“You’ve only got this time in your life to be young and stupid, so go for it!”
-my advise to young people
Winter Flies is the third of three entries in the Best Foreign Language Film category at the Oscars I saw at the VIFF. This Czech film is one that will surprise you.
The film starts on a winter’s day with a young boy carrying what appears to be a gun and wearing an outfit that makes him look like a bear. Turns out it’s a pellet gun. The boy’s name is Hedus. Soon an Audi arrives. It’s driven by a teenage boy with a shaved head named Mara. Despite the meeting together starting on a bad note, Mara decides to invite Hedus along.
The film then flashes to a police office. Mara has just been arrested for grand theft auto of that Audi. The female police officer, Officer Freiwaldova, is not impressed with Mara. He’s 15 and has a pregnant girlfriend back home, or at least he claims so. The film goes frequently from their ‘road trip’ to Mara being interrogated. They interrogate him about the trip and as well about the pink female sweater they found in the car.
Flashing back to the trip, Hedus drams of joining the French legion and asks Mara advise over girls. Mara acts like he knows it all, but soon they spot a girl on the road. She’s an older girl named Bara and looks like she’s abused. However she accepts a ride from the two as they don’t appear too threatening. During the trip, they stop at a park near a small lake. Hedus is having fun being up a tree and talking to Mara. Meanwhile a man is trying to sell them a dog. The boy laugh it off, only for the laughter to end when it appears the man is trying to drown the dog. They go to the rescue of the dog and Hedus even fires his pellet gun at the man. The dog is now theirs.
Back at the police office, Freiwaldova tries to get Mara to map out the trip, but he refuses and even hits on the Officer. Freiwaldova is frustrated with dealing with Mara. This is a long process as the Officer keeps on asking questions as she’s smoking cigarettes she puts in an ashtray with a fly in it. Continuing on the trip, the three come to a man who’s willing to give the three shelter for the night. They think it’s okay, and Bara sees no problem as long as she can protect herself. However things go wrong when they notice the man is about to rape her. That’s when Hedus and Mara act in and start acting violently to the man. They then take off again. However it’s soon where Hedus tries coming onto Bara. It’s there where she demands to be let out. So that’s all that’s left in the trip. The two boys, the dog and Bara’s pink perfume-scented sweater for them to masturbate over.
Overnight doesn’t seem to stop them. They learn they’re in a self-driving Audi as it can drive itself even while Mara is asleep at the wheel! In the morning, Mara learns they’re close to the town where his grandfather lives. However when they get to his house, Mara find his grandfather on the floor suffering from a heart attack. Mara, more concerned for anyone, gets his grandfather to a nearby hospital. Flashing back to the interrogation scenes, Freiwaldova is hoping to use this incident to find out more information about Mara. She calls the hospital to find out the name and tells Mara one of the men died last night. That makes Mara cry and confess information. It’s right after that where she admits she lied and says she did it to get any info out of him. No doubt Mara is pissed off.
Reflecting back to the trip, the Audi does eventually find itself caught by police in a small Czech town. It’s only a matter of time that the car is stopped and Mara is arrested. Hedus was nowhere to be seen. It’s the end of the road for Mara with him being at the police office, or is it? Hedus is outside the police office and the Audi is close outside. Hedus also found a ladder that reaches up to the office Mara is interrogated in. Hedus is sly enough to fire his pellet gun on all the police vehicles. That’s enough to distract all the officers and leave Mara alone in the office. Alone except for the fly in the ashtray coming back to life. Then Hedus climbs up the ladder and tries to get Hedus to escape. They’re back on the road again!
We should really hate those two jerks. One is stupid with an overactive imagination. The other is an irresponsible rebel with complete disrespect to just about everyone, including the police. We should also hate the two at the very end. However one critic made a point that I agreed with. They said the two make the rebellion and the irresponsibilities of adolescence look charming and even funny. I have to agree because that is the magic of art. It can take characters that we would look down on in the real world and make them look likable and even charming. We see that here as Mara does bring out the charm of the anti-authority jerk we really should hate. Hedus also brings out the charm of the weird boy with an over-the-top wild imagination. That was what the story is about in a nutshell: two adolescent misfits on a wild ride.
The film not only brings out the characters’ charms but may also remind us of our own adolescent ‘glory days.’ There are many scenes that were funny and hilarious, but would look terrible or disgusting in real life. Like when Mara is being a jerk to the officer, or when the two start hitting on Bara right after she was about to be raped the night before, or even when the two masturbate over Bara’s perfume-scented sweater. It’s a guilty pleasure to laugh at moments of stupidity like that because they will remind us of us and our own stupidities. I’m sure you remember the days you used to flip the tweeter to whoever you wanted! The film has other humorous moments as well like when the fly in the cigarette ashes appears to come back to life or when the two boys are able to sleep in the self-driving Audi with no problem. The latter should also be symbolic as it appears the two boys appear to be on a trip to nowhere. Maybe they don’t really care if they don’t have a destination, as long as they’re away. That’s another joy of being young: venturing into the unknown.
One thing to take note is that even though the two are characters of teens we should hate, Mara does show some vulnerability. One case is when a man is about to drown a dog. Mara gets Hedus to fire his pellet gun at the man while Mara goes to rescue the dog. Also that scene where Mara and Hedus are seen helping their grandfather who is having a heart attack. It sends you the message that Mara does have a heart, despite his rebellion and carelessness. Also that scene where Mara is crying when he thinks his grandfather has died shows he still has a child-like innocence in him that comes out when you least expect it. Those are scenes that bring out Mara’s redeeming qualities and make you actually like him and feel for him. He’s not the heartless jerk we’re first led to believe he is.
We should give a lot of respect to Slovenian-born director Olmo Omerzu and Petr Pycha. Who would’ve thought this was Pycha’s first ever feature-length script? Pycha’s story and Omerzu’s direction help make this film and its characters entertaining and charming in ways you least expect it. Tomas Mrvik was very good at the young protagonist Mara. This is Mrvik’s first film but he succeeds in making Mara hatable, but charming at the same time. Also acting for the first time is Jan Frantisek Uher. He did the idiocy of Hedus very well and surprised us all in showing Hedus is trickier than we thought. Lenka Vlasakova was excellent as Officer Freiwaldova. She did an excellent job in delivering the more dramatic parts and made them work for the film.
Winter Flies is the Czech Republic’s entry for this year’s Academy Awards for the Best Foreign Language Film category. The film was nominated for the Crystal Globe for Best Film at the Karlovy Vary Film Festival where Omerzu won Best Director. The film is also quite remarkable for including a lot of elements in a story of teenagers most teen films, especially those made by the Hollywood system, wouldn’t include. Stealing an Audi, allowing it to self-drive while asleep at the wheel, teen boys talking about getting ‘pussy,’ the two masturbating and climaxing in their pants, I doubt Hollywood would dare to make a teen-themed film with scenes like those!
Winter Flies is a humorous story. However the funniest thing about the film is that it makes likable characters out of two we should really hate!
For my first feature of the VIFF, I saw a Czech film entitled Patrimony. The film makes for an entertaining comedy about a subject one would not find comedy material.
The film begins with a funeral for a musician: a trumpeter. The wife, a fashion designer herself named Eva, finds herself lonely and she feels she will be left completely alone. The daughter Tereza is also hurting. She calls his phone just to hear the answering machine to hear his voice. Meanwhile she’s also struggling with her battle with cancer. Despite being helped by her husband, she feels she needs time to be with her mother.
As the daughter visits, the first thing they do is lay his ashes to rest; at least the urn as the mother wants them on his cactuses. However the daughter stumbles across a possible secret in her father’s coat. She sees a drawing of her father and a child. It’s not hers. She notices it’s from a boy names Tomas. Tereza has always been raised to think she was an only child. Could her father have fathered a child with another woman? Even her mother confesses that both she and Ludwik had extramarital affairs. It is from that revelation they decide to go on a trip to find Tomas, using Ludvik’s Volga Gaz 21.
The first visit is with family members in a nearby town. They learn more about Ludvik and his past. They also encounter a lot of crazy happenings inside the house as she has three daughters of various ages to look after. As they go on to their next place of visit, both women discover a sense of freedom when they go from place to place from country farms to town carnivals. Eva herself finds herself interested in other men. However Tereza is not immune from realities as she still has her cancer battles and the status of her marriage in question. Also revealed from Eva is that she was just as adulterous as Ludvik during the marriage.
The next place they visit is an elderly person’s home. One of Ludvik’s ex-lovers is there. She herself has a lot to say about Ludvik and even gives away another big secret they never knew. No doubt that gives Tereza a lot of concern on her mind. At the same time, it appears Eva doesn’t want the ‘love son’ of Eva to be a reality.
It’s then a visit to a family member out in the countryside. They’re a couple who farm apple trees. The husband used to lead, but he now has a mental condition where he’s despondent most of the time, but suddenly becomes the farm boss in an instant. During the visit, her husband comes to assist. It’s there where he confronts her on the status of the marriage. She gives him the hard truth. Just as he’s stating his case, the farm head goes back into his phase as the ‘farm boss’ and orders those around to get to work and pick apples. All including Eva, Tereza and her husband help out.
It’s there where the husband confesses his truths about the marriage and gives Tereza a day to think it over. It’s also through that visit that they learn the Eva knew about Tomas all along and even played step-mother at times. She kept it a secret from Tereza the whole time. The film ends as the two are in pursuit of Tomas and Tereza has made her decision about the marriage.
There are two unique things about this film. The first is that it makes a comedy of what would consider to be a dark situation in people’s lives. One would think the grieving process of a death, a bout with cancer, and learning of a family secret would not combine into a comedy, but it does. It does it very well with a mix of humor and drama. The film however doesn’t stray away from the emotional aspect of the situation and what has happened. Nevertheless the blend of the humorous and the serious works here.
The second thing about the film is that you think the story is about one thing, but it turns out to be about something else in the end. You think that the film would end with the daughter and the mother seeing the son Tomas. However it doesn’t end that way. Instead it’s about hidden truths unraveled. At first it’s made to look like a truth Eva doesn’t want to know, but instead it’s a truth Eva tried to hide from Tereza. Who knew that Eva made a better closer mother to Tomas than Ludwig did? At the same time, it’s about a mother/daughter relationship as the two are slowly healing together as they’re going on this pursuit. The rockiness of Tereza’s marriage is brought to light, but that too is helped by the trip, in a surprising way.
One of the common themes of the film is the topic of death and the nearing of the end of one’s life. It begins after the death of Ludvik. It starts with a focus of how Eva will live without Ludvik. It also focuses on Tereza and her bout with cancer. She thinks it’s fatal while the mother reminds her that her chances of survival are still very good. It deals with family and ex-lovers who have either felt the strains of aging or are themselves in the closing chapter of their lives. It’s a theme which is dealt with in good sensitivity in this film but also blends in humorous elements. It’s a tricky job to do where the fine line can easily be crossed, but Jiri succeeds in doing it.
Jiri Vejdelek directs and co-writes with Iva Jestrabova an excellent story that’s full of real feelings and emotions, but also made comical at the same time. Eliska Balzerova does a very good job of balancing the dramatic with the comedic in her acting. Tatiana Vilhelmova is also very good as the daughter coping with everything around her. However the two show an excellent mother/daughter chemistry that makes this story work. The supporting characters also did their jobs well as their characters came across as believable and very three-dimensional.
Patrimony is a very smart Czech comedy that’s very entertaining. It follows a smooth story line, but it doesn’t end the way most would anticipate it to. Maybe the plot you thought it would be about wasn’t the main plot after all.