Oscars 2015 Best Picture Review: Bridge Of Spies

ST. JAMES PLACE
Tom Hanks plays James Donovan, a lawyer in the middle of the height of the Cold War, in Bridge Of Spies. Mark Rylance (centre) steals the show as his subject.

Bridge Of Spies is a Spielberg drama I missed out on seeing during its original theatrical release. I only saw it once it was a choice on a flight I took heading home. It was a good choice.

The film begins in 1957 with Rudolf Abel arrested by CIA agents as he’s trying to read a secret message. He is taken away but is able to keep the message. As Abel awaits trial, American lawyer James Donovan is assigned to defend him. The US government believes him to be a KGB spy but Donovan wants to have a fair trial because an unfair trial may be used as propaganda in the USSR. Donovan meets Abel whom is very welcoming to Donovan but will not cooperate with the US Government for any revelations in the intelligence world.

Donovan knows he has a heavy task in defending Abel. He’s serious about it but no one, not even his closest family, expects him to make a strong defense for Abel. Nevertheless Donovan is persistent and continues to seek acquittal for Abel despite an angry American public, persistent hate mail and threats on the lives of him and his family. Abel is found guilty on all charges. Before sentencing, Donovan asks the judge that Abel receive a prison sentence of 30 years instead of the death penalty because he feels Abel may become a bargaining chip with the Soviet Union. Further difficulties continue as Donovan is unable to win a Supreme Court case where evidence against Abel was tainted by an invalid search warrant.

Meanwhile two innocent Americans find themselves in the hands of Communists. One is US air force pilot Francis Powers whose plane is just shot down between the USSR-Turkish border. He’s able to escape his doomed plane and tries to steer his parachute into Turkey but fails and becomes captive. The other is Frederic Pryor, an American economics student studying in Germany just as the Berlin Wall is being built. He studies in West Berlin but has a girlfriend in East Berlin. He tried to bring her with him to the West but is arrested as a spy.

News gets to Donovan of the two men arrests. He’s even offered a deal from the USSR of the exchange of Abel for Powers. Donovan is insisting in a 2-for-1 deal of exchanging Abel for both Powers and Pryor. However he has the challenge of dealing with Soviet agents and a CIA that’s interested in only getting Powers back. The whole deal puts the governments of three nations– East Germany, the USA and the USSR– in a heated debate with Donovan make the outcome work out right. The end result is historic.

This is yet another film about war Steven Spielberg does focus on. There have been many films of the theme of war he’s done in his career. The wars he have depicted on screen have spanned time from World War II in Empire Of The Sun and Saving Private Ryan to World War I in The War Horse to the Civil War in Lincoln to even revenge missions in Munich.

Here he tackles a war that’s less about brutality but more about ideology and had victims of their own: the Cold War. Although there wasn’t as much blood shed, the Cold War did put a sense of paralyzing fear in the world, especially in the United States, with a possibility of nuclear war and armageddon. Thus the ‘duck and cover’ scene. Ask anyone over the age of 60 about doing all those ‘duck and cover’ practices at school. People were constantly being suspected as spies on both sides and there were reactions of hysteria to those accused of spying or treason. The construction of the Berlin Wall at a time when Germany was divided between the capitalist West and the Communist East is an example of the war.

The story takes us back to the 1950’s at a time when Cold War hysteria was at its highest. Neither side could be trusted if one from the other country came in to visit. That explains why even innocent visitors could be seen with suspicion. People arrested as spies for the other side were huge headline news. Most of the public wanted them dead with Julius and Ethel Rosenberg still fresh in their minds. It’s easy to see why someone like James Donovan would be so easily vilified by the American public and even face a possible shooting. The film shows why James’ efforts in the prisoner trade were necessary in the Cold War. It was something that was able to ease some tension on both sides.

Spielberg does a very good job of showing what the Cold War was like. Instead of showing fighting that’s common in the wars, he focuses on the more tense moments of the Cold War and captures its tense feel most people of that time felt. The screenwriting by Matt Charman and the Coen brothers was very good in providing insight to the moments in history and keeping the key elements of the situation. It didn’t focus too much on Jim’s personal life but it did focus on his efforts and even on the prisoners themselves. It may lack some historical accuracy but it does provide knowledge and keep the audience intrigued. Its one glitch is that it had too sweet of an ending. I don’t think it ended on the right note.

Tom Hanks was very good as Jim Donovan but it’s not at the same level as his most stellar roles. The biggest scene-stealer of the film was Mark Rylance as Rudolf Abel. He not only matched Abel physically but also gave him character with his love for art and his ability to say persuasive things. Other good supporting performances came from Amy Ryan as Jim’s wife and Alan Alda as Thomas Watters. Janusz Kaminski did a very good job of cinematography, the production designers did a very good job of recreating the 1950’s and 1960’s with their sets and Thomas Newman delivered a very good score to the film.

Bridge Of Spies is very much a story about a lawyer and his pursuits but also the times he had to deal with. Reminds you of some of the political tensions and paranoia that’s currently happening now. Spielberg does a good job of capturing the feel of the intensity as well as the political climate of the story.

Documentary Review: Red Army

The most famous winter Olympic legacy of Soviet athletes probably came from its hockey players with Vladislav Tretiak (bottom, third from right) considered the best goalie in history.
Red Army spotlights the Soviet hockey dynasty both on the ice and off the ice and reveals things we never knew.

If you like hockey, you may be interested in watching Red Army. It takes you back to a dynasty in sports history hockey fans will remember well.

The film focuses on the glory days of Soviet hockey. It doesn’t focus so much on its first exposure of Soviet hockey prowess back during its early days starting with the 1956 Winter Olympics and continuing in the 1960’s. Its prime focus however was during the 70’s and 80’s when Soviet hockey was at its best and most dominating. This was the era of Vladislav Tretiak who is widely considered to be the best goalie in the history of ice hockey. This was also the era of Vyacheslav ‘Slava’ Fetisov and the magic five that included him, Igor Larionov, Alex Kazatanov, Sergei Makarov and Vladimir Krutov. As Canadians, we saw them as invincible machines who we all thought we’d lose to big time or have to put in a hell of a fight to win, as we did at the 1972 Summit Series and the 1984 Canada Cup.

The film also focuses on the team being instrumental during the Cold War. As many may remember, there was the ‘free world’ led by the United States and the Communist world led by the U. S. S. R. or Soviet Union as we commonly called it. Both countries were bitter enemies and both sought to defeat the other. The people were left paralyzed with fear feeling a war between the two might strike any day especially as each country increased its nuclear warheads. As far as sport went, it was in that arena where the Cold War was a common scene of rivalry. The Soviet Union as well as the other Soviet-allied nations of the Eastern Bloc wanted to use sport as a showcase of Communism’s superiority. The USA/USSR rivalry was always the biggest rivalry at any Olympics. The US had their winning sprinters, decathletes, boxers, wrestlers, swimmers and figure skaters. The Soviets had their gymnasts, throwers, weightlifters, cross country skiers, pairs figure skaters and especially its hockey team. The USSR saw their athletes as soldiers in the sports arena.

However the film does more than remind us of the times and the USSR’s dominance. It also showed life in the USSR. Life under the rationing system may have been fine before World War II but it was hard after the war especially with the country being devastated at a massive level. It didn’t rebuild well but rationing among its citizen’s still existed. It made for a hard life for most as people lived in crowded houses which might not have included running water. Even Slava Fetisov remembers receiving fish on Thursday. It also showed how the athletes were the privileged ones in the Soviet system while regular citizens had to stand in line-ups for their daily rations. It even showed the weakening of this system to the citizens in the 1980’s which paved the way to the reforms known as Glasnost and Perestroika and the eventual collapse of the USSR in 1991.

Of all the hockey players, the film focuses mostly on Slava Fetisov. Fetisov was discovered by sporting scouts of the government who were hired to search out talent at a young age to train up to Olympic level. That was sport in the Soviet Union: children were scouted out, analyzed physically for future athletic potential, and taken to central training facilities to train eleven months a year up to Olympic level. As cruel and inhumane it was for the USSR to do that, it worked and the USSR often had the biggest Olympic medal haul during that time. However the USSR cherished winning in ice hockey the most. In fact there was one propaganda song sung by boys about hockey where they sang lyrics like: “Real men play hockey. Substandard men don’t play hockey.” It was in the hockey stage where they could best show the world Communism’s prowess. It succeeded with winning a massive number of World Championships and eight Olympic golds out of the team’s ten Olympic appearances.

The documentary shows another side of the Soviet hockey team. We all saw the Soviets to play hockey like machines. What we would learn in that documentary is that the Soviets were not only prepared to have the brawn for the game but they were also prepared to have the smarts for the game as they were taught strategies by chess players. They were even taught ballet by some of the top ballet instructors. It wasn’t just tough training they went through but smart training too. What came of it was a play that was not only powerful and effective for winning but a play of style and finesse. Hard to believe none of us Canadians noticed that. Maybe if we weren’t so charmed by all this hockey fighting in the NHL, we would’ve noticed.

The documentary showed another aspect of the Soviet players that we missed all along. Sure, we saw the team as machines but the team was like a family. Slava Fetisov, Tretiak, Larionov, Makarov, Krutov, Kazatonov, they all saw each other as brothers. Of course when your taken from your own home and trained at a location thousands of miles away eleven months of the year, it should be natural to do so. It not only helped in making them better players but it helped with the players knowing their playing style inside out and make them a winning combination on the ice. A reminder that team chemistry was as essential to the success to the Soviet team as it is in practically any team sport. That was one of the qualities coach Anatoliy Tarasov— USSR hockey coach from the 1964 to 1972 Olympics– invested into the Soviet hockey team.

However the film also shows some darker sides of the Soviet team. It begins however on a positive note with Fetisov’s first experiences being coached by Tarasov in the 70’s. Tarasov wasn’t just simply a strict coach but he also played the role as a father figure to the team. Tarasov also helped develop key qualities in the team–speed, grace, teamwork, and patriotism– that became the blueprint of Soviet hockey and helped create their dynasty. However after Tarasov was fired, Viktor Tikhonov was brought in as coach. The Miracle On Ice game of 1980 really hit the Soviets hard not only as a loss of a gold medal but also what appears to be a turning point for Tikhonov. Tikhonov became a lot more ruthless to the players and trained them harder. You can understand why the Soviet players have a disgusted look on their face whenever you mention the Miracle On Ice game and don’t want to talk about it. It was not only a defeat for them but that also marked the time when Tikhonov became more ruthless. He dominated control over the players’ lives. He even cut players from the Soviet team if he sensed they might defect. One example of Tikhonov’s control was when one player’s father was dying. Tikhonov wouldn’t allow him to see his dying father. Things even got so frustrating for Slava at one point, he ran away from the national team to spend time with Tarasov. Here in the documentary none of the players have a positive thing to say about Tikhonov.

The documentary showed that even though the Soviet team was highly acclaimed by the government for their prowess, they were also under heavy scrutiny by the government. Tikhonov wasn’t the only one nervous about possible defections because of the temptation of the NHL. We should remember it was commonly expected that athletes from communist countries were expected to be proud to compete for national glory and reject temptations of money. The team as well as other elite Soviet athletes were allowed to hold Soviet passports: something most Soviet citizens were denied. They were however only allowed to hold them for when they were to attend a competition. Once they arrived back in the USSR, they had to hand them back. Members of the KGB traveled with them in case one member planned to defect. There was a fear that one defection could set off a wave.  It reminds us for all their glory and special treatment from the government, they were puppets under a system with a huge eagle eye over them. In fact Tretiak may have been the greatest goalie ever but he was never once allowed to play for the NHL in his whole career.

The sudden arrival of Soviet players into the NHL was greeted with excitement but adjusting to NHL play didn't come without difficulties.
The sudden arrival of Soviet players into the NHL was greeted with excitement but players like Fetisov (right) found adjusting to NHL play came with difficulties.

The documentary also shows when the bubble eventually did burst and Soviets eventually did find their way into the NHL. It all started when a junior player by the name of Alexander Mogilny decided to defect in May of 1989. Eight players including Fetisov soon followed. The arrival of such players was met with excitement for some NHL fans while others were more forbidding like Don Cherry who didn’t want any at all. However things weren’t easy. Even though Glasnost and Perestroika were starting to happen, Soviet athletes were still under scrutiny. Fetisov’s professional career in the NHL was monitored. As for play, Fetisov did not adjust too well to new life in the NHL. He learned right in his first game how the NHL was a different kind of play, especially when it came to fighting. His wife Ladlena had some challenges fitting in with the other wives of her husband’s NHL teammates. The struggle was common for a lot of Soviet players trying to adjust to NHL play. Nevertheless things eventually did pay off for Fetisov as he was with the Red Wings in 1997 the same time as Larionov and three other younger Russians. The team was able to get a chemistry of their own and they won the Stanley Cup. The team was able to bring the Stanley Cup to Moscow’s Red Square that year but not without challenges such as clearing things up after a post-victory limousine incident and negotiating with the Russian government.

The documentary ends with what has happened since. Fetisov has become a member of the Russian political party, a Minister of Sport in Russia and even part of Russia’s bidding team in 2007 for the Sochi Olympics in 2014. Tretiak is simultaneously the current President of the Russian Ice Hockey Federation and runs his own goalie school in Toronto which is considered physically punishing by most and very restrictive to whom is admitted. Tikhonov was given countless honors like the Orders of Honor and Merit in Russia and was even a nominee for the Olympic Order. The lives of all the hockey players living and deceased are also focused on at the end.

However the most notable end is the focus on the end of Soviet hockey. As you know the USSR collapsed in 1991. Surprisingly Tikhonov mellowed down in his coaching style afterward but it was still successful enough to bring the team of former Soviets under the name The Unified Team their last gold medal in 1992. The Soviet dynasty ended with as much of a bangs as it began with at the 1956 Olympics. Team Russia has been a different story. Russia continues to churn out top talents and top players. However Russia has never won Olympic gold. Silver in 1998 and bronze in 2002 but that’s it. They didn’t even have it together during Sochi when they lost their quarterfinal to Finland. Leaves you wondering when you remember that talk of the Soviet’s team chemistry if that’s what’s missing with the Russian team. The film ends showing Alexander Ovechkin, the current Russian phenomenon, playing a shootout game for a Washington TV station. A bit of trivia: Ovie was just two weeks short of his sixth birthday when the USSR collapsed. As he plays his game for the TV crew, we hear Slava saying something’s missing in Russian hockey. You’re left feeling that same way too.

One of the funny things of the documentary is that it will remind a lot of Canadians of the inferiority complex Canadians had to endure with in the 1980’s and maybe even the late 1970’s. Already Canadians were going through an inferiority complex of being made to feel second-fiddle to the Americans ever since the inclusion of cable TV bringing American entertainment into our living rooms. Adding to the feelings of inferiority to Canadians was seeing the Soviets excel in hockey. It was often a case of Olympic rules as the best Canadian players were professionals who were ineligible to compete in the Olympics. The best Soviet players however fit within the Olympic rules and were thus eligible to compete at the Olympics Games while the Canadian team at every Olympics during that era always fielded a diluted version of our very best. The Soviets almost always came on top while the Canadian team always fell short. Even when Canada got out its best pros for the Canada Cup, Canada would still face tough challenges from the Soviets as they were total machines and would almost always dominate over the Canadians. You can understand why Canadians cherish the memory of the victory at the 1972 Summit. You can also understand why the Americans hold the 1980 Miracle On Ice close to their hearts. Being second to the Soviets in what is ‘our game’ bit hard and left us down for a long time.

The film also brought back a lot of memories not just of the Soviet team but also how many of us remember the changes of Glasnost and Perestroika that were happening of the late-80’s and early 90’s. It even reminded us of the sports personalities at the time such as Brian Williams, Ron MacLean, Don Cherry, Don Wittman and Al Michaels. It also reminds us of many memorable moments in hockey. In fact it brought back the memories when I remember first hearing of Mogilny’s defection. Who would have thought that would be the beginning of the end?

Another unique thing is that it does something that was never done with the North American television stations before. It humanized the Soviet team. It reminded us behind the strong stoic Soviet team, they were human beings that went through a lot of difficulties. They had human heartbreak of their own. One example when Slava was in a car crash in 1985 that killed his 18 year-old brother. He went through a period of his live when e just didn’t want to live. Even Slava’s talk about his frustration with Tikhonov to the point he runs away to Tarasov showed that even these tough, stoic players had a breaking point of their own. To think all us North Americans saw in the Soviets were machines.

If there was one glitch in this documentary, it’s that Gabe Polsky sometimes does a bit of playing around with the interviews. In fact I remember seeing at the beginning him trying to ask Slava some questions while he’s on a phone call. It’s no wonder Slava flipped him the tweeter after the second question. We see Polsky do a few other stunts too. It’s a question if it was really worth it.

Another glitch is that the film was first released in the middle of 2014 and there was some information either missing or failed to update since. One missing piece of information is Tikhonov’s death in November of 2014. Another piece is of the Sochi Olympics where Fetisov was one of the Olympic flagbearers during the opening ceremony and Tretiak was the final torchbearer along with pairs figure skater Irina Rodnina whom herself is also a three-time Olympic champion and considered the best ever in an event known for Soviet dominance.

Red Army is an intriguing documentary that hockey fans will find worth watching. It takes you back to a stellar dynasty and a unique time. It will also show you a side of them you may have missed during their heyday.