent French. David is welcoming to having Kate with the two of them, as a friend, but Alexis is uncomfortable with it. The two take Kate out sailing. Even though Alexis goes along with it, you can tell as David keeps Kate company, Alexis is sensing something. Eventually Alexis is justified. At a party, Alexis catches David making love to Kate. Alexis confronts David in his mother’s store. David acts like he couldn’t care less about Alexis’ feelings and just throws in his face how boring he is. Alexis starts a fight with him and trashes the store before leaving. David goes out to look for him and even gets violent at a party with others.
The next day, Alexis goes to visit the store, but David’s mother is infuriated with him. David died in a motorcycle accident trying to search for Alexis and she completely blames him for his death. She even threatens to call the police when Alexis comes to the house. Alexis is heartbroken and distraught. His mother doesn’t know how to deal with him. The only person he feels he can see about this is Kate. Kate says he’s over at the morgue. The only way Alexis can see David’s body is if he poses as his girlfriend. Alexis agrees to do so. As he sees the deceased David, Alexis can’t help but make love to him one last time, which gets them both booted out of the morgue. Kate is upset with how Alexis has been acting and has a falling out with him. Alexis feels he has one last mission. He goes to the town cemetery. He goes to the Jewish section to search for the newest grave. He finds David’s grave. He dances on top of it with Rod Stewart’s ‘Sailing’ playing from his Walkman. That’s when the police arrest him.
Alexis’ mother tries to reach out to him before his trial. Kate meets with Alexis one last time before she returns to the UK. She just lets Alexis know both of them weren’t in love with David. They were in love with their own image of David. At the trial, Alexis is given a lenient sentence. The Summer of 1985 appears on the verge of ending as Alexis notices a man at the beach. He’s the drunkard whom he and David saved from drowning. Alexis learns that he’s gay. The two get to know each other better.
I’m sure that when you first start to watch this film, many of you will impulsively thin kat the beginning you will get another case of Call Me By Your Name. I mean it has all the makings: Mediterranean Coast, a boy-meets-boy story, adaptation from a novel. However there are a lot of differences you’ll notice as time goes on. First of all this boy-meets-boy story is of a 16 year-old and an 18 year-old. One’s the more orderly, more sensitive type. One’s the rebel who likes to let loose. The inclusion of the young woman in the middle also adds for some twists and turns. Also like, CMBYN, this film is an adaptation of a book. The book is actually a 1982 British book by Aidan Chambers titled Dance On My Grave.
The film is as much of a tragedy as it is a comedy. David breaks up with Alexis in the most heartless way. David then dies young. Alexis doesn’t know how to deal with David, especially with seducing his corpse (and disguised as a female). He does the dance he promised, which is what leads him to be arrested in the first place. There are moments of heartbreak, but there are moments that will have you laughing. I’m sure you won’t have a hard time finding the humor in there.
At the same time, the story is a funny reminder to many of us of our young-and-stupid days. About days when we become adults for the first time and just let it all out in having fun as limitless as it gets. The film is also a reminder of our own immaturities as young adults. It’s noticeable in Alexis as he doesn’t know how to deal with his emotions. It’s evident in David how he drops Alexis cold because he sees him as a bore. Yeah, cases when we were that insensitive to those that ‘loved’ us are an uncomfortable reminder of our own immaturities we had when we were becoming adults. However the biggest surprise for me is that it’s set in 1985 and the public treat the gay couple like it’s no big deal. I remember 1985 very well. People were not that accepting of gay couples back then. Plus with the AIDS epidemic getting a lot of attention, the gay lifestyle was seen with a lot of contempt. Anyways, if the story included the realities of the time, it wouldn’t have made for the delight it is.
This is an excellent film from French director Francois Ozon. Ozon has had over twenty years of an illustrious filmmaking career including 8 Women, Swimming Pool, Potiche, Frantz and By The Grace Of God that won the Silver Bear at the 2019 Berlin Film Festival. This film doesn’t have the same awards-caliber as some of his past films, but it’s still a remarkable film as it shows a side of teen love most films don’t show. Some could even say this film looks a lot like a queer version of a John Hughes teen comedy. Also remarkable are the acting performances of the main protagonist Felix Lefebvre and his love interest Benjamin Voisin. Felix was excellent in depicting Alexis as the sensitive one who falls in love for the first time. Felix was great in depicting Alexis with his sensitivities, insecurities and immaturities. Voisin was excellent in playing the rebel whose bad-boy sex-appeal knows how to win Alexis and Kate, but is too selfish and stupid to relate to others. Philippine Velge was also excellent as Kate: the British girl in between the two. Valeria Bruni Tedeschi was also very good as David’s mother and did an excellent job in going from a loving mother to one grieving and hurting badly. Isabelle Nanty is also good as Alexis’ caring and concerned mother.
Summer of 85 hasn’t been a big darling at too many film festivals. Comedies like these normally aren’t. It hasn’t even won awards for LGBT-themed films. However it has been a nominee for the Gold Q-Hugo Award at the Chicago Film Festival and was nominated for two awards at the San Sebastian Film Festival. I’m sure when the awards season comes up later than usual in 2021, it will win or be nominated for many LGBT-themed awards.
That’s the unique thing about Summer of 85. It’s part-tragedy, part-comedy. Part teen romance, part coming-of-age story. Those who see it will be delighted.
Summer 1993 is a unique Spanish film for its depiction of childhood. It’s also a unique story about a girl that’s semi-autobiographical.
The story begins with a young six year-old girl named Frida who’s recently orphaned. She has lost both her parents to AIDS with her mother dying in the summer of 1993. The whole family including the mother is hugely concerned for Frida’s well-being. Her mother’s brother Esteve agrees to take care of her. Frida is taken to their mountainside pueblo in the Catalan Pyrenees to like with him, his wife Marga and 3 year-old daughter Anna.
It’s taking a long time for Frida to get adjusted to her new surroundings. She feels like a misfit in the town and very rarely socializes with anyone else. On top of it, she feels uncomfortable around the chickens. AIDS isn’t spoken around her and her family. When in conversation, they simply refer to it as ‘that illness.’ It does become apparent what ‘that illness’ is when Frida cuts herself and her family panics.
She also misses her mother, but doesn’t know how to grieve about it. Every day, she goes to the tiny grotto near the farm and prays to her mother. There’s even a time she places a pack of cigarettes to her mother by the Madonna. That’s the best way Frida knows how to grieve.
Over time, Frida appears to be developing a friendship to Anna; possibly even a sisterhood. It would become apparent Frida’s acting out when she plays a game with Anna in the woods only to leave Anna behind. Anna is found, but with a broken arm. The family is infuriated with the way Frida is acting, feeling she has no morals. Unknown to Esteve and Marga, Frida hears it all. Frida starts feeling like she’s unloved and decides the thing to do is to run away. It’s there as the family comes to search for her that Frida is reminded that she is loved. It becomes a turning point for her as she now feels like an accepted person at home and in the community.
This isn’t your typical film from Spain. Usually most fans of ‘arthouse’ film think of Pedro Almodovar when the word Spanish film comes to mind. Here, Carla Simon is not aiming to be the artist Pedro Almodovar is reputed to be. This film is actually autobiographical of Simon. She herself lost her mother to AIDS in the summer of 1993. Her father died some time before. The summer of 1993 was the first summer she spent with her new family. Basically Simon wanted to send a message with this film: “With the movie, I wanted to express the fact that children can suffer a thing so cruel but they are still able to understand death. That we have to talk to them about death, because a six year-old child can understand. The question/thing/issue is how they manage their feelings. We talk also about children’s ability to adapt, how they can survive and keep going, and the fact that children are more able than adults.”
It wasn’t mentioned whether Frida’s actions in the film mirrored Carla’s actions in real life. However Frida did exhibit a lot of common behavior traits common in children that have lost a parent at their young ages. The film shows how Frida goes from being a child who exhibits behavior relatives don’t know what to make of to soon belonging to a family and even grieving at the end.
Carla Simon directs and co-writes with Valentina Viso a story that’s intriguing, but also very natural and without overdoing the drama. It plays the events out as they come without trying to grab hold of attention. All the better for it. On top of it, the story is shown through the child’s point of view, which makes it that more autobiographical. Young Laia Atrigas does a very good job of playing Frida. She does a no-nonsense job of playing a six-year old girl and doesn’t try to be cutesy. She just does what she needs to do. The adult actors in the film, especially David Verdaguer and Bruna Cusi, also do a very good job in their parts as the concerned but confused foster parents. The film is set very well in its Catalan settings with scenes in both the pueblo and in the Catalan village. The film gives the feel of being in Catalonia. The film also included something noteworthy of the time as we see Frida wearing a T-shirt with Cobi: the mascot of the 1992 Summer Olympics from Barcelona.
A bit of trivia. Summer 1993 is Spain’s entry this year in the Academy Award category for Best Foreign language Film. It is the second film in the Catalan language to be submitted as Spain’s entry in that category. The first ever is Black Bread.
Summer 1993 is a story about a young girl’s change of surroundings and how she responds to it. It’s autobiographical depiction works well as it plays out in a no-nonsense fashion. The better for it.
WORK CITED: Zorita, Kristina. “Interview With Director Carla Simon” European Women’s Audiovisual Network. 6 March 2017<http://www.ewawomen.com/en/events/interview-with-director-carla-simon.html>
This was to be a triple-movie review I had planned to release shortly after the end of the summer. The VIFF, feeling tired, and two illnesses kept it from publishing in due time. Even though most of the films here are on DVD, Blu-Ray or on NetFlix, I still feel this is a focus on summer movies worth publishing even now. Especially since many will be eligible for the technical categories of the Oscars. Hey, don’t rule them out.
And this one is on superhero movies, and rightly so as they’ve become the creme de la creme of the summer movie season. You can easily see why. Their popularity, their ability to bring in a wide range of an audience from children who love superheroes to action movie fans to thriller lovers. No doubt their the hype of the summer. I saw three such movies this summer– The Avengers: Age Of Ultron, Ant-Man, and The Fantastic Four — and all three had something to say about them in either their successes or failures.
THE AVENGERS: AGE OF ULTRON
The Avengers blew us away in their first movie back in 2012. It even set a box-office record for the first ever movie to open with a $200 million weekend. It was right that there be another Avengers movie in due time. Sure enough the sequel came this summer and it was the Age Of Ultron.
It’s one thing to bring a set of superheroes together as one team but also to have one of the superheroes’ main villains to be the bad guy of this Avengers movie is something else. I wasn’t expecting Loki to be the villain. Another thing I liked about this is that in the first Avengers movie, it looked like Tony Stark was stealing the show too often. This time it appeared like there was less of a case of one hero trying to steal the show.
Overall I feel the story worked as it delivered the excitement one would normally expect from a superhero movie. You know that when Joss Whedon tackles a Marvel script, he will deliver. That and dazzling special effects of course. The interesting thing is that the ending leaves one to think that there will be a new generation of Avengers and the original Avengers have retired from their duties as a team. Nevertheless there is talk of the next Avengers sequel — actually the sequel is divided into two parts– and that all the original Avengers will be back. Should be interesting.
The box office results for Avengers: Age Of Ultron are quite interesting. Their opening weekend of $191.3 million made it second only to the first Avengers movie’s $207.4 million as the highest ever. Both would eventually be bumped down a spot six weeks later thanks to Jurassic World’s record-setting $208.8 million. Eventually it would gross a total of $459 million in North America and $1.4 billion worldwide. Its totals make it the eighth-highest ever in North America and sixth-highest ever Worldwide.
The Avengers: Age Of Ultron show some common traits of the first Avengers movie but have some noticeable differences of their own. Nevertheless they still deliver on excitement.
Last year Marvel was able to unleash a superhero ensemble no one had ever heard of, The Guardians Of The Galaxy, and they became household names. Marvel attempted to unleash another unknown superhero to the public named Ant-Man. Although it didn’t have the same buzz as the Guardians, it was impressive and succeeded in making it well-known to the public.
Ant-Man is no recent superhero of Marvel’s. Ant-Man has actually been around since 1962. Here was Ant-Man’s first crack at the big screen. It follows a formula familiar to Marvel superhero movies intended to be the first one of the superhero. It creates a clever opening scenario involving an humorous introduction to the person who will become the hero as well as an opening scene of the person to become the villain. That is to be expected in such Marvel movies as they are shelling these movies out to people of various ages from children to adult sci-fi fans. However it risks being a disappointment if not done right. It was not exactly done wrong but I did feel the beginning emphasized on the humor too much and the scenes involving Scott Lang and Luis started the movie on a cornball note. There were even scenes where Scott–ant-sized as he just discovers the Ant-Man suit–gets himself in humorously troubling situations. I know it’s natural for Marvel to add humor to their films for family viewing and enjoyment but I felt they overdid it there.
I do commend director Peyton Reed and the four scriptwriters for creating a good story that knows how to entertain and thrill. I also admire the special effects team for creating dazzling effects that fit the film well. I also commend the good acting from Paul Rudd, Corey Stoll, Evangeline Lilly, Bobby Canavale and the other actors in the film. However I felt there was something missing in this film. I can’t exactly say what. Maybe because I can’t see of a superhero the size of Ant-Man being that believable. Whatever the situation, I felt it lacked a certain shining quality one would find in some of Marvel’s best movies like X-Men or even Guardians Of The Galaxy. Once again I reiterate Ant-Man was no disappointment. It was just lacking a certain flare.
Ant-Man didn’t have the same box-office success as the Guardians Of The Galaxy did last year. It made $179.5 million in North America but also scored an impressive additional $337.9 million internationally. The film’s success has prompted plans for a sequel in either 2017 and 2018. Rudd will be returning.
Ant-Man doesn’t have the same flare as Guardians Of The Galaxy but it is an impressive introduction to a previously unfamiliar Marvel superhero.
THE FANTASTIC FOUR
If there’s one film that failed to live up to people’s expectations this summer, it has to be this year’s revamped version of The Fantastic Four. If you saw it yourself, you could easily see why it was a disappointment.
The opening scene where Reed Richards and Ben Grimm first meet in elementary school and develop a friendship opens the movie on a promising and intriguing note. However whatever intrigue one has in the story is put to the test throughout the movie. The story when the four eventually adopt their superhero personas appears to take forever. I even remember one time around the halfway point, I had to check my watch asking “Are they the Fantastic Four yet?” Even the moments in the story that attempted to stimulate excitement and intrigue didn’t keep me from asking that.
Even after the four have adopted their superhero personas, it appeared that they weren’t together and not yet the team of the Fantastic Four. The middle of the movie does make obvious that the four have their superhero personas and their elements of action to go with it but it left me confused. Even as the four do eventually meet together and do battle against Doom on another planet, I was still left wondering when the four became The Fantastic Four. I felt leaving it until the very end was not a smart thing to do.
It’s not fair to say it’s a terrible movie. When I saw it had less than 10% at Rotten Tomatoes, I wondered how unwatchable it would be. I was expecting a disappointment or a clumsy disaster. It wasn’t. It was very watchable as a movie. In fact I consider Vacation a way worse movie from this summer. Even the young actors of Miles Teller, Jamie Bell, Michael B. Jordan and Kata Mara did nothing wrong and did well in their acting jobs. The problem is the movie made a lot of noticeable mistakes. The special effects of the film were excellent and one-of-a-kind but they could not hide just how off the story was.
You can bet that just before the movie’s release and even after, the bad news came out and in various forms. Later on I read stories of how the director Josh Trank lost interest in the project and that it caused problems in terms of finishing the story. If that’s the case, it shows. Even despite the lackluster story, I felt ten years was too soon to release a revamp of The Fantastic Four. I remember the first one. It was a fun story that was enjoyable and a thrill to watch. It appeared Marvel did the right moves. Here, it looks like it’s aiming for a darker story with less comedy which makes it less enjoyable than the first. I can understand the aim for more drama than entertainment but this is a movie that really tests our patience despite the top notch special effects.
The box office results showed how disappointing this Fantastic Four was. It cost $120 million to make but didn’t even make half of it back in North America: $56.1 million to be exact which is less what the two previous Fantastic Four movies made in their respective opening weekends. The foreign box office of $111.6 million kept it from being a complete flop. There was talk of plans to be a sequel at first but the box office numbers definitely will put it in question.
Yes, superhero movies were one of the tour-de-forces of the summer box office as has been in recent years. The Avengers: Age Of Ultron prove they’ve still got it, Ant-Man proves that introducing a new superhero is still a challenge and The Fantastic Four proves even Marvel is not infallible to shelling out flops. We’ll see how next summer’s crop of superhero movies fares.
You may have seen my blog about the VIFF already. One thing some people may not have noticed about my blogging is that I haven’t been doing tracking of the year’s box office pace. Normally I do. Maybe one or two of you have noticed. Anyways this is my first look at 2014 at the box office and it doesn’t look too pleasant right now.
The first quarter of 2014 didn’t make as much as the first quarter of 2013. Nevertheless it did provide for an excellent January and February. Neither January or February set a box office record for that month but both outgrossed their respective month from 2013. January 2014 was almost $60 million higher than January 2013 thanks to hits like Frozen, Lone Survivor, Ride Along, The Wolf of Wall Street and The Nut Job. February 2014 was almost $175 million higher than February 2013 thanks to the phenomenal success of The LEGO Movie and other hits like The Monuments Men, About Last Night, Three Days To Kill, Non-Stop and Son Of God. However all that extra wouldn’t be enough to outgross the winter of 2013 thanks to March 2014 grossing almost a quarter-billion less than March 2013. Strong openings for the 300 sequel, Mr. Peabody and Sherman, Divergent and Noah didn’t carry far enough in the end and the winter of 2014 just missed by that much.
Spring Falls Slightly Short
Don’t get me wrong. Spring was loaded with movies to get people to the cinema but it didn’t outgross last year’s spring. Once again no month set an all-time high but April was more than a quarter-billion higher than April 2013 thanks to Captain America 2, Rio 2, Heaven Is For Real and The Other Woman. May 2014 was more than $225 million shy of May 2013. Some could say there was no real big bang like Iron Man 3 from last year. Others could say too many competitors like The Amazing Spider-Man 2, Neighbors, Godzilla and X-Men: Days of Future Past opening at once.
However don’t get me started on June. June was the month that sent the message that 2014 was going to have a tough summer at the box office. First off June had the only weekend where a movie released in 2014 grossed more than $100 million on its opening weekend: Transformers: Age of Extinction with a paltry $100,038,390. That’s only 27th on the all-time list. Secondly were the ho-hum openings of movies like Maleficient, The Fault In Our Stars, 22 Jump Street, How To Train Your Dragon 2, and Think Like A Man Too. At the end of it all, June only grossed $995.4 million: $230 million less than June 2013 and the first June since 2003 to gross below $1 billion!
Summer’s Bumpy Road
You shouldn’t rely completely on the totals over at Box Office Mojo because the list of July totals shows July 2014 telling one story and the Weekly chart of 2014 and doing quick math in adding the July weeks telling another. One thing is certain is that this July didn’t outgross July 2013 despite continuing success of Transformers 4 and openings for Dawn Of The Planet Of The Apes and Lucy.
The bright light not just of the summer but of the movie year so far has to be August. This is the one month that set an all-time record this year: $983 million. Definitely the success of the Guardians Of The Galaxy has a lot to do with it. There were other box office pumpers that month too like the Ninja Turtles, Into The Storm and Let’s Be Cops.
I decided to pass up reviewing September even though it hasn’t grossed as much as last year. Nevertheless the next three months will be a challenge. I don’t think 2014 will set an all-time box-office record but it will draw huge crowds with Fury, Nightcrawler, Horns, the latest Hunger Games movie Mockingjay Part. 1 and sequels for Night At The Museum and Madagascar. I’m confident 2014 will end past $10 billion but that’s something only time will tell.
“Yearly Box Office Chart” BoxOfficeMojo.com. 2013. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/yearly/
“Monthly Box Office Chart” BoxOfficeMojo.com. 2013. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/monthly/
“Weekend Box Office Chart” BoxOfficeMojo.com. 2013. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/weekend/
The news involving the Hollywood box office for the most part has been pretty negative especially in terms of the annual total gross or all the action movie flops this summer. One thing that has been overlooked is the overall success of the summer. It actually did better than most people noticed. Or most journalists took note of.
Continuing from where I last kept track, July was actually a bigger month than most people noticed. Yes, the big news of the action flops of that month like The Lone Ranger, Pacific Rim, Red 2 and R.I.P.D. What shouldn’t be overlooked were the big successes of the month like the minion power of Despicable Me 2, the goofball comedy of Grown Ups 2, suspense of The Conjuring and even the successful action-packed delivery of The Wolverine. Overlooked by most, 2013 produced the highest-grossing July ever with $1.291 billion: $20 million more than the previous July record set in 2008 and almost $220 million more than July 2012. Funny how the flops made bigger news than the successes.
August also continued the run of success for the summer of 2013. It opened with the success of 2 Guns, continued with the temporary success of Elysium, received surprise successes from We’re The Millers and Lee Daniels’ The Butler and ended on a bright note with the opening of One Direction: This Is Us. At the buzzer, August 2013 grossed $755.4 million: $16.4 million more than August 2012. 2013 is not the highest-grossing August ever as it’s been outgrossed by the Augusts of 2001 and 2007.
So if you want to give a rough estimate of comparing summers, by simply adding up the grosses from May to August of both 2013 and 2012, the summer months of 2013 grossed slightly more than $425 million more than the summer months of 2012. This is a welcome relief after the slumping of the first four months of the year. It doesn’t completely make up the deficit it had over the monthly pace of 2012’s total gross but it does help gain a lot back and reassure us that people still like to go to the movies despite how many forms of entertainment people have.
One thing is the successes and failures of 2013 can teach Hollywood a lot about shelling out movies for the public. I will admit that the news about the constant flopping of the big budget action movies did deserve to be made note of. In fact it continued with Elysium despite how good quality it was. One thing that should have also been taken note of was the low-budget successes that happened. Some of which had quite minimal expectations put on them. First example is the horror drama The Conjuring which made $136 million total all on a budget of $20 million. In fact it debuted at #1 in its opening weekend with a gross more than double its budget. Another example is the oddball comedy We’re The Millers. It never was #1 at the box office but it opened with a healthy opening weekend of $26.4 million and went onto a gross that currently stands at $132 million. This movie had to be the movie that had legs this summer. The most current example is Lee Daniels’ The Butler. That’s not your typical summer fare but it held the #1 spot during the last three weekends of the summer and just hit $100 million this weekend. Hollywood, take note.
It’s not to say that action moves were a complete dud this summer. It actually opened strong with Iron Man 3 and continued with Star Trek Into Darkness and World War Z. However the first sign that the crowd was about to tire of this genre was when Man Of Steel didn’t gross as much as hoped. Sure, $291 million is still impressive and has it as the 3rd-highest grossing movie of 2013, but more was expected. I believe that was the first sign that it would be all downhill from here for this summer’s action flicks.
What should be noted is that the biggest winners at the box office were not necessarily the action movies but the animated family movies. Iron Man 3 may have been the highest grossing movie of 2013 so far but Despicable Me 2 is the second-highest. Its Minion Power took it to a total gross of just over $359 million. Monsters University holds as the fourth-highest of 2013 with $265 million. A third animated movie, Epic, also received an impressive total gross of $107 million.
So that sums up the summer of 2013. Action-packed, animatedly-charming and surprises out of left field. For every box office dud, there were hits. The bad news of the summer action flick would lead to good news of this summer’s total gross. Hollywood should learn from this summer and prepare not simply for a better summer but a smarter-planned summer for 2014.
Last week I wrote about the current situation at the box office in terms of the monthly totals. This time around I’ll be talking about another box office issue of this year, especially this summer. Big budget movies going up in smoke.
The box office has had big movies for years with special effects, dazzling action scenes, directed by reputed directors and starring A-list stars and they’ve paid off well more often than not. The summer is normally the best time to have such big movies loaded out in release. This year it seems like the big budget movies are having their weakest year in a long time and it look like the hype of the summer movie season hasn’t done much to help boost it. How bad have they been doing? Here’s a list of the most notable big budget movies to fare poorly:
- G.I. Joe: Retaliation – Stars: The Rock, Channing Tatum, Bruce Willis – Production Budget: $130 million – Box Office Total: $122.5 million
- Oblivion – Stars: Tom Cruise, Morgan Freeman – Director: Joseph Kosinski – Budget: $120 million – Box Office Total: $89.1 million
- After Earth – Stars: Will Smith, Jaden Smith – Director: M. Night Shyamalan – Budget: $130 million – Box Office Total: $59.7 million
- White House Down – Stars: Channing Tatum, Jamie Foxx – Director: Roland Emmerich – Budget: $150 million – Current Box Office Total: $68.4 million
- The Lone Ranger – Stars: Johnny Depp, Armie Hammer, Helena Bonham Carter – Director: Gore Verbinski – Budget: $215 million – Current Box Office Total: $81.3 million
- Pacific Rim – Stars: Charlie Hunnam, Rinko Kikuchi – Director: Guillermo Del Toro – Budget: $190 million – Box Office Total: $68.3 million
Now that’s just for the big budget movies that are now out of the Top 10. This weekend was unique because of two big budget movies with dismal opening weekends:
- R.I.P.D. – Stars: Jeff Bridges, Ryan Reynolds, Kevin Bacon -Director: Robert Schwentke – Budget: $130 million – Opening Weekend Total: $12.7 million
- Red 2 – Stars: Bruce Willis, John Malkovich – Director: Dean Parisot – Budget: $84 million – Opening Weekend Total: $18.1 million
To think last year they were cracking all those John Carter jokes. Looks like John Carter‘s got some company this year. This also puts into question a lot of other big budget movies still to be released this summer. Yet to be released is The Wolverine, 2 Guns, Elysium, Percy Jackson: Sea of Monsters, Mortal Instruments: City Of Bones, Paranoia and Getaway. The production budgets for those movies has not yet been released by Box Office Mojo but you can bet they will all face the pressure of making it all back, if not #1, at the box office.
It’s not to say all big budget movies have done poorly. Iron Man 3, Star Trek Into Darkness, Man Of Steel, The Fast and The Furious 6 and Man Of Steel have fared very well. Even animated movies with big budgets like The Croods, Epic, Monsters University and Despicable Me 2 have been successes if not box office-toppers. Even Turbo opening this weekend at $31 million shows strong signs it will make its $135 million back before its run is over.
I guess it’s not exactly about shelling out bloated overhyped movies during the summer but just a job about doing the right moves. I know that every year faces the pressure of outgrossing the year before and 2013 faces that same expectation the record-breaking big shoes of 2012 to fill. I guess it’s just another study Hollywood has to undertake in preparation for both the summers of 2014 and 2015. Also Hollywood should be reminded that you don’t always need a big movie to top the box office In fact this weekend’s #1 movie was The Conjuring with $41.8 million: more than double its budget. Pay attention, Hollywood.
BoxOfficeMojo.com. 2013. Box Office Mojo. Owned by IMDB.com. <http://www.boxofficemojo.com>
DISCLAIMER: Hi. This is my second-last summer movie review where I’m playing catch-up on my reviews. When I give my review of Harry Potter, I will finally be all caught up. In the meantime enjoy yet another late summer movie review.
There should be a “Captain” in there somewhere.
As I said before, the summer movie season is usually about the tried-and-true making big box office results. It’s at the box office where we learn if it’s tried-and-true or tried-and-tired. Up for this summer is the fourth installment of the Pirates of The Caribbean series: On Stranger Tides. Returning is Johnny Depp as Jack Sparrow, his most popular role of all-time. The big questions are does Jack still have the winning charm at the box office? Also does the latest Pirates adventure still have what it takes to thrill and charm and keep the Pirates phenomenon active?
This time Jack’s quest is the Fountain Of Youth. King George wants Jack to guide it to beat the Spanish. The one surprise is that his nemesis from the first movie, Hector Barbossa, is now a privateer in the British navy and now heading it. Already the intrigue would start for the die-hard POTC fans. Another interesting thing that he would be foiled by an imposter of himself: former lover Angelica who is Blackbeard’s daughter.
The part of the mission involving capturing a mermaid’s tear and a captive falling in love with a mermaid is probably the only thing in the movie that’s even close to fresh. The tear being collected by Blackbeard starts the rivalry scenario all over again. The main rivalry in the movie is different, if not unique. This time Jack Sparrow and Barbossa join forces to defeat Blackbeard. Barbossa has a grudge match of his own against Blackbeard for his amputated leg. Meanwhile the Spanish battle the Pirates for the sake of killing the fountain because they believe it’s cursed. Often rivalry upon rivalry upon rivalry gets too confusing unless it makes sense. Not here..
One glimpse at the storyline is that you could easily see it was hatched together in an instant. We see the typical formulas of the Pirates movies: Jack being his flamboyant cocky self, rival pirates, lands to conquer, new nemeses and new loves. This has been common ever since the first Pirates movie burst on. Its winning formula is now starting to become stale and predictable. Even the character of Jack Sparrow has lost his charm over the years. When he first arrived, he was arrogant, eccentric but charismatic and was able to charm the audience. If it weren’t for Jack’s personality, the first Pirates of The Caribbean movie could have been seen as a joke. Now Jack looks like a rehash that’s getting tired out and only tries to be entertaining. Penelope Cruz plays the typical lover of Jack. Villains are practically predictable. Often when an action scene or a battle comes on, I often question “Who didn’t expect that?” The only things close to being fresh was the mermaids and the surprise of Barbossa being an ally of Jack instead of a rival. Outside of that, it remains formulaic.
As for the business, it’s already showing signs of waning. The first movie, Dead Man’s Chest is the biggest grosser with almost $425 million. The follow-up, The Curse Of The Black Pearl had a record-setting opening weekend but its overall gross failed to top Chest. On Stranger Tides is the lowest-grossing of the Pirates movies with only $240 million. The future of the Pirates franchise should make a lot of Disney execs think whether the fifth movie is worth it or not.
Pirates Of The Caribbean: On Stranger Tides is a movie that will only excite Pirates fans at the most. It offers little freshness or anything unpredictable. So unless you’re a fan of Jack Sparrow, I believe it’s not worth it.
Oh yeah, just to let you know you’ll only have one more summer movie review after this. Then I’m finally caught up.