Saving Mr. Banks is to be the story of how Walt Disney was able to bring Mary Poppins to the big screen. The question is not just will it bring the story to life but will it make people want to see it on the big screen?
It’s 1961 and Mary Poppins author P.L. Travers is struggling financially. Walt Disney has been trying to get Travers to agree to allow him to adapt Mary Poppins to the big screen for 20 years on account of a promise he made to his daughter. Travers finally agrees, albeit reluctantly but she’s extremely distrustful of Walt. She has stern expectations of Mary being adapted to the big screen such as no musical numbers, no Dick Van Dyke, none of the Disney frilliness and no animation.
Things do not start well for Mrs. Travers. She’s unhappy in Los Angeles with the carefree attitude of the city and by the happy ways Walt Disney, his co-workers and even Ralph the chauffeur do business. Not even Walt’s familiar manners warm up well to Travers. Things get harder as Don DaGradi does the script, the Sherman brothers compose the music and Walt designs the characters. She even has a problem with Mary Poppins being the epitome of sentiment and whimsy, believing she’s the opposite of that. That surprises the Disney crew as they’ve always viewed Poppins as fantastical and known Travers to have a fantastical childhood, as seen through flashbacks.
However things take a turn for the worse when Travers sees the depiction of George Banks. She believes he is completely off-base and leaves distraught. It’s then where the Disney studio realizes that Mary Poppins and its characters are very personal to Travers. It’s through flashbacks that we learn that Travers Goff, her father and the inspiration of George Banks, was indeed a banker but valued his imagination more than work in the real world. Things became too crushing for Travers and he would lose his job and his sanity to alcoholism. Her mother was the stern one of the family who even attempted suicide once.
The Disney team are persistent and try to work things out. Walt even offers to take Ms. Travers to Disneyland to lighten her mood. Things improve. The trip to Disneyland improves her embrace of the imagination, albeit slightly. Travers also has an unlikely friendship with Ralph the chauffeur as he tells her his handicapped daughter loves the novel. Things really improve when she walks in and hears George Banks is given a happier manner and has him singing ‘Let’s Go Fly A Kite’ at the end. But just when things seem to be working out, she learns of dancing penguins in a scene. That infuriates Travers to the point she refuses to Walt the film rites and flies back to London.
Once Disney learns that P.L. Travers is actually an Australian names Helen Goff, he departs to London for one last chance. Walt arrives at Travers’ home and opens up to her during his visit. He tells her that he too had a troubling childhood with a stern father and growing up poor. It was through his animation and his happy characters that he was able to heal and he tells Travers that having a creative imagination would also help in her healing of her disappointment with the world. She eventually agrees but she’s not invited to the 1964 premiere for fear of her panning it. Once news hits her, she shows up at Disney studios demanding to be invited. Her reactions at the premiere are unexpected but those of us who’ve seen Mary Poppins would know the movie would have a happy ending.
There have been movies before about the making some of the most famous children’s stories. I even remember seeing Finding Neverland a few years ago. The film of an adaptation of a novel to movie is not something one would call a fresh idea. Nevertheless it is unique this case of adapting the Mary Poppins novel to the big screen.
We should keep in mind that to make a film like this, it would have to be entertaining and keep audiences interested. It succeeds with some surprises. First is the personality of P.L. Travers. It’s funny that we see this uppity personally and we’re left thinking: “Are you sure this prig is the author of Mary Poppins?” Second is Travers’ feelings towards Disney’s style of creativity and how on earth it would ever be adapted. Crazy thing is we all know it was adapted. Even still the film makes you forget that and wonder if it will, even as the Sherman brothers sing the movie’s songs we all know. Third is that the biggest issue wasn’t the depiction of Mary but of George Banks. Travers designed George to be kind like her own father while Walt was in favor of a stern George Banks like his own father. You could understand how this would cause the two to collide.
The movie isn’t just of the dealmaking for the adaptation. The film is also of Travers’ own inspiration of Mary Poppins from her own childhood. We see how over time Travers had a nanny she thought as magical as her father was dying. We also see her father as a banker but one who believed in fantasy and the imagination. Even after he died, the spirit of his imagination lived on in Travers, even as she tended to her younger sisters and dealt with a troubled mother. Many of us are already familiar with Walt Disney and his fun ways. However we learn more of P.L. Travers and of her upbringing and her own imagination. That’s a good thing because I don’t think most of us ever did. None of us ever expected the author of Mary Poppins to be the stern type. However she was one who would try to come to terms with her imagination as noted in a scene where she’s in bed and confides to hugging a stuffed Pluto.
People should not be fooled too easily. There are many people who think this will be a family movie since this is done by Disney and since this a depiction of Walt trying to convince Mary Poppins to agree to let him adapt the novel to screen. However the film’s depiction of Travers’ troubled childhood as Ginty is what keeps it from being family friendly. Elements like an alcoholic father and a suicidal mother are not entirely for a family audience. It may be okay to bring older children to the film but younger ones are not a good idea.
It’s very rare for a female lead to steal a movie from Tom Hanks but Emma Thompson does just that. She was excellent in embodying P.L. Travers as an uptight prig who still harbored a love for the imagination, though only Walt knew it. She also depicted Travers as a person who still struggled with the memory of the father she cherished. We should be reminded that people that produced some of the most delightful entertainment came from troubled childhood, even Walt himself. Tom Hanks delivers a performance that is more a case of character acting than say mastering a difficult part like he did in Captain Phillips. He was very good at capturing Walt’s fun imaginative way of doing business and he made Walt seem like the Wizard Of Oz at times.
Colin Farrell also did a good job as Travers Goff, the father who was troubled by his job but valued his imagination. Paul Giamatti’s role as Ralph the chauffeur was small but he was able to get notice of his own. The other actors with smaller roles, especially those in Walt’s office, added their own pieces and elements to the movie as well. John Lee Hancock did a good job in directing but nothing that really stood out for this film year. Kelly Marcel and Sue Smith do their best in making a story for family audiences with their script. Technical items like the set design and costumes were excellently done in fitting the times they were made in. And Thomas Newman did a great job with the score.
Saving Mr. Banks is a delightful movie despite being too polished and ‘safe’ to excel amongst the top Oscar contenders of the year. It’s biggest success is the acting of its actors and the telling of the story of an author we never new. Even with scenes of the author’s troubled childhood, it succeeds in entertaining young and old.