Tag Archives: Harold

VIFF 2017 Wraps Up

Cinema

This year, I’m late again in wrapping up my experience at the VIFF. Actually I’m way earlier than last year. This time, I publish my wrap-up just three weeks after it ended.

The 2017 Vancouver Film Fest ended on Friday, October 12th. Crowds came again and again. There was a lot to offer with over 300 films from 69 countries. There were 19 films that are official entries for the Academy Awards category of Best Foreign Language Film for this year. Eleven films made their World Premiere at the Festival, nine their International Premiere, 37 their North American and 46 their Canadian Premiere.

The VIFF again offered Hub events and special lectures on film making topics from various professionals in its many fields. There was the Buffer Festival dedicated to the topic of online film making which included lectures on such filmmaking and even a Q&A featuring a lot of top Canadian YouTube personalities.

The award winners were announced at the closing gala on Friday:

BC Spotlight Awards

Sea To Sky Award

Presented by Telus
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Best BC Film Award
Presented by the Harold Greenberg Fund, Encore by Deluxe
WINNER: Luk’l Luk’l (dir. Wayne Wapeemukwa)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA & William F. White
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Canadian Film Awards

Narrative Features

Best Canadian Film
Presented by Directors’ Guild of Canada
WINNER: Black Cop (dir. Cory Bowles)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: Never Steady, Never Still (dir. Kathleen Hepburn)

Documentary Features

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: Unarmed Verses (dir. Charles Office)

Short Film Awards
Best BC Short Film
Presented by CreativeBC
WINNER: Rupture (dir. Yassmina Karajah)

Best Canadian Short Film
Presented by Lexus
WINNER: Shadow Nettes (dir. Phillip Barker)

Most Promising Director of a Canadian Short Film
Presented by Delta Air Lines
WINNER: The Crying Conch (dir. Vincent Coi)

VIFF Impact Award
Presented by The Lochmaddy Foundation

WINNER: BLUE (dir. Karina Holden)

Audience Awards

Super Channel People’s Choice Award
WINNER: Indian Horse (dir. Stephen Campanelli)

VIFF Most Popular International Feature
WINNER: Loving Vincent – Poland & UK (dirs. Dorota Kobiela & Hugh Welchman)

VIFF Most Popular International Documentary
WINNER: Faces Places – France (dir. Agnes Varda Jr.)

VIFF Most Popular Canadian Documentary
WINNER: Shut Up And Say Something (dir. Melanie Wood)

#mustseebc Presented by Storyhive
WINNER: Shut Up And Say Something (dir. Melanie Wood)

As for my volunteer experience, this was a unique experience in doing driving for the VIFF for a change. It wasn’t all about driving VIPs or those involved in film. There was one Friday just days before the VIFF where we had to bring two cars, an SUV, a moving van and a hauling truck from a Langley rental agency over to the VIFF theatre. It was crazy because this was my first time learning on how to drive an automatic car. All my life, I’ve started cars by turning the key. This was completely different and even had me freaked out. Nevertheless things got easier over time.

Our shifts were mostly simple. We’d wait at the Sutton Hotel to find out who we’d be picking up and from where. My first day was a Tuesday and it was confusing as I was getting used to driving the downtown Vancouver streets for the first time. Believe me, Burrard St. has very limited left-turn options and it was annoying. The second trip on my first day driving was crazier as we had to drop some people off at the back entrance of a hotel. The entrance is located at a ramp to a parkade and there was a car being us trying to enter the parkade as I was dropping the people off. vacating the hotel was a headache. The days after were easier as I mostly had to pick people up either at the Sutton Hotel or at the theatres and drive them to the airport. There were even a couple of times I had to pick people up from the airport and bring them to the Sutton Hotel. One of which I was transporting an orchestra’s musical instruments in the moving van. That was definitely interesting. On closing Friday, I was with five people who had to bring five of the ten vans back to the auto dealer’s headquarters. I thought I knew my way, but Surrey’s highway system is extremely confusing and I got lost. I did make it there, half an hour late.

As for films, I feel I saw a good variety of film. I saw thirteen feature-length films and at least one shorts segment. I was lucky to see at least three Canadian features. I saw a lot of foreign films. I saw two films that were official Oscar entries for the Best Foreign Language Feature category. I even saw an African film for the first time. I saw at least three Altered States films that were either bizarre or ridiculous. The biggest standout for this year’s films I saw had to be experimental films. I saw three such films: two Canadian. One was good while the two others came off as either a failed experiment or just something ridiculous. That’s one thing about experimental films. You have to welcome them first and then make your own judgement after.

For the end of the VIFF, there was a volunteer party held the Saturday after closing. Volunteers were treated to films shown at this year’s VIFF. Three of the best. After that, they were treated to a Mexican buffet and to karaoke singing. It was fun and I even sang three numbers. I always sing at least one Elvis number at a karaoke party!

So there you go. The 2017 Vancouver International Film Festival ended very well and it was another good year of films and volunteering for me. Next year’s VIFF is anticipated to be from September 27th to October 11th, 2018 and should offer a lot, if not more. I may end up being an usher or I may end up driving again next year. I’ll see what they have to offer me. In the meantime, see you next year!

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VIFF 2016 Review: Harold And Lillian: A Hollywood Love Story

harold-lillian

Film researcher Lillian Michelson and storyboard artist/set designer Harold Michelson are the subject of the documentary Harold And Lillian: A Hollywood Love Story.

Yes, we know too much about Hollywood couples. Harold and Lillian Michelson are a couple that won’t come to most people’s minds. Nevertheless they’re worth knowing in Harold And Lillian: A Hollywood Love Story.

Harold and Lilian Michelson were a power couple in Hollywood, but a couple the masses never knew. Those in Hollywood not only knew them, they wanted them for their movies. Harold was a storyboard artist who drew the images for most of Hollywood’s best movies from the 50’s, 60’s and 70’s continuing into the 80’s.The start of his legend began with The Ten Commandments and led to even bigger films like Ben-Hur, The Apartment, Cleopatra, The Birds, Who’s Afraid Of Virginia Woolf, The Graduate, Catch-22, Fiddler On The Roof, Hair, Spaceballs, and ending with 2003’s Duplex. Harold was also a set designer for Star Trek: The Movie (for which he received his first of two Oscar nominations), Terms Of Endearment, Spaceballs and Dick Tracy.

Lillian Michelson was a film researcher. Her research helped contribute to films like Fiddler On The Roof1941, Reds, Scarface and Rain Man to name a few. Her research was very intense as she would go searching about all information related to the place and time of the story including as far as what people would wear in a certain time. One example of how far she’d go for her research: Lillian even interviewed an actual drug lord from Colombia for Scarface. She was that fearless. She even owned a library full of research materials for films she worked on: a library she would constantly have to fight for a space to have it all kept.

Harold and Lillian were also a dedicated couple who kept a solid marriage for 60 years. Harold was well to do but Lillian was raised an orphan. The age gap of 11 years didn’t stop Harold from taking a liking to her and they married in 1947 when Harold was 28 and Lillian was 17. Harold decided to pursue life as a storyboard artist in Hollywood after returning from the war. An Army Sargent saw the drawings Harold drew of the war and thought he would make an excellent artist. Lillian had nothing really to lose as her first pregnancy cost her a telephone company job; this happened during a time women didn’t have the right to sue for their job back. Lillian would mother three children including an autistic son. Harold was frequently away at work and this caused friction in their marriage. Lillian, bored with motherhood, found an opportunity to become a film researcher and the rest is history. Their marriage was strong and committed and went through the ups and downs until Harold died in 2007. Lillian retired in 2010 and now lives in a Hollywood retirement home.

This documentary is a mix of things. This film mixes the love of Harold and Lillian with their accomplishments in Hollywood. It takes you into what they achieved in film and fits it with the films they were a part of. Sometimes you’re led to think they helped make the film’s greatness. The film tells of the times where they were getting their start in the business: Harold having to spend time as an apprentice in the Hollywood system before his rise and Lillian chasing an opportunity because of the limited chances for women at the time. This film also tells the stories of their own lives where they had to both play spouse and parent, including a parent to an autistic son. We also see how Harold would take his storyboard illustration style he used for his Hollywood books and include it in his own personal diary of his marriage and family life in all its triumphs and struggles.

It’s interesting how when you watch this film, you learn how much these two are responsible for some of the best films to come out of Hollywood. You’d be shocked to see how many films Harold was a storyboard illustrator for: Ben-Hur, The Graduate, The Birds, Cleopatra, Fiddle On The Roof, Who’s Afraid Of Virginia Woolf, etc. You often feel he helped make that era of Hollywood. Learning about all the films Lillian did research for starting with Fiddler On The Roof, and most notably Scarface and Rain Man, you not only develop an appreciation for her too but her profession. The words of gratitude from such big names like Danny De Vito, Mel Brooks and Francis Ford Coppola leave you convinced they may have been the best ever. Even learning about all the research materials she had and continuously fought have a space for, you feel it deserves its own permanent library.

Kudos to Danial Raim for making a very intriguing, very entertaining documentary. This is the third documentary he directed, wrote, edited, produced and cinematographed. This documentary finally exposes Hollywood’s best kept secret in both the films they made and the love they had. However I will admit there are some areas where I felt the editing could have been done better. Most of the time, it goes from the story to the movie they created to the people they worked with in the right order. Nevertheless there are times when the order doesn’t seem to go right. Rare in the film but noticeable. I personally feel this would be a good film to release at the box office. However I’m a person who’s interested in some of the stories of Hollywood movies past. It’s hard to know what exactly makes for a documentary that has what it takes for a box office release. Even those nominated for the Oscars and win don’t exactly explain it all. I think this documentary is best for channels like B.C.’s Knowledge Network or TCM.

Harold And Lillian: A Hollywood Love Story is more than just a story about a Hollywood couple. It’s also a film that gets you understanding their behind-the-scenes jobs and leaves you thinking they were the best ever in their professions.