DISCLAIMER: I know the VIFF ended a month ago. I’ll admit I’ve been slow at posting reviews. This is mostly due to attending night classes at a community college. However my writing energy is slowly returning and I will post theses last three VIFF reviews in good time. Hopefully all done before Saturday.
Ghost stories usually make for some cheesy movies. Personal Shopper is one story about a ghost that actually works very well for the cinema.
Maureen has just arrived in Paris. She just accepted a job to be a personal shopper for a high-status fashion journalist in Paris named Kyra. She is able to live at her mansion during her job. She is still able to communicate with her boyfriend in the US despite her distance from him. One important note: Maureen has taken on this job just months after her twin brother died from a heart defect.
One night, Maureen notices something mysterious. Could it be a ghost? She carries on doing her shopping duties normally like nothing happened. However incidents keep coming. She starts to question them. Then one day, she gets a text message from a mysterious person. That could be the ghost. You know the texts are upsetting her each and every time. However, she does agree to play along with the requests of the mysterious texter. She even agrees to wear one of the dresses she bought for Kyra.
Maureen senses that this has something to do about her brother’s death. Could the ghost actually be her brother. The ghost even follows Maureen to the various locations she goes to. Then one day, she finds Kyra dead as if she was brutally murdered. Then she agrees to comply to the texter’s request to go to a hotel. The morning after, we see the ghost vacate the hotel. Maureen is still alive. Maureen decides to go on a vacation to a remote location is Saudi Arabia. Whatever happens, she’s prepared to meet the ghost whom she believes to be her brother.
There have been movies about ghost stories before but most come across as ridiculously cheesy. This is one ghost story that has substance to it, and a lot of it. We have Maureen dealing with the loss of her twin brother. She appears to be handling it well but imperfectly. You’re led to think that the ghost is exposing a truth about how her brother’s death is affecting Maureen. In addition, this is a ghost that affects her through the text messages he sends. It’s obvious he will do whatever it takes to get what he wants out of Maureen.
Basically the thing that gives this ghost movie its substance is that it does relate to human feelings. It’s obvious this ghost has a bearing on Maureen. However as the story progresses, it leaves the audience asking as many questions as Maureen is asking right now. This is no run-of-the-mill movie ghost. This is a ghost that has us intrigued and wondering what will happen next. Will Maureen learn of the ghost’s identity? Will Maureen get killed or hurt? The story keeps us intrigued.
If there’s one weakness, it’s that the story appears to end either twice or three times. I know most people would anticipate the hotel scene to be the climactic end but instead it leads to another story. It’s like the story goes places but stalls. Even the actual ending comes across as abrupt. I know a lot of directors try to end their films unexpectedly as a chance for the audience to draw their own conclusions but this ending was too abrupt and unclear.
The film is a very good effort from writer/director Olivier Assayas. He has created a very good story that keeps us all intrigued. However the flaws at the end are too obvious. Still a very good work. Kristen Stewart does a very good job of acting here. A lot of people have dismissed her acting since the Twilight movies. It turns out her bad acting was because of bad direction. Even before Twilight, she showed she can deliver a good acting job. Remember 2002’s Panic Room? It’s obvious Kristen has something to prove and she’s been proving it since starting with 2014’s Clouds Of Sils Maria, also directed by Olivier Assayas. Kristen delivers possibly her best and possibly deepest performance yet. A bit of ironic trivia: in Assayas’ next work, Idol’s Eye, he will be working with Kristen’s former Twilight co-star Robert Pattinson. Can he resuscitate his career too?
Back to the topic of the film, Stewart is the only person who’s given any real acting in the film. For the most part, the other actors are given comparatively lightweight work. That will happen when the protagonist is mostly acting off of a ghost throughout most of the film.
Personal Shopper is for the most part a one-person film that ends too abruptly. Nevertheless it has a lot of excellent qualities that give the film dimension and will keep the audience intrigued.
If there is one style of film that reigned supreme at the box office this summer, it’s the animated movies. It had some of the best results not just of the summer but the whole year as Finding Dory grossed more than any other movie in 2016 and The Secret Life Of Pets is also in the annual Top 10 so far. There were a wide variety of animated movies from sequels to stop-motion to even an animated movie for adults only. For my summary, I will review four animated films for the summer: Finding Dory, The Secret Life Of Pets, Sausage Party and Kubo And The Two Strings.
It’s been thirteen years since Finding Nemo hit the big screen and captivated crowds. This time around it’s Finding Dory. The question is does it still have the same magic?
The magic of Disney/Pixar films is that it’s not only about top notch animation but also about taking the audience to new and exciting worlds of the imagination. The magic of Finding Nemo is that it captured the magic of the sea world. Finding Dory attempts to capture the magic of the sea world again but it also tries to capture another magic. This time it’s the magic of the Marine Life Institute. It does a very good job of creating a universe out of a marine life park. I’m sure that when Pixar was writing the script for this film, it had to create its own map on how the park would be for Dory to go from place to place. It even had to create the system of communication through pipes.
In addition, the story had to focus on the animals headed to quarantine. That was intertwined with Dory’s search for her parents. It gives a story with many facets. It starts with Dory’s search for her parents and leads to much more. Whatever the situation, it leads to a story that the audience will find thrilling as well as enchanting to look at.
Pixar does it again with writing out an excellent story and giving it top-notch animation. Once again I doubt if you’ll find a glitch. Andrew Stanton returns as director and co-writer with Victoria Strouse and they deliver an excellently entertaining movie. This time it’s Ellen De Generes’ time to own the show. She stole Finding Nemo and now this is her time to have the show as her own. Albert Brooks is back again and he delivers an excellent performance as Marlin too. The film features a lot of other big names as voices like Diane Keaton, Eugene Levy, Ed O’Neill, Bill Hader, Alison Janney, Sigourney Weaver (of course) and Idris Elba.
If there’s one glitch about Finding Dory, it’s that a lot of children may not understand the story in its entirety. For the most part, it’s us older adults who have seen Finding Nemo that understand Dory and her situation. I think that was it. Pixar was making a film that would be meant for both children who love animated movies and the grown up adults who have a special place in their heart for Finding Nemo.
Finding Dory continues on the excellence of Disney/Pixar and continues the charm we first saw in Finding Nemo and entertains crowds this summer in big numbers.
The Secret Life Of Pets
Ever wonder what your pets do when you go to work or school? The Secret Life Of Pets attempts to answer that question of what happens, as long as you live in modern Manhattan. And boy does it give some interesting answers.
This movie creates a humorous premise: pets that come across as your typical house pets but have a sneaky double-life when their owners aren’t home. However they find themselves in trouble and they all have to get back home in time before their owners return.
The thing about this movie is that it’s not focused too much on the story or taking the audience to another world the way Pixar movies do. Instead its focus is on creating crazy humor and funny characters. It’s obvious from the start its intention is to be a crazy goofy comedy to get us all laughing and it succeeds.
However such a movie cannot compromise on things like a solid story with the right beginning, middle and end, characters that fit the story and top quality animation. The movie does exactly that. Actually this movie is more driven on the humorous characters rather than be story-driven like Pixar films. Hey, we’re talking about the same animation studio that gave us the Minions. It works for such a movie and it wins over movie audiences young and old.
Pixar is not the only animation studio alone at the top. Illumination Entertainment has given it some rivalry especially with the Despicable Me movies and the Minions. Here Illumination brings back its main director Chris Renaud and its writer Bryan Lynch, Cinco Paul and Ken Daurio to create another entertaining film. The film even includes a lot of great vocal talent from Albert Brooks, Kevin Hart, Louis C.K. and Steve Coogan just to name a few.
The Secret Life Of Pets isn’t so much about creating a mesmerizing world the way Pixar’s movies are. What it does is create a story that’s entertaining to watch and full of fun intriguing characters. No wonder it charmed crowds this year.
Sausage Party is the first wide-release animated film since South Park: Bigger, Longer, Uncut to earn an R-rating. And rightly so. And I’m sure the animators, directors and actors of the movie wouldn’t want it any other way.
It’s obvious right from the start that Sausage Party is a spoof of Disney/Pixar movies but as you watch over time, and even as you look back in retrospect, it’s obvious it’s a lot more.
Those of you who’ve seen Sausage Party will know that it’s not like most of the animated movies released today. Sometimes you may even get the feeling the movie is trying to sabotage all those family-friendly movies and the wholesome values they stand for. It sure seems that way.
I hate to bring up retro 90’s assimilations but it reminded me of a lot of 90’s entertainment that pushed envelopes and had sadistic pleasure slaughtering sacred cows and skewered values and morals we held dearly, and somehow charmed us into wanting more. Yes, such entertainment that knew we’re all gluttons for punishment. And we saw that in Sausage Party as they were definitely doing lot of tricks in the book to freak us out, whether it be the storyline or characters or images, and succeeding. We also see how it’s even skewering the wholesome values that are normally promoted in the family-friendly animated movies.
One major difference that keeps it from being 90’s-style envelope-pushers. One thing about all those envelope-pushing balls-to-the-wall entertainment of the 90’s that they not only pushed boundaries but they were also successful in making squeaky clean entertainment or entertainment with morals and a conscience look either wimpy or look like a complete joke. Yep, entertainment that broke all the rules and changed the game in the process. Can you blame me for calling them ‘The Nasty Nineties?’
I don’t think Sausage Party succeeded in doing that. Despite the ‘Dixar’ bumper sticker, it’s not as much the punch-in-the-stomach comedy or middle-finger to squeaky clean entertainment from Seth McFarlane or the South Park duo is. Yes, it does mess with wholesome entertainment but it’s more interested in having fun and pleasure making us squirm in our seat. Even though it did warp my brain, I will admit this was the most fun I had in a movie theatre this summer. It’s definitely my ‘guilty pleasure’ movie of the year.
Some people have complained that the movie is anti-religion. I don’t deny that as made obvious by the characters which include one Jewish and one Arabic and most of the lot appearing to resemble Christianity. You get the first hind right at the beginning as the groceries refer to the humans as ‘the gods’ and of the mustard coming back scared over the reality of what they’ve always called the ‘great beyond.’ I knew it would be critical of religion from the reviews I’ve read and I was expecting to get my tolerance on that subject tested. However I will state it’s not the obvious blasphemy as one would commonly see in South Park episodes or a lot of works done by Seth MacFarlane. I will also state that even atheism is also looked upon critically as it will state some common traits among many atheists like a feeling of misery or a ‘smarter than thou’ attitude.
If there is one glitch, I will have to say it’s the ending. What you first think will be the ending isn’t. Instead it will lead into what should be known as an ‘animation orgy party’ and then into a bizarre ‘reality check.’ I don’t have problems with them being in the movie or even in the ending but there are many times I feel the ending could have been done better or mapped out better.
Since I’ve been doing a lot of animation studios talk, it’s interesting to know that heading this film is a Canadian studio: Nitrogen Studios Canada Inc. The head of the studios, Greg Tiernan directs his first ever feature length film along with Conrad Vernon who has directed films like the Shrek movies, the Madagascar films and Kung Fu Panda too. You could say Vernion is spoofing his own films here. Interesting that while most animated movies of this summer have big budgets, this one only cost $20 million to make. Even though the animation was not as flawless as Pixar–and I noticed some technical glitches– its top focus was the humor and it definitely succeeded at that.
Without a doubt, Seth Rogen owned the film. It was pretty much his idea to do such a film like this for years. He not only acts in this but is co-producer and co-writer along with Kyle Hunter, Evan Goldberg and Ariel Shaffir with a story he wrote along with Goldberg and Jonah Hill. He has the delightfully evil charm of the film in his hands and knows how to deliver it well. Additional acting highlights come with Kristen Wiig and Brenda Bunson, Salma Hayek as Teresa del Taco, Bill Hader as Firewater, Nick Kroll as Douche and Edward Norton as Sammy Bagel Jr. just to name a few.
Sausage Party is a film that deserves to be hated but you can’t help but love it. Yes, it will warp your mind but it has a delightfully evil charm that will make it your guilty pleasure of the year. Just don’t bring the kiddies.
Kubo And The Two Strings
After Sausage Party warped my mind, I had to watch Kubo And The Two Strings to reclaim my sanity. Good choice as it was a marvel to watch.
Normally it’s the Pixar movies that have the animation magic that mesmerize us and take us all to another world. This summer, I’d have to say it’s the world of Kubo. It was best at creating a world and an adventure that was enchanting and mesmerizing. It took a unique story that isn’t exactly one that’s best at winning big crowds and turned it into a spectacular marvel.
The thing with Finding Dory is that it does succeed in doing that but it’s a world we’ve been to before and whatever new world is in the story doesn’t differ to much from the world of Finding Nemo. In Kubo, we have a fresh new world of the imagination and that’s its advantage.
The story element of the film is just as strong. It’s about the fate of humanity and good in the world being threatened by evil and the mortality of souls and it resting in the fate of Kubo. Especially since it includes the fates of the souls of Kubo’s own parents. It’s the story of a son of a late master samurai who goes from master storyteller to the one to fight the evil forces. The very cinematic values that make the superhero movies make Kubo. In addition, it gives an alternate definition of ‘destroying the enemy’ one would come to expect. And a definition that appears to be the right thing.
While most of the films this summer were 3D computer animated films from start to finish, Kubo was a mix of both 3D computer animation and 3D stop-motion. This is a common trademark of Laika studios as seen in their past releases like Coraline, ParaNorman and The BoxTrolls. Such style of animation works to its advantage and comes off as a refreshing alternative to the 3D computerized films. It also works best in what makes this movie so captivating. I don’t think 3D computer work alone would make this film work as well.
This film is the directorial debut of Travis Knight, son of Nike CEO Phil Knight. He has actually been an animator with Laika during their first three features and now he takes the step into directing this time. He does an excellent debut job in directing. I was actually surprised to learn this is an original story. It was created by Shannon Tindle and Marc Haimes with the screenplay written by Haimes and Chris Butler. Very excellent and very true to spirit of common mythology. Vocal talents were also very good. Game Of Thrones actor Art Parkinson does a very good job in voicing Kubo and creating his personality. Charlize Theron captures the mysterious side of the Monkey excellently and Matthew McConaughey does a very good job in capturing Beetle in both his bravery and his idiocy. Dario Marianelli does a very good job with making the music fit the film. It captures the whimsy of it perfectly.
Kubo And The Two Strings is my favorite animated film of this summer. It had the best combination off all ingredients that make a great animated film from great animation to a great story to a great redeeming message. Sure, Sausage Party was fun in how it was the complete opposite of your typical family-friendly animated movie but Kubo is a reminder of why such movies win us over time after time. Also it helped me get my sanity back.
And that’s my review of animated movies of the summer. Three were strictly 3D computer animated while one mixed it with 3D stop-motion. Three were mostly family-friendly while one was obviously adults only and proud of it. Three were comedies while one was mostly a drama. Three were fresh new stories while one was a long-awaited sequel. All were entertaining in their own way and wouldn’t let you down. In addition the comedic animated movies had the box office success that eluded the live-action comedies of the summer. So yes, today’s moviegoers do have a sense of humor after all!
In conclusion, the animated movies were this summer’s top box office fare. If you’ve even seen one of the films I reviewed, you’d know why.
I don’t know about you but live-action comedies didn’t fare so well at the box office this summer. The highest-grossing comedy of the summer was Central Intelligence with just over $127 million. The only other two comedies of the summer to gross over $100 million were Ghostbusters and Bad Moms. Have people lost their sense of humor? For this summary, I will review two movies: Ghostbusters and The Nice Guys.
The Nice Guys
I’ll start the focus on one movie I saw all the way back in May. A comedy I was hoping to do well at the box office but didn’t. I saw The Nice Guys because I felt we were long overdue for a crime comedy or a police comedy. I have to say that this was a funny movie and has to be this year’s overlooked gem.
It takes us back to the 1970’s not just to do with the clothes, hair and music but also of a 70’s thing few 70’s-set movies focus on: the abundance of porn. We often forget that the 1970’s was the sexual revolution’s biggest heyday. A decade of free love at its freest and pornography was prevalent even in the movie theatres. It was even okay back then to take a date to a porno.
Here, they make a crime story set in the deliriousness of the porn business. It doesn’t aim for one-liners like so many other comedies resort to. What it does is it makes comedy of the situation. A case of a private eye and an enforcer who become unlikely partners in trying to solve a murder and who is connected to it. Another humorous situation is at the Los Angeles Auto Show where a clip of the porno starring the murder victim is spliced in to the auto show film to the shock of all. The story even has ironies added into it like how the Holly March, daughter of private eye Holland March, is able to help solve some part of the crime with her know-how. Another irony is how a politician who wants to have the crime solve is actually a part of the instrumentation. It all adds up to a humorous story that will have you laughing at the situation.
The film also gives you this summer’s biggest WTH moment. That comes when the police interrogate a neighborhood boy who showed his penis to a neighboring porn director who was killed. That’s sexual abuse, right? When I saw the interrogation happening, I was expecting a scene of a sexual abuse victim. Instead, the boy comes across as excited as if his exposing could open up opportunity in porn in the future. That was so bizarre. Just reminds you that the sexual revolution of the 1970’s was that free.
Director Shane Black takes a break from directing superhero movies like Iron Man 3 by directing this crime comedy he co-wrote with Anthony Bagarozzi. It comes off as very humorous in a dark way. I’d like to think he succeeded. Russell Crowe was the right fit for enforcer Jackson Healy. He possessed the right ruggedness for the role. Doing crime comedy is something new for Ryan Gosling but he did a very good job as Holland March. The scene-stealer was young actress Angourie Rice who played daughter Holly March. She did a good job of going just a simple daughter of Holland to all of a sudden one who can best help trace the case and even help solve it, with providing some action of her own. Also a big surprise is seeing Kim Basinger as the politician. I admit it. Like your typical 80’s kid, I always picture Kim as the bombshell she’s most famous for. It was surprising to see her play a role of an older character. I’m not complaining. I think she did quite well.
It is too bad to see that it didn’t make too much at the box office: $57.3 million. There was a time a while back where crime comedies or dark crime dramas were a big hit. I remember the 1990’s were capable of churning out one such movie per year that would be a classic like 1994’s Pulp Fiction, 1995’s The Usual Suspects, 1996’s Fargo and 1997’s L.A. Confidential. Since then, it cooled down. I was hoping this movie would revive some interest in it and rediscover the humor of the crime comedy. Also I feel there’s another message being sent with the lack of success of the film. The 70’s retro in movies has now faded. I know it was very active from the 90’s carried into the 2000’s and showed some muscle at the beginning of this decade but it’s obvious 70’s retro has faded with time.
The Nice Guys is an overlooked comedy from the summer. It’s worth seeing if you have the chance.
Ghostbusters: Answer The Call
From retro 70’s to retro 80’s: the retro phenomenon that still has the most muscle despite retro 90’s encroaching. Now news last year of a Ghostbusters remake featuring an all-female ensemble of Ghostbusters seemed unorthodox at the time. One conservative filmmaker went as far as saying ‘My childhood is ruined.’ However I was willing to give it a chance. I mean this is 2016.
In order to differentiate itself from the original 1984 Ghostbusters, it gave itself the subtitle Answer The Call. Now the big challenge was to decide whether the film was a case of the ghostbusters starting up together or whether these four women were filling the shoes of the men before them. It was decided to be a story where the ghostbusters start fresh. It’s very tempting to compare it to the first Ghostbusters. Actually there’s no escaping it. If you compare the two side-by-side, you will notice a lot of differences. And not just simply the change of genders of the cast. The first is the humor. The new film has humor and lines that are more irreverent that the humor and jokes in the first. The second is the Ghostbuster-wannabe characters. One thing about the first is that the addition of nerd Louis Tully added to the humor of the film. Of course Rick Moranis always specialized in nerdy characters. Having a bimboy character who’s their receptionist play the Ghostbuster wannabe here didn’t fit as well. Plus he wasn’t even that funny. Another is the possessed character scene. I’m sure those of you would agree that the possession of Dana Barrett worked better than the possession of Abby Yates. Even the line “No Dana, only Zuul.” is way more memorable.
Despite the first Ghostbusters being better than the new one in many ways, the second one does have elements that are better than in the first one. The first and most obvious is the better special effects. The film was able to create better and more eye-catching ghosts than they were in the first one. Computer technology has made that big of advances over the years. Another was the rock concert scene. If there was one plus to the movie, it was that where the foursome have to battle a ghost while a rock band was performing. That added to the humor and made it enjoyable.
It’s clear from the start this is a group effort between Paul Feig, Katie Dippold and Melissa McCarthy. This is the third collaboration with the threesome where Feig directs and co-writes, Dippold co-writes and McCarthy acts in. Its often questionable who was the main lead role of the film: whether it was Kristen Wiig’s Erin Gilbert or if it was Melissa McCarthy’s Abby Yates. I know McCarthy’s star has grown bigger over the years. The addition of two other Saturday Night Live talents Kate McKinnon and Leslie Jones make for a good mix of humor.
One thing to note is that personnel of the original Ghostbusters gladly came back for the revamp. There’s Ivan Reitman who’s the co-producer this time around. There’s Bill Murray who makes a cameo as a skeptic to the busters. Dan Aykroyd makes a cameo as a taxi driver, Annie Potts makes a cameo as a crabby hotel clerk, Ernie Hudson appears as Patty’s uncle Bill, even Sigourney Weaver makes a cameo appearance.
Ghostbusters: Answer The Call may not compare to the original. It’s either the freshness or the magic of the first that’s not there. Nevertheless it is enjoyable and does make for some good laughs.
And there’s my summary of the summer’s comedic movies with focus on the two. Hopefully the studios should be able to find the right funny stuff to get the live-action comedy back to being a summer hit next summer.
“I wish I had cancer. At least then people wear pink ribbons for you, and they go on long walks.”
It’s always a question whether it’s possible to have a film about Alzheimer’s Disease that’s watchable. The latest film making that attempt is Still Alice. I believe it does so.
Alice Howland is a 50 year-old woman who appears to have it made: a college professor who just published a book on linguistics, an active person recreationally, a wife to a loving and supportive husband and a mother to three adult children. One of which is married and about to be a mother to twins. However something goes noticeably wrong during a lecture about her book. She has a mental lapse she mistakes for an effect of alcohol. Soon there are more mental lapses, especially while jogging around campus and while giving lectures. Even reintroducing herself to Tom’s girlfriend causes people to wonder. Alice seeks a doctor’s attention immediately. She’s given the news: Alzheimer’s. She’s victim to a gene that brings on Alzheimer’s at an early age.
The family is devastated to hear the news. The children even have to get tested to see if they carry the gene. Anna bares the gene but her yet-to-be-born twins are immune. Nevertheless the family tries to go about the best they can while trying to be a help to Alice. However the changes are as hard for them as it is for Alice herself. Firstly Alice will have to give up her professor job. Going to an Alzheimer’s ward in a nursing and witnessing the patients leaves her upset about her future to the point she plans her own suicide using a marked bottle full of pills and a video file on her computer named ‘Butterfly’ of herself instructing her to take all the pills in the bottle. Family friction happens over time as her husband John notices changes in her thinking and Lydia overreacts after she learns Alice went through her theatre notes.
However things get better over time. John learns how to work with her fading abilities and become patient with her even in the case of her cellphone she misplaced a month earlier. Anna gives birth to the twins and she’s able to hold one of them. Her relationship with Lydia grows as Lydia shares her plays with her and gets Alice to see her perform in Angels In America where Alice feels the play. Even Alice is able to give a lecture to the local Alzheimer’s association where she delivers a speech she wrote herself and uses a highlighter to mark the notes she read as John and her son Tom watch. The speech is near perfect.
Over time she continues to acquire inner strength just as the disease is continuing to impair her brain even further to the point she needs a caretaker while John is gone. However it’s by chance that while her caretaker is away, she comes across the ‘Butterfly’ video on her laptop. She obeys the video and even takes the laptop with her as she searches for the bottle. However the suicide attempt fails as the pills still all over the bathroom floor. The film ends with her still alive but will get you questioning if it ended right.
The film is more than just about Alzheimer’s. It’s about having it at a very young age and trying to be able to deal with it and its debilitating effects. You can’t blame Alice for being distraught on hearing the news, especially when she has so much going for her. Just a bit of trivia here: even though 50 seems awfully young to have Alzheimer’s, we should remember the first subject Dr. Alois Alzheimer studied in the disease that bears his name was a 51 year-old German woman. It almost seems understandable to some that Alice sets her own suicide up to happen when the time appears right. However it’s about acquiring inner strength over time. Yes, Alice’s years are numbered and the disease is taking a toll on her mind and her body but she becomes a stronger person over time. It makes like the suicide attempt look like the wrong thing to do after what she’s fought out.
The movie is also about family relations during Alzheimer’s. For those who have a loved one with this disease, you would know how much it affects the whole family and even hurts deeply. It’s even harder to bear when the gene that causes early Alzheimer’s is present in other family members, just like how it’s also present in Alice’s oldest daughter Anna. The frustrations are there in the Howlands as Lydia doesn’t know what to make when she learns Alice went through her script notes. Even John feels the frustration as being the husband. Nevertheless the family unit becomes stronger over time and they continue to function the best ways that they can. Lydia’s connection with Alice through her theatre work helps Alice still keep in touch with the world even as the disease continues to take its toll. Anna even tries to let the fact she bares the gene not bother her and continue to live her life as a wife and mother of newborn twins. That scene where Alice is holding her grandchild is one of the more poignant moments of the film.
Without a question, the film belongs to Julianne Moore. Her ability to give an Alzheimer’s victim a personality and a will of her own while fighting the destructive nature of the disease has to be the actress performance of the year without an equal. She did a top notch job and deserves the Oscar. None of the supporting performances can pare up to the caliber of Julianne’s performance but Kristen Stewart’s performance of the actress daughter with extreme emotions who connects with her mother through the art of theatre has to be the best of the supporting performances and has more range than even the character of John, despite how good of a job Alec Baldwin does. Kate Bosworth was good as the daughter with the same gene trying to live her life normally but it could have been developed more. Hunter Parrish’s role as Tom the son was the most underdeveloped role in the film but he does a very good job with what little he has. Richard Glatzer and Wash Westmoreland do a good job of directing and writing despite making this film appear to be a film of a single acting role dominating for the most part. I’ll admit I haven’t read the novel by Lisa Genova so I can’t say if they adapted it right or not.
SPOILER ALERT: They say the ending is one of the trickiest things to do in a film. I will have to say the scene of the suicide attempt ended rather flat and led into scenes that will leave one wondering if the film makes it look like a good thing the attempt failed or a bad thing. That scene where Alice is with John having ice cream dwelling on how she used to be very smart will have you wondering as will the end scene where she’s with Lydia and she can hardly talk. It also makes you wonder if it ended right. But I think that may have been the point. I think Richard and Wash ended the film that way so we can make our own judgment whether Alice continuing to live is the right thing or the wrong thing.
Still Alice makes for a very watchable movie about Alzheimer’s even if it does appear at times to be dominated by Julianne Moore’s acting. Nevertheless her role is one that leads to a performance meant to shine and she does just that.
I’ll admit it’s rather late for me to be reviewing Frozen. I wasn’t interested in it at first. However its success at the box office coupled with its Oscar buzz helped me change my mind.
Normally I’d give a description of the film in my reviews but I won’t here since most of you have already seen Frozen by now. I’ll just go in to what I have to say. There are a lot of unique and great aspects of this movie. First is its unexpected twists. You’d first think it would be Kristoff that would save Elsa, Anna and the kingdom but it turns out to be Elsa. Already there are a lot of writers and bloggers comparing Elsa to Merida in Brave in terms of heroine status. I’ll bet you never thought Kristoff would be one of the bad guys. Second is its animation that truly mesmerizes. I was dazzled when I saw Elsa’s snow-spell and even the ‘ Castle Of Ice’ created on screen. Watching Frozen was like being taken to a world of ice at times.
Thirdly is the musical aspect of the movie. For many decades, even as close to about twenty years ago, animated movies were commonly musicals and excelled in telling the stories with catchy songs. From Someday My Prince Will Come in Snow White and the Seven Dwarfs to Hakuna Matata in The Lion King, you could always rely on an animated feature to deliver charming music. When 3D became the staple of animated features, the features were predominantly non-musicals and the movies were more focused on the story and the animation. When was the last animated feature done as a musical that dazzled you? Yeah, that far back. Frozen is the first 3D animated musical that has won the movie-going public by storm. It’s refreshing to see the musical aspect come back in animated movies and even added to 3D animated movies successfully for the first time. I think the success of Frozen will churn out more musical-styled 3D animation features.
Frozen is a welcome relief in terms of animated movies for 2013. This year was a rather quiet year in terms of animated movies. Sure this summer featured the excitement of the comeback of the monsters of Monsters University and Despicable Me 2 took ‘minion mania’ to new heights but there was nothing new to create new buzz. Nor was there anything with writing that stood out. I’m sure that became apparent to a lot of my subscribers when I published my blog about Pixar appearing to have lost its spark. Frozen may have come late in 2013 but it sure came to the rescue. Its excellence is not just in having a thrilling story but also in having excellent animation.
Also Frozen has a bonus aspect: catchy songs. It’s not just something that’s been missing from animated movies but movies in general since the new century. You may remember before the 2000’s came there were many catchy songs that came from movies. Since 2000, the presence of a catchy song or even a hit song from a movie is something that has been very rare. I think the last hit song from a movie before Frozen was Slumdog Millionaire’s Jai Ho. I was especially surprised during 2006 when Dreamgirls was in theatres, none of the songs were released as singles despite Beyonce’s chart-topping prowess at the time. I know most of North America was in a hip-hop coma at the time but still… Frozen helped bring back the catchiness of movie music. Already two versions of Let It Go are on the charts right now: Idina Menzel’s version is currently #18 on the Hot 100 and Demi Lovato’s version is at #56 having peaked at 38. Recently Do You Want To Build A Snowman? started hitting the charts and is now at #57. I guess it’s no wonder that the movie has been re-released in a sing-along version.
It’s hard to pick who first to compliment. First off, I’ll say the animation was top notch. The Walt Disney Animation Studios did an excellent job in creating a charming trip to the past and a mesmerizing world of ice. Secondly, kudos should go to Christophe Beck and Kristin Anderson-Lopez for providing music that was not only entertaining but the catchiest movie music in years. Thirdly a great job in the acting and singling by both Kristen Bell and Idina Menzel. They’re already established actors and they’ve also had musical experience but this has to be the best combined singing/acting efforts from both of them. The supporting actors were also great in their roles too including Jonathan Groff and Santino Fontana. However it’s Josh Gad that steals the show as the goofy Olaf. Finally great acting/writing efforts from Chris Buck, Jennifer Lee and Shane Morris. It was something to take Hans Christian Andersen’s The Snow Queen and turn it into an animated musical. They really delivered a winner. In fact you remember how Disney movies would give animated adaptations of children’s stories like Snow White, Cinderella, Pinocchio and The Lion King and turn them into beloved classics? I think Frozen is destined to go that same route over time.
Funny thing about Frozen is not just simply its current total success with its box office run but its lack of success when it first started. I’ve noticed on Box Office Mojo that it was only on one single theatre when it opened because it didn’t want to compete with the opening of the latest Hunger Games movie. It got better the following week when it was spread across North America and grossed $67.4 million that weekend but it was still in second to the Hunger Games by $7 million. The funny thing is while most movies came and went during the six weekends since, Frozen stuck around in the Top 3 and was even #1 on two different weekends. It was even #2 the weekend of January 31-February2nd: its eleventh weekend. Okay, the sing-along version release may have something to do with it but it just goes to show its lasting power. In fact it wasn’t until this weekend, its thirteenth, that it finally left the Top 5 and currently sits at #8 with a total gross of over $375 million.
Frozen has been the animated movie both moviegoers and fans of film alike have been waiting for all of 2013. It was definitely worth the wait because it delivers in terms of quality and entertainment value. Maybe I should go back for the sing-along version.
Most of the time I do reviews of movies. This article is different as I do a side-by-side comparison of two versions of the same story. There’s Snow White And The Seven Dwarfs that generations of moviegoers are familiar with. There’s now Snow White And The Huntsmen that aims to be a modern version of the famous fairy tale character. The question is how do they compare side to side?
First off, let’s run down the first nitty gritty factors of the movies. Snow White And The Seven Dwarfsis more than just a delightful animated
movie. It’s a part of filmmaking history. It’s the first ever feature-length animated movie. And it was made against incredible odds. Walt Disney took five years to make this movie as it involved a lot of drawings and a lot of effort. It was expensive for its time at $1.5 million and Walt had to take out a lot of loans for this movie. And during the Great Depression to boot. In the end, it became a huge hit in 1937 grossing $8 million worldwide and world propel further animated movies in the future. To this day the American Film Institute still ranks it as the Best Animated Movie ever.
Now Snow White And The Huntsmen isn’t really much of a filmmaking breakthrough. It’s a life-action version of the Snow White story, which has been done before. It features familiar actors Kristen Stewart, Charlize Theron, Chris Hemsworth and Sam Claflin. While this film is not much of a cinematic breakthrough, it is a personal breakthrough for director Rupert Sanders. He has directed commercials and TV episodes in the past. This is his first direction of a feature-length film and it cost $170 million to make. It has so far grossed $152 million at the North American box office: $370 million worldwide.
To compare the actual Snow White character, let’s give a bit of a rundown in terms of the times. First off Snow White And The Huntsmen is done in the present by modern-day director. Snow White And The Seven Dwarfs was released in 1937 and done by Walt Disney. You can be sure both films would be reflective of the ideal female roles for the two main female characters and both would reflect the directors’ visions at the time. The Disney Snow White has a very happy and cheerful attitude but is very naive to the threats that surround her. She lost her parents and is exiled in the woods but still holds her spirits high even after the queen’s assassin tells her to flee. The modern Snow White, played by Kristen Stewart, is a girl scorned. She has had enough of the imprisonment and wants out. However she feels there’s no way out. It isn’t until after she sees an opportunity escape and seizes it that it’s revealed she has a determination in her to fight to be free, even if it means walking through castle sewage to get it.
The reflections of the different types of Snow White characters is also reflective in their biggest desires. Disney’s Snow White wants to be free but she feels she found it in living with the seven dwarfs. Her biggest desire is to find her ‘prince’ as evident in the song ‘Someday My Prince Will Come’. Modern Snow White wants love too but she wants her freedom more. She knows she has to continue fighting even after she is free from the prison. She knows the queen and her men and she knows the threats will continue as long as the queen is alive.
Both Snow Whites are subject to negative opinions from some about the way they’re depicted. First off modern audience goers would find the Disney Snow White, voiced by Adriana Caselotti, as too naive for the present and very lacking in ‘street smarts’. Kristen Stewart’s Snow White could also be subject to negative opinions as Disney fans may feel she lacks the cheerfulness and many other moviegoers could think she makes Snow White into Xena: Warrior Princess.
The character of the queen has a common similarity: beauty. Walt Disney wanted a beautiful queen in his film as part of the reflection of the queen’s desire to be the ‘fairest of all’ and her evil envy of Snow White. We shouldn’t forget that sometimes evil can be disguised as something beautiful. The modern evil queen is given a name, Ravenna, and is played by Charlize Theron who is renowned for her beauty. The dissimilarity between the two evil queens is that the Disney queen is seen as very stockish in her desire to see Snow White dead because of her envy, and only because of that. Ravenna is shown as the killer of Snow White’s father, whom she killed on her wedding day and had Snow White imprisoned. It’s the familiar evil stepmother role in fairy tales. Ravenna is shown not only as a queen of envy over Snow White but as a victim herself. She learns from the mirror that has to destroy Snow White for the sake of her immortality or she will be the mortal one. Even giving Snow White the poisonous apple would show two differing means of disguises. The Disney queen would take a potion to tune her into an old lady. Ravenna would metamorphose into William, son of Duke Hammond, to give Snow White the fatal apple.
The other notable difference of the two Snow Whites is the differing their main supporting character, or characters. In Disney’s Snow White, it was the seven dwarfs. All seven were cute with cute names and charming personalities. They worked hard but they sang, danced and lived cheerfully. They were first surprised to see Snow White and thought of her as an intruder but would come to welcome her, love her, and even avenge her against the queen after she gave Snow White the poisonous apple. In the modern Snow White, the dwarves are seen as a minor supporting character in the movie who assist with the Huntsman in her well-being and warriors with Snow White and the Huntsman against the queen. It’s the Huntsman in the modern Snow White who’s the main supporting character now.
The Huntsman in the modern Snow White is under command from the queen to kill and receive the hand of her brother’s deceased wife in marriage. He learns from Finn, the brother, that it was a false promise and then becomes Snow White’s ally helping her escape with the help of women disfigured by Ravenna and the help of the seven dwarves. The Huntsman is the man who kisses Snow White back to life but it’s not happily ever after yet as they must battle Ravenna before Snow White can be married to the Hunstman. In Disney’s Snow White it is the prince whose kiss revives Snow White and marries her. The Huntsman is only seen at the beginning as the one who tries to kill Snow White but can’t and gives the queen a pig’s heart to trick her into thinking Snow White is dead.
It’s not just the characters themselves that make the two Snow White movies different but also the stories themselves. The beginning especially. In the Disney movie we’re given a storybook narration of what has happened in the past and leads to the beginning with the queen at the mirror saying “Mirror, mirror on the wall…” Snow White and the Huntsman goes back to when Snow White is a young girl and her favorite playmate is the Duke’s son William. Ravenna is prisoner of the Dark Army rescued by the recently widowed King Magnus, father of Snow White. King Magnus is actually killed by Ravenna after he marries her, imprisons Snow White and seized control of the kingdom leaving it lifeless and full of sadness. Even the setting of the forest is different as Disney shows a charming forest full of happy creatures while the modern Snow White shows a nice forest that’s not immune by threats like insects and other dangers.
Snow White And The Seven Dwarfs and Snow White And The Huntsman are two differing movies of the same story. As for which is the best depiction, I can’t say because I have not read the original Snow White story by the Brothers Grimm. Nevertheless both have their entertainment values and one would appeal over another depending on their movie preferences.