2016 was a stellar year for animated movies from Zootopia to Moana to Kubo And The Two Strings to Finding Dory. 2016’s line-up gave people lots of reason to come to the movie theatres. 2017 was very lackluster in comparison. We’re talking about a year when The Boss Baby was nominated for Best Animated Feature and even the mere existence of The Emoji Movie. 2017 almost made it look like if Sausage Party were released that year instead, it would be a Best Animated Feature nominee! However the best animated movies of 2017 slowly made its way on the screen in the latter months of 2017. I was lucky to see Ferdinand, Coco and Loving Vincent: three of the best of the year.
When I was about to see Ferdinand, I wondered how they would able to take the small story and turn it into a feature-length picture. I myself remember an animated short made by the Walt Disney studios made decades ago that was very humorous. However I wondered how would a feature-length adaptation play out?
The story starts out well with an entertaining look, but a bit of sadness at the beginning. As it progresses to adult Ferdinand, Ferdinand is funny and charming as a husky but flower-loving bull. John Cena adds to the characterization of full-grown Ferdinand. The characters of Lupe, Una and the other bulls add to the story.
There were times I wondered how will they get to where Ferdinand is scouted out by his accidental outburst? How will it be written out? Although it’s not true to the fable, the writers were able to create a way for Ferdinand to be discovered and sent to the bull rings to fight.
Another case that had me wondering was right in the middle of the story. It had me wondering how on earth the story would have a happy ending? Of course the film needed to have a kid-friendly happy ending, but in a situation where the bull either becomes a fighting bull who dies in the ring or to the slaughterhouse as meat? Nevertheless the writers were able to make the story work with good events to the plot and not just simply drag it out over the time. Even creating an ending where Ferdinand wins over the crowd and getting them to want him to live works for the film.
For the most part, Ferdinand is not all about the type of intricate story you’d expect to find in a Disney/Pixar film. Instead Ferdinand is about creating a charming modern adaptation of the short fable with charming and entertaining characters. It succeeds in charming the audience as well as entertaining the children. Despite the story being elongated into a feature-length picture, the film does not waste time. It succeeds in being entertaining. It also adds in some other elements that gets one nervous of what will happen to Ferdinand, even if they know the story. The story works in its feature-length and will not disappoint fans of the fable. It’s also good at winning crowds too as it made a good $282 million at the worldwide box office.
Very often you know the Disney/Pixar collaboration will deliver something fresh and original in its arsenal that’s able to win us over. This year, they deliver Coco. Coco is unique because it’s of a Mexican family situated in Mexico. The question is will they make something original and unique entertaining to the public?
The team of writers and animators at Disney/Pixar are known for their innovations and their frequently-successful way of trying new concepts. First there was 1995’s Toy Story: the first-ever 3D animated feature. Then came A Bug’s Life which created an engaging story revolving around insects. Then Finding Nemo not only told a story about fish, but successfully took us to another world. The Incredibles was good at teaching morals in an entertaining way. Ratatouille made an entertaining story involving a rat. Wall-E magically gave us an engaging story about two robots in love with very little dialogue. It was Brave where they not only gave us their first female protagonist, but welcomed a female writer on their ‘dream team.’ And there was Inside Out which made character out of emotions.
Coco is not just a new movie from the Disney/Pixar collaboration, but a new chapter for them. They hired Mexican/American writer Adrian Molina as the scriptwriter along with Matthew Aldrich. Molina had already been part of Pixar as a 2D animator for Ratatouille, a storyboard artists for Toy Story 3 and Monsters University, and even wrote the script for Walt Disney Studios’ The Good Dinosaur. The voice cast is predominantly of Mexicans or Mexican Americans. Disney/Pixar even hired a ‘cultural consultant’ group of three Mexican-Americans including one former CEO of the Mexican Heritage Corp to make sure they were doing a film respectful of Mexican people.
The result is a film that has garnered praise even from both critics and even Mexican-American communities. The film even received excellent reviews from Latin American film critics. The film was also a top box office winner having grossed $730 million so far. Even in Mexico, it spent three weeks at #1 in the Mexican box office and grossed a total of $57.8 million in Mexico.
Now the film itself does what Disney/Pixar films have a reputation for: taking the audience to a new world. Here they give an excellent depiction of the Land Of The Dead that looks very intricate and maybe too big, but succeeds in making sense to the viewer. Once again the animation team does an excellent job in creating this new world and even the smallest detail is done with perfection. Once again Disney/Pixar is tops in animation quality.
However there was one time I was confused by the story. I’ll admit like most, I thought Ernesto was the great-great-grandfather. I was shocked when I learned that Ernesto killed Hector with poison. It left me wondering if Miguel’s great-great-grandfather was in fact a dirty killer. Even seeing Ernesto send Miguel to die in the cenote pit left me shocked. ‘Why would Ernesto do this to his own great-great-grandson?’ It’s in the pit with Hector that we learn that Hector is really the great-great-grandfather. That was a relief. It was there where it became better sense why Miguel needed to redeem the name of the family through the spirit of Hector. The story was very well-written and very entertaining. Also the song ‘Remember Me’ is an excellent song for the movie that makes for the perfect tearjerker moment you don’t feel manipulated by.
One again Disney/Pixar delivers a masterpiece in Coco. It is as top-quality as it is magical to watch.
Now the previous two films in which I just talked about are both the more family-friendly films. Loving Vincent is the polar opposite of both. It’s not cute, it’s less family-friendly, and it’s not even 3D computerized animation. It also didn’t even make $10 million at the box office. Nevertheless it is charming in its own ways.
The film is a plot where Armand Roulin is asked by his father Joseph to deliver a letter from Vincent Van Gogh who died a year earlier to his brother Theo. After learning Theo died, Armand looks to find the right person to give the letter to. Throughout the journey, Armand tries to get the answer to whether Vincent’s death was a suicide or not? He was released from a hospital after found to be in good mental capacity six weeks before.
Armand comes across many people in Vincent’s life. Some have positive things to say. Some negative things. All have something to say about the person of Vincent, the various people he met with or fought against, and his personal feelings before his death. This still leaves Armand confused and his question of Vincent’s death unanswered. It’s right after Dr. Gachet promises to give the letter to Theo’s widow that he learns van Gogh’s suicide wasn’t of mental agony, but to free himself and his brother. Later Armand receives a letter from Theo’s widow thanking him.
This animated film about Vincent Van Gogh couldn’t be a simple animated film. Instead this is a film in which the images were done by 100 painters trained to paint like Van Gogh. The object of the film was to create a story involving characters of people Van Gogh painted and was close to in his life across a backdrop that’s just like the paintings he painted. Basically an animated story about Van Gogh that captures the essence of Van Gogh’s art. The story may be fictional, but it succeeds in playing out like a Van Gogh painting. It even gets one that knows very little about Van Gogh’s works or his life intrigued. It even gets fans of Van Gogh’s art admiring the film for capturing the essence of the artist and his works. I also like how the film ended as “Vincent (Starry Starry Night)” was playing. It would make those who never understood what the song was all about understand it better.
So there’s my look at three of the best animated films of 2017. All three are nominated for an Oscar for Best Animated Feature. All three are enjoyable in their own way.
When you think of the Grateful Dead, who’s the first person that comes to mind? Jerry Garcia, right? Even though Jerry is the most famous member, rhythm guitarist Bob Weir is also a key part of the band. The Other One: The Long Strange Trip Of Bob Weir is a documentary focusing on Weir both as a member of the Grateful Dead and his own personal life.
Bobby weir was born in San Francisco in 1947 and was adopted by a well-to-do family. He had an adopted brother and a sister born to his adoptive parents. However Booby grew up a very restless boy. He was expelled from schools within a matter of months. However he developed a passion for the guitar at a young age. There’s even mention of how excited he was when he got a guitar for Christmas. At a young age, he caught the attention of a band playing in the back alley of a Palo Alto spot. They were the Grateful Dead. They took a liking to Booby and the rest is history.
The funny thing about Bobby is that he was a bit of an oddity with the Dead. The other members of the Dead describe themselves as ‘uglies’ and Booby as a ‘cutie’ and they describe the Grateful Dead in its early days as ‘Bobby and the four uglies.’ It seemed like a good break to be welcomed into a band at such a young age but his parents were firm on his education and reminded the other dead members of that.
Over time the San Francisco music scene of the 60’s would rise and eventually become a permanent fixture on pop culture and even definers of the counterculture of that period. The Grateful Dead themselves would become synonymous with the psychedelia of that time. But even before that happens, the documentary pays attention to the band’s first few years trying to make a name for themselves. It reminds you they had to struggle with small gigs just like many other bands before them. Then they signed onto a big label. Then they went from playing in bars to playing in concert halls. Then came the Deadheads: a group of people that stayed loyal to the band year after year, decade after decade. A loyalty not seen before in rock ‘n roll.
Even despite playing music and hitting the big time, the documentary shows of the friendship Weir had with the band. It was of a family nature to the point that Weir almost ignored his own family. The family relation with the other bands did take challenges of their own. The first sign was in the 1980’s when they made a comeback which included a chart-topping album for the first time with 1987’s ‘In The Dark’ and the single ‘Touch Of Grey.’ There was the focus of Jerry Garcia’s cult-of-personality: something Jerry didn’t really welcome in his life. There were even times Bob took personal vacations. Then there was the time Jerry was going through rehab and Bobby acted as a support for him up until his dying day.
It doesn’t stop there. It also focuses on how Weir decided to finally settle down after decades of womanizing with Natascha Munter. The two wed when he was 52 and they have two daughters. Even then the trip wasn’t over. Weir tried to learn of his birth parents. He learned of his mother after she died that she had gave birth to 12 children. He was able to meet up with his birth father and the two have been close ever since.
This documentary is definitely one for people who like biographies of musicians or biography shows in particular. No question Deadheads young and old will want to see this. In fact I remember seeing a wide range of people in the audience watching this documentary. It’s possible some of the seniors in the audience may have been amongst the first generation of Deadheads. If you only care about musicians and their star power, this is not for you. Also if you’re a Deadhead simply because of Jerry Garcia, this will remind you that you’re not a true Deadhead. It’s not just a biography but gives you a feel of the music Bob helped create and continues to play whenever he performs with surviving members of the Dead. The mix of biography with live performances of his music really adds into the feel of it.
The documentary doesn’t really offer anything original as far as documentary film making goes. What it does is showcase a musician’s life that is a life less ordinary. The stories of how he was adopted and how he got into a lot of trouble as a kid will surely raise eyebrows and even a giggle or two. However seeing how he was able to settle down in his older years and even meet up with his adoptive father in recent years shows this is no ordinary life. The intimacy of the biography doesn’t stop with his personal life. It also shows how Bob treated the other Dead members like family even more than he treated his own. In fact hearing from Jerry’s daughter how Bob was like a brother to Jerry up until his last days shows how much the other members meant to him.
The are some flaws with the documentary. Most noticeably, it focuses almost exclusively on his music with the Grateful Dead and hardly ever focuses on his music with his other bands like Kingfish, RatDog, Booby and the Midnites and Furthur. Also the documentary made him look like he was a swinger all his life before Natascha. There’s no mention of his seven-year relationship with Frankie Hart back in the 70’s.
The Other One: The Long Strange Trip Of Bob Weir is a very good documentary to watch even if you’re not a fan of the Grateful Dead. It was time well spent for me. It reminds you there are a lot of great rock ‘n roll musicians that contributed a lot to the genre but don’t get the star status as many others.