It’s to be expected that Pain And Glory would get a huge turnout at the VIFF. Pedro Almodovar is a darling of the arthouse film world. The buzz is this time, he’s reuniting with Antonio Banderas for the first time in over 30 years. Is it worth the hype?
The film is told by the first-person view of film director Salvador Mallo. Salvador is in a pool meditating alone. He has had open-heart surgery in the past. He’s had issues involving both his family and his sexuality in his past. He became renowned through his breakthrough film Sabor– a still beloved in its current remastering — but considers every film since to be a failure. He’s also had issues with back pain and other medical issues. All of this has caused a struggle to get inspired again with filming. He knows he has to, but he can’t. Not even as his landmark film Sabor (‘flavor’ in Spanish) has been remastered and re-released.
Over time, he learns he has to make peace with his past. He first reflects back to his childhood. His mother was the biggest influence in his life. As a child, he was a dreamer and his mother always fancied him to be one. He did great in academic studies, but he had a love for singing and a special love for movie stars. He was sent over to a convent school; something that was of great expense to his mother. However he also reflects to the last days he was with his mother. He was so consumed with his filmwork and his writing, he was negligent to his ailing mother. He did however promise he would take her back to the countryside where she could spend her last days, but she died before he could.
As his film Sabor is being re-released and even shown to film enthusiast, he reunites with Alberto Crespo, the lead actor of the film. Mallo hasn’t spoken to Crespo in 30 years because of his perceived ‘bad’ performance in the film. Crespo is not happy to see him, but gets Mallo into smoking heroin. During his heroin-smoking, he’s able to recount some of his memories. One is of the time in his childhood when his parents had to move into a whitewashed cave house because of how poor they were. The mother hired a laborer to repaint the inside. As part of the deal, Salvador is to teach the illiterate laborer how to read and write.
Another flashback of past memories comes during a Q&A during a screening of Sabor. Mallo, at Crespo’s house at the time, is too down to attend, but corresponds with the crowd through Crespo’s phone. Crespo is able to tell the crowd of some of the wonderful memories of the 80’s and talks of Federico: Mallo’s boyfriend at the time. Federico is in the crowd and responds. That infuriates Mallo and he responds to Crespo violently. It just reminds him it’s another past memory he has to come to terms with. Mallo loved Federico and the two were almost inseparable, but Federico had a bad drug addiction at the time and Mallo had to end the relationship. The heroin abuse Mallo is addicted to is very similar to the struggle Federico went through during their time together. Eventually Federico and Mallo reconcile during a dinner. He learns Federico has sobered up since, moved to Buenos Aires, married a woman and fathered three children.
Over time, Mallo needs to recover from his own drug addiction and have further check-ups on his throat which causes him to choke for no reason. He knows his time is very limited, or feels strongly that it is. His assistant gives him tickets to an opening to an art gallery. Over at the opening, Salvador notices a drawing of a boy sitting with a book. That drawing isn’t any child. It’s Salvador! It then reminds him of the time in Salvador’s childhood the laborer was drawing a picture of Salvador sitting with a book as a thank-you gift. Only his mother would later hide the drawing without Salvador’s knowledge. After the laborer finished, he needed to bathe. Salvador left to lie down in the bed from all the heat, but woke up to get the man a towel. When he saw the laborer naked, Salvador had a look of delightful surprise and fainted. The laborer thought Salvador fainted of heat stroke.
Soon Salvador is able to buy the drawing and he sees the thank-you message from the laborer on the back. His assistant recommends Salvador to find the laborer through a Google search, but Salvador feels it’s not worth the bother. Soon Salvador does go for the surgery to get the growth removed from his throat. The film goes to a scene to Salvador’s childhood of him with his mother waiting for a train during a village fiesta and watching the fireworks in awe. Only it’s not a flashback. It’s a scene from a film Salvador is directing about his past life. His desire to film has returned again!
When one watches the film, one can easily wonder if this is a film meant to be autobiographical of Almodovar himself? The life of Salvador does seem to mirror Almodovar’s own life in many ways. Pedro himself fell in love with films and movie stars as a child He was sent to a religious school as a boy in hopes of becoming a priest and was abused. Pablo is openly gay, and of course became a renowned film maker. Even the falling out between Salvador and Crespo is actually symbolic of the falling out between Almodovar and Banderas. However there are a lot of differences between Salvador and Pedro. Salvador appears to be born around 1960 while Pedro was born in 1949. Salvador is an only child raised by a mother and father who’s rarely there while Pedro was one of four raised by both parents; his father being alcoholic. Salvador appears to have had one masterpiece film while Pedro has had decades of masterpiece films. Also while Salvador appeared to lack inspiration and the drive to make films after illness and physical setbacks, Almodovar appeared to continue well.
Nevertheless it still gets one thinking. The film got me thinking does Almodovar see Women On The Verge Of A Nervous Breakdown, his breakthrough film outside of Spain, to be garbage or the bane of his existence to him? Artsy types are so full of self-loathing! Also I have not been too familiar with Almodovar’s health problems. I have not known of any health problems happening to Almodovar. If there are any problems, they have not been made too public. Almodovar has made his back problem open recently, but did he ever have that throat problem? And the drug addiction. I know addiction is common in Almodovar films, but I haven’t heard of Almodovar addicted to heroin smoking.
This film may not be the best film Pedro Almodovar has done, but it has to be his most personal. There are a lot of similarities between Salvador and Pedro. There are also some that become questioning. Was Almodovar ever hooked on heroin? Is Almodovar envisioning what he could have been if he were a one-hit-film-wonder? One thing about Almodovar’s films is that he doesn’t just tell a story. He creates a lot of moods and images as if he’s paining a cinematic portrait. He tries to get us to feel the characters, feel the moments, feel the emotions. He has the ability to romanticize even the most bizarre moments. Even a man who impregnates a comatose woman (in 2002’s Talk To Her). This film is no exception. He helps us see the story through the eyes of Salvador in both his flashbacks and of the present moment, and romanticizes it. This is another accomplishment for Almodovar. It’s no wonder he’s become a film festival darling.
The funny thing of the film is that the flashbacks of Salvador’s childhood appear to be flashbacks. However it’s at the end that we learn that the flashbacks of his childhood we see are the flashbacks intended for Salvador’s new film. Filming within a film. That should have been apparent when there was Penelope playing the younger version of the mother in the flashbacks while the older mother had blue or green eyes. It made you wonder how did that happen? Now you know at the end.
The film also marks a great return to Almodovar collaborating with Antonio Banderas. Those of us in North America remember how he became a huge movie star in the 1990’s. What many did not know is that it was through Almodovar’s films that Banderas had his breakthrough. I still remember how he played a husband in Women On The Verge Of A Nervous Breakdown. Banderas actually acted in five of Almodovar’s film before breaking into the US upon the release of Mambo Kings. It appears like both made the other’s success. Here they reconnect and Banderas delivers what could be his most intimate, if not his best, acting performance ever. He does an excellent job of adding dimension to the character of the filmmaker in all of his joys, his hurts and his passions. Also Banderas isn’t afraid to show the surgery scars from his own open-heart surgery here.
Asier Exteandia is also good at the actor Crespo who is able to make peace with him, albeit turbulently. Also a delight to watch is Asier Flores as young Salvador. He added to the light-hearted parts of the film and even added some comedy too. The score from Alberto Iglesias helps dd to the feel to the film. Iglesias has contributed to the scores of many of Almodovar’s films and he does a great job of it again here.
The film could do well at this year’s Oscars. For the Cannes Film Festival, it was nominated for the Palme d’Or and won Best Actor for Banderas and Best Soundtrack for Iglesias. The International Cinephile Society gave the Prix Du Jury award to Almodovar and the Best Actor award to Banderas, and Banderas also won Best Actor at this year’s Hollywood Film Awards. This film is also Spain’s official submission to the Oscar category of Best International Feature Film; the seventh Almodovar film to be Spain’s official entry in this category.
I wouldn’t say Pain And Glory is worth the hype, but it is a very unique story. It almost autobiographical in some ways. Even if it’s not completely autobiographical, it makes a good story all its own.
DISCLAIMER: I know the VIFF ended a month ago. I’ll admit I’ve been slow at posting reviews. This is mostly due to attending night classes at a community college. However my writing energy is slowly returning and I will post theses last three VIFF reviews in good time. Hopefully all done before Saturday.
Ghost stories usually make for some cheesy movies. Personal Shopper is one story about a ghost that actually works very well for the cinema.
Maureen has just arrived in Paris. She just accepted a job to be a personal shopper for a high-status fashion journalist in Paris named Kyra. She is able to live at her mansion during her job. She is still able to communicate with her boyfriend in the US despite her distance from him. One important note: Maureen has taken on this job just months after her twin brother died from a heart defect.
One night, Maureen notices something mysterious. Could it be a ghost? She carries on doing her shopping duties normally like nothing happened. However incidents keep coming. She starts to question them. Then one day, she gets a text message from a mysterious person. That could be the ghost. You know the texts are upsetting her each and every time. However, she does agree to play along with the requests of the mysterious texter. She even agrees to wear one of the dresses she bought for Kyra.
Maureen senses that this has something to do about her brother’s death. Could the ghost actually be her brother. The ghost even follows Maureen to the various locations she goes to. Then one day, she finds Kyra dead as if she was brutally murdered. Then she agrees to comply to the texter’s request to go to a hotel. The morning after, we see the ghost vacate the hotel. Maureen is still alive. Maureen decides to go on a vacation to a remote location is Saudi Arabia. Whatever happens, she’s prepared to meet the ghost whom she believes to be her brother.
There have been movies about ghost stories before but most come across as ridiculously cheesy. This is one ghost story that has substance to it, and a lot of it. We have Maureen dealing with the loss of her twin brother. She appears to be handling it well but imperfectly. You’re led to think that the ghost is exposing a truth about how her brother’s death is affecting Maureen. In addition, this is a ghost that affects her through the text messages he sends. It’s obvious he will do whatever it takes to get what he wants out of Maureen.
Basically the thing that gives this ghost movie its substance is that it does relate to human feelings. It’s obvious this ghost has a bearing on Maureen. However as the story progresses, it leaves the audience asking as many questions as Maureen is asking right now. This is no run-of-the-mill movie ghost. This is a ghost that has us intrigued and wondering what will happen next. Will Maureen learn of the ghost’s identity? Will Maureen get killed or hurt? The story keeps us intrigued.
If there’s one weakness, it’s that the story appears to end either twice or three times. I know most people would anticipate the hotel scene to be the climactic end but instead it leads to another story. It’s like the story goes places but stalls. Even the actual ending comes across as abrupt. I know a lot of directors try to end their films unexpectedly as a chance for the audience to draw their own conclusions but this ending was too abrupt and unclear.
The film is a very good effort from writer/director Olivier Assayas. He has created a very good story that keeps us all intrigued. However the flaws at the end are too obvious. Still a very good work. Kristen Stewart does a very good job of acting here. A lot of people have dismissed her acting since the Twilight movies. It turns out her bad acting was because of bad direction. Even before Twilight, she showed she can deliver a good acting job. Remember 2002’s Panic Room? It’s obvious Kristen has something to prove and she’s been proving it since starting with 2014’s Clouds Of Sils Maria, also directed by Olivier Assayas. Kristen delivers possibly her best and possibly deepest performance yet. A bit of ironic trivia: in Assayas’ next work, Idol’s Eye, he will be working with Kristen’s former Twilight co-star Robert Pattinson. Can he resuscitate his career too?
Back to the topic of the film, Stewart is the only person who’s given any real acting in the film. For the most part, the other actors are given comparatively lightweight work. That will happen when the protagonist is mostly acting off of a ghost throughout most of the film.
Personal Shopper is for the most part a one-person film that ends too abruptly. Nevertheless it has a lot of excellent qualities that give the film dimension and will keep the audience intrigued.