Yes, the Vancouver International Film Festival starts again. Today begins the 35th installment of the Film Festival. This year will not only be exciting because of what to see but also what new additions are happening.
This year’s theme is: “Expand the frame.” Part of the aim of this year’s VIFF is to make the Festival more accessible and more creative. One of the new additions is the VIFF Hub. The Hub and surrounding area will be the location for lectures and exhibitions surrounding film and art. There will even be art exhibitions, virtual reality exhibits and music performances from DJs, local performers and performers from around the world. Some events are free of charge as long as you’re a VIFF member while some may be ticketed events. The VIFF website will explain it all.
Film is still the centre of it all. There will not only be films shown but lectures from industry professionals as well. Directors, producers and actors will appear at some showings for Q&A’s including an appearance of Tatiana Maslany. Deal-making will also be included in the process. This year, for the first time, there will be an IMAX film shown over at the Telus World of Science for the Closing Gala.
As for volunteering, this year there were 1100 volunteers signing up. Way higher than the usual 800 that serve the required 32 hours of work. Because of that, volunteer seating will be limited during many films or not allotted at all. Nevertheless I should be able to get in to see a lot of good films. This year promises to have hundreds of shorts and feature films from 73 countries, including five ‘globetrotting’ films. As of press time, 13 films are official submissions for the category of Best Foreign Language Film for this year’s Oscars. A footnote worth adding is A Flickering Truth from last year’s VIFF is New Zealand’s official entry in the category for this year. Canadian films will remain the focus as has been in past Festivals. This year’s top sponsor is no longer Rogers but a more local big name in telecommunications: Telus. SuperChannel will take over the People’s Choice awards.
As for highlights, here’s a list of some of the films headlining the VIFF:
- OPENING GALA: Maudie – A biographic film of Canadian folk artist Maude Lewis starring Sally Hawkins and Ethan Hawke.
- CLOSING GALA: Voyage of Time: The IMAX Experience – An IMAX spectacle of the universe from the beginning of time to today. Written and directed by Terrence Malick and narrated by Brad Pitt.
- American Honey – A drama about a teenage orphan trying to grow up. Directed by Andrea Arnold and stars Shia LaBeouf.
- The Birth Of A Nation – This Sundance’s hot ticket and the hottest thing to come from the fest in years. Nate Parker writes, directs and stars in this drama of a slave rebellion that occurred decades before the Civil War.
- Elle – The latest black comedy from controversy-causing director Paul Verhoeven. Isabelle Huppert plays a video game CEO with a lust for power and revenge.
- The Girl With All The Gifts – A British zombie drama directed by Colm McCarthy and stars Gemma Arterton and Glenn Close.
- Graduation – A Romanian drama of a doctor doing what he can to insure his daughter gets into a presigious university. Director Cristian Mungiu won Best Director at this year’s Cannes Film Fest for this.
- The Handmaiden – A Korean drama of a pickpocket who plays a Japanese maid of an heiress whose fortunes he plans to steal. Divided by chapters and loaded with sensuality.
- Human – A documentary by French director Yann Arthus-Bertrand. It focuses on the world from on high from positive things like love to even negative things like murder.
- I, Daniel Blake – This year’s Palme d’Or winner at Cannes, this film focuses on a man getting his disability status reassesses and denied benefits. Ken Loach’s look at one man rivaling the system.
- Julieta – Pedro Almodovar is back! Spain’s submission for the Best Foreign Language film for this year’s Oscars, Almodovar returns to the heart-on-the sleeve melodramas with female lead characters he’s most famous for.
- Manchester By The Sea – Another highlight from this year’s Sundance. Director Kenneth Lonergan showcases a story of a man (Casey Affleck) returning to his Massachusetts home after the death of his brother and trying to sort out his family’s past.
- Milton’s Secret – A Canadian hot ticket directed by Barnet Bain, it’s a unique story of how a troubled 12 year-old teenager finds relief from the frustrations of his life through his grandfather. Stars Donald Sutherland and Michelle Rodriguez.
- Moonlight – Director Barry Jenkins showcases a drama of an African-American man struggling to come out despite the past troubles that haunt him.
- Toni Erdmann – Germany’s submission for the Best Foreign Language film for this year’s Oscars, the film tells the story of a woman frustrated with her conniving father and his female disguise that irritates her to the point of leaving him behind after her promotion.
So this is what this year’s VIFF has in store. It all starts September 29th and it all ends October 14th. Lots of excitement to come.
It’s interesting how many films have been re-released in 3D. However this week marked an opportunity to see a classic movie re-released in 3D for the first time ever, and in IMAX to boot. It seems appropriate that the first classic movie to receive a 3D re-release is The Wizard Of Oz. The big question is does The Wizard Of Oz work in 3D?
Just like my review of the 3D re-release of Titanic, I will focus my review in the 3D aspect of the film as well as other technical aspects. The most I will mention about the film itself is that it still qualifies as a masterpiece. The acting, singing and dancing are top notch and the movie is perfectly edited. The visual effects are very cheap and chintzy by today’s standards but they didn’t have today’s visual effects technologies 75 years ago. Nevertheless the movie continues to entertain families even to this day. It’s no wonder why it’s stood the test of time. In fact I declare: “If you haven’t seen The Wizard Of Oz, you didn’t have much of a childhood.” The film has received a load of acclaim including a #10 ranking on the AFI’s 2007 list of the Top 100 Films of all time, a #3 ranking on their list of the Best Musicals, a #1 on the Top Fantasy Films and a #43 rank on the Top Thrillers List. Three of its lines made the AFI’s list of the Top 100 Movie Quotes with “Toto, I’ve a feeling we’re not in Kansas anymore.” being #4. Three of its songs made the AFI’s list of the Top 100 Movie Songs with Over The Rainbow naturally being #1.
Another interesting note to add is that it was directed by Victor Fleming. Fleming also directed another masterpiece released in 1939: Gone With The Wind. Both would become two of the greatest films ever made. 1939 would be considered one of the greatest movie years ever and you could bet it was because of those two movies. No doubt they established Fleming as one of the biggest directors ever.
As for the 3D IMAX re-release, I often questioned in the days before seeing it whether it was a good idea to re-release it in 3D? Technology’s changed a lot in the many decades since. The special effects would be seen as cheap by today’s movie goers. Would the 3D work? Would the IMAX theater format work?
I saw it Saturday night. Hey, this is a one-week only limited time thing. The film started on an impressive note. I noticed the 3D work with the MGM roaring lion and the opening credits with the clouds in the background. As for the story, I didn’t notice how the 3D addition made too much effect on the movie. The debris from the cyclone didn’t really surprise us. The bedroom window images Dorothy was looking at in mid-air was made too obvious this was film-on-film work. The pyrotechnics used didn’t appear 3D. The flying monkeys didn’t appear like they were coming for me as I was hoping they would.
I don’t think the 3D effect really added too much too the movie. Showing it on an IMAX screen did. It wasn’t necessarily the special effects that were enhanced by the IMAX screen but it was the viewing of the whole movie. I’ve seen it on television many times but just to experience it on an IMAX screen was definitely something. I think I would have been impressed even if I saw it on a regular movie screen. Nevertheless it was a delight to see. The movie must have been remastered because the colorful images of Oz were incredible. The ruby slippers shined, the makeup on the tin man looked fresh, the green face of the witch looked scary, Glinda’s gown looked majestic, the yellow brick road looked freshly painted, Emerald City glowed…I think I could go on forever. Even the sound appeared remastered as the movie score and the musical numbers from everyone, especially Judy singing Over The Rainbow, sounded completely fresh.
Funny thing is that it has me wondering if there will be any other classic movies that would receive a 3D re-release. I will admit that The Wizard Of Oz is the one classic movie that most deserves a 3D re-release but will others follow? I’m sure there are some, like say King Kong or Ben-Hur or the Ten Commandments. I’m tempted to think some of those sci-fi B-movies from the 50’s would be great to re-release in 3D. So would Star Wars. Actually does Star Wars now qualify as a classic movie?
Oh yeah. For those curious about the box office biz, it made roughly $3.1 million this weekend. Ironically it made $3 million back during its original release in 1939. Actually $3 million would be lots in 1939. I’m sure if you adjusted 1939’s total with inflation and added in the grosses of the various re-releases, it would be in the hundreds of millions.
I’ll admit that I find 3D releases of movies cash-grabs, including 3D re-releases. The 3D of the 3D IMAX re-release of The Wizard Of Oz didn’t add too much. However the IMAX format and the remastering of both the images and the sound made it an excellent viewing pleasure. Reminds you that it’s so right and proper that it be re-released on the big screen whatever format it’s given.