I don’t know about you but live-action comedies didn’t fare so well at the box office this summer. The highest-grossing comedy of the summer was Central Intelligence with just over $127 million. The only other two comedies of the summer to gross over $100 million were Ghostbusters and Bad Moms. Have people lost their sense of humor? For this summary, I will review two movies: Ghostbusters and The Nice Guys.
The Nice Guys
I’ll start the focus on one movie I saw all the way back in May. A comedy I was hoping to do well at the box office but didn’t. I saw The Nice Guys because I felt we were long overdue for a crime comedy or a police comedy. I have to say that this was a funny movie and has to be this year’s overlooked gem.
It takes us back to the 1970’s not just to do with the clothes, hair and music but also of a 70’s thing few 70’s-set movies focus on: the abundance of porn. We often forget that the 1970’s was the sexual revolution’s biggest heyday. A decade of free love at its freest and pornography was prevalent even in the movie theatres. It was even okay back then to take a date to a porno.
Here, they make a crime story set in the deliriousness of the porn business. It doesn’t aim for one-liners like so many other comedies resort to. What it does is it makes comedy of the situation. A case of a private eye and an enforcer who become unlikely partners in trying to solve a murder and who is connected to it. Another humorous situation is at the Los Angeles Auto Show where a clip of the porno starring the murder victim is spliced in to the auto show film to the shock of all. The story even has ironies added into it like how the Holly March, daughter of private eye Holland March, is able to help solve some part of the crime with her know-how. Another irony is how a politician who wants to have the crime solve is actually a part of the instrumentation. It all adds up to a humorous story that will have you laughing at the situation.
The film also gives you this summer’s biggest WTH moment. That comes when the police interrogate a neighborhood boy who showed his penis to a neighboring porn director who was killed. That’s sexual abuse, right? When I saw the interrogation happening, I was expecting a scene of a sexual abuse victim. Instead, the boy comes across as excited as if his exposing could open up opportunity in porn in the future. That was so bizarre. Just reminds you that the sexual revolution of the 1970’s was that free.
Director Shane Black takes a break from directing superhero movies like Iron Man 3 by directing this crime comedy he co-wrote with Anthony Bagarozzi. It comes off as very humorous in a dark way. I’d like to think he succeeded. Russell Crowe was the right fit for enforcer Jackson Healy. He possessed the right ruggedness for the role. Doing crime comedy is something new for Ryan Gosling but he did a very good job as Holland March. The scene-stealer was young actress Angourie Rice who played daughter Holly March. She did a good job of going just a simple daughter of Holland to all of a sudden one who can best help trace the case and even help solve it, with providing some action of her own. Also a big surprise is seeing Kim Basinger as the politician. I admit it. Like your typical 80’s kid, I always picture Kim as the bombshell she’s most famous for. It was surprising to see her play a role of an older character. I’m not complaining. I think she did quite well.
It is too bad to see that it didn’t make too much at the box office: $57.3 million. There was a time a while back where crime comedies or dark crime dramas were a big hit. I remember the 1990’s were capable of churning out one such movie per year that would be a classic like 1994’s Pulp Fiction, 1995’s The Usual Suspects, 1996’s Fargo and 1997’s L.A. Confidential. Since then, it cooled down. I was hoping this movie would revive some interest in it and rediscover the humor of the crime comedy. Also I feel there’s another message being sent with the lack of success of the film. The 70’s retro in movies has now faded. I know it was very active from the 90’s carried into the 2000’s and showed some muscle at the beginning of this decade but it’s obvious 70’s retro has faded with time.
The Nice Guys is an overlooked comedy from the summer. It’s worth seeing if you have the chance.
Ghostbusters: Answer The Call
From retro 70’s to retro 80’s: the retro phenomenon that still has the most muscle despite retro 90’s encroaching. Now news last year of a Ghostbusters remake featuring an all-female ensemble of Ghostbusters seemed unorthodox at the time. One conservative filmmaker went as far as saying ‘My childhood is ruined.’ However I was willing to give it a chance. I mean this is 2016.
In order to differentiate itself from the original 1984 Ghostbusters, it gave itself the subtitle Answer The Call. Now the big challenge was to decide whether the film was a case of the ghostbusters starting up together or whether these four women were filling the shoes of the men before them. It was decided to be a story where the ghostbusters start fresh. It’s very tempting to compare it to the first Ghostbusters. Actually there’s no escaping it. If you compare the two side-by-side, you will notice a lot of differences. And not just simply the change of genders of the cast. The first is the humor. The new film has humor and lines that are more irreverent that the humor and jokes in the first. The second is the Ghostbuster-wannabe characters. One thing about the first is that the addition of nerd Louis Tully added to the humor of the film. Of course Rick Moranis always specialized in nerdy characters. Having a bimboy character who’s their receptionist play the Ghostbuster wannabe here didn’t fit as well. Plus he wasn’t even that funny. Another is the possessed character scene. I’m sure those of you would agree that the possession of Dana Barrett worked better than the possession of Abby Yates. Even the line “No Dana, only Zuul.” is way more memorable.
Despite the first Ghostbusters being better than the new one in many ways, the second one does have elements that are better than in the first one. The first and most obvious is the better special effects. The film was able to create better and more eye-catching ghosts than they were in the first one. Computer technology has made that big of advances over the years. Another was the rock concert scene. If there was one plus to the movie, it was that where the foursome have to battle a ghost while a rock band was performing. That added to the humor and made it enjoyable.
It’s clear from the start this is a group effort between Paul Feig, Katie Dippold and Melissa McCarthy. This is the third collaboration with the threesome where Feig directs and co-writes, Dippold co-writes and McCarthy acts in. Its often questionable who was the main lead role of the film: whether it was Kristen Wiig’s Erin Gilbert or if it was Melissa McCarthy’s Abby Yates. I know McCarthy’s star has grown bigger over the years. The addition of two other Saturday Night Live talents Kate McKinnon and Leslie Jones make for a good mix of humor.
One thing to note is that personnel of the original Ghostbusters gladly came back for the revamp. There’s Ivan Reitman who’s the co-producer this time around. There’s Bill Murray who makes a cameo as a skeptic to the busters. Dan Aykroyd makes a cameo as a taxi driver, Annie Potts makes a cameo as a crabby hotel clerk, Ernie Hudson appears as Patty’s uncle Bill, even Sigourney Weaver makes a cameo appearance.
Ghostbusters: Answer The Call may not compare to the original. It’s either the freshness or the magic of the first that’s not there. Nevertheless it is enjoyable and does make for some good laughs.
And there’s my summary of the summer’s comedic movies with focus on the two. Hopefully the studios should be able to find the right funny stuff to get the live-action comedy back to being a summer hit next summer.