VIFF 2021 Review: The Scary Of Sixty-First
The Scary Of Sixty-First is an American film that’s part of the VIFF’s series of Altered States films which set one up to expect the unknown, unusual and even bizarre. Here, bizarre is an understatement.
The story begins close to Christmas with two female friends, Noelle and Addie, searching for an affordable apartment in New York City. The come across one place in the East Side which is grand in size and has just been made available after the recent death of its tenants. The realtor however makes clear that at an affordable price any place they accept is taken as is. The girls find a place in New York’s downtown area. They are willing to clean everything up even though it was left behind with a big mess, including a moldy turkey with a dead mouse found in it. After their cleaning, they decide it’s worth staying in temporarily.
They have no problem living together, even though Addie has a boyfriend named Greg. Addie is at a crossroads in her life. She doesn’t know whether to move on and establish herself, or live with Greg. One day, a young woman visits the place while only Noelle is home. She introduces herself and informs Noelle that this suite was owned by Jeffrey Epstein before he was arrested. Just when both Addie and Noelle were already starting to sense the bad vibes of the place, it gets even worse when they notice blood underneath the mattress. They find a tarot card with a provocative image that they feel holds a clue to the place.
The other woman and Nicole start having a tempestuous relationship. It almost appears the place is becoming more like Noelle’s and the other woman’s instead of Noelle’s and Addie’s. As they both are trying to get a better understanding of the place, Addie is feels drawn to the place, despite also sensing the danger of it. Addie starts having an interest in Prince Andrew as the woman tells Noelle of the stories involving Prince Andrew to the place. Things turn for the bizarre as while she has sex with Greg, she shouts in a demonic voice for him to imagine her underage. That creeps Greg out and starts the friction in the relationship. The woman and Nicole are especially freaked out by Addie’s frequent masturbation, child-like behavior, and fixation with Prince Andrew memorabilia.
As the woman and Noelle get further and further into the Epstein connection with this place, they have had enough. They go to a crystals shop where they think the man who runs the store will know what the tarot card means and will have a good sense of what’s wrong inside. The man turns out to be creepy as he appears to deride them both of what he senses in their aura. However once they show him the card, he’s convinced of the problem and warns them to leave.
Then one day, Addie arrives to the place appearing like she’s possessed by a demon. Both of the women notice Addie worshiping whatever appears to be in the place. The two have to go in, fearing the worst. The end culminates in something you would not at all expect no matter what you had anticipated. It’s even a surprise for Addie, Noelle, the woman and Greg.
This is truly a bizarre story. The story already begins on a creepy note about a house left over by deceased people which the two have to clean up themselves, only to discover a moldy turkey in the fridge with a dead mouse in it! The bizarreness just starts there and continues into weirder territory. The weirdness grows with the mention that this was owned by an associate of Jeffrey Epstein, then comes mention of Prince Andrew, and the bizarreness grows and grows after that. Sometimes, you’re left wondering what the main theme of the film is about? Sex-offenders? The supernatural? Bizarre possessions? What is the main subject? There were even other people leaving the theatre wondering what was the point?
Despite the bizarre story, I give credit to Belarussian-born Dasha Nekrasova. This is a very ambitious film she directs, co-writes with co-star Madeline Quinn and acts in. It’s a very daring story as it reaches into the supernatural, the provocative, and even the taboo. However it’s a story that gets you wondering what is the overall point? Yes, the ending is different from what one would expect, as one should be, but it doesn’t make sense in the end. Sometimes you wonder what was the film aiming to be? A scary drama? A scary comedy? A load of shock value? What exactly?
Despite my confusion with this, I will say the acting from Dasha was very good as she did an excellent job with her part. even the scenes where it didn’t appear to make much sense. Actually if anyone should understand this story, it’s Dasha. Madeline Quinn was also very good as Noelle. Being the co-writer of the story, she would most likely be the only other person who understands the story best. Betsey Brown was also very good as Addie. Being under a bizarre possession opens the door for bad acting. But Betsey pulled it off well. Mark Rapaport is also good as Greg. He has the luxury of portraying possibly the sanest character in the story!
Despite the weirdness of the film, this film has attracted awards mention. At the Berlin Film Festival, it won the Best First Feature Award and was nominated for an Encounters Award and a Teddy Award (given to LGBT films) for Best Feature Film. At the Sitges – Catalonian Film Festival, it was nominated for a New Visions Award for Best Motion Picture. Over on Rotten Tomatoes, many critics see this film as a tribute to the bad horror movies of the 80’s. Maybe these film festivals and critics are seeing something in it most of us didn’t.
The Scary Of Sixty-First is definitely far from your conventional story. However it’s a film that is often too weird or too bizarre in either subject matter or story line to make sense. Sometimes you’re left wondering what was the point? The story or shock value?