Tag Archives: Club

Oscars 2019 Shorts Review: Animation, Live-Action and Documentary

Cinema

This year marked another year I was able to see the Oscar-nominated shorts in the Animation and Live-Action categories. This year was also the very first year I was able to see the nominated Documentary shorts. That’s my Oscar milestone for this year. Here are my reviews of the films:

LIVE-ACTION SHORT FILMS

Two films are set in Middle eastern countries. One is set in Central America. One is set in Belgium while one is set in New York City. Three are dramas from start to finish. One starts as a comedy, but ends in dramatic fashion. One is a comedy from start to finish. Here are my thoughts on the live-action shorts nominees:

Brotherhood: dirs. Meryam Joobeur and Maria Gracia Turgeon – This is a story set in Tunisia. Two brothers are awaiting their older brother Aladinne to return from Syria. The father Muhamad appears to be looking forward to this. The brother returns. However he reveals Aladinne’s now married to a teenaged Syrian woman who is pregnant. The father is suspicious of Aladinne, fearing he may have joined ISIL in Syria. Muhamad makes a phone call Over time though, truths come out from both Aladinne to his other brothers over by the beach and to Muhamad though the wife. Including the truth about her pregnancy. The ending will leave one asking questions.

This is a relevant story as it is a situation that’s possibly happening in families in the Middle East now. It leads one thinking which brotherhood Aladinne is part of: his blood brothers or the ‘brotherhood’ of a terrorist group. It’s a story that gets one thinking. That’s why I predict it as my Will Win pick.

Nefta Football Club: dirs. Yves Piat and Damien Megherbi – The film begins with two men in the hills of Algeria who lost a donkey. It then leads into two brothers on a motor bike arguing over who the best footballer is. Then to a group of boys playing in a nearby football club. The boys get into an argument where the out-of-bounds is as there are no lines. The younger brother has to stop to urinate. After he’s finished, he notices the stray donkey who has earphones tuned into Saharan music. The older brother notices bags of cocaine with the donkey. The older brother decides to sell it but keep it secret. The two men are baffled. Especially one man who put the music onto Hadel instead of Adele. The older brother tries to sell it but something goes wrong. The ending will leave all surprised, and delighted.

This short was actually the last of the five that were shown. Knowing how the previous four had dark or tragic stories, you will expect something terrible or tragic to happen. You might even anticipate a social message out of this. I think those of us watching all needed some comic relief! It will make you glad this film is last in running order. End on a positive note.

The Neighbors’ Window: dir. Marshall Curry – Alli and Jacob are a middle-aged couple with two preschool-aged children and expecting a third soon. They live in a block of apartments in New York. They notice there is a young couple that moved into the apartment right across from them. Their window is a view to their apartment and they notice the two naked and making love. Did they forget to put up the drapes already? Three months pass. Alli gave birth to their third child. Jacob works from home and has a perfect view to watch the couple from the window as he works. That gets on Alli’s nerves. During Christmas, the Alli and Jacob have a family Christmas while that couple have a big party. Soon Alli becomes the voyeur. She notices the man has a bald head. Jacob thinks she shaved it. Soon it becomes evident he’s sick as he can be seen from his bed. Eventually Alli and the woman connect, but through unfortunate circumstances.

This is a film of a story where time elapses over eighteen months. It starts simply as a story of two voyeurs. Then it leads into a story of a couple who get reminded how much they miss their young-and-stupid days when they see those two having fun. The fun ends when sadder truths become obvious. I think the point of the story is to remind us of our own judgementality and even how prone we are to compare ourselves to others and making ourselves feel inferior without knowing the truth. It speaks volumes.

Saria: dirs. Bryan Buckley and Matt Lefebvre – The film begins in an orphanage one day in March 2017 in Guatemala. The fifty-one girls are woken up by the leader. The leader acts as the teacher. Before classes Saria learns that her sister has fallen in love with a male from the orphanage named Appo. During class Saria says a comment of defiance. This angers the teacher so much, she commands her to the guard who has her raped and beaten. Ximena learns from Saria that she and Appo have a plan to escape and walk to the United States for freedom. The opportunity arises when the girls hold a protest over the dirty and unsafe conditions of the orphanage. During police action, Saria and Ximena make their escape with Appo. However it’s a hopeless cause as the police have then cornered by dogs. Appo decides to throw himself to the dogs for the girls’ safety. All the 51 girls are brought back into a single room with just mattresses and the woman guarding. Two girls plan an escape by using fire, but it fails as the guard ignores them all.

This is a story based on real events. There was a protest over the conditions of the orphanage on March 7, 2017 and there was a planned escape. The girls were locked in that room and there was an escape plan that involved fire. The guard, who was a female, ignored them all until after ten minutes. 41 girls died. There were only ten girls who survived and they exposed the story. It’s not meant to be a true story. Instead it gives the girls who were victims characters and personalities. It exposes a truth of what’s happening in Guatemala while also reminding us these orphan girls were girls with hopes and dreams. I like the humanistic approach to the story. That’s why I call it my Should Win pick.

A Sister: dir. Delphine Girard – The film begins inside a car. The man is driving and the woman appears to be a passenger making a phone call to her sister. The film then goes to the emergency call centre. A woman is picking p this very call. She sorts out the confusion. It’s evident the woman in the car is making an emergency call and disguising it to look like it’s a call to her sister. The woman on the other end tries to work with her and even poses as the sister when the man talks on the line. This sets up for a climactic, but positive, end.

This is a film that keeps the viewer in the moment. There’s what one knows at the start and then what one knows as time goes on. At the same time, it puts the viewer in the intensity of the situation. You know it’s an abduction but the last thing you want is the worst. Throughout the film it’s a case of scenes of the woman and the man in the car and the woman at emergency control. It’s a story that will get you interested once you fully understand it and then keep you in the intensity of the story until the end.

BEST ANIMATED SHORT FILM

Interesting how not a single nominated short is 3D computerized animation. Even the computerized ones are 2D. The 3D ones are all stop-motion. All of them are unique in the stories they have to tell and the styles of animation they display.

Dcera (Daughter): dir. Daria Kashcheeva – The daughter watches her ailing father from his hospital bed. Suddenly a bird crashes through the window of the room. That still bird reminds her of the time she saw a dying bird and tried to get her father to resuscitate it. He was too busy cooking. She was in tears, but it inspired her to make a bird mask. She then remembers the time she was on a subway to a festival where she had to wear red makeup. She refuted and left the subway. He has the mask she made and decides to wear it. Then the film flashes to the present. He’s not in his bed. She then notices he slept with the mask she made. She goes to meet up with her father, who is being taken to surgery. Suddenly he becomes all better and the bird that crashed through is alive, just like that bird in her childhood.

I think the motif of birds can be interpreted in one of two ways: either the girl loves birds or she want to be free as a bird in her life pursuits. The story is told with marvelous artistry through stop motion on knit dolls and paper eyes. The animation style makes the artistry of the film and magnifies the beauty of the story.

Hair Love: dirs. Matthew Cherry and Karen Rupert Toliver – A young African-American girl in an apartment wants to style her hair just like the woman in the YouTube video styles it. The man, a neighbor, however tries to style it differently. The girl leaves crying. It isn’t until he sees the drawing and learning that the woman in the instruction video is the girl’s mother that he agrees to do it that way. He watches and does her hair at the same time, and the result is perfection. Then he takes the girl to see her mother in the hospital, in a wheelchair, and bald from chemotherapy.

This is a story that starts as being entertaining during the first half. Then you see the human moments at the very end of the story. The story goes from fun to touching deep down inside with surprising results. This is definitely a heart-warmer for anyone. You have to be hard-hearted not to like it. It will touch anyone who has gone through cancer or knows someone close who is going through cancer. That’s why I give it my Will Win pick.

Kitbull: dirs. Rosanna Sullivan and Kathryn Hendrickson – The film starts with a black stray kitten going throughout the neighborhood. He finds an area near a house full of boxes and wood blocks to make his own shelter. He also learns the owners own a big vicious dog and they keep him chained outside. The dog first wants to make food out of the kitten, but the kitten shows the dog he stands his ground and can fight vicious when provoked. Soon the kitten notices the dog is being abused by the owner. The kitten then sends the message to the dog that he can help him find a way out. Then the two plan their escape together. Soon the dog’s wounds heal and they find themselves adopted by an interracial couple.

This is a film from Pixar that was on the Disney+ channel. I find it surprising that Pixar created a 2D story! Usually they do 3D, but I still like it nevertheless. I’ve seen stories in animation before of how the cat and the dog go from enemies to the best of pals. This is unique as it tells that story with the theme of interracial relations. I admire how they do that in this story. It makes for a story that crosses from the humorous to the serious. However it still ends on a happy note, as we all hope it will.

Memorable: dirs. Bruno Collet and Jean-Francois le Corre – A painter gets into an argument with his wife, or so it appears. It turns out he has either dementia or Alzheimers and his wife has died. The conversations he has with his wife are in his mind. He still continues to paint, but it’s not easy to do. Then one day he decides to do a simple painting of simple unattached strokes. The strokes come alive and it’s in the shape of his wife. They even speak with her voice. It’s like she’s alive through the painting. The two share one dance together and it’s a dance full of color.

This is a dark story. However it’s told in touching form and even through a positive tone through the animation. This animation style is claymation and brush-stroke on glass. It’s like the story about the painting is trying to be like paintings themselves. It’s as much about the style in which the story is told as it is about the story. I make this my Should Win pick because this is the most unique and colorful of the nominees.

Sister: dir. Siqi Song – This is a story told by an adult male of how he experienced his baby sister: when she was born and when she was growing up. Boy did she have bratty behavior. Then you learn this is just a story of his. The sister he was supposed to have was aborted because of China’s One-Child policy. The story is just his story of how he fantasizes of what his baby sister would have been like. Somehow the film ends on a positive note.

Some would rush to dismiss this story as pro-life propaganda. I won’t state my stance but I don’t consider this propaganda. Keep in mind the sister was aborted because of China’s One-Child policy. The abortion was not the mother’s choice. The story is told in a unique way as it’s told through stop-motion animation and through knitted dolls. I have seen similar animation. At first I didn’t think an Oscar-nominated film could come through this style of animation, but it does here. I find it unique for the animator to tell a dark story with some humor into it. It’s worth admiring.

BEST DOCUMENTARY SHORT SUBJECT

Some of you may ask why haven’t I seen the Documentary Shorts in past year? It’s hard to say. Money? Lack of interest? Time? Those were the most likely reasons. However I did have the time and money this year, and I made myself interested in them. So here are my thoughts of this year’s nominated documentary shorts:

In The Absence: dirs. Yi Seung-jun and Gary Byung-seok Kam – This is a story that focuses on the sinking of the Sewol ferry off the waters off the coast of South Korea on April 16, 2014. 304 people of the 476 on board perished. Most were high school students. The documentary shows a lot of film footage from the day of the accident which includes news footage, rescue footage and footage from passenger smartphones. The film includes hearing dialogue between the Coast Guard, the transportation office and President Park Geun-hye. The film also includes footage of the inquiry and of footage when the Sewol was raised out of the sea three years later.

This film is good in letting the moments of the accident tell the story as well as expose a lot of ugly truths that people already knew. The film showcases the root of the problem: negligence on many parts. It shows the negligence and lack of action of the coast guards, the negligence of the transportation board, the negligence of the captain who instructed passengers to stay in before he escaped, and the negligence of the government. There are some interviews with parents of fatalities, survivors, and volunteer divers who dove to bring bodies up. I liked how this film used a combined set of video, film and audio to expose the truth of the matter. It also proved insightful as I believe this is the first disaster I know of leading to the overthrow of a world leader. That’s why I pick it as my Should Win pick.

Learning To Skate In A Warzone (If You’re A Girl): dirs. Carol Dysinger and Elena Andreicheva – The film shows girls in Kabul, Afghanistan who attend a school privately after boys leave the school. This is in an area of Afghanistan that is strongly against girls going to school. Not only do they go to school, they also learn skateboarding at a park called Skateistan. The film interviews the young girls about their family background, what they like about school and what their ambitions are. The film also interviews the teachers and instructors throughout the whole year.

This is an excellent documentary reminding us of the threats women in Afghanistan still face. However it also shows us the hope of a better tomorrow. The film shows the girls as they learn the five basics of skateboarding over time. It also shows how their skateboarding lessons aren’t simply for fun. They’re life skills along with their education for a better tomorrow. The film includes the interviews as well as footage of the girls at school and at their skateboarding lessons. The film also includes audio of news stories of bomb blasts in Kabul reminding us that they still face threats to their future. The film then ends with an image of hope. Overall an excellent short documentary, which is why I make it my Will Win pick.

Life Overtakes Me: dirs. John Haptas and Kristine Samuelson – This film is of a dark subject matter: Resignation Syndrome. It’s a coma-like psychological problem that mostly happens in children and is common in Sweden. The film shows three children who have suffered this syndrome for many months. All lay in bed most of the time and are fed by tubes and syringes. The film also shows how the families work to resuscitate the child out of the illness by giving them exercises and taking them out in the open. The film allows the parents to tell the stories of what led them to flee their countries. The film also includes doctors showing their insights into the problem.

This film is good at exposing a problem that exists in many countries but is rarely talked about. It presents the examples and even shows how the syndrome happens most when the parents are facing a distressful situation regarding their refugee status. The film shows the children and their families in one time setting and the follow-up many months later. Two of the children show progress in their recovery while the other shows that her sister is showing signs she will soon suffer from it too. The main child at the start is given a third filming where she’s seen fully recovered. The film also presents a puzzling situation of why Sweden is the country with the highest rate of of Resignation Syndrome. This is a very insightful informative film that ends with a ray of hope.

St. Louis Superman: dirs. Smriti Mundhra and Sami Khan – The film opens with Bruce Franks Jr. talking with his son who’s about to turn five. The son was born on the same day African-American Michael Brown was shot to death by a white policeman in Ferguson, Missouri: a suburb of St. Louis. That event shapes Bruce into joining the St. Louis chapter of Black Lives Matter. That also made Bruce run as a State Representative and win. As Bruce is now a lawmaker and judges laws being passed in state congress, Bruce now has a new battle as he seeks to have passed laws labeling youth violence as a public epidemic and having Christopher Harris Day on June 7: the day in 1992 Christopher, his nine-year-old brother, was shot by someone using him as a human shield.

The film is a telling of Bruce’s life. It shows him as a congressman, a lawmaker, a rapper by night, an activist, a youth leader, and a family man. It showcases the many battles he goes through with getting his bill passed both by debate through the opposition and even other African-Americans who see him as a conformist to ‘the system.’ This film is also a ray of hope and a reminder at even in the days of Trump’s America where there appears to be a lot of ignorance and red tape, that efforts for the better can happen and that the marginalized can have a hope for a better future. Excellently done.

Walk Run Cha-Cha: dirs. Laura Nix and Colette Sandstedt – The film begins with a Cha-Cha lesson taught in a dance hall in a Los Angeles neighborhood. The students are Asian and middle-aged and the teachers are Ukrainian emigres Maksym Kapitanchuka and Elena Krifuks. The film focuses on the couple Paul and Millie Cao. Paul and Millie first met each other in Vietnam back in the 1970’s. Communism took over and both had to leave for the United States, albeit six years apart. They’ve become successful professionals but have taken dance as a way to rediscover themselves. Maksym and Elena even work with them privately for a competition dance.

This is a story where we get to learn about a couple and their life experience about what brought them to the United States. We learn about their love back home, their loss of connection as both left Vietnam at different times, their families who also emigrated to the United States to their dance number. This film reminds us that for many, dance is more than just a hobby or an activity. It’s a chance for one to rediscover themselves. The film doesn’t end with the Caos in a competition. Instead it ends with their performance to a cover of We’ve Only Just Begun. Even though the two were reunited decades earlier, the film makes the dance performance look like the two are truly reunited at that moment. Not just a delight to watch, but insightful.

It’s interesting watching the documentary nominees for the first time. They all tell a lot in their limited time. Even for those that focus on a certain issue, it makes its point very well in that time. It even adds the human element to add to their point. Usually I’m skeptical to documentary films because all too often, it shows an issue through one side and one side only. You can thank Michael Moore for that suspicion of mine. However I was impressed with what I saw. It was hard to detect them as one-sided. They all made their point well.

And there you have it! Those are my reviews and predictions of the short films nominated at this year’s Academy Awards. It should be interesting to see the winners. Also it will be interesting to see how far these directors go in the future.

My Top 10 Movies of 2013

I’m glad I waited until now to do my Top 10 list. Being at a house with access to Netflix allows me to see some I missed back when they were out. For early reference, here are my past lists: from 2002-2010, 2011 and 2012. Now here’s my list of the Top 10 Films of 2013 and five honorable mention picks:

Will Forte (left), Bruce Dern (centre) and June Squibb (right) go on what appears to be a surprise homecoming, only to not be in Nebraska.

MY TOP 10 MOVIES OF 2013

  1. Nebraska
  2. Dallas Buyers Club
  3. Twelve Years A Slave
  4. Gravity
  5. The Great Beauty
  6. Captain Phillips
  7. Blue Jasmine
  8. Her
  9. The Wolf Of Wall Street
  10. Frozen

Honorable Mention:

  • Blue Is The Warmest Color
  • Philomena
  • Inside Llewyn Davis
  • American Hustle
  • Before Midnight

Oscars 2013 Best Picture Review: Dallas Buyers Club

Matthew McConaughey (left) and Jared Leto make unlikely business partners in Dallas Buyers Club.

Matthew McConaughey (left) and Jared Leto make unlikely business partners in Dallas Buyers Club.

Oh, I’m the drug dealer? No, you’re the fuckin’ drug dealer. I mean, goddamn, people are dyin’. And y’all are up there afraid that we’re gonna find an alternative without you.

The Dallas Buyers Club will take you back to a hard moment in history that most of us are familiar with. But it also takes us to something involved with it that we’re actually unfamiliar with.
Ron Woodruff is a 35 year-old electrician and part-time rodeo hustler living in Dallas. He’s not the easiest to get along with as he engages in frequent sex with rodeo girls, sniffs a lot of coke and shortchanges many of the men he arranges gambling deals with. He’s also as typically homophobic as most Texas men. However his physical condition has been acting up. The doctor tells him he has full-blown AIDS and just 30 days to live. He considers it nonsense: he’s not gay. It isn’t until he goes to the library and reads a Time magazine article about AIDS that he learns a promiscuous heterosexual male like him is high risk.
Having the condition is not easy. He’s ostracized by family and friends. He is given a drug at the Dallas Mercy Hospital by Dr. Saks called AZT. AZT is the only AIDS drug approved by the FDA for testing and is among the half with AIDS testing this drugs out while the other half receive a placebo. Ron tries to get AZT illegally by bribing a hospital worker but it only worsens his health to the point he’s hospitalized, sharing a room with a transgendered AIDS patient named Rayon whom he doesn’t get along with. Once the worker stops giving him the AZT, he decides to hit Mexico to get it. What he gets instead is a doctor whose medical license in the US is revoked who tells him of the harm AZT causes. The doctor gives him medicines that are unapproved in the US.
Noticing the improvements in him three months later, Ron decides to pursue in dealing these drugs in Dallas by importing them. They’re not illegal since they’re neither untested nor unapproved. It’s a challenging process as he has to disguise himself as a priest and pass customs by swearing they’re for personal use. Meanwhile Dr. Saks notices the problems with the patients on AZT but can’t discontinue administering the medicine as ordered by her supervisor Dr. Savard.
Once back in Dallas he starts business by dealing them over at the gay bars. He bumps into Rayon again. Even though he’s uncomfortable with her, he knows she can attract more people to his medicines. The two start their own bu8siness in a shared hotel room called the ‘Dallas Buyers Club’ where AIDS patients can get these successful-but-unapproved medicines albeit at a $400 annual membership fee. The Club is very popular with AIDS patients lining up to get these medicines and it even helps Ron become friends with Rayon.
The club and its practices however can’t stay secret for long. Once Ron has a heart attack, Dr. Savard learns of his practices and is angry it’s interrupting the trial of AZT. One FDA agent confiscates one of the medicines and threatens to have Ron arrested. However he finds an ally in Dr. Saks who supports the club as she knows of other ‘buyers clubs’ in other US cities. The two become friends but still have to keep this business a secret as she is still commanded to conduct AZT testing.
Ron continues with the club and even goes to countries like Germany and Japan getting the latest in AIDS treatments, disguising himself as a businessman. Ron still faces problems with the club as the FDA agent gets the police to go to the club but receives just a fine. Soon it’s the law any drug unapproved by the FDA is now an ‘illegal’ drug. As the club is about to lose money, Rayon who herself has become a coke addict goes to her estranged father to beg for money. She gives Ron $10,000 passing it off as her chased-in life insurance.
Unfortunately while Ron is on a trip to Mexico to purchase more ‘illegal’ AIDS drugs, Rayon is taken to the hospital as her condition worsens. She is given AZT and soon dies. Ron is infuriated, feeling it’s the AZT that killed her. Then Dr. Saks, who is also upset with Rayon’s death, is also under fire by the hospital for participating in the Dallas Buyers Club and is asked to resign. She refuses as she’s rather be fired instead.
Rayon’s death changed Ron for the better. Soon the Dallas Buyers Club becomes less of an interest to make money and more to help AIDS patients stay alive, especially the gay people whom he has started to feel more of a compassion for after Rayon’s passing. He even goes to gay communities and AIDS outreach groups passing out pamphlets about the dangers of AZT. As one of his drugs is harder to acquire, Ron launches a lawsuit against the FDA. The judge shows compassion to Ron and his cause but his hands are tied. The film ends sending the message that even though Ron lost the trial, he is still a winner.
One thing this film will remind you of is of the harshness of the AIDS epidemic during the 1980’s and early-90’s. One line that stuck out to me was when a doctor said the epidemic will get worse before it gets controlled. I know because before the number of infected and dead started tapering down starting in 1996, it was hard and frustrating. I myself was actually very familiar with the AIDS epidemic back in the 90’s. I learned of its origins in the book And The Band Played On and of a lot of the difficulties in the US with the documentary Common Threads. It was after the latter when I made sure more than ever in my life to learn what I could to protect myself.
One thing I was not made aware of was these underground drug programs. There were these programs like the Dallas Buyers Club that smuggled these medicines approved in other countries but remained unapproved by the FDA into the United States. Ron Woodroof was not the only one doing this. In fact the script details at least two other US cities that had this drug program. I’m sure San Francisco and New York had their own programs.
This may be set during the early years of the AIDS epidemic but the film makes a strong detail that’s relevant today. They point out about drugs that can prolong lives greatly in the case of fatal diseases but remain unapproved by the FDA because of its lengthy testing time. A lot of lives are at stake during the waiting time. Even though some countries have approved some of those medicines already, they still remain unapproved in the US. That was a huge test to people like Ron Woodroof that considered this unacceptable and made the Dallas Buyers Club because of it. I’m sure it’s possible there are underground medicine facilities today in the US that are importing cancer drugs and other AIDS drugs still awaiting FDA approval.
Even though this film is about a smuggling operation exercises because of the FDA’s lack of timeliness, it’s also about the man Ron Woodroof. I don’t know the whole story of Ron but this film shows a unique story of a man who was a rodeo cowboy and hustler who slept with hookers and didn’t care about AIDS until it hit him. Soon he was able to take his hustling and dealing and using it for good. He had a homophobic attitude at first–common to most Texas men at the time– but it dropped once he had AIDS and met other gay men going through the same ordeal. Ron soon became a person for others but confided to Dr. Saks that he wants to live his life again and get back to rodeo life. In the end, he turned out to be that: a rebel cowboy who was a winner in the end. The ends ended up justifying the means too. Ron was originally expected to live a month after his diagnosis in July 1985. Instead he lived another seven years, dying in 1992.
Like any ‘based on a true story movie’ there’s always question of the truthfulness. No exception here. News stories say Ron actually wasn’t so homophobic at first in real life (and may possibly be bisexual), nor was he as violent or even a bull rider, nor did the characters of Rayon and Eve Saks exist. There are even claims that the Dallas Mercy Hospital wasn’t event hat cruel to AIDS patients. I won’t deny the lack of truthfulness in the story. It doesn’t however deter from the drama of the film. The story does have a lot of truth to it as Ron did attempt to challenge the FDA in court only to lose. I won’t deny the lack of truthfulness. In fact I would read a news story that said he had a daughter born in 1971 and there’s no appearance of the daughter at all in the film. I do feel it is a good film that gives a good portrayal of an epidemic and how government organizations like the FDA often fail the public. It was also a good depiction of the man Ron Woodroof if not an entirely truthful one.
The highlight of the film has to be the acting performances. Matthew McConaughey is practically unrecognizable with his cowboy get-up, loss of 40 lbs. and cowboy like Texas accent. His transformation into the role of Ron Woodroof was excellent. I couldn’t notice anything of McConaughey on screen. Also excellent was Jared Leto. He was quite the scene-stealer as Rayon and that was an excellent job of character acting. Jennifer Garner may not have as showy or transformative a role as Dr. Saks but she was also very good doing a performance not what one would expect to see from Garner on screen. Craig Borten and Melissa Wallack wrote an excellent script that keeps one intrigued but also gives the characters dimension. Jean-Marc Vallee also does an excellent job in direction. He’s had his experience directing film in Quebec and he does an excellent job with his first American production.
Dallas Buyers Club is an unlikely film that keeps one intrigued and entertained. One can question the truthfulness of the story but it succeeds in getting one to confront a moral dilemma. Especially on a situation that’s happening now.