Tag Archives: Farhadi

DVD Review: The Salesman

Salesman

The Salesman is an Iranian film about a husband (Shahab Hosseini) going after the man who assaulted his wife (Taraneh Alidoosti)

The Salesman won the Academy award for Best Foreign Language Film. It is the second film by Asghar Farhadi to win the Oscar in that category. It was worth watching.

Emad is an acting instructor at a local school in Tehran. He and his wife Rana are also actors and are rehearsing the production of Death Of A Salesman where Emad plays Willy and Rana plays Linda. One day, their apartment is on the verge of collapsing. All the residents flee including Emad and Rana along with their son. Their fellow actor Babak, who plays Charley, finds a shelter for them in an apartment suite recently abandoned by a woman and still consisting of most of her belongings.

One night, Rana returns to her apartment alone and bathes. Emad returns to the apartment finding Rana absent and blood on the bathroom floor. He learns from neighbors that she is in the hospital after being badly assaulted. Neighbors also reveal that the former tenant of the apartment was a prostitute.

Rana recovers from her injuries and is able to come home, but is traumatized. Despite Emad changing the locks, she’s afraid to bathe fearing a repeat of what happened. She is afraid to go to the police, feeling they’ll question her about her own lifestyle. The frustration leads Rana to break down during rehearsal. When Emad finds the car keys of the culprit left behind in the apartment, he decides to take things into his own hands. He discovers they belong to a pickup truck parked outside. The culprit even left behind his cellphone and money. The stress of trying to locate the man who assaulted Rana adds up on Emad as he falls asleep during one of his film lectures He even blames Babak for what happens and calls him a ‘degenerate’ during rehearsal, despite it not being in the script.

Emad finally gets a lead from one of his students. He learns the truck belongs to a man names Majid who runs a business in downtown Tehran and shares the truck with his father-in-law. Emad learns that the older man is in fact the culprit. Emad calls the culprit to meet with him in the apartment. The man claims he didn’t assault her, but startled her instead. Emad doesn’t believe it. He locks the man in a room to get him to confess everything to Rana and his own family. As the family is just making their way to the apartment, the man appears to have a heart attack. Emad calls Rana in a panic but Rana warns him if he pursues revenge, she will leave him.

Just as the family arrives, Emad offers assistance to the older man. The man doesn’t want his family to know his sordid actions and Emad complies. The family is relieved to see the man and even thank Emad for saving his life. However Emad has one last thing to settle with the man in private. Emad gives the man his money and slaps him, which leads the man to collapse again and the family to fear for his life. The film ends leaving the viewer questioning and even assuming what happened.

This story has a lot of similar aspects with A Separation, Farhadi’s first Oscar-winning work from five years earlier. It presents a story in Tehran and features a male character resorting to his own means to get to the bottom of things. In both cases, it’s likely to sense Farhadi is making a statement about Iranian society. First we have a case where the husband takes the law into his own hands because the police may suspect something of the wife, whether it be done by Iranian law or the nature of the police. Secondly we have the ending climax where the man carries out his intentions and we don’t know what will happen next. Thirdly, we have a case where the protagonist tries to play either the judge, jury or executioner. Finally we have an ending that is ‘silent’ and leaves you wondering what happened and of the relationship of the couple. Those are usually the best endings where one would try to guess what happened or come to their own judgement.

This story is a cat-and-mouse story as Emad willfully takes the law into his own hands and plays vigilante in this situation. You wonder if it’s simply because he’s going along with his wife or because he too knows how one-sided the law is and how they would come down hard on women. As the viewer sees clue after clue, they start to get their own assumption. Once we know, it leads to the climactic ending. However this is a climactic ending that takes a long time to end. The drama in the climatic ending however justifies its lengthiness and even adds a second part to the ending. The final end scene where we only see what we saw and nothing is spoken between Emad and Rana as they’re getting their makeup applied also gets you questioning what happened. Even drawing your own conclusions. Those are usually the best endings where they get the viewer to create their own ending.

The unique thing about this story is how it’s mixed in with theatre. We see the story unfold right as the couple are both rehearsing and performing for Death Of A Salesman. The story in The Salesman does not come across like the story of Willy Loman. Emad is far from the pathetic character Willy Loman is known to be and Rana appears to be stronger-willed than Linda Loman. Yet somehow you sense a connection and try to think back if there is.

Asghar Farhadi does it again. He writes and directs an excellent story that has you following the story and guessing what happens in the end. He also succeeds in again making a statement about Iranian society through the story. This time, he adds the art of theatre intertwined with the story with excellent results. Shahab Hosseini does a very good job in his performance as Emad. He played the temperamental Hojjat in A Separation. Here he delivers a performance that both embodies the character of Emad and says more in Emad’s silence than in his dialogue. Taraneh Alidoosti also did a very good job in her role as Rana. She first comes across as someone hurt and troubled, but reveals at the end she possesses more inner strength than you think. Farid Sajadhosseini also did a very good job in playing the older man with secrets he wanted to hide.

The Salesman is another great film from Asghar Farhadi. It’s a story that says a lot in the drama it presents.

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Movie Review: A Separation

A Separation is an Iranian film with a lot of huge buzz. It won the Golden Bear Award at the Berlin Film Festival. It won the Rogers People’s Choice Award at the Vancouver Film Festival. It has already won the Golden Globe for Best Foreign Language Film. For this year’s Oscars, it was not only nominated in that category but Best Original Screenplay as well.

The film begins with Nader and Simin: a couple married for 14 years with an 11 year-old daughter filing for divorce. Simin wasn’t to pursue her career goals in another country and take her daughter with her. Nader wants to stay as he has a father with Alzheimer’s to deal with. The judge first rejects the grounds.

In the meantime, Simin moves in with her father and recommends Nader to employ Razieh; a young, pregnant and deeply religious woman from a poor area to look after his father. Nader can’t handle the father on his own as he has a buy job at a bank and he has to look after Termeh, his daughter. Meanwhile Razieh’s hot-tempered husband Houjat is unemployed for months and owes creditors a huge amount. Nader even has the opportunity to hire Houjat at the bank but is jailed the next day for what he owes. During the time nursing, Razieh learns that looking after Nader’s father is a big challenge, both physically and religiously. She can only do so much because of her pregnancy. She also has to consult a Muslim cleric if it’s a sin to do certain duties like change the father’s soiled pants.

One day Razieh finds the father out on the streets. She has to cross a dangerous intersection to get him back. We only see her take the father back. The next day, Nader returns home to find his father lying on the opposite side of the bed with his arm tied to the bed post. He’s alive but Nader is furious. He’s even angrier to learn that there’s missing money and accuses Razieh of stealing. He fires her despite her please. She comes back to plead again but Nader pushes her out of the door. We later hear some loud thumping outside and Razieh walking away.

The next day, Simin learns that Razieh is in the hospital. She and Nader go there to find out she suffered a miscarriage. A court is assigned to decide if Nader knew of her pregnancy and caused the miscarriage. If convicted, he could face from one to three years in prison. Accusations fly. Nader accuses Razieh of neglecting his father. Houjat is angry and threatens Nader and his family. We learn that Houjat is deeply depressed, self-destructive and on antidepressants. Razieh left the house that day because she had to see a doctor. This leaves Nader to think Houjat is abusive and may be the one to cause the miscarriage.

Termeh lies to protect Nader and Simin tries to arrange for a financial deal between the couple. Nader refutes because he feels it will be like admitting guilt. Nader later tells Termeh personally that he did in fact know of Razieh pregnancy. Razieh later reveals she was hit by a car the day before she was fired, questioning what really caused the miscarriage. Finally everyone meets at the home of Razieh and Houjat including the creditors. Nader is willing to make the cheque out to Houjat on one condition, that she swears by the Koran that his actions that day were the cause of the miscarriage. Razieh can’t do it because she believes it’s a sin and that causes Houjat to break down physically and emotionally.

The film’s last scene takes place in the courtroom as Nader and Simin’s separation is to be finalized. Termeh is given the option to decide which parent to live with. She says she made up her mind but wants her parents outside. The film ends with Nader and Simin waiting outside while families are shown out in the halls waiting.

I don’t have first-hand knowledge of the marriage situation in Iran but I believe that this film is trying to make a statement about the modern day difficulties of marriage and divorce in Iran. Divorce has been a common theme in a lot of films like Kramer vs. Kramer but it’s over here where we see an angle on divorce in Iran. We see one couple separating while another couple staying together but struggling with their issues. There’s a lot of things causing friction in both couples. One has a career pursuit in another country, another has a sick father to look after. One has to work as a nurse. Another has been unemployed for months. You see the friction happening throughout the movie. It starts with the scene of Nader and Simin in court getting the divorce started and it ends as the divorce is finalized. That ending scene with the credits rolling as Nader and Simin wait for their daughter’s decision while other families are out in the halls waiting and we could even hear shouts of another couple in court is probably a statement about the modern difficulties of marriage in Iran. Mind you it’s not completely about law and divorce. There are other examples where the law provides difficulties and not strictly in the area of divorce, like providing bail upon guilt to prove innocence and avoid a lengthy prison term. Even the scenes where Houjat has creditors to deal with paints a picture.

Another key element in the movie is the use of the Koran. As most of you know, I ran is a country with a strong Muslim ethic that’s even included in its own constitution. The Koran plays a huge role in the everyday lives of people in Iran. The influence of the Koran is very present in the movie. We see how the maid couldn’t clean the soiled clothes of the father because it was against her religion. We hear mention of the Koran and God in court. We see that Termeh has to attend and all-girls school. We see how Nader uses the Koran to get the whole truth out about the miscarriage. One thing we don’t see is the Koran solving the marriages. We see the couples either continue to be split apart or going through heavier friction.

Without a doubt, the standout qualities of the film were the direction and writing of Asghar Farhadi. He did an excellent job of creating a good story out of a hot topic. The acting of Peyman Maadi and Leila Hatami was excellent too. Very genuine without any showiness. Excellent supporting performances played by Sareh Beyat and Shahab Hosseini who played the other couple in the middle. There was also excellent acting from Sarina Farhadi, Asghar’s daughter, who played Termeh, the daughter caught in the middle. The use of no score until the very end worked as a benefit for the movie because it allowed the audience feel the intensity of the story.

A Separation shows how far Iranian cinema has come. Iran’s first breakthrough came back in 1998 when Children Of Heaven was a modest hit. It was Iran’s first nomination in the Best Foreign Language Film category and established director Majid Majidi as a top international director. Now A Separation is a huge favorite to win the Best Foreign Language Film category and Asghar Farhadi is the new name in Iranian cinema. It’s also surprising to see such subject matter portrayed in Iranian cinema. You think with Iran having law and order in such a strict fashion according to Muslim law, this film would’ve been banned or censored by the Ahmadinejad government. I’m not too familiar with free speech laws in Iran but I’m sure there’s a lot of censorship.

If you see A Separation, you can easily see why it’s a huge favorite to win the Best Foreign Language Film Oscar. It has a excellently-written, excellently-acted story of a hot topic in its own country. Very deserving of the win indeed.