The subject matter of The Post doesn’t sound like the type of subject matter that would win a big crowd, but it is a film worth seeing.
The story goes back in 1966 during the Vietnam War. Military analyst Daniel Ellsberg is in Vietnam with General Robert McNamara to document the progress of the war. McNamara admits to Ellsberg and President Johnson that the war is hopeless but has confidence in the effort, leaving Ellsberg disillusioned.
Years later, Ellsberg is now working for a military contractor and comes across classified documents showing the US’s decades-long involvement in the conflict in Vietnam going back to just a few years after World War II ended. Ellsberg discloses the documents to the New York Times.
It’s 1971. Katharine Graham is head of the Washington Post. It’s been a position she mastered with a lot of difficulty as it’s commonly seen as a ‘man’s position.’ Even though her family founded the Post, the position of the head went to her husband Philip instead of her. It was right after Philip’s suicide that Katharine became head. It’s not easy for a female to be head of a newspaper. Especially someone like Graham who has a good work ethic, but lacks experience and is constantly overruled by the aggressiveness of the men of the Post. On top of that, she seeks to gain an IPO for a stock market launch to propel the Post to greater strength. The Washington Post however is second-fiddle to the New York Times which always has the biggest news scoops, even the scoops of what’s happening in Washington.
Editor-in-chief Ben Bradlee is one of the men who work for her. He tries in vain to be one step ahead of the New York Times in coming up with the latest scoops, but falls short each time. Meanwhile McNamara, who is a friend of Graham’s, confesses to her of how he’s the subject of bad news in the New York Times. It’s through their constant expose of the government’s deception of the American public. However a court injunction blockades any further publication of such news by the Times.
Ellsberg is willing to provide the documents and opportunity to the Post to publish the stories. As they look through the stories to publish, lawyers to the Post advise against publishing the story, fearing the Nixon administration will press criminal charges. Graham seeks advice from McNamara, Bradlee and Post chairman Fritz Beebe of whether to publish. It’s made even more frustrating when the lawyer note that since the sources are the same as the New York Times, Graham herself could be charged with contempt of court. It’s a gamble. Graham risks terminating the newspaper her family established. Alternatively, the Post won such a legal battle, it would establish itself as a major journalism source, much on the same level as the New York Times.
She agrees to have the story published. The White House retaliated by taking both the Times and the Post to the Supreme Court to argue their case of publishing classified document information being a First Amendment Right. Both newspapers receive almost unanimous support from the other newspapers in the US and they win their Supreme Court battle 6-3. An infuriated Nixon bans the Post from the White House. And the rest is infamy… for Nixon.
The film is more than just about a top secret story that needed to be exposed and makes journalism history. The story is also about the newspaper behind the story. We shouldn’t forget that this came at a time when The New York Times was the newspaper that delivered the biggest news about what was happening in the Oval Office and the ones to do it first. Even though the Washington Post was the newspaper of Washington, DC, it was more of a second-fiddle newspaper like the newspapers of the rest of the cities. The New York Times lead and all other newspapers, including the Washington Post followed. This story allowed the Washington Post take pole position towards what was happening in Washington. This would also allow for the Washington Post to be the prime newspaper to go to upon the breaking of the Watergate Scandal. Even despite the Post competing against the Times, they united when they faced the heat of the freedom-of-speech debate and won together.
The film is not simply about a history-making story, a legal breakthrough or even a milestone for a newspaper. It’s also the personal story of Katharine Graham and how she had to achieve greatness for herself. Katharine Graham was born into the paper and assumed control of it right after her husband died. It was always tradition that a man headed the newspaper. After the suicide of her husband, she headed it. The paper her ancestors founded and the paper she wants to propel into marketability. This news story could help be the boost she needed, but the court injunction against the New York Times causes her to put it on hold. Basically she’s gambling everything with this touchy story: the Times, her status as a leader, her role as a woman with power, her role as a mother, even her own personal freedom. In the end, that one decision caused left all of us convinced she did the right thing. She did more than just allow a story. She did more than boost the profile of the Washington Post. She created a breakthrough in freedom of speech and freedom of press. On top of that, she earned the respect from her male colleagues. That was rare back in the early 70’s.
This story is very relevant to the present. We always hear those words ‘fake news.’ We have a feeling that Donald Trump is like a big brother monster who wants to control everything. There are often times in which I wonder if the times of Nixon were worse than the times of Trump. I know all about Nixon and his lust for control. Whatever the times, the story and the court ruling against government censorship of the press serves as a reminder to all citizens that the press has the right to publish the truth to the public. The ruling of the New York Times vs. The United States of America back then was clear: “‘In the First Amendment the Founding Fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors.” That ruling still applies today.
Leave it to Steven Spielberg to direct a story that will capture our intrigue. Some would describe this type of story as a ‘boring story.’ Steven Spielberg knows how to direct it into something interesting and have us glued to the screens. The screenplay by Josh Singer and Liz Hannah also creates the right interest and intrigue. They’re able to take the chain of events surrounding the publishing of the story and turn it into a story of intrigue. Even a story from a humanist side.
Once again, Meryl Streep delivers in creating depth in a public figure. She gave Katharine Graham the right dimension and the right humanistic tone to make the story work. Tom Hanks also does an excellent job in his role as Ben Bradlee. He delivers in the character very well as he adds some dimension to Bradlee too. The supporting actors may have minor or limited roles, but they add to the film too. Janusz Kaminski does an excellent job of cinematography and John Williams again delivers a fitting score.
The Post is a journalism story that will keep one intrigued. It’s a story that’s very relevant today as it’s also about our own right to know the truth.
Quentin Tarantino is possibly the most uncompromising director in Hollywood. Even when he’s not at his best, he can still make a statement. I gave The Hateful Eight a look. I have to say I found it had a lot to like.
It starts in post-Civil War America in the frontiers. It’s a cold day and there’ signs that there’s a blizzard coming soon. Major Warren, an African-American bounty hunter, has three bodies to take back to Red Rock. He hitches a ride with a stagecoach despite being told by driver O.B. Inside the current passenger wants to be alone. Warren does get the ride and meets his other passengers: another bounty hunter by the name of John Ruth who has his bounty, the ruthless Daisy Domergue, with him handcuffed to him also headed to Red Rock. The ride is not pleasant as Daisy should racial slurs at Warren. To which Ruth response with a punch in her face. However Warren and Ruth are able to bond as Warren reads him his letter from Abraham Lincoln.
Along the way, the coachman comes across a Lost Causer by the name of Chris Mannix who claims he’s to be the new sheriff of Red Rock. Mannix is welcome but tension between him and Warren start over each other’s war records. However both Ruth and Warren make a pact to protect each other’s bounties.
The blizzard becomes so powerful, the four have to take refuge at the nearby Minnie’s Haberdashery, a stagecoach lodge. Minnie’s not there and the four are greeted by Bob, a Mexican who claims Minnie is visiting her mother and he’s in charge. Also at the Haberdashery are Red Rock hangman Oswaldo Mobray, cowboy Joe Gage who’s simply traveling to visit his mother, and former Confederate general Sanford Smithers. Ruth knows they will all be in the lodge overnight and trouble is bound to brew with all these differing and conflicting people. So he gets all but Warren to disarm.
They even try to get the eight to have a civilized dinner of stew at the same table. However Mannix points out to Warren that his letter from Abraham Lincoln is a forgery. Warren admits it, stating his letter gets him respect from white people that he’d otherwise be denied. Ruth is outraged when he hears this. Warren also has another confession, but to Smithers. He provokingly confesses to him that he tortured, sodomized and killed his son in lawful self-defense in revenge for his son executing black soldiers during the Civil War.
Another incident happens known only to Domergue, the coffee was poisoned. She alerts no one of this and allows for Ruth and O.B. to pour a mug. After drinking they both vomit and collapse. Mannix is fortunate enough not to drink the cup he poured after he saw what happened. Domergue is able to kill Ruth but through her own gun. Warren attempts to be the master of justice, determined to find out who poisoned the coffee. Only to uncover that Bob is possibly an impostor because Minnie’s haberdashery does not allow Mexicans. He suspects from the start that Minnie was killed and executes the Mexican. To the surprise of everyone, Warren is shot from below. Further shootouts follow leaving Mannix and Mobray wounded.
The film then flashes back to the beginning of the day when it was to be a typical day for Minnie’s Haberdashery. However a robbery happened where everyone including Minnie were killed. Only Smithers is still alive. The leader of the heist was Jody Domergue, Daisy’s brother, who plans to ambush Ruth knowing they’ll eventually stop here because of the anticipated blizzard and his gang will take Daisy away. Returning back to the current situation, the story goes into various confrontations and leads to an unpredictable ending.
Of all the films that are happening around this Oscar season, this appears to be the one film that shows no real intention of making a political statement or social statement of any kind. Actually what it is doing is telling a story that for the whole of it only takes place not even for a full day. It’s starts with a free African-American major wanting a stagecoach ride only to end up in the same coach as two others. Then another. All of which are polar opposites and you know a fight would start any minute. Then the four get to a shelter during the blizzard which happens to be a haberdashery place with four others, also a set of characters too with traits you know could add to the conflict.With eight spiteful people in the same place at the same time with a bone to pick with at least one of them, you know hell will break loose any minute and you wonder who will be the first to get killed. Even as you watch the whole film unravel, you will end up surprised to see anyone at the end of the movie alive.
Once again Quentin Tarantino delivers. He’s one of few directors that doesn’t have to succumb to the pressures of parental guidance groups, family values groups or even the pressures of Hollywood and be able to deliver his stuff his way. As I said at the beginning, he’s possibly the most uncompromising director in Hollywood. He is no holds barred in terms of the use of profanity and racial slurs in this film and uses no restraint. As is common in his movies, he divides his film into segments or even chapters as he does here. Also like his past films, he plays with the chronology of time as the incidents of what happened before the eight got together is shown as the fifth chapter rather than a simple flashback as most film makers would do.
Another thing Tarantino does here like he does in some of his other films is throw in some subtle humorous moments. One example is the case of a cowgirl from New Zealand. Another is getting all of the eight at a table to eat their dinner in a civilized manner, or as civilized as it can get. Another example of his dark humor is the gory effects of when one gets shot in the face or when one drinks the poisonous coffee. And an additional example is how he has items be a significant part of the film. The same way the watch, Kahuna Burger, suitcase and wallet fit the story of Pulp Fiction to a tee, we have Warren’s letter from Abraham Lincoln. He does the type of movie violence that can even make Martin Scorsese jealous. He always was a film maker who didn’t play by the rules. He always made his own rules.
I will admit being a longtime fan of his movies, I was wondering what The Hateful Eight would be like. His last two films weren’t exactly his best: Inglourious Basterds could dazzle at first but would later be seen as ridiculous in afterthoughts and Django Unchained look both ridiculous and redundant as revenge being rehashed. Here Tarantino takes a chance by having most of the situation happen in a single physical location. Most of the time you have that in the case of student films or feature-length films of rising directors. Here Tarantino uses his experience and his knowledge of directing and writing to create a full intense film that’s predominantly set in a single place. That was very creative of him as he does a good job in the story and directing and delivers a movie that gives you the sense anything can happen any minute.
However the film is awfully long and there are many scenes that seem like they are drawn out. Sometimes there are times you’re actually wondering why something hasn’t happened yet.I do give Tarantino credit for delivering a story that’s unpredictable but I still feel almost three hours is too long for such a film.
SPOILER ALERT: Ending Will Be Revealed In This Paragraph. Bypass This Paragraph If You Want The Ending To Be a Surprise. If there’s one surprise Tarantino gave me, it’s the ending. Usually Tarantino is one film maker that doesn’t usually have sentimentality in his films. I have never seen a sentimental moment in any of his previous films. However the ending as Mannix and Warren appear dying was possibly the most sentimental thing I’ve ever seen in a Tarantino film. Sure, that’s not saying much but it’s still atypical enough to notice. No, I didn’t shed a tear as didn’t anyone else in the theatre but it was still a surprise.
Tarantino may be the brains behind what’s all happening in the film but it’s the actors that make it come alive. All eight of the main actors had to deliver a character that was as likable as they were hateable. Basically the type of characters whom you wouldn’t shed a single tear over when they die. They succeed in doing so and even make you welcome their deaths at times. Samuel L. Jackson and Kurt Russell were the ones able to command the most attention. However the biggest scene stealer will have to be Jennifer Jason Leigh. Her performance as the uncoothed Daisy Domergue really caught everyone’s attention. Her character of Daisy could have been considered annoying or even a distraction but she made it work. Her turn will also surprise you how a woman can be as ruthless as the men. The second show stealer would have to be Walton Goggins as Sheriff Mannix. Goggins also had a character that could have easily been dismissed as annoying or over the top but he became more likable and oddly enough appreciable by the end. If there was one more scene stealer, it had to be Bruce Dern as the spiteful Confederate General. Even the minor roles such as Minnie and Six Horse Judy were played well.
The film also did well in terms of its technical aspects. Robert Richardson did a very good job of cinematography both among the outside shots and inside shots. The natural and created sets works well too. Once again, Tarantino delivers a film with an excellent mix of songs from the past that fit the film well. However it’s the addition of the score from Ennio Morricone that give the film an added boost.
The Hateful Eight is not Tarantino’s best film ever. In fact it’s imperfections are noticeable. Nevertheless the film rarely gets boring and will still please Tarantino fans.
Housebound was another one of those 11:30-at-the-Rio films I wanted to check out. It was my first of such. Glad I saw it. Very funny and entertaining.
Kylie Bucknell attempts to commit a robbery on an ATM. The robbery doesn’t work out as her partner is knocked out and she totals her getaway car thanks to driving fast over a big speed bump. The judicial system decides the best thing for her would be house arrest at her mother Miriam’s house. It seems like the right choice to do but the house is old and leaves Kylie with an eerie feeling.
Kylie’s feelings are justified when she hears Miriam call into a radio show talking of how weird it is around there. Then Kylie gets a taste of the eeriness as she notices things like an animated stuffed toy suddenly coming to life and even an old Motorola phone ringing out of nowhere. Even a dental partial has her suspicious. Kylie tries to alert authorities and others but they won’t believe her. Guests and other neighbors around the house are actually pleased at the possibility of a ghost.
Nevertheless Kylie and Miriam are persistent. The only one who believes her is Officer Grayson who knows of past incidents associated with this house such as this being a halfway house for young offenders. In fact the first person who’s the prime suspect in all of this is their shady neighbor. Despite his nasty attitude, he doesn’t register as a positive. However things become more suspicious when a friend of Miriam’s appears suspicious. Eventually the murderer is solved but not without an eerie chase.
For a horror-comedy like that to fly, it had to be done with the right acting, the right direction, and the right story. There have been horror-comedies done before but they would mostly come across as looking ridiculous in the end. Even Hollywood can get it wrong sometimes. This film got it right. From the start with a clumsy robbery attempt to the sense of something wrong in the house to the moment of climax at the end, it was done right. Even the parts intended to be dramatic didn’t come across as ridiculous nor did it dip into sentimentality that was too sappy. Looking back, it would be hard for me to see where the movie did things wrong. Even in terms of the gore, the film didn’t overdo it and it did its most gory part at the right time.
I will admit there were some parts that left me confused about what was happening. However they’d make sense in the end. Simply this is a movie that shouldn’t be taken too seriously. Its intent was to deliver a humorous thriller/horror story and it came across as way better than something Hollywood would do. It even had excellent balance between the dramatic parts and the humorous parts. If it didn’t, it would look ridiculous. I would have to watch over and over again to see if it made a false note. Even the death of the perpetrator didn’t come across as ridiculous despite it actually being a ridiculous death.
The comedic acting was just right in order to make this movie work. Morgana O’Reilly needed to deliver a protagonist character that had dimension despite having one that could come across as wooden. Instead she did a good job with Kylie and it came across very well. Rime Te Wiata was the show-stealer as the mother. Her role as the mother added to the comedy to the film thanks to the excellence of the performance. The male actors also did a good job in their roles despite being the supporting players. This is Gerard Johnstone’s first feature -length film and it’s an excellent finished product. Very entertaining and very professional. Another great thing about the script is that it didn’t deliver an awful lot of one-liners and instead delivered more on situational comedy. That worked for the better in this movie.
Housebound is an excellent horror-comedy that both keeps you intrigued and makes you laugh without having ridiculous moments like so many other horror-comedies are prone to do.
A film like Nebraska isn’t the type of film that would normally draw a huge crowd but those lucky enough to see it will be quite surprised by it.
The movie begins with Woody Grant walking past the city limits of Billings, Montana and being stopped by the police. Why? He’s making his way to Lincoln, Nebraska to collect a $1,000,000 prize he believes he’s won in a sweepstakes. Son David and wife Kate let him know it’s a trick to get him to buy magazines. Woody is not a sharp tool. He easily gets injured and loses simple things like his dentures during walks. In fact David and his brother Ross have talked of putting him in a retirement home. Nevertheless he insists he’s won and he’s determined to collect it. David makes a big decision. He decides to take his father to Lincoln, Nebraska to find out for himself and get it over with. He doesn’t have much to lose. He has a solid job and his girlfriend recently left him because he wouldn’t marry her.
Before hitting Lincoln, Woody’s able to have his father stay at his brother Ray and Aunt Martha’s house in the nearby Nebraska town of Hawthorne for a couple of nights before. David goes for the visit and meets family he hasn’t seen in a long time. His mother joins up and soon the family learns of the people they grew up with and the places they visited. Some information about people coming out of Kate’s lips is too much for David to handle. They even visit the old farmhouse Woody spent his childhood in. It’s also where David learns of Woody’s drinking problem and how it kept him from being a successful farmer over in Hawthorne.
Ross joins up the next day leaving the wife and kids at home. Soon Woody tells everyone–family and friends at the bar– that he’s won a $1,000,000 prize. Everyone believes it and soon he becomes a celebrity even catching the attention of the local newspaper. To add to the problem, David and Kate insists to everyone he won nothing but no one believes them. Making things worse, David hears from family members and the town big man Ed Pegram how they lost money to Woody and they now want it back. David finds it hard to defend his father since the people know more about him, especially Ed as he has a menacing character. June however is able to defend Woody to the family claiming they owe him instead. She even reveals that Ed actually stole a compressor from Woody.
It’s not until an attempted robbery from the two nephews that the truth is revealed to the family and to the townspeople as Ed Pegram reads the letter mockingly to the bar crowd. Even though Woody is humiliated, David gives Ed something he’ll never forget. It’s after that incident David drives Woody to Lincoln to find out the truth. Even though Woody finds out the truth, the movie ends on a positive note and gives one the impression Woody leaves town as a winner as he drives by and his true friends from that town are revealed.
I know that Alexander Payne has done movies where a person’s struggle is depicted alongside the geography or the scenery of where the incident is taking place. This is something else. This is a movie where one gets a feel of the town or even a feel of the protagonist’s past life as the story is taking place. It’s interesting as Woody returns to the town of his upbringing how people make him feel welcome and even consider him a hero after hearing of his ‘prize.’ Also as interesting how these people like past friends and family try to get a piece of the action. They even know of his past to make up things where Woody owes them. You’ll soon learn that maybe Woody isn’t even part of the town or even part of the family. You’d probably understand why Woody moved to Billings. Because the town was too nasty to him. I think that’s why the film was done in black and white, to show the one-sidedness of coming from a small town. Even seeing how Aunt Martha knocks Woody’s past drinking while taking the criminal acts of her sons Cole and Bart with a grain of salt makes you wonder.
This movie is another accomplishment of Alexander Payne. I’ve never once been disappointed by him. This is another good one as it was a nominee for the Palme d’Or at the Cannes Film Festival. I know I talk a lot of Payne’s films being a man’s personal trial in the middle of their geography. Payne does it again but he doesn’t just simply show the geography of a small Nebraska town here. He gives a feel for it. Sometimes he can make one feel like a part of the family or a part of the town in Nebraska. I believe that was the best quality of the movie. Also you could say this film is a bit of a ‘homecoming’ for Payne. About Schmidt was the last movie he did with it set in Nebraska, albeit temporarily in Omaha. He’s gone from the Rocky Mountain valleys in About Schmidt to California’s wine country in Sideways to Hawaii in The Descendants to returning back to Nebraska here. Seems right since he is Omaha-born and raised. Also excellent is the script from South Dakota-born writer Bob Nelson. This is his first script for a feature-length film and he does an excellent job. Being born in South Dakota, I think Nelson intends for Hawthorne, Nebraska to appear like your typical small town.
Sure director Payne and writer Nelson get kudos but the story wouldn’t be without the fine acting performances. Bruce Dern was excellent playing an aging man who’s slow on wits and is easily prey to other people. He succeeds in winning feelings from the audience. It’s no wonder the performance won Best Actor in Cannes. Will Forte was also excellent in playing the son who is both caught in the frustration of the lie everyone including his father believes and starts to wonder if he really knows his father. You can see it in his face as it appears the Hawthorners appear to know more about Woody than David. June Squibb was also great as the mother. Some of you may recognize her as Warren Schmidt’s wife in About Schmidt. Here she was quite the scene stealer as the mother who had quite an outlandish mouth but was also tough as nails with those who tried to bully woody into paying. At first you think Kate’s a bad wife for Woody but then you learn she’s the best woman for him.
Even though Bruce, June and Will were the standout performances of the movie, there were other good performances too. Stacy Keach also delivered a great performance as Ed Pegram, the town’s head honcho. His scene-stealing performance kind of reminds of you of a lot of Texas cowboys that act like big shots. Makes you feel that punch in the face David gave him was well-deserved. Tim Driscoll and Devin Ratray were also great as the nephews who’d do anything to get a piece of the action. Actually the film had an excellent ensemble and an excellent set of characters of family and townspeople. It’s a shame they weren’t nominated for the SAG award for Best Movie Ensemble. In addition there was great cinematography from Phedon Papamichael and good music from Mark Orton.
Nebraska is an excellent film for those that want to get off the beaten path. It starts off with a plot that normally would make for a ridiculous movie but gives you an accomplishment in the end.
Moonrise Kingdom is one of those films one who wants get off the beaten path might want to see. Knowing that Wes Anderson is directing it is one sign this is something out of the ordinary. But is it enjoyable?
The film starts with a young girl, the oldest of four children and only daughter, has her binoculars out for a search. She leaves her house on the search with her cat, six books and a record player but we don’t know what she’s searching for. Her name is Suzy Bishop. Meanwhile it’s rise and shine for the Khaki Scouts at Camp Ivanhoe. Only one scout is missing and no one can find him. His name is Sam Shakusky.
Flashback a year ago. Suzy is about to perform for a church musical for Noye’s Fludde by Benjamin Britten. Sam sneaks in and meets Suzy. It was like love at first sight for the two. Over the year’s time, they were pen friends and they made a secret pact to reunite in the summer and run away together. Now today is the day. As Suzy is walking to the area with binoculars in hand, Sam paddles his canoe over the lake well-equipped with camping equipment. They meet and camp out for several days on a secluded cove which they call Moonrise Kingdom. Their love blossoms as the days pass and as Sam paints pictures of her.
Eventually the two are located by the scoutmaster, the police and Suzy’s parents. They’re first able to evade escape by the scouts after Suzy stabs one in the side with lefty scissors. But it’s all too late as they are caught. Suzy is taken home by her parents and is ordered never to see Sam again. Sam is in custody with Captain Sharp and is about to be sent to ‘juvenile refuge’ because he is an orphan and his foster parents no longer wish to house him. The two run off again and hide. One other thing to add: a hurricane is expected to hit the area in a matter of days.
It’s this second incident that people are more cooperative. The Scouts learn of the love of the two and believe it their duty to help them hide. The Scouts even seek out the help of Cousin Ben to help them in the hiding out. It appears to be successful but there are many twists and turns including a flash flood within the camp and the recovering stabbed boy blockading Sam’s escape. After a lengthy chase, they return back to the church as it is about to do a musical. Problem is all those attempting to chase the two down head there too and the hurricane is slowly but surely approaching. Sam and Suzy refuse to give up and even go as far as going to the top of the church steeple while the storm is at its wettest and windiest to evade capture. The ending ends in an offbeat way but it’s a happy ending that ends in a charming manner.
I’m unsure if Wes was trying to get a point across in this movie or if he was just trying to deliver a quirky but nice story. It’s easy to sense that there may be a message here with a lot of elements in the story: 1965, New England, scouts, church plays, lawyer parents, an orphan who runs away a lot, a girl with behavioral problems. Whatever the situation, Wes succeeded in making this offbeat kiddie-romance quite charming. Wes has had a history of doing charming but quirky movies like Rushmore, The Royal Tenenbaums, The Darjeeling Limited and even the animated family movie The Fantastic Mr. Fox. Here he has a story of children in love that commonly make for a typical cutesy story, adds his own quirks in there, gives the two children in love unique characters and delivers a winning and entertaining story. How often can a director accomplish that?
Besides Anderson’s filmmaking, the film has other great qualities too. The script he co-wrote with Roman Coppola, son of Francis Ford Coppola, adds to the charming quirkiness of the movie. The acting performances of the leads Jared Gilman and Kara Hayward were very good, especially since they’re debut performances. The one thing is that Wes Anderson wanted the two to act in a certain style of acting that would fit the movie instead of your typical acting. Both did a good job of not only doing their character but succeeding in making the chemistry both quirky and a perfect aspiring at the same time. Anderson also brings back actors he has worked with in past movies like Bill Murray, Jason Schwartzman and Larry Pine and he also includes Edward Norton who will star in his upcoming The Grand Budapest Hotel. Their addition as supporting players also add to the story as well as supporting performances from other established actors like Harvey Keitel, Bruce Willis, Frances McDormand and Tilda Swinton.
It wasn’t just the writing, directing and acting. The music also added to the movie as well. The first is the inclusion of Benjamin Britten’s music in the movie. It’s obvious Wes had a liking to Britten’s music as a child. In fact we hear the Young Person’s Guide To the Orchestra played by Suzy’s little brothers at the beginning. The original music from Alexandre Desplat also added to the movie’s charm too. Many can agree that the use of such music had a lot to do with the movie’s charm.
Moonrise Kingdom is an odd and quirky story that will win you in the end. Great movie to watch for moviegoers who want to get off the beaten path.