My VIFF experience for 2023 ended with the Romanian film Do Not Expect Too Much From The End Of The World. It was a good choice to end the film festival with, but not a really great choice. It has a point to deliver, but makes it in a way many will miss it.

The film begins with Angela, a young woman in Bucharest. Angela has a good-status job as an entertainment executive. Actually her job works her long hours and pays her not enough. Her job also interferes with her chances in getting a stable love life. She gets an income enhancement with her social media side gig. Angela is also a TikTok influencer named Bobita: a misogynist “alpha-male” type that Angela creates with a smartphone filter. Right into the beginning, Angela is part of the latest production job. It’s for a work safety video where they’re to have a victim tell their story. The decision of which story to use and the shooting of the video will have to be completed in two days. In addition, the head of the production company from Austria will be flying in tonight for this project and Angela is to pick her up.

Angela’s own life somewhat mirrors the life of another Angela. A fictional Angela from a 1981 Romanian film called Angela Moves On. In that film, the Angela is a cab driver in the era of Communism with Romania being part of the Eastern Bloc. Angela gets flack from her male co-workers of what a woman’s job should be. Her drives down the streets of Bucharest are relatively easy compared to the packed traffic present-day Angela gets. Angela presses on and hopes to find love on the job. She saw a chance in a man she picked up from the airport.

These two days come by with Angela at full force. The company has to pick and choose the person and family to do the video with. The story of the person’s accident has to fit the film’s narrative and the person needs to have a likeable personality. Meanwhile Angela tries to juggle work, a conference call with the video director Austrian Doris Goethe, meeting with her family, meeting with the actress who played Angela in Angela Moves On, shooting more Bobita videos (where Bobita’s phoniness is slowly given away video by video), entertaining Uwe Boll (and even shooting a Bobita video with him), dating a man and losing out, and driving Goethe after she arrives from Vienna. During the drive, Angela gives Goethe a good history lesson of Romania with its Communist past and present problems like the single-lane highway of death.

Then finally the safety video is being shot. They chose a family man who was left wheelchair bound and film him with his family posed in front of the area where it happened. The video goes through many takes and many style changes. In that time, Angela is there looking after things. She does her Bobita videos during the breaks and everyone can hear her. During shooting, a sudden fact is discovered but they continue on. The producers deal with it so they can get the story to fit the film’s narrative, much to the discomfort of the man and his family. The producers have it ‘stylized’ with the man telling his story with message cards.

Sometimes when watching this film, you think director/writer Radu Jude has a lot to say not simply about capitalism in Romania, but of Romania as a whole. On this film, we see pieces of Angela Moves On where it unintentionally showcases the hardships of Romanian life under the Communist Ceaucescu regime. Even how one of the male leads had his Hungarian name “Romanianized” may send a message. Now we have the Angela in Post-Revolution capitalist Romania. She works 16-hour days, she takes a side-hustle where she does this misogynist character on TikTok, the agency she works for tries to stylize the safety video. Romania has a sharp divide between the wealthy and the impoverished; the biggest in the EU. You can’t help but think that’s the statement Jude intends to have made in the film. To show that Romania had it the worst during the days of the Iron Curtain, but made to look nice, and now has it among the worst in the capitalist era of Eastern Europe.

The thing about this film is that it has a lot to say, but it doesn’t appear to have a consistent beginning, middle and end. Sure the film shows two days in the work life of present Angela, but it often appears there’s a story about to hatch. Yes, it shows her doing her Bobita videos and it shows scenes of the truth that can be given away any minute, but it doesn’t, leaving the viewer to wonder what’s next. Even the two long scenes — of most of the memorials of crash victims on that “highway of death” and of the 40-minute scene of the shooting of the safety video at the end — can leave one confused about the whole story. I’ve seen films before where it appears to be a magnifying glass on a person’s life, but even others I saw had a consistent flow from start to finish where everything connects solidly. This appears not to come together as solidly and fluidly. Either that or this film was not meant to be the film most of us expect. I’m sure Jude had his intentions for what the film is supposed to be.

This is actually the very first work I’ve seen from Radu Jude. His works have earned him a reputation as one of Romania’s best modern-day directors. It all started with the 2007 short The Happiest Girl In The World and it paved his reputation in his works to come. His breakthrough in feature-length films came in 2015 with Aferim! which became his first film Romania would enter in the Oscar category of Best International Feature Film. His past films have focused on a lot of themes in Romania’s history and Romania’s present. Even a film like his previous one — Bad Luck Banging Or Loony Porn — have elements of Romania’s past history despite the situation not intended to be political.

This film is the fourth Jude film Romania has entered into this Oscar category. This film has something in common with his two previous films: a very long title. Another thing it has in common is elements to do about Romania. The unique thing is how it does Romania past and Romania present. We have Angela the taxi driver in 1981 under Ceaucescu-era Communism and in color. We have modern-day Angela in the days of democracy, capitalism and the EU, but shown in black and white. We have Angela from 1981 dealing with male chauvinism in her job and trying to find the right man. We have modern-day Angela in a business that has a mix of men and women, but is overworked and gets her misogyny from the male drivers on the busy streets. It’s possible she uses the misogyny she gets for her Bobita videos. It’s a film that has a lot to say. Even if the film doesn’t make complete sense, it still leaves you with a lot to think about and definitely things Romania can identify with.

I feel the best thing about the film is the acting from Ilinca Manolache. If you’ve seen this film, this film seems less like a dramatic film and more like a documentary or a reality show. Manolache is successful in making this look like a natural situation instead of something acted out. She’s successful in making the actions and moments of Angela low key and happening in front of us as if this is real life. She’s also good in doing the Bobita parts in the humorous nature it’s intended to be and showing the irony of Bobita’s misogynist talk.

This film has garnered additional acclaim besides its Oscar submission status. It won the Best Film award at the Gijon Film Festival and at the Locarno Film Festival, it won the Special Jury Prize for international film and was also nominated in the Best Film category. Other nominations for this film include the Fiction Feature category for the Montclair Film Festival and the Gold Hugo award for Best Feature at the Chicago Film Festival.

Do Not Expect Too Much From The End Of The World is the type of film where you anticipate it to end a certain way, but it ends in a way different than one would expect. It’s a film that has a statement to make, but doesn’t do a good job of making its statement made well or clear. Despite its flaws, it is a film that will get you thinking.

And there you go! That is my look at the films of the 2023 Vancouver International Film Festival. I know it was later than usual but I figured that with these films bound to come out at a later time, reviews for them all are still worth posting. Even my wrap-up blog will come very soon.