It’s my tradition to end the VIFF by seeing the very last film they show. It’s always on the final day and at the Rio Theatre at 11pm. This year, it’s Housewife: a horror-thriller from Turkey in English. It wasn’t just the last showing at the VIFF, but its only showing at the Festival and a Canadian Premiere too.
The film begins on a snowy day 20 years ago. Seven year-old Holly lives a quiet life with her family until one day, her sister menstruates. Her mother reacts chaotically as if it’s a curse and kills both her sister and her father. Flash forward twenty years later. Holly is married, but the memories still haunt her from that horrific night. Her husband wants to start a family, but she pops birth control pills without him knowing.
One day, a childhood friend meets up with Holly again. They reconnect after all these years. The friend even invites Holly to an event her and her husband will be attending called ‘Umbrella Of Love And Mind.’ Holly comes to the event with her husband. The two couples are having a nice time together. Then the event starts. The event gives an impression it’s like a bizarre cult. The audience is introduced to a charismatic mastermind by the name of Bruce O’Hara. Bruce picks Holly right out of the audience as the first person he ‘demonstrates’ on. He’s able to get her mind to travel to another level and even into her fears. Holly and the crowd are impressed, but her husband is unhappy and mistrusting.
Holly carries on with life after the event, but the memories are now mixed with bizarre visions of murder. Holly goes back to Bruce for help. He continues to put her under his mind control. Meanwhile the husband is getting upset. He feels this is all a hoax. Finally Holly goes back one last time. The dreams are now of Bruce committing murder on Holly, ripping off her face and even wearing it! The movie ends on a bizarre, if not ridiculous, note that makes the film look like it’s incomplete or missing a lot of stuff to make sense.
The thing about the film is that it attempts to create the intrigue of a thriller it should create, but later comes across as confusing and even clumsy at the end. The opening looks promising as the opening scene shows some elements of Carrie in it. Actually even before you go to see the film, you’d get a sense that this would be a horror film, or something close to it. The master-of-the-mind who comes off like a cult leader is where you first start thinking if this will help the story or make it look ridiculous. Especially when he comes dancing onto the stage with ‘I’m Your Boogie Man’ playing in the background. It’s as the story moves into the second half that it starts treading into areas that are either confusing or ridiculous. The film even ends on a bizarrely ridiculous note that gets you wondering what the point of this story is.
It even gets you wondering what is director Can Evrenol trying to do as far as it being a thriller movie? Is he tapping into common thriller elements? Is he trying to create new thriller elements for the cinema? What is he trying to do? I left thinking he didn’t accomplish too much in the 80 minutes of the film, except add a lot of bizarre gore that makes you wonder what its point is. Maybe if he and co-writer Cem Ozuduru gave the film more time and better script, we’d get a better understanding of it, possibly even a decent understanding of it.
The acting was not the best. This is Can’s first English-language feature and he hires either Turkish or European actors for the roles. You can notice the accents. Lead protagonist Clementine Poidarz did well with her role, despite noticeable imperfections. David Sakurai looks awkward and even wooden in his role as Bruce O’Hara and even looks like he isn’t fully in character at times.
Housewife is Can Evrenol’s first attempt at an English-language feature and his first feature-length horror film. It’s not much of an accomplishment since its imperfections are very noticeable.
And there you have it! This is the fourteenth and last review of all the films I saw at this year’s Vancouver Film Festival. Quite the experience. My wrap-up is coming soon.
I started my trip to the Vancouver International Film Festival seeing an animated film called Tehran Taboo. This film is a very telling film in its subject matter and how it plays out in animation.
The story begins with Pari. She’s recently separated from her drug-addicted husband who’s now in prison. To get anywhere in Iran, including getting better things for her 5 year-old mute son Elias, she needs her husband’s signature on documents. She pleads to a judge with religious connections to no avail, but makes her an offer for her to be a ‘madam’ under his system. She refuses at first, but soon changes her mind. She is introduced to the prostitution business and is even given residency for her and her son.
Sara appears to have a happy marriage with her banker husband Mohsen, but it’s not. She finds the marriage discomforting especially since her in-laws are in the way. She finds a way into the system of prostitution. She even ‘works’ with Pari.
Babak is a traditional musician trying to make a name for himself. One night after a lousy show, he has sex with a woman she dances with. The next day, she comes to him saying she needs an operation in her vagina to make her appear like a virgin. She claims she’s getting married in five days. If her fiance finds out, he’ll have her killed. It’s up to Babak to get the money for the operation or find a serum. He even meets up with a hard man she claims to be her fiance.
All three situations criss-cross in the middle of Tehran. All three meet different endings. In the end, the truth about Sara is revealed to Mohsen. It’s right after she makes a phone call for a prostitution request to a man of high government ranking. The man then orders her number traced by the morality police. Sara eventually loses it all. Babak would also lose it all. Just as he is on the verge of coming across the money needed for the operations, he witnesses public hangings. That could be an omen of his own demise. We also learn that the woman was not to be married, but part of a prostitution business where virgins are paid higher money. Despite the difficulties, things work out for Pari. She’s able to make a good income and be able to send Elias to a good school.
This animated film– animated through rotoscope– is an impressive story about three situations all intersecting with the world of prostitution. They all face their own challenges as all have to deal with the laws in Iran: both law-based and religion-based. The influence of religion is seen throughout the film as there’s cases where the husband is required to authorize along with the wife, religious clerics hold high jobs, and the morality police all around ready to arrest even on public signs of affection. Even the fact that there’s such thing as a Morality Police gives an insight of what type of system Iran has been under since the Islamic Revolution of 1978.
Prostitution is very much a hush-hush business almost universally but you can bet it is especially secretive in Iran. We’re talking about a country where adultery is considered grounds for execution. However it’s seen by these three women as a chance to make a higher income. This is especially beneficial since the income for the average Iranian is very low. Pari has a chance to receive a better life for herself and her son thanks to her work, and the red tape of a judge involved. Sara sees prostitution as a chance to escape the strain of her marriage, especially with pushy in-laws. However this ring of prostitution is a detriment for Babak as he finds himself dealing in this business without him knowing. We learn that ‘fiance’ is actually part of the business too much too late for Babak.
This is a story that takes three situations in Tehran and often has them criss-crossing together through each of the characters. Even the protagonists in one of the sub-plots will find themselves involved in the other two plots too. The three stories intersect with both the photo studio where the photographer would take pictures of those involved and Elias the mute son who says nothing, but is a witness to all that goes on. The story plays itself out both as a story with a lot of intrigue and even some comedic moments, like when they have to deal with a gynecologist with poor personal hygiene or the photographer always changing backgrounds.
SPOILER WARNING: In the end, it’s Pari who’s the one that benefits most from this system of prostitution, if not the only one benefiting at all. Babak finds himself stuck in the middle of what would become what many believe to be his tragic fate in the end. Sara loses it all in the end, and it’s obvious her drug-induced jump at the end is a suicide. It’s evident she feels like she has nothing to live for. Pari, on the other hand, had the unfairness in her favor. She struggled with the unfairness of the Iranian legal system demanding her husband’s signature for many things; that’s the law in Iran. How could she when her ex-husband is in prison? But when the Iranian judge offered her an entry into the prostitution business, it opened doors for her and Elias. It even allowed her to achieve things without her husband’s signature. Despite the struggles, it appears Pari is the only one who won.
This is the first feature-length animated film for Ali Soozandeh. Ali was born in Iran but would emigrate to Germany. It’s easy to see why the film’s countries of production are listed as Germany and Austria. There’s no way Iran would allow for a film like this to be released! The film which he directed and co-wrote with Grit Kienzlen is a very good story of intrigue and will raise a lot of eyebrows about what’s going on ‘underground’ in a country like Iran. All the actors did their parts very well, whether it be doing their voices or acting for their rotoscope images. I feel the rotoscope method of animation fits the film very well in terms of telling its story. Rotoscope also helped well with Waltz With Bashir a few years ago.
Tehran Taboo is an excellent animated film about the secrets of Iran few know about. The stories of those involved, and why they do it, are made very clear.
Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother Toby who’s smart, tries to play it cool and possibly the one person in the world who could see redeeming qualities in brother Tanner. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.