Tag Archives: nominations

MTV Awards No Longer Rewarding Just Movies

mtv_movie_awards

After rewarding movies only for 25 years, the MTV Awards are now including television nominees. The actual award may no longer be the bucket of popcorn.

The MTV Movie Awards have been a source of intrigue of mine for many years. Sure, I have an interest in the Oscar race and the Golden Globes but I like the MTVs as they would deliver surprising results. Even if I was disgusted with what won what category, it would still capture my intrigue.

This year is a new chapter in the awards. After 25 years, they are no longer giving awards to movies only. This time they are making their awards a mix of both movies and television. It’s a question of why. Some would say it’s because the Movie Awards in past years have been sagging in the ratings. Some would argue these are an awards that’s just there, without any legitimate relevance. Others would say that MTV having an awards for TV are long overdue. I admit I too thought there should be an MTV television awards many years ago consisting of categories of MTV shows and shows from other networks.

This year, there is a change in the way of doing things. For the first time, television shows and performances are included in an MTV awards show. However the awards are part of the movie awards; kind of like the Golden Globes. Unlike the Golden Globes which has all their movie and television categories separate, the MTVs have a mix of movie-only categories, TV-only categories and categories where movie and TV performances are mixed together. Those would be categories like Best Kiss, Best Villain, Best Hero and Best Comedic Performance. However some categories from the movie awards days had to be taken away like the Best Breakthrough Performance, Best Fight and Best WTF Moment. As for nominations, Get Out is the most-nominated film and Stranger Things is the most-nominated show.

Anyways here are the nominees for this year’s MTV Movie and TV Awards. Categories where movie performances and TV performances are mixed together are marked with an asterisk:

MOVIE OF THE YEAR

  • Beauty and the Beast
  • Get Out
  • Logan
  • Rogue One: A Star Wars Story
  • The Edge of Seventeen

BEST ACTOR IN A MOVIE

  • Daniel Kaluuya – Get Out
  • Emma Watson – Beauty and the Beast
  • Hailee Steinfeld – The Edge of Seventeen
  • Hugh Jackman – Logan
  • James McAvoy – Split
  • Taraji P. Henson – Hidden Figures

SHOW OF THE YEAR      

  • Atlanta
  • Game of Thrones
  • Insecure
  • Pretty Little Liars
  • Stranger Things    
  • This Is Us      

BEST ACTOR IN A SHOW

  • Donald Glover – Atlanta
  • Emilia Clarke – Game of Thrones
  • Gina Rodriguez – Jane the Virgin
  • Jeffrey Dean Morgan – The Walking Dead
  • Mandy Moore – This Is Us
  • Millie Bobby Brown – Stranger Things

BEST KISS*

  • Ashton Sanders and Jharrel Jerome – Moonlight
  • Emma Stone and Ryan Gosling – La La Land
  • Emma Watson and Dan Stevens – Beauty and the Beast
  • Taraji P. Henson and Terrence Howard – Empire
  • Zac Efron and Anna Kendrick – Mike and Dave Need Wedding Dates

BEST VILLAIN*

  • Allison Williams – Get Out
  • Demogorgon – Stranger Things
  • Jared Leto – Suicide Squad
  • Jeffrey Dean Morgan – The Walking Dead
  • Wes Bentley – American Horror Story

BEST HOST

  • Ellen DeGeneres – The Ellen DeGeneres Show
  • John Oliver – Last Week Tonight With John Oliver
  • RuPaul – RuPaul’s Drag Race
  • Samantha Bee – Full Frontal With Samantha Bee
  • Trevor Noah – The Daily Show

BEST DOCUMENTARY

  • 13TH
  • I Am Not Your Negro
  • O.J.: Made in America
  • This Is Everything: Gigi Gorgeous
  • TIME: The Kalief Browder Story

BEST REALITY COMPETITION

  • America’s Got Talent
  • MasterChef Junior
  • RuPaul’s Drag Race
  • The Bachelor
  • The Voice

BEST COMEDIC PERFORMANCE*

  • Adam Devine – Workaholics
  • Ilana Glazer and Abbi Jacobson – Broad City
  • Lil Rel Howery – Get Out
  • Seth MacFarlane – Family Guy
  • Seth Rogen – Sausage Party
  • Will Arnett – The LEGO Batman Movie

BEST HERO*

  • Felicity Jones – Rogue One: A Star Wars Story
  • Grant Gustin – The Flash
  • Mike Colter – Luke Cage
  • Millie Bobby Brown – Stranger Things
  • Stephen Amell – Arrow
  • Taraji P. Henson – Hidden Figures

TEARJERKER*

  • Game of Thrones – Hodor’s (Kristian Nairn) Death
  • Grey’s Anatomy – Meredith tells her children about Derek’s death (Ellen Pompeo)
  • Me Before You – Will (Sam Claflin) tells Louisa (Emilia Clarke) he can’t stay with her
  • Moonlight – Paula (Naomie Harris) tells Chiron (Trevante Rhodes) that she loves him
  • This Is Us – Jack (Milo Ventimiglia) and Randall (Lonnie Chavis) at karate

NEXT GENERATION*

  • Chrissy Metz
  • Daniel Kaluuya
  • Issa Rae
  • Riz Ahmed
  • Yara Shahidi

BEST DUO*

  • Adam Levine and Blake Shelton – The Voice
  • Daniel Kaluuya and Lil Rel Howery – Get Out
  • Brian Tyree Henry and Lakeith Stanfield – Atlanta
  • Hugh Jackman and Dafne Keen – Logan
  • Josh Gad and Luke Evans – Beauty and the Beast
  • Martha Stewart and Snoop Dogg – Martha and Snoop’s Potluck Dinner Party

BEST AMERICAN STORY*

  • Black-ish
  • Fresh Off the Boat
  • Jane the Virgin
  • Moonlight
  • Transparent

BEST FIGHT AGAINST THE SYSTEM*

  • Get Out
  • Hidden Figures
  • Loving
  • Luke Cage
  • Mr. Robot

 

Show will be held at the Shrine Auditorium on May 7th and hosted by Adam deVine who starred in two hit movies from last year. Remember this year is a trial year for this new format. It’s interesting to see how this will work out. It’s even possible MTV may add categories for other media forms in future years, like for video games or online movies or videos. We’ll have to wait and see.

My Predictions For The 2016 Academy Award Nominees

Chocolate Oscar

I know I haven’t been blogging as much as I normally have. You may have noticed I didn’t post predictions for the Golden Globes this year. Heck, I’ve even delayed publishing my review of Doctor Strange! It’s not just about my busy schedule but my lack of hits to my blog in 2016: the least since 2011. However since I’ve been getting more hits to my blog this January, it gives me the energy to publish my next blog.

Of course I wouldn’t miss out on predicting the Oscar nominations. I have been paying attention to the race and seen some of the heavily favored films. The race looks exciting and it’s hard to tell who will win. La La Land looks like the best bet but there have been surprises before, like Spotlight trouncing The Revenant last year. And speaking of last year, I believe the #OscarsSoWhite row has paid off as the Academy has seen a lot of diversity in this year’s new inductees, which I will reflect on in a blog in a week or two, and there appears to be four or five non-white actors heavily favored to be nominated. Cheryl Boone Isaacs even said she’ll have the Academy lead by example.

Anyways without further ado, I have my predictions. To start off, here are my predictions for the nominations on Tuesday:

BEST PICTURE

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell Or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester By The Sea
  • Moonlight
  • Sully

BEST DIRECTOR

  • Damien Chazelle, La La Land
  • Garth Davis, Lion
  • Barry Jenkins, Moonlight
  • Kenneth Lonergan, Manchester By The Sea
  • Denis Villeneuve, Arrival

BEST ACTOR

  • Casey Affleck, Manchester By The Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortenson, Captain Fantastic
  • Denzel Washington, Fences

BEST ACTRESS

  • Amy Adams, Arrival
  •  Emily Blunt, The Girl On The Train
  • Natalie Portman, Jackie
  • Emma Stone, La La Land
  • Meryl Streep, Florence Foster Jenkins

BEST SUPPORTING ACTOR

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell Or High Water
  • Hugh Grant, Florence Foster Jenkins
  • Lucas Hedges, Manchester By The Sea
  • Dev Patel, Lion

BEST SUPPORTING ACTRESS

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  •  Janelle Monae, Hidden Figures
  • Michelle Williams, Manchester By The Sea

BEST ORIGINAL SCREENPLAY

  • Damien Chazelle, La La Land
  • Yorgos Lanthimos and Efyhimis Filipou, The Lobster
  • Paul Laverty, I, Daniel Blake
  • Kenneth Lonergan, Manchester By The Sea
  • Jeff Nichols, Loving

BEST ADAPTED SCREENPLAY

  • Luke Davies, Lion
  • Tom Ford, Nocturnal Animals
  • Barry Jenkins And Terell Alvin McCraney, Moonlight
  • Allison Schroeder and Theodore Melfi, Hidden Figures
  • August Wilson, Fences

BEST ANIMATED FEATURE

  • Finding Dory
  • Kubo And The Two Strings
  • Moana
  • The Red Turtle
  • Zootopia

BEST CINEMATOGRAPHY

  • Greg Fraser, Lion
  • James Laxton, Moonlight
  • Rodrigo Prieto, Silence
  • Linus Sandgren, La La Land
  • Bradford Young, Arrival

BEST COSTUME DESIGN

  • Colleen Atwood, Fantastic Beasts and Where To Find Them
  • Consolata Boyle, Florence Foster Jenkins
  • Madeline Fontaine, Jackie
  • Mary Zophres, Hail Caesar!
  • Mary Zophres, La La Land

BEST DOCUMENTARY FEATURE

  • The Eagle Huntress
  • Life, Animated
  • OJ: Made In America
  • Tower
  • Weiner

BEST FILM EDITING

  • Julian Clarke, Deadpool
  • Tom Cross, La La Land
  • John Gilbert, Hacksaw Ridge
  • Jennifer Lame, Manchester By The Sea
  • Nat Sanders and Joi McMillon, Moonlight

BEST FOREIGN LANGUAGE FILM

  • It’s Only The End Of The World (Canada)
  • A Man Called Ove (Sweden)
  • The Salesman (Iran)
  • Tanna (Australia)
  • Toni Erdmann (Germany)

BEST ORIGINAL SCORE

  • Nicholas Britwell, Moonlight
  • Justin Hurwitz, La La Land
  • Dustin O’Halloran and Hauschka, Lion
  • John Williams, The BFG
  • Hans Zimmer, Pharrel Williams and Benjamin Walfisch, Hidden Figures

BEST ORIGINAL SONG

  • ‘Can’t Stop The Feeling’, Trolls
  • ‘City Of Stars’, La La Land
  • ‘Faith’, Sing
  • ‘Heathens’, Suicide Squad
  • ‘How Far I’ll Go’, Moana

BEST PRODUCTION DESIGN

  • Fantastic Beasts and Where To Find Them
  • Hail Caesar!
  • Hacksaw Ridge
  • La La Land
  • Rogue One

BEST VISUAL EFFECTS

  • Arrival
  • Captain America: Civil War
  • Doctor Strange
  • The Jungle Book
  • Rogue One

Those are my predictions for nominations. I also include predictions for possible upsetters for my main predictions. They could upset some of my favorites and get nominated instead. Without further ado, here is my list for the most likely upsetters:

BEST PICTURE

  • Loving
  • Deadpool
  • Elle

BEST DIRECTOR

  • Mel Gibson, Hacksaw Ridge
  • Denzel Washington, Fences

BEST ACTOR

  • Tom Hanks, Sully
  • Joel Edgerton, Loving

BEST ACTRESS

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving

BEST SUPPORTING ACTOR

  • Aaron Taylor-Johnson, Nocturnal Animals
  • Michael Shannon, Nocturnal Animals

BEST SUPPORTING ACTRESS

  • Octavia Spencer, Hidden Figures
  • Greta Gerwig, 20th Century Women

BEST ORIGINAL SCREENPLAY

  • Taylor Sheridan, Hell Or High Water

BEST ADAPTED SCREENPLAY

  • Eric Heisserer, Arrival
  • Jay Cocks and Martin Scorsese, Silence

BEST ANIMATED FEATURE

  • My Life As a Zucchini
  • Miss Hokusai

BEST CINEMATOGRAPHY

  • Seamus McGarvey, Nocturnal Animals

BEST COSTUME DESIGN

  • Marion Boyce and Margot Wilson, The Dressmaker
  • Eimer Ni Mhaoldomhnaigh, Love & Friendship

BEST DOCUMENTARY FEATURE

  • 13th

BEST FILM EDITING

  • Joe Walker, Arrival
  • Jake Roberts, Hell Or High Water

BEST ORIGINAL SCORE

  • Abel Korzeniowski, Nocturnal Animals

BEST ORIGINAL SONG

  •  ‘Try Everything’, Zootopia
  •  ‘Just Like Fire’, Alice Through Looking Glass

BEST PRODUCTION DESIGN

  • Arrival
  • Jackie

BEST VISUAL EFFECTS:

  • Fantastic Beasts And Where To Find Them

So did my predictions come true? Which of my upsetter predictions caused the biggest shocker? Or which nominations from left-field happened? We’ll find out Tuesdayj morning.

MTV Movie Awards Holds Its 25th

mtv_movie_awards

The MTV Movie Awards, the awards that’s been come to be known as the anti-Oscars, will hold their 25th edition this year.

Back in 1992, producer Joel Gallen founded a movie awards show for MTV completely unlike the Oscars. It may not have reached to same status as the Oscars but it has grown over the years as an event of significant popularity.

MTVs

The first MTV Movie awards were held in 1992. The film reel was the award and Terminator 2: Judgement Day was the big winner. It was obvious these awards were going to send a message to the Oscars.

Now back in 1992, MTV had already been known for their Video Music Awards. The event which was started in 1984 was seen as a music awards that appeared more relevant with what was happening in music as compared to the Grammys. It also offered notorious on stage events, either planned or spontaneous, that would get people talking. While such events would threaten the popularity of some musicians or even make the Grammys nervous, it made MTV.

The first MTV Movie Awards were held in 1992. Its nominations featured movies that the Oscars would either turn their noses up to or just relegate to nominations in the technical categories like Terminator 2: Judgement Day, Backdraft, Boyz N The Hood and Wayne’s World. In fact the Silence Of The Lambs which was the apple of the Academy’s eye that year did not even receive a single nomination. The event also featured unorthodox categories like Best Kiss, Best Villain, Best Action Sequence, Best Breakthrough Performance, Most Desirable Male and Female and its Lifetime Achievement Award which went to Jason Voorhees of Friday the 13th infamy. Instead of Best Picture, Best Actor and Best Actress, they had categories like Best Male Performance, Best Female Performance and Best Movie. Even animated performances could be nominated in the various categories. On top of that, they had people call in to vote for who they felt should win the awards in the weeks leading up to the event.

Basically the point of the awards was to have a movie awards show that was current and more in line with the people’s movie tastes. Especially young people since they made up most of the movie-going crowd. The awards didn’t simply want to give accolades to movies that made big money but gave people their enjoyment and their money’s worth. In fact Terminator 2: Judgement Day, which won four Oscars in the technical categories, was the big winner at the first MTV Movie Awards. Basically the focus is on movies instead of films and stars instead of actors. MTV turned out to be only domain likely to start such a movie awards show at the time. In fact the award which is a golden bucket of popcorn is meant to symbolize its rewarding of crowdwinning.

There’s also the entertainment factor of the awards too. There were frequent movie spoofs, often starring the awards’ host, that still happen quite often. The event was also used to promote upcoming summer releases with presenters often people starring in movies to be released later that summer. Also the musical performers would often have nothing to do with the movies and more to do with summer album releases. Performers of movie songs were more commonly featured in the 90’s editions of the awards show as movie music was bigger then than it is now.

There would be category changes and category drops of awards categories. However the standard would be the same where performances and movies that gave people their enjoyment would get top wins. Only three times has the Oscar winner for Best Picture won Best Movie. In addition, nine movies that didn’t receive a single Academy Award nomination won Best Movie including Scream, There’s Something About Mary, four of the five Twilight movies and the most recent Movie Of The Year winner, The Fault In Our Stars. That’s another thing too, how the MTV’s aren’t afraid to even give teen movies accolades. No wonder the show has been come to be known as the anti-Oscars.

There have even been times when the MTV Movie Awards would appear to ‘make right’ what the Academy did wrong as most saw. In 1995 when Hoop Dreams was snubbed of a Best Documentary Oscar nomination, director Steve James would receive the Best New Filmmaker Award: an honorary award from 1992 to 2002 which honored filmmakers whose debut film would introduce a new element to film making. In 1998 when most people thought Leonardo diCaprio was snubbed of a Best Actor Oscar nomination for Titanic, he won Best Male Performance at the MTVs.

Now onto this year’s Awards. This is the 25th annual MTV Movie Awards. As noted, it’s come a long way. It’s still a big public event where a lot of big stars show up. Stars from upcoming summer releases are planned to be among the presenters. However the list is still incomplete even among musical performers. Categories from the first Awards are still here like Movie Of The Year (retitled from Best Movie) , Best Male and Female Performance, Best Breakthrough Performance, Best Comedic Performance,  Best Villain and of course their trademark category: Best Kiss. New categories this year are Best Documentary, Best Action Performance, Best Ensemble Cast and Best True Story. Returning categories not at the first Awards are Best Fight and Best Hero. In addition, the category of Best Virtual Performance returns this year.

This year’s Awards are again focusing on big crowd winners. One trivia note: the highest-grossing film of the previous year would always get at least one MTV Movie Awards nomination. This year is far from an exception as Star Wars: The Force Awakens received eleven nominations including Best Movie. Deadpool is the next-most nominated with eight and Avengers: Age Of Ultron is next with six. Four of the six movies nominated for Best Movie are sci-fi or action movies and none of the Best Picture nominees for this year’s Oscars, not even Mad Max: Fury Road, were nominated for Best Movie. Mad Max still got four nominations as did The Revenant. Five of the eight Best Picture nominees have received at least one nomination but Spotlight didn’t get a single one. Can you believe it? While the hard-to-watch Room got a nomination with Brie Larson for Best Breakthrough Performance. In addition, this year’s nominees are way more mixed in terms of race and gender than this year’s Oscars by far.

Also you may remember I talked about a Best New Filmmaker category? That was there during the first Awards but was dropped after 2002. Now the honorary award at the MTV’s is the Generation Award: like a ‘lifetime achievement’ award but going to a star whom the generations born and bred on MTV made. The first one back in 2005 went to Tom Cruise. This year, it goes to Will Smith. Even though he’s not my favorite actor, I wonder what took MTV so long to award it to him.

Now onto my predictions for this year’s MTV Movie Awards winners. Note I’m better at prediction the Oscars than predicting MTV winners. With this being a ‘people’s choice’ awards, they can go any which way. So here goes:

Movie of the Year
Avengers: Age of Ultron
Creed
Deadpool
Jurassic World
Star Wars: The Force Awakens
Straight Outta Compton

Will Win (WW): Star Wars: The Force Awakens

Most Likely Upsetter (MLU): Straight Outta Compton

Yes, Star Wars mania returned. However underdogs have come and taken the Best Movie award before. People’s tastes may surprise you. I predict Straight Outta Compton to be the movie most likely to pull an upset.

True Story
Concussion
Joy
Steve Jobs
Straight Outta Compton
The Big Short
The Revenant

WW: Straight Outta Compton

MLU: The Revenant

I strongly believe with this being MTV, Straight Outta Compton will rule this category. However The Revenant could upset.

Documentary
Amy
Cartel Land
He Named Me Malala
The Hunting Ground
The Wolfpack
What Happened, Miss Simone?

WW: Amy

MLU: He Named Me Malala

It’s a surprise to see a documentary category for the MTVs. I thought the awards were about movies instead of films. With this being MTV, I think Amy is the hands-down winner here.

Best Female Performance
-Alicia Vikander, Ex Machina
-Anna Kendrick, Pitch Perfect 2
-Charlize Theron, Mad Max: Fury Road
-Daisy Ridley, Star Wars: The Force Awakens
-Jennifer Lawrence, Joy
-Morena Baccarin, Deadpool

WW: Daisy Ridley, Star Wars: The Force Awakens

MLU: Charlize Theron, Mad Max: Fury Road

Looking at the nominees, I feel the biggest star-buzz would go to Daisy Ridley. However Charlize could win because of how she stole the show from Max.

Best Male Performance
-Chris Pratt, Jurassic World
-Leonardo DiCaprio, The Revenant
-Matt Damon, The Martian
-Michael B. Jordan, Creed
-Ryan Reynolds, Deadpool
-Will Smith, Concussion

WW: Leonardo DiCaprio, The Revenant

MLU: Ryan Reynolds, Deadpool

Leo has already won this award before in 1998 for Titanic (of course) and 2005 for The Aviator. He may seem like a guarantee here since everyone wanted him to win the Oscar. However don’t count out Michael B. Jordan or Ryan Reynolds as they charmed crowds too.

Breakthrough Performance
-Amy Schumer, Trainwreck
-Brie Larson, Room
-Daisy Ridley, Star Wars: The Force Awakens
-Dakota Johnson, Fifty Shades of Grey
-John Boyega, Star Wars: The Force Awakens
-O’Shea Jackson Jr., Straight Outta Compton

WW: Daisy Ridley, Star Wars: The Force Awakens

MLU: Amy Schumer, Trainwreck

Interesting how both Amy Schumer and Brie Larson were co-stars in Trainwreck and they’re now competing against each other in this category. However I feel this is Daisy Ridley’s for the taking.

Best Comedic Performance
-Amy Schumer, Trainwreck
-Kevin Hart, Ride Along 2
-Melissa McCarthy, Spy
-Rebel Wilson, Pitch Perfect 2
-Ryan Reynolds, Deadpool
-Will Ferrell, Get Hard

WW: Kevin Hart, Ride Along 2

MLU: Amy Schumer, Trainwreck

It seems like Kevin Hart is the comedy phenom right now. However Amy Schumer is the one having him look over his shoulder.

Best Action Performance
-Chris Pratt, Jurassic World
-Dwayne Johnson, San Andreas
-Jennifer Lawrence, The Hunger Games: Mockingjay — Part 2
-John Boyega, Star Wars: The Force Awakens
-Ryan Reynolds, Deadpool
-Vin Diesel, Furious 7

WW: John Boyega, Star Wars: The Force Awakens

MLU: Vin Diesel, Furious 7

Best Hero
-Charlize Theron, Mad Max: Fury Road
-Chris Evans, Avengers: Age of Ultron
-Daisy Ridley, Star Wars: The Force Awakens
-Dwayne Johnson, San Andreas
-Jennifer Lawrence, The Hunger Games: Mockingjay — Part 2
-Paul Rudd, Ant-Man

WW: Daisy Ridley, Star Wars: The Force Awakens

MLU: Charlize Theron, Mad Max: Fury Road

This seems to be the year of the heroine instead of the year of the hero. Rey and Furiosa. Rey seems like the best bet but Furiosa could overtake her for the win.

Best Villain
-Adam Driver, Star Wars: The Force Awakens
-Ed Skrein, Deadpool
-Hugh Keays-Byrne, Mad Max: Fury Road
-James Spader, Avengers: Age of Ultron
-Samuel L. Jackson, Kingsman: The Secret Service
-Tom Hardy, The Revenant

WW: Adam Driver, Star Wars: The Force Awakens

MLU: Hugh Keays-Byrne, Mad Max: Fury Road

This seems like another category where it’s a foregone conclusion Star Wars will win. Mind you there have been surprises in the past. Hugh Keays-Byrne could upset.

Best Virtual Performance
-Amy Poehler, Inside Out
-Andy Serkis, Star Wars: The Force Awakens
-Jack Black, Kung Fu Panda 3
-James Spader, Avengers: Age of Ultron
-Lupita Nyong’o, Star Wars: The Force Awakens
-Seth MacFarlane, Ted 2

WW: Amy Poehler, Inside Out

MLU: Lupita Nyong’o, Star Wars: The Force Awakens

This category only existed once before: back in 2003. Andy Serkis, I mean Gollum, won. I think Amy Poehler will take it here as she was the most charming.

Ensemble Cast
Avengers: Age of Ultron
Furious 7
Pitch Perfect 2
Star Wars: The Force Awakens
The Hunger Games: Mockingjay — Part 2
Trainwreck

WW: Star Wars: The Force Awakens

MLU: Furious 7

Now this is one category I’d like to see at the Oscars. Hey, the SAGs have it. I’m surprised Straight Outta Compton didn’t get nominated.

Best Kiss
-Amy Schumer & Bill Hader, Trainwreck
-Dakota Johnson & Jamie Dornan, Fifty Shades of Grey
-Leslie Mann & Chris Hemsworth, Vacation
-Margot Robbie & Will Smith, Focus
-Morena Baccarin & Ryan Reynolds, Deadpool
-Rebel Wilson & Adam DeVine, Pitch Perfect 2

WW: Dakota Johnson & Jamie Dornan, Fifty Shades of Grey

MLU: Morena Baccarin & Ryan Reynolds, Deadpool

This is the category that separates the MTV Movie awards from all other movie awards. Hey, the biggest stars want to win this. The winning kisses have ranged from innocent kisses (My Girl) to romantic kisses (The Notebook) to same-sex kisses (Cruel Intentions) to unique kisses (SpiderMan) to threeways (Starsky and Hutch) to even humorous kisses (American Pie 2). I think the Fifty Shades of Grey kiss will take it.

Best Fight
-Deadpool (Ryan Reynolds) vs. Ajax (Ed Skrein), Deadpool
-Hugh Glass (Leonardo DiCaprio) vs. The Bear, The Revenant
-Imperator Furiosa (Charlize Theron) vs. Max Rockatansky (Tom Hardy), Mad Max: Fury Road
-Iron Man (Robert Downey Jr.) vs. Hulk (Mark Ruffalo), Avengers: Age of Ultron
-Rey (Daisy Ridley) vs. Kylo Ren (Adam Driver), Star Wars: The Force Awakens
-Susan Cooper (Melissa McCarthy) vs. Lia (Nargis Fakhri), Spy

WW: Rey (Daisy Ridley) vs. Kylo Ren (Adam Driver), Star Wars: The Force Awakens

MLU: Hugh Glass (Leonardo DiCaprio) vs. The Bear, The Revenant

This is always a hard one because any fight could end up a winner. However I give it to Star Wars. You can’t beat Star Wars in this category.

Hey, I told you the categories were unorthodox. Anyways those are my predictions for the 25th annual MTV Movie Awards. Tune in Sunday, April 10th to watch who wins what, who’s performing and what notorious acts happen.

 

 

2014 Oscars And Diversity

DISCLAIMER: Some of you may wonder about the lateness of this blog. True, I could have posted this around the time of the nominations or around the time the winners were announced. However I was busy enough with watching and reviewing films around Oscar time. Also I was tired of blogging for a long time after the Oscars were awarded. This is something long-time subscribers of mine are familiar with where I take time out from blogging after the Awards. Nevertheless this is a subject that is relevant any time and is worth posting even now.

The Academy's lack of diversity was exposed this year with the subbing of David Oyelowo's performance in Selma from a Best Actor nomination and director Ava DuVernay's snub of a Best Director nomination.

The Academy’s lack of diversity was exposed this year with the subbing of David Oyelowo’s performance of Martin Luther King in Selma from a Best Actor nomination and director Ava DuVernay’s snub of a Best Director nomination.

When the Oscar nominations came out Thursday January 15th, with it came the ranting and complaining from people. The Hollywood Reporter is right that if there’s one thing we love more than watching the Oscars, it’s complaining about them. Every year, there are complaints from people about nominations that deserved to happen but didn’t. The biggest example for this year would be The LEGO Movie snubbed in the Best Animated Feature category. There’s also the possible complaint from people, especially Republicans, that none of the eight Best Picture nominees had grossed even $60 million at that time. One such to raise eyebrows, especially at Box Office Mojo. However the biggest noise came over the lack of racial diversity among the nominees, especially the acting nominees. It was all over social media. It even appeared in a speech by Jessica Chastain at this year’s Critics Choice awards. The question being how legitimate is this claim? And what does this say of the film industry.

How The Oscar Race Works

One thing I’ve been doing in my fifteen years of paying close attention to the Oscar race is learning how nominations are won. One thing I already know that having a phenomenal performance or effort in a critically-renowned film is good to get the buzz started. Then it involves having it taken to all those Critics Circle awards, film body awards, Top 10 films of the year charts from critics, the Hollywood Foreign Press, the respective various guilds and members of the Academy through various DVDs with ‘for your consideration’ stamped all over it and even ‘for your consideration’ posters. Even things of merit like Oscar nominations require marketing to success in this lovely industry called showbiz.

Then it’s up for the Academy members to vote. How does one become a member? The easiest way– or should I say the most guaranteed way as nothing’s easy in showbiz– is be nominated for an Oscar. That’s the sure-fire method. The harder method is to earn consistent acclaim over the years with your efforts and performances. There are a lot of members that were never nominated for an Oscar so there must be some merit system towards achieving Academy membership. Performances and efforts get a lot of Oscar buzz and a load of acclaim from critics, critics’ boards and awards juries. It’s now up for the members of the Academy to vote for the nominees. One thing we need to remember is that nominating operates branch-by-branch. Actors nominate actors, directors nominate directors, scriptwriters nominate scripts, documentarians nominate documentaries, and so forth. One thing’s that’s certain is all members vote for Best Picture.

The funny thing is how many performances and efforts each year that are labeled Oscar-worthy. It’s like I always describe the nominations race: “Lots of performances deserving of the win. Only room for five nominees.” You can tell how hard it is to be among what should be called the ‘elite of the year.’ I even describe that by saying “Sometimes even excellent isn’t good enough.” It’s obvious why a lot of actors and other people in film rely on such buzz and advertising to get a nomination because they can’t rely on just their performance as-is. This is showbiz and it’s about that push and about politicking and advertising and cash pumping that lead to all these nominations and nothing is completely guaranteed. Even The LEGO Movie looked like a sure bet for the Best Animated Feature nomination but it didn’t get it. That to me was the biggest snub this year.

Then the nominations came. Selma was among the eight films to earn nominations for Best Picture. However the big shock came in the latter categories. Selma also had its best hopes in earning nominations in the Best Actor category for David Oyelowo and the Best Director category for Ava DuVernay. Both were already Golden Globe nominees and Critics Choice award nominees. However neither of the nominations happened. The only other nomination that Selma received was in the Best Original Song category for ‘Glory’ which had already won the Golden Globe.

The snubs bit. Ava’s bit especially since this would have made her the fourth black director and the fifth female director to clinch a Best Director nomination. Just as irritating is who was nominated in their place. For Best Actor, Redmayne, Keaton, Cumberbatch and Carell had enough buzz to sit pretty. David Oyelowo and Jake Gyllenhall of Nightcrawler looked like to be the tightest race for the fifth spot. For Best Director, Inarritu, Tyldum, Linklater and Anderson had the biggest buzz while DuVernay appeared to have her biggest competition for the fifth sport from Clint Eastwood for American Sniper. As what should have been expected for Best Actor, it went to a peer: Bradley Cooper for American Sniper. This was the third year in a row he was nominated for an Oscar. Unexpectedly in Best Director, the directors went for a lesser-celebrated peer: Bennett Miller for Foxcatcher. This is his second nomination, first being for Capote in 2005.

As much as the snubs bit, it’s not that unusual for more celebrated performances to be snubbed out in favor of lesser-hailed performances and efforts by Academy ‘peers.’ I first learned that in 2000, the very first year I paid serious attention to the Oscar race, when after I saw Billy Elliot, I was rooting for young Jamie Bell to get a Best Actor nomination. I even said: “If Billy Elliot gets a Best Picture nomination, then Jamie better get a Best Actor nomination.” The Academy granted my wish by making neither nomination happen. Favored over Jamie in the Best Actor category was the performance of Ed Harris, who had two previous Oscar nominations, in his self-directed Pollock: a movie and performance whose buzz either slipped under the radar or was kept low key because it wasn’t as heralded by previous awards. I saw it repeated in 2004 in the Best Actor category when Clint Eastwood was nominated for Million Dollar Baby. Sure his directing work was hugely heralded and his Best Director nomination was expected but his Best Actor nomination was completely out of the blue as it neither won nor was nominated for any other awards, major or minor. I continue to see it on a yearly basis in the Best Original Score category. It’s a given that whenever John Williams composes a score for a film, he’s guaranteed to get nominated. Even if it’s mostly unnoticed, it will find itself on the nominees lists even over more lauded scores by lesser known composers. Surprise nominees have happened in other categories over the years too. Rarely but often enough to take notice.

You can bet the outrage would start after the snubbing of Selma. All the acting and directing nominees were white. All the directing and writing nominees were white males. Additional irritation came when the script of Gone Girl was not nominated. This would have made Gillian Flynn the lone female writer among screenplay nominees. The anger came fast. Sasha Stone at the Awards Daily website was fuming. Bill Maher lampooned it. Jessica Chastain talked about the importance of diversity among Oscar nominees in her Critics Choice award acceptance speech. There was even the hashtag #OscarsSoWhite. The craziest news came from the Rev. Al Sharpton and his plan to start up a diversity task force on the Academy. Actually Al’s remarks were the least of my concern. Al Sharpton is less of a civil rights leader than he is a drama queen.

However it was later exposed in an Entertainment Weekly article where DuVernay herself was personally interviewed by the magazine the real facts. It wasn’t racism as so many want to believe. It wasn’t even the controversy of her portrayal of LBJ. Nor was it even her involvement in raising activism over the not-guilty verdict over the shooting of Michael Brown or her promotion of the ‘I Can’t Breathe’ campaign. It was however marketing. Even though she had a Golden Globe nomination as did Oyelowo, the film was shunned out of the Screen Actors Guild awards, Directors Guild awards and the Producers Guild’s Golden Laurel awards, weakening Selma‘s chances for Oscar nominations. Even her own late distribution of the promotional DVD to Academy members, meaning members wouldn’t get it until later-December with little time to spare for nomination voting, decreased Selma‘s chances even further. Who you know doesn’t just involve getting acting jobs. It can even involve awards nominations too. In the end, Selma was nominated for Best Picture but its only other nomination was for Best Original Song for ‘Glory,’ which would go on to win the Oscar. However Selma became the first Best Picture nominee since 2002’s Lord Of The Rings: The Two Towers without additional nominations in acting, directing or scriptwriting.

Whatever happened, it did expose a lot of holes in the Academy. Having a group of peers declaring nominees does leave for a lot of subjectivity in its choices. You can describe a lot of performances as ‘deserving’ of an Oscar win or even a nomination but the reality is this is showbiz. As much as there are a lot of performances and efforts deserving of nominations, I’m also well aware that showbiz is one domain where you won’t get what you deserve no matter how hard you work. Being able to command at least $1,000,000 per film, getting the big break of a lifetime and even getting an Oscar nomination are all as much about luck as even making it as an actor, especially in Hollywood. And it’s not uncommon to see peer favoritism in terms of Oscar nominations and seeing a deserving performance from an up-and-comer snubbed out.

Such snubs especially bite when it happens to a minority. People magazine even did a 1996 cover article entitled ‘Hollywood Black-Out’ about how black actors and other blacks in the film industry are shunned out. It’s not just blacks. Seeing the rare times when an actor/actress of a different race is nominated brings up reminders how their race is also given too little acclaim from the Academy. Having black celebrities like Whoopi Goldberg and Chris Rock host the Oscars has done little to quell this controversy. The fact that the AMPAS Academy is headed by a black woman, Cheryl Boone-Isaacs,  still did little to ease whatever tensions over diversity pop up. Even the awarding of Best Picture to Twelve Years A Slave last year was instantly forgotten. Even though I’ve faced the fact that this is showbiz and there’s really no such thing as unfair, I too would like to see more diversity happen.

Diversity Not Just Black And White

It’s not just a case of black actors or directors or other African-American filmworkers of various trades. We should also remember about Latin Americans. The last fifteen years has seen a good number of nominations going to actors from the Latin American countries or Americans of Latin American ancestry but even those are very rare as are the wins. I think Benicio del Toro is the only winner for this century. Just as excluded are Asian actors. I remember there wasn’t a single acting nomination for Crouching Tiger, Hidden Dragon despite its many nominations. There have only been two winners in the history of the Oscars: Miyoshi Umeki and Haing Ngor. Even actors of other races have been shunned aside or given limited acclaim.

Even gender is a diversity issue. Four women have been nominated for Best Director. The first being Lina Wertmuller in 1975. The fourth and most recent being Kathryn Bigelow in 2009 who became the first woman to win the Oscar in that category for The Hurt Locker. Scriptwriting has been more friendly with more female nominees but still predominantly male. Nevertheless this year bit when the script from the hugely successful Gone Girl which was adapted to film by the novel’s own author Gillian Flynn was shunned out of the nominations. Gender diversity is more active in the technical nominations like Best Costume Design or Best Film Editing and even in the short film categories. Nevertheless seeing missing nominations in the higher categories does cause one to notice the exclusivity.

New Century, Bigger Diversity

The biggest surprise of it all is that the 21st century has either equaled, or has come close to equaling, the diversity numbers of the 20th century. On the subject of black actors and actresses, they have achieved five wins and thirty-one total nominations in the whole 20th century and amassed a total of nine wins and twenty-nine nominations in the 21st century. The 21st century has also included breakthroughs like Halle Berry being the first to win Best Actress and Denzel Washington becoming the first ever to win two Oscars. Even in the Best Director category there was only one black director ever nominated in the 20th century: John Singleton for Boyz ‘N Tha Hood. This century there were two: Lee Daniels for Precious and Steve McQueen for 12 Years A Slave. It’s not just African-Americans getting nominations and wins but black actors from many countries being nominated in this century like Djimon Hounsou from Benin, Sophie Okonedo and Chitewel Ejiofor from the UK and Mexican-born Kenyan actress Lupita Nyong’o.

On the subject of other races, one bright light was that 2003 had the most racially diverse set of acting nominees with nine non-white actors nominated including New Zealand Maori Keshia Castle-Hughes, Iranian Shohreh Aghdashloo, half-Indian British actor Ben Kingsley and Japanese actor Ken Watanabe among the many.

Some of you may be shocked to know that 2014 is only the second year in the 21st century that the acting nominations went all to white actors. Makes you wonder what’s more shocking? The fact that all were white or the fact that this is only the second year in the 21st century to do such? The only other year that this has been the case was 2010. Only back then there were no performances by racial minorities that garnered significant buzz to stimulate Oscar buzz. Not like this year where efforts from Selma achieved noticeable buzz.

Diversity is slowly but surely opening up in the directing categories. The last three Best Director wins have been won by racial minorities: Ang Lee, Alfonso Cuaron and Alejandro Gonzalez Inarritu. The 21st century may have had only two female Best Director nominees including one winner but there were only two in the whole 20th century. The 21st century has also opened up to female writers more. I even noticed in 2007 that three of the five scripts nominated for Best Original Screenplay were written by women including the winning script from Juno by Diablo Cody.

The Future Of Diversity In Hollywood

Despite the improvement in diversity over the last few decades, we have to look at the big picture of diversity not just in the Academy but Hollywood as a whole. I will admit that minorities are underserved in terms of box office fare. It’s not like the 90’s or the noughts where there were bigger box office stars of different races. Actually this last century has been an enigma in terms of defining a movie star’s success altogether. However I will say there was noticeably more movies back during those decades where a minority was the main star. We all remember a lot of those hip hop movies from long ago? Or even rappers taking on acting roles? Sometimes you wonder if we should blame Hollywood or the movie-going public? Like why does it seem the most racial diversity we see in terms of blockbuster fare nowadays are Tyler Perry movies?

Back on the topic of the Oscars, I wanted to delay my blog about this because I wanted the firestorm after the nominations to die down. Yes, there were a lot of people angry about the lack of diversity this year. There even some angry enough to dismiss past diversity of Oscar nominees, including AwardsDaily’s Sasha Stone dismissing it as an “Illusion of inclusion,” which is typical of Sasha’s ranting. There were some critics however who pointed out there were a lot of other snubs from deserving efforts from non-minorities reminding us how chancy it is to get nominated. Even one anonymous blogger said “You can’t simply give a nomination to them because they’re a minority. You should nominate them because you feel their performance deserves it.” It is true. Even though I would love to see diversity happen amongst Oscar nominees, I am aware of the harsh realities of showbiz including that of the Academy. In actual fact, the Academy actually does not owe anyone diversity. Same as Hollywood doesn’t really owe anybody anything. The only thing the Academy really owes on ‘Nomination Day’ are nominations to the five best performances and efforts of the year.

One thing I do feel the Academy should do is reorganize itself. It should especially reorganize its ability in selecting members of the Academy. It’s not clear how members of the Academy outside of past Oscar nominees are selected. One thing it should do is allow for more fair rules for allowing for diversity. Whatever panel that selects Academy members should go to more film events like the various film festivals for selecting new members including those with focus on minorities. It should go to more media events as well. I’m even tempted to suggest the Academy should expand its nominees per category from five to seven but that’s up for the Academy to decide.

Since I mentioned film festivals, this is my next focus on how to increase opportunities for minorities, and this isn’t simply for Oscar nominations. Film festivals have to be the most minority-friendly of opportunities. I know because I’ve attended the Vancouver Film festival for many years. I’ve seen films from various countries directed by a diverse variety of people including many films directed by women. Minorities of both race and gender should seize every channel they can to get their works out into the public eye and film festivals are their best bet. There are even ‘specific’ film festivals dedicated to race and ethnicity and even women’s film festivals including one festival that advertises ‘by women for everyone.’ That’s why I said after the Oscar nominations: “You want diversity? Go to a film festival. There you’ll get diversity in film making.”

Since I’m on the topic, that’s another thing I feel minorities should overcome: beating out false stigmas associated with their works. I know I’ve talked a lot about changes and improvements certain professionals should make. I can’t really say the same about minority actors and directors because they’re not really doing anything wrong. They should all keep doing what they’re doing and follow their dreams. Even David and Ava did nothing wrong really and they should keep on chasing their dreams. However they are sometimes given a stigma with their works and efforts that’s not entirely true in which they should fight off. I often feel that most of the film world thinks of black directors to be like Spike Lee who always has an angry view of white people. It’s not 100% true as Selma showed the white supporters of the Selma marches in a positive light. As for female directors, I feel there’s a bit of a myth that sometimes female directors can either direct ‘chick movies’ or be the type that mocks men just like Roseanne Barr used to. It’s not true as I’ve seen films directed by women at the VIFF that depicted men in a fair light. Plus I never saw Ava try to give a negative impression of men in Selma. Yes, these stigmas are an undeserved burden for them but they should fight it by letting their works speak for themselves.

In conclusion, the lack of diversity among the 2014 Oscar nominees not only exposed a big hole in the Academy but also in Hollywood. As if showbiz isn’t unfair enough. 2015 is only three months old. The 2014 Oscars were decided a month ago and the nominations for 2015 are 9 1/2 months away. There have already been film festivals like Sundance, SXSW and Berlin showcasing films for this year. There will be more film festivals this year like Cannes, Venice and Toronto and even smaller film festivals showcasing a multitude of films locally and around the world. Time will tell which will receive Oscar buzz. Time will also pay close attention to potential nominees. However tracing improvements or declines in diversity can’t be traced in a single year. This is something that will have to take at least a decade or two to see if progress in terms of diversity has been achieved. Even though Hollywood and the Academy is as much of a clique as any other channel of showbiz and even smaller film communities, barriers still should be broken and diversity of newcomers should still be welcomed.

2014 was definitely a year when minorities of both race and gender were overlooked in terms of Oscar acclaim. Despite the Academy being more open in the last two decades, most people were left with the common impression: “The more things change, the more they stay the same.” Only time will tell if improvements in diversity within the Academy and film making as a whole have been made.

Oscars 2010: The Buzz And The Biz

Okay, you all heard my ramblings about my views of the Best Picture nominees. They all ranged from blockbuster hits to arthouse films. The question is how did they do businesswise? For that I had to check at one of my favorite sites, Box Office Mojo:

-as of this year, we have five movies that have grossed over $100 million, same as last year. Unlike last year, there are two additional movies that have grossed over $80 million as compared to only one additional from last year.

-There is no mammoth record-breaking hit movie like Avatar from last year. That explains in part why last year’s Best Picture nominee average is $170 million while this year’s currently stands at $130.8 million.

-Last year’s Best Picture winner, The Hurt Locker, was only the eighth-highest grossing Best Picture nominee from last year and the lowest grossing Best Picture winner since 1960’s The Apartment. This does not appear to be the case this year as the heavy Favorites for Best Picture have all grossed $88 million at the very least.

The post-nomination total gross of the ten Best Picture nominees of this year is almost 10% that of the combined pre-nomination gross; equal to that of last year. However seven of the ten nominees are still in theatres and have not finished grossing in.

-Of the five Best Picture nominees from last year that grossed over $100 million, all of them passed the $100 million mark before the nominations were announced. This year only three had grosses of $100 million before nominations. Black Swan and The King’s Speech surpassed the $100 million mark after their nominations.

-Last year none of the Best Picture nominees was able to get even half of their pre-nomination gross after the nominations. This year, The King’s Speech and 127 Hours grossed $58 million and $11.3 million respectively before nomination day. After the nominations, they grossed and additional $46.7 million and $6.2 million respectively. It’s even possible that both movies could double their pre-nomination gross upon Oscar success.

-This is the fourth year in a row a movie from Focus Features has been nominated for Best Picture. This is also the third year in a row a movie from The Weinstein Company has been nominated for Best Picture. This is also the third year in a row Paramount has a Best Picture nominee.

That’s what I’ve notices from the nominated movies since being nominted. I’m sure there will be more noticeable biz after the Oscars are decided on Sunday. Box Office Mojo also keeps tabs on that too each year. In the meantime, stay tuned!

 WEBPAGES CITED:

“OSCAR:Full Chart of Noms and Grosses” BoxOfficeMojo.com. 2011. Box Office Mojo. Owned by  IMDB.com. <http://www.boxofficemojo.com/oscar/chart/?view=allcategories&yr=2010&p=.htm>

“OSCAR: Best Picture Breakdown” BoxOfficeMojo.com. 2011. Box Office Mojo. Owned by  IMDB.com. <http://www.boxofficemojo.com/oscar/chart/?view=&yr=2010&p=.htm&gt;