Tag Archives: Sutton

VIFF 2017 Wraps Up

Cinema

This year, I’m late again in wrapping up my experience at the VIFF. Actually I’m way earlier than last year. This time, I publish my wrap-up just three weeks after it ended.

The 2017 Vancouver Film Fest ended on Friday, October 12th. Crowds came again and again. There was a lot to offer with over 300 films from 69 countries. There were 19 films that are official entries for the Academy Awards category of Best Foreign Language Film for this year. Eleven films made their World Premiere at the Festival, nine their International Premiere, 37 their North American and 46 their Canadian Premiere.

The VIFF again offered Hub events and special lectures on film making topics from various professionals in its many fields. There was the Buffer Festival dedicated to the topic of online film making which included lectures on such filmmaking and even a Q&A featuring a lot of top Canadian YouTube personalities.

The award winners were announced at the closing gala on Friday:

BC Spotlight Awards

Sea To Sky Award

Presented by Telus
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Luk’l Luk’l (dir. Wayne Wapeemukwa)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Canadian Film Awards

Narrative Features

Best Canadian Film
Presented by Directors’ Guild of Canada
WINNER: Black Cop (dir. Cory Bowles)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Documentary Features

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: Unarmed Verses (dir. Charles Office)

Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Rupture (dir. Yassmina Karajah)

Best Canadian Short Film
Presented by Lexus
WINNER: Shadow Nettes (dir. Phillip Barker)

Most Promising Director of a Canadian Short Film
Presented by Delta Air Lines
WINNER: The Crying Conch (dir. Vincent Coi)

VIFF Impact Award
Presented by The Lochmaddy Foundation

WINNER: BLUE (dir. Karina Holden)

Audience Awards

Super Channel People’s Choice Award
WINNER: Indian Horse (dir. Stephen Campanelli)

VIFF Most Popular International Feature
WINNER: Loving Vincent – Poland & UK (dirs. Dorota Kobiela & Hugh Welchman)

VIFF Most Popular International Documentary
WINNER: Faces Places – France (dir. Agnes Varda Jr.)

VIFF Most Popular Canadian Documentary
WINNER: Shut Up And Say Something (dir. Melanie Wood)

#mustseebc Presented by Storyhive
WINNER: Shut Up And Say Something (dir. Melanie Wood)

As for my volunteer experience, this was a unique experience in doing driving for the VIFF for a change. It wasn’t all about driving VIPs or those involved in film. There was one Friday just days before the VIFF where we had to bring two cars, an SUV, a moving van and a hauling truck from a Langley rental agency over to the VIFF theatre. It was crazy because this was my first time learning on how to drive an automatic car. All my life, I’ve started cars by turning the key. This was completely different and even had me freaked out. Nevertheless things got easier over time.

Our shifts were mostly simple. We’d wait at the Sutton Hotel to find out who we’d be picking up and from where. My first day was a Tuesday and it was confusing as I was getting used to driving the downtown Vancouver streets for the first time. Believe me, Burrard St. has very limited left-turn options and it was annoying. The second trip on my first day driving was crazier as we had to drop some people off at the back entrance of a hotel. The entrance is located at a ramp to a parkade and there was a car being us trying to enter the parkade as I was dropping the people off. vacating the hotel was a headache. The days after were easier as I mostly had to pick people up either at the Sutton Hotel or at the theatres and drive them to the airport. There were even a couple of times I had to pick people up from the airport and bring them to the Sutton Hotel. One of which I was transporting an orchestra’s musical instruments in the moving van. That was definitely interesting. On closing Friday, I was with five people who had to bring five of the ten vans back to the auto dealer’s headquarters. I thought I knew my way, but Surrey’s highway system is extremely confusing and I got lost. I did make it there, half an hour late.

As for films, I feel I saw a good variety of film. I saw thirteen feature-length films and at least one shorts segment. I was lucky to see at least three Canadian features. I saw a lot of foreign films. I saw two films that were official Oscar entries for the Best Foreign Language Feature category. I even saw an African film for the first time. I saw at least three Altered States films that were either bizarre or ridiculous. The biggest standout for this year’s films I saw had to be experimental films. I saw three such films: two Canadian. One was good while the two others came off as either a failed experiment or just something ridiculous. That’s one thing about experimental films. You have to welcome them first and then make your own judgement after.

For the end of the VIFF, there was a volunteer party held the Saturday after closing. Volunteers were treated to films shown at this year’s VIFF. Three of the best. After that, they were treated to a Mexican buffet and to karaoke singing. It was fun and I even sang three numbers. I always sing at least one Elvis number at a karaoke party!

So there you go. The 2017 Vancouver International Film Festival ended very well and it was another good year of films and volunteering for me. Next year’s VIFF is anticipated to be from September 27th to October 11th, 2018 and should offer a lot, if not more. I may end up being an usher or I may end up driving again next year. I’ll see what they have to offer me. In the meantime, see you next year!

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Oscars 2015 Shorts Review: Best Animated Short Film

Cinema

Just recently I published my review of the live-action shorts nominees of this year. Now’s my chance to publish my thoughts on the nominated animated shorts of this year. They range in variety from 2D artistic to primitive 2D to common 3D computer animated to 3D with a unique style. All five are excellent and unique in their unique way but who deserves to win?

Bear Story (Chile): dirs. Gabriel Osorio Vargas and Pato Escala Pierart – It’s a story of a bear who misses his wife and son dearly. Every day he goes out on the street and shows a diorama show to those of the story of how he was abducted from them both and taken away to be part of the circus. The show also ends showing his hope that one day he will be reunited with them both.

The film is a sad story that touches your heart without trying to mess with it. It’s 3D animation but instead of the characters looking human, it comes looking like toy soldiers. I’m not too sure of the creative purpose of that. Nevertheless it does make for an entertaining short film.

Prologue (UK): dirs. Richard Williams and Imogen Sutton – This is one film where there was a viewer discretion warning and advised minors to leave the theatre before it was shown. The film takes part 2,400 years in the past. A child watches a brutal war between two teams of Spartan and Athenian warriors.

This is the rawest nominated short I’ve ever seen ever since they’ve shown the shorts in theatres. The art is simplistic as it consists mostly of pencil drawings with very little coloring. However it merits a lot in terms of its artistry. It also tells a story in brutally relentless fashion even depicting the battles in gory manner. It’s very rare to see a short animated film that’s strictly adults only. It also made it refreshing to see such a short.

Sanjay’s Super Team (USA): dirs: Sanjay Patel and Nicole Paradis Grindle – Sanjay loves watching the Super Team on television but his father is very insistent on a religious prayer habit, even at Sanjay’s young age. Right during the prayer ritual, Sanjay’s imagination comes alive. The gods he’s praying to form a Super Team of his own and they join Sanjay in the battle against a nemesis.

This is from Pixar and was the short before The Good Dinosaur. Director Sanjay Patel has an impressive resume working as an animator for Pixar in films like A Bug’s Life, Toy Story 2, the two Monsters movies, The Incredibles and Ratatouille. This film in which he co-directs is his directing debut. The film shows similar imagination to that of the Pixar team while also taking us into a brief but memorable time into an incredible fantasy world. Very good from start to finish. I predict it as my Should Win pick and Will Win pick.

We Can’t Live Without Cosmos (Russia): dir. Konstantin Bronzit – Two childhood friends train to be cosmonauts in space. Only one will go off into space. The other will be the alternate or next in line if something bad happens to the first. One friend got picked. The other friend wishes him well on his voyage. However shortly after blast off, the friend disappears. The friend down on earth is unhappy. He can’t even adjust well to his alternate whom he doesn’t get along with at all. Actually the alternate can’t get along with anyone. The friend makes a decision to the surprise of many, and to us. It’s a decision we’re glad he made.

It’s a 2D film with a story that doesn’t need dialogue for us to get the messages. Over time we learn the story isn’t about trying to make it into space but about just how close the friendship is. The two train together and dream together. When his friend is lost into oblivion, his ambition to be the next in space disappears just like that. You can easily see why he made the decision to do what he did.

World Of Tomorrow (UK) dir. Don Hirtzfeldt – The story begins with a toddler named Emily in a room. Out of nowhere comes a clone also named Emily who came from 227 years into the future back to the present. The adult Emily, ‘Emily Clone,’ tells the child Emily, ‘Emily Prime,’ of the human’s attempts to achieve immortality through cloning and showcasing the various worlds including the ‘Outernet’ and the various memories of the clone Emily. Very different and very unique.

This is another 2D short. The drawing is very simplistic. However it’s the story that’s the top quality of the film. We see a bizarre but unique story of Emily Clone and Emily Prime the future world and the future of Emily. The funniest element of the short is Emily Clone keeps on talking in her highly scientific speech and all Emily Prime does is just respond back in her childish gibberish. That adds to the humor of the short.

In conclusion I know I picked Sanjay’s Super Team as both my Should Win and Will Win choice. Normally I wouldn’t pick such a film to win but I find it hard to see any of the other four films try to top it. All five are excellent but I think Sanjay stands alone. I know World Of Tomorrow won the Annie Award but I have my feeling about Oscars voters. Mind you the shorts categories are some of the least predictable categories of the Oscars.

And there you go. My thoughts on the Oscar nominated Animated Shorts. Winner to be decided in two weeks.