2016 was a stellar year for animated movies from Zootopia to Moana to Kubo And The Two Strings to Finding Dory. 2016’s line-up gave people lots of reason to come to the movie theatres. 2017 was very lackluster in comparison. We’re talking about a year when The Boss Baby was nominated for Best Animated Feature and even the mere existence of The Emoji Movie. 2017 almost made it look like if Sausage Party were released that year instead, it would be a Best Animated Feature nominee! However the best animated movies of 2017 slowly made its way on the screen in the latter months of 2017. I was lucky to see Ferdinand, Coco and Loving Vincent: three of the best of the year.
When I was about to see Ferdinand, I wondered how they would able to take the small story and turn it into a feature-length picture. I myself remember an animated short made by the Walt Disney studios made decades ago that was very humorous. However I wondered how would a feature-length adaptation play out?
The story starts out well with an entertaining look, but a bit of sadness at the beginning. As it progresses to adult Ferdinand, Ferdinand is funny and charming as a husky but flower-loving bull. John Cena adds to the characterization of full-grown Ferdinand. The characters of Lupe, Una and the other bulls add to the story.
There were times I wondered how will they get to where Ferdinand is scouted out by his accidental outburst? How will it be written out? Although it’s not true to the fable, the writers were able to create a way for Ferdinand to be discovered and sent to the bull rings to fight.
Another case that had me wondering was right in the middle of the story. It had me wondering how on earth the story would have a happy ending? Of course the film needed to have a kid-friendly happy ending, but in a situation where the bull either becomes a fighting bull who dies in the ring or to the slaughterhouse as meat? Nevertheless the writers were able to make the story work with good events to the plot and not just simply drag it out over the time. Even creating an ending where Ferdinand wins over the crowd and getting them to want him to live works for the film.
For the most part, Ferdinand is not all about the type of intricate story you’d expect to find in a Disney/Pixar film. Instead Ferdinand is about creating a charming modern adaptation of the short fable with charming and entertaining characters. It succeeds in charming the audience as well as entertaining the children. Despite the story being elongated into a feature-length picture, the film does not waste time. It succeeds in being entertaining. It also adds in some other elements that gets one nervous of what will happen to Ferdinand, even if they know the story. The story works in its feature-length and will not disappoint fans of the fable. It’s also good at winning crowds too as it made a good $282 million at the worldwide box office.
Very often you know the Disney/Pixar collaboration will deliver something fresh and original in its arsenal that’s able to win us over. This year, they deliver Coco. Coco is unique because it’s of a Mexican family situated in Mexico. The question is will they make something original and unique entertaining to the public?
The team of writers and animators at Disney/Pixar are known for their innovations and their frequently-successful way of trying new concepts. First there was 1995’s Toy Story: the first-ever 3D animated feature. Then came A Bug’s Life which created an engaging story revolving around insects. Then Finding Nemo not only told a story about fish, but successfully took us to another world. The Incredibles was good at teaching morals in an entertaining way. Ratatouille made an entertaining story involving a rat. Wall-E magically gave us an engaging story about two robots in love with very little dialogue. It was Brave where they not only gave us their first female protagonist, but welcomed a female writer on their ‘dream team.’ And there was Inside Out which made character out of emotions.
Coco is not just a new movie from the Disney/Pixar collaboration, but a new chapter for them. They hired Mexican/American writer Adrian Molina as the scriptwriter along with Matthew Aldrich. Molina had already been part of Pixar as a 2D animator for Ratatouille, a storyboard artists for Toy Story 3 and Monsters University, and even wrote the script for Walt Disney Studios’ The Good Dinosaur. The voice cast is predominantly of Mexicans or Mexican Americans. Disney/Pixar even hired a ‘cultural consultant’ group of three Mexican-Americans including one former CEO of the Mexican Heritage Corp to make sure they were doing a film respectful of Mexican people.
The result is a film that has garnered praise even from both critics and even Mexican-American communities. The film even received excellent reviews from Latin American film critics. The film was also a top box office winner having grossed $730 million so far. Even in Mexico, it spent three weeks at #1 in the Mexican box office and grossed a total of $57.8 million in Mexico.
Now the film itself does what Disney/Pixar films have a reputation for: taking the audience to a new world. Here they give an excellent depiction of the Land Of The Dead that looks very intricate and maybe too big, but succeeds in making sense to the viewer. Once again the animation team does an excellent job in creating this new world and even the smallest detail is done with perfection. Once again Disney/Pixar is tops in animation quality.
However there was one time I was confused by the story. I’ll admit like most, I thought Ernesto was the great-great-grandfather. I was shocked when I learned that Ernesto killed Hector with poison. It left me wondering if Miguel’s great-great-grandfather was in fact a dirty killer. Even seeing Ernesto send Miguel to die in the cenote pit left me shocked. ‘Why would Ernesto do this to his own great-great-grandson?’ It’s in the pit with Hector that we learn that Hector is really the great-great-grandfather. That was a relief. It was there where it became better sense why Miguel needed to redeem the name of the family through the spirit of Hector. The story was very well-written and very entertaining. Also the song ‘Remember Me’ is an excellent song for the movie that makes for the perfect tearjerker moment you don’t feel manipulated by.
One again Disney/Pixar delivers a masterpiece in Coco. It is as top-quality as it is magical to watch.
Now the previous two films in which I just talked about are both the more family-friendly films. Loving Vincent is the polar opposite of both. It’s not cute, it’s less family-friendly, and it’s not even 3D computerized animation. It also didn’t even make $10 million at the box office. Nevertheless it is charming in its own ways.
The film is a plot where Armand Roulin is asked by his father Joseph to deliver a letter from Vincent Van Gogh who died a year earlier to his brother Theo. After learning Theo died, Armand looks to find the right person to give the letter to. Throughout the journey, Armand tries to get the answer to whether Vincent’s death was a suicide or not? He was released from a hospital after found to be in good mental capacity six weeks before.
Armand comes across many people in Vincent’s life. Some have positive things to say. Some negative things. All have something to say about the person of Vincent, the various people he met with or fought against, and his personal feelings before his death. This still leaves Armand confused and his question of Vincent’s death unanswered. It’s right after Dr. Gachet promises to give the letter to Theo’s widow that he learns van Gogh’s suicide wasn’t of mental agony, but to free himself and his brother. Later Armand receives a letter from Theo’s widow thanking him.
This animated film about Vincent Van Gogh couldn’t be a simple animated film. Instead this is a film in which the images were done by 100 painters trained to paint like Van Gogh. The object of the film was to create a story involving characters of people Van Gogh painted and was close to in his life across a backdrop that’s just like the paintings he painted. Basically an animated story about Van Gogh that captures the essence of Van Gogh’s art. The story may be fictional, but it succeeds in playing out like a Van Gogh painting. It even gets one that knows very little about Van Gogh’s works or his life intrigued. It even gets fans of Van Gogh’s art admiring the film for capturing the essence of the artist and his works. I also like how the film ended as “Vincent (Starry Starry Night)” was playing. It would make those who never understood what the song was all about understand it better.
So there’s my look at three of the best animated films of 2017. All three are nominated for an Oscar for Best Animated Feature. All three are enjoyable in their own way.
Why do I do my Top 10 lists of the year so late into the following year? Simple. I’m not a film critic that gets free tickets to sneak peaks or special DVDs to preview before the end of the year. So that means I’m limited to making my picks until months into the new year.
It took awhile because I had a lot of catching up to do in terms of movie watching. Boy did I have a lot to watch and boy was it hard to rank the Top 10 of the year. There were a lot of films I liked and it’s hard to rank them 1st to 10th. But it’s needed if you want to make a Top 10 list.
So without further ado, here are my Top 10 Films Of 2016:
- La La Land
- Manchester By The Sea
- Hidden Figures
- Hell Or High Water
- Kubo And The Two Strings
- The Salesman
- Hacksaw Ridge
And there you have it. My Top 10 films of 2016. For my past lists, just click on the links below:
DISCLAIMER: In the next while, you will see a lot of film reviews that have been delayed for the longest time. I’m passing them off as DVD reviews.
“Can’t you just go and speak to Judge Bazile? We ain’t hurting anybody.”
Loving was actually the very first film I saw in 2017. Pardon the delay of the review. It’s still worth reviewing as it is a unique film, and not just because of its subject matter.
Richard and Mildred Loving want to marry. It’s the right time; they’ve been dating for a long time she’s having a baby. Problem is Mildred is black and Richard is white and they live in Virginia where interracial marriage is forbidden by law. They travel to Washington, D.C. to marry, but it causes problems as the couple are raided by the police and told their marriage certificate is not valid.
The couple were tried in the court of law in Virginia and they plead guilty. They received a suspended sentence, but decided to move to Washington, D.C. Life in Washington doesn’t work out for them as the oldest of their three children was hit by a car. The child survives, but Mildred decides she prefers the calm life of the country and wants to move back to Virginia. Especially since their families are there. In addition, Mildred writes to Robert F. Kennedy of her situation. Kennedy sends her letter to the ACLU. Bernard Cohen, a lawyer associated with the ACLU, agrees to contest the marriage ruling in the state of Virginia, but is slapped by disapproval in the court based on Virginia’s constitutional law.
Mildred then has Cohen take the case to the Supreme Court of the United States. In 1967, the US Supreme Court overturned their convictions and ruled that the criminalizing of interracial marriages violates the Fourteenth Amendment. The Lovings could now live in Virginia without fear of threat and love each other peacefully.
This film is of a relevant topic. Interracial marriage is a topic that still develops some heated discussion in the United States today. Many countries like Canada, the UK and even France don’t see interracial love as much of a problem. However there are still a significant number of people in the United States that look down upon it. Even seeing how Richard’s mother was disapproving of the marriage and even telling Richard he ‘did a wrong thing’ really gets one thinking at first how someone, including many millions around the world, can think loving a person of a different race is ‘wrong.’ Even hearing how the courts of Virginia ruled that: “God created the continents to keep the races separate and that they don’t mix.” I thought that was bizarre that they thought that but the courts in the Commonwealth Of Virginia considered that to be the truth. Me, I’d demand they pull out the Bible and show me where marrying someone of another race is a sin. Which of the Ten Commandments did that violate?
I was anticipating the subject of race to be included in the film. I know the prime topic of interracial love would be the prime topic but I figured the topic of race would be present too,, especially since this is in Virginia. The topic of race was not focused too heavily. However there were some moments when the subject of race was present. Like the case when Richard was going for a beer with his brothers-in-law from Mildred’s side of the family. I remember one of them questioning “You think you’re black?’ That too had me thinking about the racial divide in the US that still hits today.
The most surprising thing about Loving is that it wasn’t as dramatic as one would expect it to be. In fact the film appeared less focused on the events and more focused on the people Richard and Mildred Loving. It focused on the two as a couple, but mostly on both Richard Loving and Mildred Loving as individuals. Richard was seen of having the personality of a man who’s both hard and sensitive at the same time, but fearful of what would happen. Possibly because he’s white and he knows about a lot of racism that he could be subject to hate and even violence for. Mildred, whose actually half-black and half-Native American, was seen as a person who was soft and smart, but always optimistic. She had that look on her like she had nothing to lose and whatever else to gain.
It first seems like an odd choice to be more focused on the people instead of the events. I often wondered too about why it was done so. Over time, I saw it as something that made sense. We should not forget that it was the Lovings’ love for each other that made this happen. Sure, history will record Richard and Mildred for making history for their interracial marriage, but they made history because of their love for each other. The feelings for each other are made very obvious to us as are their feelings towards the events in their lives. This angle of focus was a very good choice in making such a film. We more of a look at the couple that made history rather than the history they made.
I admire writer/director Jeff Nichols for using that angle in creating the story of the Lovings. It is a unique angle and keeps their story from coming off as a made-for-TV movie. The portrayals of the Lovings by Joel Edgerton and Ruth Negga were excellent and very telling of Richard and Mildred both as individuals and as a couple. The other actors in the film didn’t have such well-developed roles, but they did own the scenes when they had them, like Sharon Blackwood as Richard’s disapproving mother and Nick Kroll as Bernie Cohen the lawyer. The score from David Wingo didn’t occupy too much of the film, but its presence helped with the storytelling.
Loving is an excellent film that shows a focus to a story many know, but a focus overlooked. It’s also a film relevant now as interracial marriage is still a hot topic to many today.