I don’t know about you but live-action comedies didn’t fare so well at the box office this summer. The highest-grossing comedy of the summer was Central Intelligence with just over $127 million. The only other two comedies of the summer to gross over $100 million were Ghostbusters and Bad Moms. Have people lost their sense of humor? For this summary, I will review two movies: Ghostbusters and The Nice Guys.
The Nice Guys
I’ll start the focus on one movie I saw all the way back in May. A comedy I was hoping to do well at the box office but didn’t. I saw The Nice Guys because I felt we were long overdue for a crime comedy or a police comedy. I have to say that this was a funny movie and has to be this year’s overlooked gem.
It takes us back to the 1970’s not just to do with the clothes, hair and music but also of a 70’s thing few 70’s-set movies focus on: the abundance of porn. We often forget that the 1970’s was the sexual revolution’s biggest heyday. A decade of free love at its freest and pornography was prevalent even in the movie theatres. It was even okay back then to take a date to a porno.
Here, they make a crime story set in the deliriousness of the porn business. It doesn’t aim for one-liners like so many other comedies resort to. What it does is it makes comedy of the situation. A case of a private eye and an enforcer who become unlikely partners in trying to solve a murder and who is connected to it. Another humorous situation is at the Los Angeles Auto Show where a clip of the porno starring the murder victim is spliced in to the auto show film to the shock of all. The story even has ironies added into it like how the Holly March, daughter of private eye Holland March, is able to help solve some part of the crime with her know-how. Another irony is how a politician who wants to have the crime solve is actually a part of the instrumentation. It all adds up to a humorous story that will have you laughing at the situation.
The film also gives you this summer’s biggest WTH moment. That comes when the police interrogate a neighborhood boy who showed his penis to a neighboring porn director who was killed. That’s sexual abuse, right? When I saw the interrogation happening, I was expecting a scene of a sexual abuse victim. Instead, the boy comes across as excited as if his exposing could open up opportunity in porn in the future. That was so bizarre. Just reminds you that the sexual revolution of the 1970’s was that free.
Director Shane Black takes a break from directing superhero movies like Iron Man 3 by directing this crime comedy he co-wrote with Anthony Bagarozzi. It comes off as very humorous in a dark way. I’d like to think he succeeded. Russell Crowe was the right fit for enforcer Jackson Healy. He possessed the right ruggedness for the role. Doing crime comedy is something new for Ryan Gosling but he did a very good job as Holland March. The scene-stealer was young actress Angourie Rice who played daughter Holly March. She did a good job of going just a simple daughter of Holland to all of a sudden one who can best help trace the case and even help solve it, with providing some action of her own. Also a big surprise is seeing Kim Basinger as the politician. I admit it. Like your typical 80’s kid, I always picture Kim as the bombshell she’s most famous for. It was surprising to see her play a role of an older character. I’m not complaining. I think she did quite well.
It is too bad to see that it didn’t make too much at the box office: $57.3 million. There was a time a while back where crime comedies or dark crime dramas were a big hit. I remember the 1990’s were capable of churning out one such movie per year that would be a classic like 1994’s Pulp Fiction, 1995’s The Usual Suspects, 1996’s Fargo and 1997’s L.A. Confidential. Since then, it cooled down. I was hoping this movie would revive some interest in it and rediscover the humor of the crime comedy. Also I feel there’s another message being sent with the lack of success of the film. The 70’s retro in movies has now faded. I know it was very active from the 90’s carried into the 2000’s and showed some muscle at the beginning of this decade but it’s obvious 70’s retro has faded with time.
The Nice Guys is an overlooked comedy from the summer. It’s worth seeing if you have the chance.
Ghostbusters: Answer The Call
From retro 70’s to retro 80’s: the retro phenomenon that still has the most muscle despite retro 90’s encroaching. Now news last year of a Ghostbusters remake featuring an all-female ensemble of Ghostbusters seemed unorthodox at the time. One conservative filmmaker went as far as saying ‘My childhood is ruined.’ However I was willing to give it a chance. I mean this is 2016.
In order to differentiate itself from the original 1984 Ghostbusters, it gave itself the subtitle Answer The Call. Now the big challenge was to decide whether the film was a case of the ghostbusters starting up together or whether these four women were filling the shoes of the men before them. It was decided to be a story where the ghostbusters start fresh. It’s very tempting to compare it to the first Ghostbusters. Actually there’s no escaping it. If you compare the two side-by-side, you will notice a lot of differences. And not just simply the change of genders of the cast. The first is the humor. The new film has humor and lines that are more irreverent that the humor and jokes in the first. The second is the Ghostbuster-wannabe characters. One thing about the first is that the addition of nerd Louis Tully added to the humor of the film. Of course Rick Moranis always specialized in nerdy characters. Having a bimboy character who’s their receptionist play the Ghostbuster wannabe here didn’t fit as well. Plus he wasn’t even that funny. Another is the possessed character scene. I’m sure those of you would agree that the possession of Dana Barrett worked better than the possession of Abby Yates. Even the line “No Dana, only Zuul.” is way more memorable.
Despite the first Ghostbusters being better than the new one in many ways, the second one does have elements that are better than in the first one. The first and most obvious is the better special effects. The film was able to create better and more eye-catching ghosts than they were in the first one. Computer technology has made that big of advances over the years. Another was the rock concert scene. If there was one plus to the movie, it was that where the foursome have to battle a ghost while a rock band was performing. That added to the humor and made it enjoyable.
It’s clear from the start this is a group effort between Paul Feig, Katie Dippold and Melissa McCarthy. This is the third collaboration with the threesome where Feig directs and co-writes, Dippold co-writes and McCarthy acts in. Its often questionable who was the main lead role of the film: whether it was Kristen Wiig’s Erin Gilbert or if it was Melissa McCarthy’s Abby Yates. I know McCarthy’s star has grown bigger over the years. The addition of two other Saturday Night Live talents Kate McKinnon and Leslie Jones make for a good mix of humor.
One thing to note is that personnel of the original Ghostbusters gladly came back for the revamp. There’s Ivan Reitman who’s the co-producer this time around. There’s Bill Murray who makes a cameo as a skeptic to the busters. Dan Aykroyd makes a cameo as a taxi driver, Annie Potts makes a cameo as a crabby hotel clerk, Ernie Hudson appears as Patty’s uncle Bill, even Sigourney Weaver makes a cameo appearance.
Ghostbusters: Answer The Call may not compare to the original. It’s either the freshness or the magic of the first that’s not there. Nevertheless it is enjoyable and does make for some good laughs.
And there’s my summary of the summer’s comedic movies with focus on the two. Hopefully the studios should be able to find the right funny stuff to get the live-action comedy back to being a summer hit next summer.
For some odd reason, Hollywood feels it’s time to revamp Superman. Apparently the original from 1978 doesn’t cut it anymore and there needs to be a new Superman. Does Man Of Steel cut it?
Here this isn’t necessarily to be a review of Man Of Steel but more of a comparison to the original Superman from 1978 and I will commonly refer to Man Of Steel as ‘the new movie.’ Superman fans will notice that Man Of Steel is a lot different than the original 1978 version. First off the original movie was the telling of how Superman the legend came to be. It was adventurous and thrilling but it was also light-hearted and funny too. We saw Superman go from the sole survivor of Krypton to growing up to be Clark Kent and then the Man Of Steel. I still remember one of my favorite parts being when Clark is left behind by the football team so he shows them by running home. In the process, he dazzles a 9 year-old Lois Lane who watches him outrun her train.
The new movie is something very different than the original first Superman movie. For one thing you will notice the strife on the planet Krypton as it is about to explode. Instead of dying with the planet, Jor-El is murdered by General Zod just before he and the exiled Kryptonians are to be taken off the planet. Superman’s youth is also shown significantly different as he’s shown as a young child first disturbed with all the human images he sees. Then shown as a life-saver as a teen after a schoolbus plunges in a river. None of which are as light-hearted as the original. One difference that actually added to the new movie was Clark’s work as an adult in various odd jobs such as fisherman or oil rig worker. Even though the original featured Clark only ever working for the Daily Planet, that change from the original was one changed that worked well if not great.
One element the new movie has in common with the original is Jonathan Kent is seen as a positive father figure to Clark as he grows up on Earth. Jonathan’s death in the new movie is different from that of the original. Martha Kent’s portrayal in the new movie however is more different. First difference would be her presence as compared to that in the original; she is way more present her and shown throughout. Back in the original Martha was seen as the mother figure that Superman eventually had to leave behind in order to discover himself and define himself and his existence on Earth. Here in the new movie, Clark doesn’t leave Martha behind and even returning to her in times of crisis often looking to her as one to confide in.
Another difference you’ll notice is Lois Lane’s involvement in this. Just like in the original, Lois is again the one person who can get through to the identity of Superman while the whole world wonders about him and gets a lot more. Lois however is not a colleague of Clark Kent’s because Clark is seen through most of the movie employed outside of the Daily Planet. Nor is Lois seen dating the social awkward Clark in the new movie. Man Of Steel sets Lois’ discovery and involvement in the Superman story right as she’s on top of another story deep in the snowy mountains. It progresses further with each battle Superman has to face to the point the inevitable between the two happen.
Jor-El’s presence is another noticeable difference. Those who remember the original may remember Jor-El as the scientist who launches baby Kal-El to Earth to keep the Kryptonian race alive. Jor-el would be a mentor to Superman as he learns of his identity and of his origins. One thing about Jor-El’s existence to Superman outside of Krypton in the original is that he would only be present to Superman in voice only. Also one will remember from the original is that Superman received from Jor-El the instruction: “It is forbidden for you to interfere with human history.” Here in the new movie, Jor-El makes appearances to Superman in the flesh and even gives him words of encouragement in his interaction with humans: “You can save them… You can save all of them.”
Another noticeable difference is the villain in this. The villains in the movie were the Kryptonians: General Zod and five others. Those were the villains in the second Superman. It almost seemed like the new movie was trying to mix the original first and second movies together. The original had Lex Luthor as the villain with the Kryptonians only seen sent off in their sentencing. Here there’s no presence of Lex. That totally surprised me because I always considered him Superman’s #1 nemesis. It also dampened my hopes as I was hoping to see who Lex Luthor was in this version and what tricks he had up his sleeve. The battles Superman faced too were also more different than in the other two movies. Also in the new movie was the fact that the US Military was growing suspicious of him. Funny because I don’t remember anything about the military and its concerns in the original. In fact the police were very cooperative with Superman and even welcoming of his support.
Even the ending was different. If you remember the original, you’ll remember Superman would circle around Earth to reverse its spin and bring those killed by Lex’s missile including Lois Lane back to life and reverse the damage. I won’t give away all that happens at the end but the most I will say is Lois is not fatally hurt.
Looking at the overall picture of the movie, I have to say that it does not work as well as the original. It’s been a common theme in this millennium to either remake movies or tell tales with a much darker theme. It’s been a common belief that such a thing would work considering movies with dark themes have been hits at the box office. However dark remakes haven’t paid off as well. A darker version of Peter Pan in 2003 didn’t fare as well as it hoped. A darker version of the first Spider-Man movie from last year didn’t do as well as the 2002 original at the box office. And now a darker version of Superman doesn’t fly as well as the 1978 original. It’s like its trade of charm and lightness for a darker edge didn’t pan out as much as they thought. Those unfamiliar with the 1978 original may welcome the new movie but I feel it will disappoint Superman fans.
Outside of comparing Man Of Steel to the original 1978 movie, I would have to say that the movie did have some good acting. Russell Crowe was very good as the mentor Jor-El. Amy Adams was also good as Lois Lane however she gave a Lois that lacked the girl-next-door quality Margot Kidder gave in the original. Henry Cavill did a good turn as Superman but he was meant to have a more dramatic role than that of the light-hearted Superman role Christopher Reeve was given. Diane Lane was good as Martha Kent but she lacked the Midwestern characteristics so it was not easy for me to believe this Martha was from Smallville, Kansas. I can’t really compare the acting of the villains from the original second movie but they were believable as cold and vicious. Hans Zimmer did a score that fit the movie well even if it’s not as memorable as John Williams’ score from the original, especially the opening theme. Zack Snyder has a reputation as being a director of dramas just like Richard Donner and this movie should add to his credit. Also it’s obvious the scriptwriters of Christopher Nolan and David Goyer aimed for a story more intense and more drama driven than that from the six scriptwriters of the original.
If there’s one thing Man Of Steel did surpass the original in, it’s in its action scenes. There’s no question that the action scenes were more sophisticated and more believable and more spellbinding than in the original. Mind you that you have to give the original credit. Back in 1978 they didn’t have the technologies, especially the computer technologies, to create the visual effects we have now. Most of what was done back then had to be done in Hollywood studios and with more effort from set designers and operators than computer operators.
Man Of Steel is like a lot of movie remakes that take a risk out of giving a different version of the original and hope it will pay off for today’s audiences. Sure the effects and action are bigger and better but the story falls short and doesn’t charm as the original. It may be a hit for some but it’s a miss for others, including me. I feel like renting the original from my local DVD store right now.