Right now we seem to have a lot of reboots in terms of entertainment. Reboots of TV series, reboots in music and reboots in movies too. A Star Is Born is a reboot of a film done three times before, but does it translate for the present?
I know I mentioned about a lot of reboots happening in my introduction. There are a lot of successful reboots right now, but there have also been some reboots that flopped too. What makes a successful reboot isn’t just rehashing something people loved in the past. It also involves making it relevant to the present and also have the ability to both please fans of the past materials and win over new fans. One of the best cinematic examples of a reboot is last year’s It. The cinematic version of It worked last year because of two smart choices. The first being it would divide 28 years earlier to the time of the plot in two separate films. The second being the childhood part of the story would be set in 1989 and the adulthood part of the story to be set in the present, unlike setting the childhood part in 1958 and the adulthood part in 1986 as in the novel and the miniseries.
Moving onto A Star Is Born, we’re dealing with a film that has been done three times before. The first being in 1937 starring Janet Gaynor and Fredric March, the second being in 1954 starring Judy Garland and James Mason, and the third being in 1976 starring Barbra Streisand and Kris Kristofferson. For Bradley Cooper to take on the project and turn it into something winning for the present, he had to make a lot of choices.
Some elements would be very similar to what was done in films past, while some elements would have to be new and relevant and believable for the present. There were a lot of elements of all three past editions that worked very well such as a singer struggling to make it, the wash-up who discovers her and promotes her to greatness and even loves her, and the man encountering a substance problem which hurts his marriage and ultimately takes his life.
There were some elements from the separate films that he had to include. For example 1937 and 1954 were about an actress trying to make it and a washed-up actor promoting her and loving here. 1976 was about singers for the first time. The choice to have singers and in the field of country music as in 1976 worked well for the film. I will focus more on that later. Also the tribute Ally gave to Judy Garland was a subtle reminder in the film of the most famous version of the story.
Then there were the more complicated choices. First off, Bradley Cooper may have proven himself as an actor, but not as a singer or a director in the past. Bradley had to give himself the practice and even have the duet scene done in front of a live crowd. Sometimes only the real thing can work. Secondly, there were two factors involving Lady gaga. One factor was she had limited acting experience with her biggest previous role being her minor role in Sin City: A Dame To Kill For. The other factor was to present Gaga as a country singer. We all know her as the modern flamboyant pop icon and most of us could not see her as a country star. Even seeing Gaga portray Ally as a common pop star later on was challenging because of her ‘grand diva’ image. However Gaga made it work and came off as a very believable country singer. Her songs from the film have also won her fans over too. Thirdly is the chemistry between the two. The two had to come across not just as two singers but as a couple in love. The chemistry between Jackson and Ally worked excellently and made for a believable story. Star power can only go so far. They have to make it work on screen and they did it. Fourthly is the music. In order to make this version of A Star Is Born about two contemporary singers, the reboot had to have original songs that fit the film and fit the genres of country of pop, whatever genre was needed in what scene. The songs fit the film to a tee and proved to be winners off the screen too as Shallow and I’ll Never Love Again have charted.
Top accolades go to Bradley Cooper. The reboot was originally intended in 2011 to be directed by Clint Eastwood and have Beyonce as the lead. Beyonce’s pregnancy interfered with the story and it lead to four years of chaos with both Beyonce and Eastwood eventually leaving the project. Cooper picked it up, joined co-writer Will Fetters, and saw it as his chance for his directorial debut. He was first trying to get Beyonce to agree to the project, but it was decided in 2016 that Lady Gaga would be the lead. This proves to be a success in acting, directing, co-writing with Fetters and Eric Roth, and co-producing. The story comes across as relevant and believable to the current times and winning with the public once again.
It’s not just Cooper. Lady Gaga comes off excellent in what is her first lead role. We all know how Lady Gaga can really go into a character as seen in her on-stage performances and her music videos. However this was her first major acting role and singers are a bit of a gamble in terms of casting them as actors in movies; they’re either sink or swim. Sure, she knows how to sing, but the challenge was for her to handle a lead role. She handled the role of Ally with believability from start to finish. Even with the singing, Gaga showed she can sing country very well and also make for a believable common pop star. The film is as much Gaga’s triumph as it is Cooper’s.
There’s also more winning performances than just Cooper and Gaga. There’s also veteran actor Sam Elliott not just coming across as a believable cowboy half-brother in Bobby, but also stealing each scene he was in. That’s what makes a winning supporting actor. Andrew Dice Clay is not only good as Ally’s father Lorenzo, but is unrecognizable! Rafi Gavron also comes across well as Ally’s manager who has an axe to grind with Jackson. He did a good job in making Rez hateable. Dave Chappelle and Anthony Ramos were also very good in their supporting roles, despite having roles that weren’t that challenging or lacked screen time.
A Star Is Born goes beyond being a simple reboot. The story is made relevant to the times, the actors deliver a believable story and a love with chemistry, and the music is winning. This is not just another reboot. This is a reboot that works big-time!
Until now, It appeared to be the one big Stephen King novel that has not had a big screen adaptation. Sure, there was a miniseries back in 1991, but nothing beats a big-screen showing. Finally it’s here, and the excitement is just beginning!
The story beings in the fall of 1988 in Derry, Maine. Sick and in bed, a stuttering Billy Denbrough makes a paper boat for his younger brother Georgie to play with on a rainy day. While playing with the boat, it falls into a sewer. Georgie goes to get it, but comes across a clown named Pennywise who manipulates Georgie by biting off his arm and taking him down the drain.
The story progresses to June 1989: the end of the school year. Bill has found himself with a clique of three misfits which include bespectacled big-mouth Richie Tozier, sickly asthmatic Eddie Kaspbrak, and fearful Stanley Uris who’s the son of the rabbi. End of the school year won’t mean the end of torment from a group of bullies led by Henry Bowers, son of a police officer. Bullying is Henry’s favorite past-time as he loves tormenting almost every kid. His last victim on this last day of school is Ben Hanscom, an overweight kid new to the town. The bullying however does result in Beverly Marsh, who’s bullied by the popular girls in school and called a ‘slut,’ coming to the rescue. She takes a liking to Ben as she learns he too likes the New Kids On The Block. She doesn’t appear bothered by her own bullying at school because she gets it worse by her father at home. Last day of school just means work on the farm for Mike Hanlon, an orphaned African-American boy who’s raised by his grandfather.
The abduction of Georgie is still very much on Bill’s mind. Actually it’s on the minds of most people in Derry. Derry has a dirty secret that children disappear six times more often than the national average. Bill tries to get his friends to locate the possible whereabouts of Georgie, believing he may still be alive and in a marshy wasteland known as the Barrens. Ben does research into the town of Derry. He learns of the explosion of 1908 which killed many children. He also learns of how children of Derry go lost most frequently: a curse going back centuries. Ben encounters a headless boy in the basement and runs off, only to be encountered by Henry’s group. Ben successfully fights them off and runs away bumping into Bill’s group. Adding to the drama of Derry, the group including Ben find the sneaker of a young girl. Patrick Hockstetter, one of Henry’s bullies who is chasing after Ben, is killed by Pennywise and becomes the latest of the missing.
The following day, all five of the boys have some type of nightmarish encounter with It. Later they encounter Mike Hanlon after he was bullied by Henry’s group. Mike becomes part of the group which now calls itself the Losers Club. Mike also possesses some knowledge about this entity and how it’s haunting Derry. Later in the summer, the group get together to do research into this entity that haunts them each. Bev finds her way into the group, thanks to Ben. They come across some interesting facts: they are all haunted by the same entity in the guise of what they each fear; awakens every 27 years to prey on children before returning to hibernation; and uses the sewers to travel about the town upon where a shabby abandoned house on Neibolt street is built.
They see the house on Neibolt as a chance to get to It. Most are afraid, but Billy wants to do this for the sake of finding Georgie dead or alive and to prevent other children of Derry from receiving this same threat. All agree the first time, but after having to wrestle with Pennywise the first time. Inside, Eddie breaks his arm, making him vulnerable to Pennywise. Fortunately Bev impales Pennywise, forcing him to retreat vowing revenge. However the group is threatened to disband as Eddie’s mother is furious with what had happened. Bill insists on continuing to fight It, but all except Bev and Ben leave.
August comes. Bev is threatened by her abusive father and threatens to rape her, but she kills him with a toilet lid. Unfortunately Pennywise abducts her. This prompts Bill to reassemble the Losers Club to rescue Bev. Even Eddie returns to the group after he learns that his asthma is fake and drug-induced by his mother. Meanwhile It goes into the guise of a children’s television host to compel Henry to kill his abusive father and then kill the Losers Club over at the Neibolt house. Henry fights Mike only to pushed down a well to his death. Inside the Neibolt house, they try to make their way to It’s central location, only to have Pennywise bite Stanley’s head with It’s sharp teeth. Soon they make their way to a cooling tower where they find It’s lair, containing a mountain of decaying circus props and children’s belongings. They also find Bev floating in a catatonic state. The group are able to bring Bev down and it’s Ben’s kiss that restores her consciousness. Now it’s up to the Losers Club to defeat It. The film ends with a spectacularly haunting ending that’s both triumphant, tragic and in anticipation for what’s next.
Adapting a Stephen King movie to the big screen is very much a case of hit-or-miss. Not everything can be adapted from the novel so the writers and directors have to work to bring it to life within two to two-and-a-half hours. That would mean a lot of picking and choosing and a lot of pairing down. There have been a lot of cases where it has worked excellently like Carrie, Christine, The Shining, Stand By Me, Misery and The Shawshank Redemption to name a few. There have been duds too like Maximum Overdrive, Needful Things, Dreamcatcher and Cell. YouTube countdown channel WatchMojo even did a countdown on how movie adaptations of novels actually differed greatly from the real thing.
Before there could be a big-screen adaptation of It, the film had to be organized. This is a movie that took eight years and the efforts of three directors to develop and loads of casting changes. It started when David Kajganich decided to adapt the screenplay when he learned Warner Bros. would be in charge of it. In 2012, direction then went into the hands of Cary Fukunaga. He had a vision of the story and originally planned to cast Will Poulter as Pennywise and Ty Simpkins as Bill. That changed when New Line Cinemas stepped in. Fukunaga withdrew from directing feeling that New Line and their concern with budget cuts was interfering with the creative process.
Then in July 2015, it was announced Argentinian director Andy Muschietti would be signed on to direct with Fukunaga remaining as scriptwriter. Muschietti has had a modest success that took off overnight with his 2008 short film Mama being expanded to an English-language release in 2013 with Jessica Chastain as lead actress. Casting changes came about with a new Bill and a new Pennywise most noticeable. Muschietti is the only director that went the full distance.
Then the adaptation of the story. This adaptation from It makes a lot of notable changes from the original novel. First we must remember the novel was released in 1986. The characters as children were set in the 1950’s. The characters as adults were set in the 1980’s. Here, we have the child characters set in the summer of 1989: a summer that’s close to my heart, too. Setting that part in the 1950’s would seem like a good choice as made evident in Stand By Me, but it could also be a hindrance. 2001’s Hearts In Atlantis was set in the late-50’s and it flopped. I feel it made sense to adapt the Losers Club part of It to 1989. It worked here.
Then there’s the choice of whether to do the full novel in this It movie or have this as a movie series. We’re talking about a novel that first required the format of a mini-series in order to get its first adaptation. It made sense to have the first It movie with focus exclusively on the Losers Club as children and then have a second It film possibly with the Losers Club all grown up. It would also be a gamble as this first It film would have to avoid performing poorly at the box office to get a second It film happening, despite the chances of that being extremely slim. I’ll mention later why they won’t have to worry about that.
One thing we shouldn’t forget is that this is a Stephen King film. Adaptations of Stephen King novels have been known to be a case of a lot of paring down of the story to mish-mashing to including only one part of a multi-chapter novel. Stephen King’s novels have a lot of common elements. For those unfamiliar with Stephen King novels, the first common element is the setting in a smalltown in Maine, most commonly the fictional town of Derry. Another is the case of main child characters being the misfits in a harsh time in their lives. Another is the situation of parents who are either negligent, manipulative or downright abusive to their children. Another is of religious figures or religious people with some even possessing a warped sense of blind faith. Another is the element of evil that King works into his villains.
The film included a lot of elements common to a Stephen King story. It’s set in Derry and the misfits form a clique of their own: The Losers Club. As for parents: Billy’s parents are too distraught with the loss of Georgie to pay attention to his issues; Stanley faces the pressure of being the rabbi’s son; Eddie’s mother has a case of Munchhausen syndrome which explains the fake Asthma she induces with pills; Henry Bowers’ father uses his gun to ‘traumatize’ sense into him; and Bev’s father… I don’t want to go there. Religion or religious figures are not seen as so much of a threat, curse or interference in It, but some could argue Stanley’s strict religious upbringing made him a fearful person. As for evil, the character of It is one that messes with the characters minds and fears it took a group of seven children to solve who It is and to end It once and for all.
The film also had to leave some things from the novel out. It’s not just changing the setting of 1958 to 1989. There were some guises of It in the novel that didn’t appear on film. Henry’s bullying of Stanley includes anti-Semitic slurs in the novel. Here in the film, it’s limited to throwing Stanley’s yarmukel like a frisbee. Patrick Hockstetter is not killed by It as Pennywise, but It as an army of leeches. Henry attempts to kill the Loser Club with his friends Vic and Belch in the novel, but he’s on his own in the film. In the novel, Bill confronts It through the Ritual Of Chud. And finally, Bev has sex with all six of the Losers Club boys in the novel after they make a blood oath. You can understand why that ending was changed to what it is.
In the end, Andy Muschietti delivers a winner of a film. He was not the most experienced director when being hired on to do It but it paid off and delivers an excellent thriller that frightens and gets one excited for the next It film. Kudos to scriptwriters Chase Palmer, Fukunaga and Gary Dauberman for putting together an excellent adaptation and making a lot of choices that worked. The story of the Losers Club bonding as one to fight It gives one memories of Stand By Me and even a lot of similarities to Stranger Things. Having Stranger Things star Finn Wolfhart adds to that factor even under those big glasses. The film also did a good job of adding humor into the film. The film is situated around a bunch of 12 year-olds so having some humor adds to it, despite how dark a story it is. Plus the music from 1989 adds to it too.
For those who are complete ‘virgins’ to It— I’m taking about those who have never read the book or seen the miniseries– it will keep them intrigued and scared. It will also seem confusing at first with most being haunted by Pennywise but others scared by other images too. In the end, it will all come together. All are being haunted and tormented by It. They will first think Pennywise is It, but It takes the guise of many figures like Bev’s abusive father, the children’s TV show host that pushes Henry to commit murder, the animated picture from the painting that haunts Stan. Pennywise is the most dominant guise of It and used mostly to lure young children. It’s right and proper that It meets its match as Pennywise and from Billy.
For those who are fans of the novel It and even the miniseries, they will admire that this is a film that captures the best and truest aspects of a Stephen King horror thriller. It doesn’t stray off like so many other adaptions nor is it a victim to too much studio tweaking of the story. Sure, it sets the Loser Club part of the story 30+ years of when the novel sets it, but the characters of the Loser Club and those surrounding them are very much in tune with the novel. Most of the incidents that happen in the movie It closely match what happens in the novel too. I’m sure fans of Stephen King novels will be proud of this movie. Also I feel Stephen King fans will feel that the producers made the right decision to have this first It movie focus strictly in the Losers Club story and have the incidents of 27 years later focused in It: Volume 2, which I will elaborate on in conclusion.
However the best thing about It is that this is a rare case of a horror movie that delivers excellence. The genre of the horror movie is very hard to master. Most horror movies often come across as junk loaded with blood, gore and other elements for the sake of shock value. Us 80’s kids had that with all the Friday The 13th and Nightmare On Elm Street movies. Millennial kids got that with the Saw movie franchise. Most of the time, these horror films become horror ‘comedies’ because of how stupid the situations are and how the actors are told to act idiotic on purpose. It takes a lot of effort to deliver a horror story on screen with a good story and good character development to add to it. It’s even possible to create a masterpiece of a horror movie. Movies like Psycho, The Exorcist, Carrie and even Get Out from this year are some of the best examples. Even good acting can come out of a horror movie as Sissy Spacek’s performance in Carrie earned her the first of her six Oscar nominations as did a nomination for Piper Laurie. It delivers in having a well-written script, a well-directed story and dead-on acting from the actors. This should be a template on how to do a horror movie right.
Jaeden Lieberher did a very good job in playing Bill Denbrough, especially in making the stutter look natural instead of wooden, and in making the quest to fight It a personal battle for Bill. The best thing about Lieberher was he was good at being unselfish with his lead role as he knew the other members of the Losers Club had their moments too. Sophia Lillis was possibly the biggest scene-stealer as tomboy Bev as was Finn Wolfhart whose role of Richie Tozier will entertain you, but also make you want to tell him to shut up! Good performances included Wyatt Oleff as the fearful Stanley Uris, Jeremy Ray Taylor as Ben the misfit who finds his way, Jack Dylan Glazer as sickly Eddie who develops an inner strength over time and Chosen Jacobs as the farmboy who becomes a help to the clique. All seven of the Losers Clubs kids not only had to play their parts but also make their characters grow. We see it in all the characters, especially Bill. Bill didn’t lose his stutter but he gained a new inner strength.
The actors in the Losers Club did a good job in playing salty-mouthed 12 year-olds that were not afraid to let loose, get sassy and even act like jerks at times. That’s definitely an appeal as Hollywood has a way of making child performances to innocent or ‘sugar-coated.’ Just turn on the Disney Channel and you’ll see what I mean. The kids of It were very unlike the squeaky-clean crystal-clear purity-ring-wearing Disney Channel kids; more like the foul-mouthed kids of Stranger Things. And all the better for it.
It’s not just the Loser Club that delivers in terms of acting. There’s also Bill Skarsgard who did a good job in giving Pennywise his sinister demeanor. There’s also Nicholas Hamilton who succeeds in transforming Henry from simply a jerk bully to being possessed by It’s evil leading to his own death. The mix of music of 1989 hits and the score of Benjamin Wallfisch blended well and fit the scenes of the film well. The visual effects of the film are also excellent and needed to be top-notch to make the movie work.
Already It has broken a load of records in its opening weekend. It set a September opening weekend record of $123.4 million, breaking the old record held by Hotel Transylvania 2 of $48.4 million: more than 2 ½ times that! Usually September is a quiet month for movies and they usually yield low box office results. Mainly because people had their fix during the Summer Movie Season. Summer’s over and now it’s time to get back to regular life and wait for the movie excitement to return in November as is custom. It proved that the September movie season had something to deliver, and right on the weekend after Labor Day, of all weekends! Usually that’s the lowest-grossing weekend but not this year! Other records It broke and feats It achieved according to Box Office Mojo are Widest R-Rated Releases, Widest R-Rated Openings, Highest-Grossing Fall Opening Weekend, Second-Highest Opening Weekend for an R-Rated film, Highest Grossing Stephen King Film (in just five days!), right now the third-highest grossing R-Rated horror film and second only to Deadpool for the biggest opening weekend for an R-rated film! And I’ll bet there will be more to come!
SPOILER ALERT: Do Not Read This Paragraph If You Don’t Want To Know The Ending! The film gives evidence that this will be the first It movie and there’s a Volume Two coming. It’s in the end credits and it’s very well-hinted when the Loser Club makes a ‘blood promise’ to return to Derry in 27 years if It returns. There’s already talk of It: Volume Two on IMDB. There’s a lot of talk about it from Muschietti to the producers to even the young actors. As of yet, nothing is finalized. It’s possible one could assume the film could be set in 2016–27 years from the first It— and Pennywise makes a return to the Losers Club all grown up. It’s very possible the original Losers Club from this film might have a low presence in Volume Two. That could help or hinder the story because all seven of the Losers Club helped make this adaptation of It a hit and their absence might mean the absence of their charm in Volume 2. However nothing is finalized and it leaves those that saw It in big anticipation of what’s to come.
It delivers as a Stephen King horror movie that has all the right moves–a rarity for horror movies as a whole– a hotly-anticipated Stephen King adaptation that works on the big screen, and a big reason for people to go to the movie theatres in September! Some say this could be the best Stephen King movie since 1976’s Carrie. You be the judge.
Here at the VIFF, you’ll see many films directed by female directors. One is To Keep The Light, directed by Erica Fae. It’s a very impressive work.
Abbie is the wife of Thomas, a lighthouse keeper in Maine in 1876. However Thomas has recently fallen ill and has become bedridden with a complete loss of appetite. That means Abbie will have to tend to the lighthouse while he is sick. She does everything Thomas does and keeps record of everything although she does commit one error.
One morning she sees a body of a man has washed ashore. The following day, she sees the man has not awaken so she assumes he’s dead. However just as she’s about to cast the body to sea, the man awakens. She gives him shelter and food as he’s about to recover. He tells her the story of how he ended up in the sea. As he’s recovering, she tells Thomas of this man: a Swede named Johan. It’s only a matter of days that Johan gets better. He’s even able to help Abbie with the lighthouse.
Abbie’s even able to go to town with Johan but the townpeople do not look fondly towards Abbie or Johan. Some are suspicious of the two considering Thomas is still bedridden. Even the postal lady Mrs. Williams has a suspicion towards Swedes as do many of the townfolks. It’s difficult enough since one family, the Eaton family, feels they should have owned the lighthouse only to have been outbid by Abbie and Thomas.
One day Abbie sees the breakfast eaten, assuming Thomas is starting recover and lies next to him, only to discover it’s Johan. Abbie soon learns the horrific news. Thomas is dead; he drowned himself. As if Thomas’ death isn’t hard enough, she knows she could lose the lighthouse to the Eatons. Troubles turn worse as the Chief Inspector conducts an inspection and gives it a scathing review, mostly because of his male chauvinism. Soon Johan reveals her love towards Abbie just around the time the Eatons are trying to claim her lighthouse. Abbie would have to make an important decision. She does, but not the decision most would expect.
Listening to the first five minutes of the Q&A with Erica Fae, I learned a lot more about women who looked after lighthouses in place of their ailing or deceased husbands. It’s documented but the times whitewashed their contributions those many years ago. Erica Fae is able to bring their achievements to full view and for us to finally see. Even though Abbie is a fictional character, it’s enlightening to see what they did during the time. I’m glad Erica has the chance through this film to finally tell us their story and finally commend their accomplishments.
If there’s one glitch about this film, it’s that it doesn’t appear like it’s solid in its intention as a film. It becomes obvious it’s about one woman’s struggle to keep the lighthouse she should rightfully own being the widow of the previous owner. However the story of Abbie’s struggle has the distraction of her romance with Johan. I’ll admit while watching this, I was left wondering if the film was intended to be a romance: a story about the man Abbie truly loved. I don’t have a problem at all with films conveying a message of women fighting for their rights but I think the romance from Abbie and Johan took away from the story’s message and would leave confused about what the main intention of the film is to be.
SPOILER ALERT – Do Not Read This Paragraph IF You Don‘t Want To Know The Ending: Even the ending had me confused. It’s obvious Abbie loved Johan but it couldn’t be that she was thinking of marrying him to keep her lighthouse. Even if it was right after the death of Thomas, Abbie didn’t come across as that type of woman. If she were to marry Johan, it would be because she loved him. I admit I had different expectations in the film. I thought Johan would follow his heart and come back to her. I think that’s why the ending of her writing the letter to set her ownership of the lighthouse in stone left me confused.
I give a lot of respect to Erica Fae for this film. Fae is best known as an actress in the film Synecdoche, New York and a recurring character in Boardwalk Empire. She wrote, directed, researched and played the lead in the film. She does an excellent job in all the duties she takes on in the film but there are some noticeable flaws. I know I made mention of a story of a love mixed with a woman’s fight for her right as coming off as uneven. As far as Fae’s acting, she does an excellent job of playing the character but she doesn’t come across as too believable as a woman from the 1870’s in New England. She comes across as too 21st century in her movement and her speaking. Antti Reini did a good job of playing Johan. The other cast members also did very well in their parts. The cinematography by Wes Cardino was excellent and gives a great feel for the East Coast. The score by Caroline Shaw was also very fitting for the film.
To Keep The Light has its noticeable flaws. Nevertheless it is a good story about what certain women had to fight for that often goes overlooked. I thank Erica Fae for giving us this story.