Until now, It appeared to be the one big Stephen King novel that has not had a big screen adaptation. Sure, there was a miniseries back in 1991, but nothing beats a big-screen showing. Finally it’s here, and the excitement is just beginning!
The story beings in the fall of 1988 in Derry, Maine. Sick and in bed, a stuttering Billy Denbrough makes a paper boat for his younger brother Georgie to play with on a rainy day. While playing with the boat, it falls into a sewer. Georgie goes to get it, but comes across a clown named Pennywise who manipulates Georgie by biting off his arm and taking him down the drain.
The story progresses to June 1989: the end of the school year. Bill has found himself with a clique of three misfits which include bespectacled big-mouth Richie Tozier, sickly asthmatic Eddie Kaspbrak, and fearful Stanley Uris who’s the son of the rabbi. End of the school year won’t mean the end of torment from a group of bullies led by Henry Bowers, son of a police officer. Bullying is Henry’s favorite past-time as he loves tormenting almost every kid. His last victim on this last day of school is Ben Hanscom, an overweight kid new to the town. The bullying however does result in Beverly Marsh, who’s bullied by the popular girls in school and called a ‘slut,’ coming to the rescue. She takes a liking to Ben as she learns he too likes the New Kids On The Block. She doesn’t appear bothered by her own bullying at school because she gets it worse by her father at home. Last day of school just means work on the farm for Mike Hanlon, an orphaned African-American boy who’s raised by his grandfather.
The abduction of Georgie is still very much on Bill’s mind. Actually it’s on the minds of most people in Derry. Derry has a dirty secret that children disappear six times more often than the national average. Bill tries to get his friends to locate the possible whereabouts of Georgie, believing he may still be alive and in a marshy wasteland known as the Barrens. Ben does research into the town of Derry. He learns of the explosion of 1908 which killed many children. He also learns of how children of Derry go lost most frequently: a curse going back centuries. Ben encounters a headless boy in the basement and runs off, only to be encountered by Henry’s group. Ben successfully fights them off and runs away bumping into Bill’s group. Adding to the drama of Derry, the group including Ben find the sneaker of a young girl. Patrick Hockstetter, one of Henry’s bullies who is chasing after Ben, is killed by Pennywise and becomes the latest of the missing.
The following day, all five of the boys have some type of nightmarish encounter with It. Later they encounter Mike Hanlon after he was bullied by Henry’s group. Mike becomes part of the group which now calls itself the Losers Club. Mike also possesses some knowledge about this entity and how it’s haunting Derry. Later in the summer, the group get together to do research into this entity that haunts them each. Bev finds her way into the group, thanks to Ben. They come across some interesting facts: they are all haunted by the same entity in the guise of what they each fear; awakens every 27 years to prey on children before returning to hibernation; and uses the sewers to travel about the town upon where a shabby abandoned house on Neibolt street is built.
They see the house on Neibolt as a chance to get to It. Most are afraid, but Billy wants to do this for the sake of finding Georgie dead or alive and to prevent other children of Derry from receiving this same threat. All agree the first time, but after having to wrestle with Pennywise the first time. Inside, Eddie breaks his arm, making him vulnerable to Pennywise. Fortunately Bev impales Pennywise, forcing him to retreat vowing revenge. However the group is threatened to disband as Eddie’s mother is furious with what had happened. Bill insists on continuing to fight It, but all except Bev and Ben leave.
August comes. Bev is threatened by her abusive father and threatens to rape her, but she kills him with a toilet lid. Unfortunately Pennywise abducts her. This prompts Bill to reassemble the Losers Club to rescue Bev. Even Eddie returns to the group after he learns that his asthma is fake and drug-induced by his mother. Meanwhile It goes into the guise of a children’s television host to compel Henry to kill his abusive father and then kill the Losers Club over at the Neibolt house. Henry fights Mike only to pushed down a well to his death. Inside the Neibolt house, they try to make their way to It’s central location, only to have Pennywise bite Stanley’s head with It’s sharp teeth. Soon they make their way to a cooling tower where they find It’s lair, containing a mountain of decaying circus props and children’s belongings. They also find Bev floating in a catatonic state. The group are able to bring Bev down and it’s Ben’s kiss that restores her consciousness. Now it’s up to the Losers Club to defeat It. The film ends with a spectacularly haunting ending that’s both triumphant, tragic and in anticipation for what’s next.
Adapting a Stephen King movie to the big screen is very much a case of hit-or-miss. Not everything can be adapted from the novel so the writers and directors have to work to bring it to life within two to two-and-a-half hours. That would mean a lot of picking and choosing and a lot of pairing down. There have been a lot of cases where it has worked excellently like Carrie, Christine, The Shining, Stand By Me, Misery and The Shawshank Redemption to name a few. There have been duds too like Maximum Overdrive, Needful Things, Dreamcatcher and Cell. YouTube countdown channel WatchMojo even did a countdown on how movie adaptations of novels actually differed greatly from the real thing.
Before there could be a big-screen adaptation of It, the film had to be organized. This is a movie that took eight years and the efforts of three directors to develop and loads of casting changes. It started when David Kajganich decided to adapt the screenplay when he learned Warner Bros. would be in charge of it. In 2012, direction then went into the hands of Cary Fukunaga. He had a vision of the story and originally planned to cast Will Poulter as Pennywise and Ty Simpkins as Bill. That changed when New Line Cinemas stepped in. Fukunaga withdrew from directing feeling that New Line and their concern with budget cuts was interfering with the creative process.
Then in July 2015, it was announced Argentinian director Andy Muschietti would be signed on to direct with Fukunaga remaining as scriptwriter. Muschietti has had a modest success that took off overnight with his 2008 short film Mama being expanded to an English-language release in 2013 with Jessica Chastain as lead actress. Casting changes came about with a new Bill and a new Pennywise most noticeable. Muschietti is the only director that went the full distance.
Then the adaptation of the story. This adaptation from It makes a lot of notable changes from the original novel. First we must remember the novel was released in 1986. The characters as children were set in the 1950’s. The characters as adults were set in the 1980’s. Here, we have the child characters set in the summer of 1989: a summer that’s close to my heart, too. Setting that part in the 1950’s would seem like a good choice as made evident in Stand By Me, but it could also be a hindrance. 2001’s Hearts In Atlantis was set in the late-50’s and it flopped. I feel it made sense to adapt the Losers Club part of It to 1989. It worked here.
Then there’s the choice of whether to do the full novel in this It movie or have this as a movie series. We’re talking about a novel that first required the format of a mini-series in order to get its first adaptation. It made sense to have the first It movie with focus exclusively on the Losers Club as children and then have a second It film possibly with the Losers Club all grown up. It would also be a gamble as this first It film would have to avoid performing poorly at the box office to get a second It film happening, despite the chances of that being extremely slim. I’ll mention later why they won’t have to worry about that.
One thing we shouldn’t forget is that this is a Stephen King film. Adaptations of Stephen King novels have been known to be a case of a lot of paring down of the story to mish-mashing to including only one part of a multi-chapter novel. Stephen King’s novels have a lot of common elements. For those unfamiliar with Stephen King novels, the first common element is the setting in a smalltown in Maine, most commonly the fictional town of Derry. Another is the case of main child characters being the misfits in a harsh time in their lives. Another is the situation of parents who are either negligent, manipulative or downright abusive to their children. Another is of religious figures or religious people with some even possessing a warped sense of blind faith. Another is the element of evil that King works into his villains.
The film included a lot of elements common to a Stephen King story. It’s set in Derry and the misfits form a clique of their own: The Losers Club. As for parents: Billy’s parents are too distraught with the loss of Georgie to pay attention to his issues; Stanley faces the pressure of being the rabbi’s son; Eddie’s mother has a case of Munchhausen syndrome which explains the fake Asthma she induces with pills; Henry Bowers’ father uses his gun to ‘traumatize’ sense into him; and Bev’s father… I don’t want to go there. Religion or religious figures are not seen as so much of a threat, curse or interference in It, but some could argue Stanley’s strict religious upbringing made him a fearful person. As for evil, the character of It is one that messes with the characters minds and fears it took a group of seven children to solve who It is and to end It once and for all.
The film also had to leave some things from the novel out. It’s not just changing the setting of 1958 to 1989. There were some guises of It in the novel that didn’t appear on film. Henry’s bullying of Stanley includes anti-Semitic slurs in the novel. Here in the film, it’s limited to throwing Stanley’s yarmukel like a frisbee. Patrick Hockstetter is not killed by It as Pennywise, but It as an army of leeches. Henry attempts to kill the Loser Club with his friends Vic and Belch in the novel, but he’s on his own in the film. In the novel, Bill confronts It through the Ritual Of Chud. And finally, Bev has sex with all six of the Losers Club boys in the novel after they make a blood oath. You can understand why that ending was changed to what it is.
In the end, Andy Muschietti delivers a winner of a film. He was not the most experienced director when being hired on to do It but it paid off and delivers an excellent thriller that frightens and gets one excited for the next It film. Kudos to scriptwriters Chase Palmer, Fukunaga and Gary Dauberman for putting together an excellent adaptation and making a lot of choices that worked. The story of the Losers Club bonding as one to fight It gives one memories of Stand By Me and even a lot of similarities to Stranger Things. Having Stranger Things star Finn Wolfhart adds to that factor even under those big glasses. The film also did a good job of adding humor into the film. The film is situated around a bunch of 12 year-olds so having some humor adds to it, despite how dark a story it is. Plus the music from 1989 adds to it too.
For those who are complete ‘virgins’ to It— I’m taking about those who have never read the book or seen the miniseries– it will keep them intrigued and scared. It will also seem confusing at first with most being haunted by Pennywise but others scared by other images too. In the end, it will all come together. All are being haunted and tormented by It. They will first think Pennywise is It, but It takes the guise of many figures like Bev’s abusive father, the children’s TV show host that pushes Henry to commit murder, the animated picture from the painting that haunts Stan. Pennywise is the most dominant guise of It and used mostly to lure young children. It’s right and proper that It meets its match as Pennywise and from Billy.
For those who are fans of the novel It and even the miniseries, they will admire that this is a film that captures the best and truest aspects of a Stephen King horror thriller. It doesn’t stray off like so many other adaptions nor is it a victim to too much studio tweaking of the story. Sure, it sets the Loser Club part of the story 30+ years of when the novel sets it, but the characters of the Loser Club and those surrounding them are very much in tune with the novel. Most of the incidents that happen in the movie It closely match what happens in the novel too. I’m sure fans of Stephen King novels will be proud of this movie. Also I feel Stephen King fans will feel that the producers made the right decision to have this first It movie focus strictly in the Losers Club story and have the incidents of 27 years later focused in It: Volume 2, which I will elaborate on in conclusion.
However the best thing about It is that this is a rare case of a horror movie that delivers excellence. The genre of the horror movie is very hard to master. Most horror movies often come across as junk loaded with blood, gore and other elements for the sake of shock value. Us 80’s kids had that with all the Friday The 13th and Nightmare On Elm Street movies. Millennial kids got that with the Saw movie franchise. Most of the time, these horror films become horror ‘comedies’ because of how stupid the situations are and how the actors are told to act idiotic on purpose. It takes a lot of effort to deliver a horror story on screen with a good story and good character development to add to it. It’s even possible to create a masterpiece of a horror movie. Movies like Psycho, The Exorcist, Carrie and even Get Out from this year are some of the best examples. Even good acting can come out of a horror movie as Sissy Spacek’s performance in Carrie earned her the first of her six Oscar nominations as did a nomination for Piper Laurie. It delivers in having a well-written script, a well-directed story and dead-on acting from the actors. This should be a template on how to do a horror movie right.
Jaeden Lieberher did a very good job in playing Bill Denbrough, especially in making the stutter look natural instead of wooden, and in making the quest to fight It a personal battle for Bill. The best thing about Lieberher was he was good at being unselfish with his lead role as he knew the other members of the Losers Club had their moments too. Sophia Lillis was possibly the biggest scene-stealer as tomboy Bev as was Finn Wolfhart whose role of Richie Tozier will entertain you, but also make you want to tell him to shut up! Good performances included Wyatt Oleff as the fearful Stanley Uris, Jeremy Ray Taylor as Ben the misfit who finds his way, Jack Dylan Glazer as sickly Eddie who develops an inner strength over time and Chosen Jacobs as the farmboy who becomes a help to the clique. All seven of the Losers Clubs kids not only had to play their parts but also make their characters grow. We see it in all the characters, especially Bill. Bill didn’t lose his stutter but he gained a new inner strength.
The actors in the Losers Club did a good job in playing salty-mouthed 12 year-olds that were not afraid to let loose, get sassy and even act like jerks at times. That’s definitely an appeal as Hollywood has a way of making child performances to innocent or ‘sugar-coated.’ Just turn on the Disney Channel and you’ll see what I mean. The kids of It were very unlike the squeaky-clean crystal-clear purity-ring-wearing Disney Channel kids; more like the foul-mouthed kids of Stranger Things. And all the better for it.
It’s not just the Loser Club that delivers in terms of acting. There’s also Bill Skarsgard who did a good job in giving Pennywise his sinister demeanor. There’s also Nicholas Hamilton who succeeds in transforming Henry from simply a jerk bully to being possessed by It’s evil leading to his own death. The mix of music of 1989 hits and the score of Benjamin Wallfisch blended well and fit the scenes of the film well. The visual effects of the film are also excellent and needed to be top-notch to make the movie work.
Already It has broken a load of records in its opening weekend. It set a September opening weekend record of $123.4 million, breaking the old record held by Hotel Transylvania 2 of $48.4 million: more than 2 ½ times that! Usually September is a quiet month for movies and they usually yield low box office results. Mainly because people had their fix during the Summer Movie Season. Summer’s over and now it’s time to get back to regular life and wait for the movie excitement to return in November as is custom. It proved that the September movie season had something to deliver, and right on the weekend after Labor Day, of all weekends! Usually that’s the lowest-grossing weekend but not this year! Other records It broke and feats It achieved according to Box Office Mojo are Widest R-Rated Releases, Widest R-Rated Openings, Highest-Grossing Fall Opening Weekend, Second-Highest Opening Weekend for an R-Rated film, Highest Grossing Stephen King Film (in just five days!), right now the third-highest grossing R-Rated horror film and second only to Deadpool for the biggest opening weekend for an R-rated film! And I’ll bet there will be more to come!
SPOILER ALERT: Do Not Read This Paragraph If You Don’t Want To Know The Ending! The film gives evidence that this will be the first It movie and there’s a Volume Two coming. It’s in the end credits and it’s very well-hinted when the Loser Club makes a ‘blood promise’ to return to Derry in 27 years if It returns. There’s already talk of It: Volume Two on IMDB. There’s a lot of talk about it from Muschietti to the producers to even the young actors. As of yet, nothing is finalized. It’s possible one could assume the film could be set in 2016–27 years from the first It— and Pennywise makes a return to the Losers Club all grown up. It’s very possible the original Losers Club from this film might have a low presence in Volume Two. That could help or hinder the story because all seven of the Losers Club helped make this adaptation of It a hit and their absence might mean the absence of their charm in Volume 2. However nothing is finalized and it leaves those that saw It in big anticipation of what’s to come.
It delivers as a Stephen King horror movie that has all the right moves–a rarity for horror movies as a whole– a hotly-anticipated Stephen King adaptation that works on the big screen, and a big reason for people to go to the movie theatres in September! Some say this could be the best Stephen King movie since 1976’s Carrie. You be the judge.
I know I’ve done individual reviews of Best Picture nominees in the past. This year I thought I’d try something new. I thought I’d do summaries of the nominees. Three blogs analyzing three of the nominees. It’s something new this year and I hope you like it. For my first summary, I’ll be reviewing the first three Best Picture nominees I saw: Arrival, Hacksaw Ridge and Moonlight.
When you learn Arrival is about aliens, I’m sure you have an idea of what you’d anticipate what a movie about aliens would be about. However, you’re in for a big surprise.
This is probably the first movie about aliens to earn a Best Picture nomination. The film appears to set up for a story that would most likely lead to big-time action sequences. Instead we get a film that’s very intellectual in dealing with aliens. Don’t forget Louise is a linguistics professor who was hired for this duty because of her language expertise. In this film, the focus is on communication. Louise has a way to communicate with the aliens and earn their trust even while those around her grow more hostile to the beings. Louise’s gift for communication goes beyond the aliens and she’s able to say to General Shang the words his late wife said to her. It’s like she has a sense for this.
Even with all this, the film is not just about aliens and preventing a human-alien war. The film is about Louise trying to heal after her daughter’s death. Her marriage is no more as well and she’s looking for her purpose. It’s even about Louise and her ability to foresee the future and the possibilities they can unfold. Louise is the central protagonist whom the whole story revolves around. She finds her true gifts at a time she least expects it and she’s able to find her life again. It’s almost like this alien invasion is like a godsend to her life. Right after her daughter dies, she learns of her purpose to the world and to others.
Denis Villeneuve did a top job of directing this film. He already has a reputation for films like Maelstrom, Incendies and Sicario. He’s also been hired to do the Blade Runner sequel. This film he directs is very tricky but he does all the right work for it. The script by Eric Heisserer is very smart and very deep. It does a very good job of getting the right moments of action and the right moments of drama pieced out.
The story also rested on the performance of Amy Adams. She knew the story was primarily about Louise and she had to make it work. Although the role didn’t have too much in terms of character development, her performance was solid and it held the story together. The supporting performers may not have had as big of roles but they still did well with their performances. Jeremy Renner definitely could have had more depth in his role. The music from Johann Johannson and Max Richter fit the movie perfectly. The visual effects were also excellent and just what the movie needed.
Arrival is a very intelligent movie. It’s an alien movie not like one you’d anticipate at first but you will leave the theatre pleased.
Mel Gibson is back. This time he has Hacksaw Ridge. It’s a war drama that’s about more than just the war.
This film makes for an interesting topic: conscientious objection. I know all about it. For years I went to a Protestant church where the people were known for their anti-war beliefs. Conscientious objection is something that’s bound to make one question their morals and even act out of hostility. I know that we have conservative pundits who insist that fighting in a war is the definition of patriotism and will even use scriptures to justify why was is the right thing. Upon release of this film, I was anticipating a conservative backlash against it. So far no ‘Diss The Doss’ movement has happened. No movement to have his Medal Of Honor posthumously revoked. Nothing. It’s a good thing because the film does make one reconsider what defines a ‘patriot.’ I’m glad this story was told.
One of the biggest complaints from conservatives in the last 40 years has been either the negative depictions of religion or lack of positive depictions of religion in movies. True, this is not the Hollywood where the Hays Code calls the shots. For those that read my review of Of Gods And Men, I have a quote from Barbara Nicolosi about why that’s the problem. That explains why it’s hard to get a pro-religion movie to compete for Best Picture nowadays. There’s a fine line of showing a film with a positive depiction of Christianity without it being schmaltzy, hokey or overly sentimental. Plus with all the ‘game changers’ in the last few decades, writing a winning script or creating a winning film is just that much of a challenge.
I feel they did a very good job in Hacksaw Ridge. It was a very good story of the persecution Desmond Doss had to face for his beliefs. It was a very gritty story of the war and all the damage it caused. Some say the graphicness was comparable to Saving Private Ryan. It was an honest portrayal about someone’s faith. However there was one point when I felt it was borderlining on hokey during the scenes of: “Please, Lord. Help me find one more.” I know that was something Doss said in real life but I’m just wondering if it could have been done better.
This film is the first film directed by Mel Gibson in a decade. I know he had to take a break as he had a very public meltdown with the things he said about others and problems with alcohol. You could rightfully call this film the redemption of Mel Gibson. He directs an excellent film that took a lot of effort to make. 14 years to be exact even while Doss himself was still alive going from one writer to the next until finally they had the right script and right story thanks to Andrew Knight and Robert Schenkkan. Gibson and the writers did an excellent job with the film with the story and the depiction of war.
In addition, the story was made thanks to the performance of Andrew Garfield. This was more than just a war story. This was a story of a person’s heart and soul. Garfield knew he had to personify Doss in his convictions in order to make this story work. He did it excellently. It’s hard to pick out any supporting players who stood out. None of the roles of the supporting actors were as developed. However Teresa Palmer did a very good job as Dorothy Doss and portraying the concerned fiancee, as is Hugo Weaving as the father Tom Doss and Vince Vaughn as the hard Sargent Howell. The visual effects and the sound mixing were top notch, as it should be in a film like this. The score from Rupert Gregson-Williams fit the film excellently.
Hacksaw Ridge is a surprising film. Who would’ve thought that the best war movie in years would be about a man that didn’t fire a single bullet? Definitely a story worth telling.
At some point, you gotta decide for yourself who you’re going to be. Can’t let nobody make that decision for you.
This year’s surprise critical success is Moonlight. It’s a very unique film like no other seen this year.
The film is unique as it sets itself around three key periods in the life of Chiron. There’s his childhood where he’s known as Little, there’s his teenagehood where he’s simply known as Chiron and there’s his adulthood where he’s known as Black. The film does tell a story of a man who you think would die young. He has all the ingredients: gay, living in inner city Miami, a verbally-abusive mother addicted to crack, arrested at a young age and a future of being a pusher himself. Somehow he finds the will to survive. He’s able to withstand the bullying he faces for being gay, he’s able to decide his life to the best of his abilities without his mother. Often it’s not the best choices he makes in his life but he finds the ability to survive. You wonder how does he do that? Was it from that brief time with Juan and his mentoring? Was it the love from Kevin he always knew was there? I remember that scene of Little in the school dancing classes dancing like he was in 7th heaven: his escape from the bullying. Was it a spark within Chiron himself? Whatever the situation, it results in beauty at the end.
The film is not just about Chiron. As one can see, it showcases the lives of many different African-American people living in the inner city. It may show some of the more negative depictions like drug dealers, poverty and drug addicts but it also shows positive images too like in the case of Juan and his girlfriend or even in music being played. It showcases some surprising things as well as how Juan the pusher can be a very smart man. It even dispels some myths we have of inner city people. Like how Juan was good at handling Chiron’s homosexuality and gave him words of comfort while Paula acted out in hostility. Usually you’d expect ‘gangstas’ to have a homophobic attitude. It showcases what it’s like to be black and gay in the inner city. It also showcases people’s insecurities. It is overall one man’s attempt to find himself in the harsh world that he lives in. Yet despite all its harshness, it becomes something beautiful in the end.
The film is a triumph for Barry Jenkins. This is actually his second feature as a director. His first film, 2008’s Medicine For Melancholy, won a lot of attention and even earned him many directorial debut awards. Moonlight is only his second feature. This film which he adapts a script from a drama school project from Tarell McCraney is a masterpiece in both the story and its direction. The script is also excellent that there is not too much dialogue but is able to say lots even in the silent parts. Another quality of the film; it says a lot while saying very little. Overall the film is a real delight to watch and leaves one wondering what Jenkins will have next.
The three actors who portrayed Chiron– Alex Hibbert, Ashton Sanders, and Trevante Rhodes- all did a very good job with the role and portraying him at the right ages. Mahershala Ali was excellent as Juan: the pusher who becomes a mentor to little Chiron for that brief period of time. Ali had to bring the right charisma and character for a role like Juan to work not just in his scenes but to have an influence throughout the whole film. He did a stellar job. Also excellent was Naomie Harris. Possibly the one actor or actress to be a part of all three scenes, Harris was excellent as the drug-addicted mother Paula. She had to go through three stages with her role from a simple crack user to a crack addict to recovering in rehab. Each time she had to give her role dimension and inner depth to keep it from being cardboard. She did excellent too. There were additional supporting roles that were also good like Janelle Monae as Teresa and Andre Holland as the adult Kevin.
The technical bits were also excellent. The film was edited very well, the cinematography from James Laxton was possibly the best of the year. The score from Nicholas Britell was excellent but the inclusion of track music from classical to Latin to funk to hip-hop to Aretha Franklin to Motown really added to the feel of the movie. Almost feels like an anthology. In fact that scene when Kevin sees Chiron (as Black) after so many years and plays the classic Hello Stranger is one of the best scenes of the film.
Moonlight is a story of a young black man coming of age in the big city but it’s a lot more too. Those who’ve seen it will know why this film is a masterpiece.
And there’s the first of my Best Picture summaries for this year. Next one coming up in a few days.