Most of you have already seen my first summary or even my second summary. This last summary will have a look at the last three Best Picture nominees I saw. They were Lion, Hidden Figures and Hell Or High Water.
Lion is one of those films which came out of nowhere to surprise everyone who has been lucky to see it.
We have seen many against-all-odds stories in the past. This is something because this is a true story of something that really was against all odds. It wasn’t just about making it happen but also of the family relations Saroo has developed over his lifetime. What will happen? Will he leave the family he’s always known? Is the family he’s searching for still alive? The best quality of this story is that it keeps us intrigued and hoping Saroo reunites, but also has us concerned of what will happen after.
Another quality of this story is that it does not forget the cause of the problem. Saroo is seen as the lucky one who was able to reunite with his family after all these years. However throughout the film, especially at the beginning, we see the cause of the problem. Saroo was unsupervised when he boarded the express train. The language barriers caused problems. Even Saroo’s mispronunciation of Bengali words caused problems. The train stations of Calcutta are loaded with stray children ready for abductors to prey on, and station police looking the other way. Even the missing posters advertised before his adoption were no good as his mother is illiterate. India failed Saroo and Saroo succeeded thanks to Google Earth and his fierce will. The film at the end lets people aware of the problem; 80,000 children go missing in India each year. The film’s website informs people of how they are making a difference in aiding to protect children in India.
This film is an accomplishment for the Australian film industry. I don’t know if Australia has ever had a film nominated for Best Picture before. This is director Garth Davis’ first ever feature length film. Bet you wouldn’t believe that. Luke Davies did an excellent job in adapting Saroo’s biography into a winning screenplay that keep the audience intrigued and hoping for the best in the end. Dev Patel’s performance as Saroo was the highlight as he did a great portrayal of a young man who’s angry on the inside and knows what he needs to do. Nicole Kidman was also excellent as the mother who appears grateful on the outside but has some inner hurt waiting to come out. Young Sunny Pawar was also very good playing the young Saroo. He was cute but he didn’t take it overboard. He played his part well. The film also featured top notch cinematography from Greig Fraser and excellent original music from Dustin O’Halloran and Hauschka.
Lion is an excellent film featuring a story you won’t forget. A surprise contender this year and a worthy one.
It’s good that we have a film like Hidden Figures to tell us about a piece of history that we never knew about.
The film comes at the right time as it deals with a lot of situations that are relevant in our world. This may be set in the early 60’s and revolves around a moment in space history but it has a lot of situations relevant to today. One is of workplace racism. It’s not as bad now as it is then but there are still a lot of unsolved problems. The second is of technology being so good, it can replace workers. These three women had iron wills. They knew they had potential, they knew they had what it takes and they wouldn’t let racism or the threat of modern technology stop them from reaching for their achievements.
The year of 2016 was a crushing year. It was a year that constantly reminded us that there was still a lot of racism to overcome. Despite the improvement over the decades, it was able to show its ugly head with low employment rates and police beatings. This is a film that reminds us that racism can be overcome. When you look at it, the women were doing this all during a turning point in the history of African Americans. African Americans in Virginia had less rights than they do now and discrimination was perfectly legal. Back then there were still separate washrooms for colored people, separate library books for white and colored people, and police beatings during civil rights marches. The women overcame these barriers and they opened doors for other colored people for generations to come.
This is only the second film Theodore Melfi has directed and written. This is the first feature-length script Alison Schroeder has written. Does come across as like something you’d get from Hollywood, but it’s not a weakness. It does all the right moves. Taraji Henson was great as the protagonist Katherine Goble-Johnson, but the show-stealer was Octavia Spencer. She was not only good at playing a woman who wouldn’t let technology kill her job, and the jobs of 30 other black women, but she was a colorful scene-stealer too. Janelle Monae completes the trio as one who just wouldn’t say die to her ambitions. The male actors were mostly supporting roles but Mahershala Ali was the biggest one as Jim Johnson, Katherine’s new husband. The mix of Motown music mixed in with the original score from Hans Zimmer, Pharrell Williams and Benjamin Wallfisch also added to the spirits of the movie.
Hidden Figures showcases a little-known fact about a big moment in American space history. It’s also the right uplifting movie needed at this time.
HELL OR HIGH WATER
I missed Hell Or High Water when it first came out in the theatres in August. I admit I was caught up in the summer fare and I overlooked it. I finally saw it recently and I’m glad I did.
One thing is I miss seeing is crime comedies. You know, the dark comedies featured in crime stories. This film has a good amount of comedy to it with their failures at robbing first. Even the situation where the brothers rob the Texas Midlands Bank and pay the mortgages they have with the bank off with the robbery money is full of surprising irony. It’s not even the robbery spree that has all the comedy. There’s the comedy when the rangers visit the places they question. There’s even comedy with that hard waitress at a restaurant they eat at: “What don’t you want?” The comedy doesn’t last as the story gets darker later on. However it does end on an ironic note as the now-retired Officer Hamilton does meet up with Toby Howard, perfectly free, and inquires of the robberies he and brother Tanner committed together.
One thing about this crime drama is that it has a lot to say. We have two brothers–Tanner who appears to have no redeeming values and Toby who’s as cool as a cookie– robbing various branches of the same bank. You see signs advertising debt relief. You hear from people– both family and people the brothers run into– talking of their own economic hardships. You see the indigenous people, who are still referred to as ‘Indians’ with their own outlook on things. Mostly negative. Looks like this story has a lot to say. Even hearing Alberto Parker say that he believes the true criminal is the Texas Midlands Bank does get you thinking. Maybe it’s the Bank that are the true robbers around here.
This is actually the first American production from Scottish director David MacKenzie. He has a reputation back in the UK with films like Young Adam, Hallam Foe and Starred Up. His first American production is top notch and really delivers as both a crime story and an offbeat Western. This is also an accomplishment for writer Taylor Sheridan. Already having made a name for himself in Sicario, he delivers again in what is actually his second feature-length script. Of all acting performances, Jeff Bridges is the one that was the best. He delivered a top job in character acting from head to toe. He was completely solid in character. Chris Pine was also good as the brother who’s smart and tries to play it cool. Ben Foster was also a scene-stealer as Tanner who a complete ruthless loose cannon who appears to have a bone to pick with everyone over anything and possesses a false sense of invincibility. Gil Birmingham was also good coming across as the wise partner who plays it cool. The country music in both recorded format and original from Nick Cave and Warren Ellis fit the film perfectly.
Hell Or High Water makes for an intense thrill ride that’s big on thrills but also takes you to the heat of the moments. The story even gets you thinking. Now why did I miss it during the summer?
That does it. My final summary of the Best Picture nominees for 2016. After seeing Hell Or High Water, that makes it 16 straight years of seeing all the Best Picture nominees before Oscar night. My predictions for the wins coming on Saturday.
NOTE: I may have ‘published’ a previous version of this review. It was accidental as I meant to save instead of publish. Here’s the complete review.
There have been a lot of LGBTQ-themed films done in the past twenty years. Carol is the latest big film to be shown on the big screen. However it’s not your typical gay-themed film.
The film begins in a scene set in the future. Then flashes back to Therese, a young 20-something woman working the toy section of a Manhattan department store. A glamorous older woman, Carol Aird, consults her for what to buy her daughter for Christmas. Therese recommends the train set and she buys one. However Carol left her gloves behind in which Therese mails to her from the address on the sales slip.
Both women have difficult lives. Therese is in a relationship with a man and longs to be a photographer. Carol is in a marriage near divorce and in the midst of a tight custody battle with her daughter. However Carol is able to get Therese to meet up for lunch. The friendship starts to grow and Therese is able to take pictures of Carol for her photography habit. On Thanksgiving, Carol invites Therese over to her house but it does not go well with her husband Harge as he knows Carol had a relationship with a woman named Abby last year.
Carol visits Therese on Christmas and gives her a state-of-the art Canon camera. Carol also reveals to Therese the details of her divorce and how Harge plans on having a ‘morality clause’ against her in an attempt to win their daughter Rindy in a custody battle. Carol plans an escape for the two of them around New Year’s Day in a remote Iowa town to get away from the difficulties of their lives and to finally have time for the two of them together. It works on cultivating their relationship but it’s interrupted as it is learned an investigator was hired by her husband to track her lesbian relation. Therese is driven by Abby back to New York.
In the meantime Carol is in a difficult situation as she is to decide whether to love Therese or give it all up for the sake of winning custody of her daughter. Months pass and Therese is now working as a photographer with the New York Times and Carol is seeking psychotherapy for the sake of winning custody of Rindy. Carol attempts to reconnect with Therese at a lunch at The Ritz but is interrupted by a former co-worker of Therese’s. The film ends with the moment many believe was meant to be.
The thing about Carol is that it’s not only about love but about the times too. Cate Blanchett even describes the story as ‘like Romeo and Juliet, only Juliet and Juliet.’ Todd Haynes is a gay director himself and he has delivered films with gay-themed subjects. Here he presents a love story situated back in 1953. The story reminds us of the times of how GLBTQ people were limited in terms of rights if they even had any at all. We shouldn’t forget that homosexual acts were criminalized until the 1970’s and the homosexual attraction was considered a form of mental illness up to 1973. Knowing that would make one understand the situation Carol would have to face: to choose between custody of her daughter or pursue who she loves. Nowadays the courts would be more favoring towards the GLBTQ person but back then homosexuals always lost such a custody battle.
The film isn’t completely about presenting a gay scenario from back in the past. The film is as much about the two main characters Carol and Therese. Carol is of the more upper class but is longing to break free of her loveless marriage to pursue her heart’s desires and live the life she was meant to. Therese is a young 20-something looking for something better but finds it with Carol. It’s as the two find love through each other that they know there are better lives for them. However it’s not to be without obstacles like a boyfriend questioning, a suspicious husband and a judgmental society.
The film is actually based on a novel from Patricia Highsmith entitled The Price of Salt. I’ve never read the novel but I get a good understanding of it from seeing the film. Interestingly is that after reading over Highsmith’s biography, one could sense the film is about some of Highsmith’s own experiences. She herself was a lesbian who had relations with women during that very time set in the film. She even went under psychoanalysis while in her 20’s to marry a man but it didn’t work. Those were the times back then.
The film is excellently written out by Phyllis Nagy and directed very well by Todd Haynes. The only other two films from Haynes I ever saw was 2002’s Far From Heaven which also dealt with homosexuality in the 1950’s and I’m Not There which is something else. Remembering Far From Heaven has me convinced Haynes was the right choice to direct. Phyllis Nagy may only have one other script to her credit–HBO’s Mrs. Harris— but she does an excellent job in writing the story. The slow pace of the story succeeds in getting you to feel the characters and the situation. There have even been a few times I’ve thought that with this movie being released in 2015, the year the US Supreme Court legitimizes same-sex marriages in all 50 states, this film is a reminder of what they had to go through in order to achieve it.
The film also excels because of the acting. Cate Blanchett shines as Carol who possesses a shining confidence but struggles in a world that won’t accept people like her. Rooney Mara is also excellent as the young naive Therese who’s confused about herself but finds herself over time. Despite the two owning the film, there were other good supporting performances from the like of Kyle Chandler as the suspicious Harge and Sarah Paulson as Abby. The set design and costuming did an excellent job of taking the film back to the past. The cinematography added to it as well as the score from Carter Burwell which captures the intensity of the situation.
Carol is a story about a woman of her time who dared to be different and love even if it meant losing it all. It not only does a good job of telling the story but also the time of the story too.
Hard to believe I saw The Martian just two months after it hit theatres. What took me so long? What took me so long to write this review? Anyways I’m glad I finally had the chance.
I’m sure by now most of you have seen the story of how Mark Watney got left behind on Mars. The sandstorm on Mars and the debris that hit him left everyone escaping mistaking him for dead. Mark would then have to survive by growing his own food and creating his own habitat. It would work to his advantage but NASA would eventually get the message he needed to be brought back home. It would take a connection with a mission, sheer determination and camaraderie with his fellow astronauts to bring him back to earth successfully.
The movie is based off the book by Andy Weir. I can’t judge for myself on how the film compares to the book. However I will say this is a very good adaptation of a story of a man and his fight to survive on a strange planet. One thing I will have to say is that even though this is a sci-fi fantasy, the film would still have to be true to fact in a lot of areas. It would have to know Mars’ oxygen levels or lack thereof, temperature levels, climates and terrain and even know how long transportation and even communication between Mars and Earth would take. Today’s audiences aren’t as welcoming towards cheap hypotheses of space like they used to be decades ago. Not only would they need those facts but they would have to be incorporated into the script and made to work into a story that was suspenseful but also entertaining. The Martian succeeds in doing just that and doesn’t lose its comedic edge in the process.
The Martian is a reminder of why films about space travel still fascinate us today. They remind us of why we like to imagine trips to outer space including domains humans have never set foot on. They even capture our intrigue when a mission fails and the astronaut’s lives are at threat. They get us wondering “Do they make it or don’t they?” You may remember how Gravity caught our imaginations just a couple of years ago. Now it’s The Martian with its story of an astronaut trying to stay alive yet eventually return back to earth.
Some may question the mix of humor into the story if it was a smart choice, especially with the inclusion of disco songs Mark hates but keeps him alive. No doubt it was an entertaining choice as it entertained crowds. Comedy is all hit and miss and I feel it made the right choices in terms of adding in the comedic elements. In terms of drama, it didn’t make the more tense moments of life-or-death too tense for the audience. It kept us wondering and brought our hopes up with each positive moment but the intensity was not all that thick and that’s what made it win with the crowds.
No doubt it took the direction of Ridley Scott and the writing of Drew Goddard to make this film work. Ridley knows how to bring out the best in unique stories and make them win with movie crowds. The story however rested on the shoulders of Matt Damon. His performance where he mixes humor with the will to survive helped the film achieve the charm it needed. Despite Damon owning the movie, it’s not to say supporting performances from Jessica Chastain, Kristen Wiig, Jeff Daniels Michael Pena and Kate Mara didn’t have their importance. They helped too. Other top elements of the film included the music from Harry Gregson-Williams and the special effects team who were able to re-create life on Mars to a tee.
The Martian is a sci-fi comedy of the best caliber and has the best elements of a ‘popcorn movie.’ This is something only a director like Ridley Scott can pull off well. Very entertaining.