It’s our impulse that whenever we hear the term ‘Italian film,’ we think of either Life Is Beautiful or something in the spirit of Fellini. 7 Minutes is a completely different film. It’s a film about a serious topic and worth seeing.
The film starts at a textile plant in Italy. There’s been a merger with a big French company. The merger is seen as a threat to 300 female employees as they fear their jobs would be outsourced, and they protest outside. The heads of the Italian company plan to meet with the French CEO Mme. Rochette. However it’s only after Mme. Rochette meets with some of the female protesters that she starts talking with the Italian company.
The heads talk with the CEO in one room. Ten females who are part of the textile section wait in another room expecting anything, even the worst. Bianca is the only woman from the textiles section allowed in the meeting with the bigwigs. She looks onto their discussions in an untrusting matter awaiting their fate.
Finally the news comes to them. No jobs are really in jeopardy. However the eleven including Bianca are given an issue to vote on. They are asked to accept their current jobs as long as they give up seven minutes of their break time. This first seems like a simple thing to vote on; vote ‘yes’ and keep their jobs secure as well as the jobs of the 300 other woman who are now out celebrating. However Bianca is not happy and speaks her disagreement. The others are easier-going and all vote ‘yes’ at first.
However all realize they really need to think this through. They didn’t do it the first time. Some see it as more than a vote on a simple labor issue. Some see it as a test to see how much of a ‘sheep’ to the system they could make of themselves. Others however feel they are justified in voting ‘yes’ and give substantial reasons. Even one worker who’s pregnant feels this vote could affect the future of the daughter she’s carrying inside. A lot of discussion comes of this. We learn it was because of faulty machinery why one ended up in a wheelchair, and was pressured into signing an agreement that it was her fault. we hear from immigrants like Albanian Hira and African Kidal about their own difficulties. Then we hear from Bianca who always got far in the company by playing the system, but now wants to be the courageous one and stand her ground. Then there’s one who’s pregnant and needs to be rushed to the hospital to give birth. Before she leaves, she requests her vote be ‘no.’
Meanwhile time is running out. It’s 4pm. More than five hours have passed and a final vote has not been reached. This is especially infuriating for Mme. Rochette as she has a flight to catch. She becomes impatient and just lets it out on the Italian colleagues in French. However the ten have to come to a vote. Bianca announces her ‘no’ vote and announces she will resign as the labor leader of her group. There is a final vote at the end: five vote ‘yes,’ six vote ‘no.’
This film is very insightful. At first you think this film is about voting over a simple labor compromise, but it’s not. This thing about voting over a seven-minute compromise to their break time would prove to me more than just about that compromise. You’d hear in their conversations that it would be about a lot more. It would be about what other businesses would do. It would be about businesses trying to make other possible compromises in the future. It would even be a test of one’s personal dignity and what they believe in. It’s unfortunate that these women have to vote on this compromise for the sake of hundreds of jobs for other people, but it’s an issue that very common right now and could happen close to home. That’s why this dialogue in the film is so important.
The story isn’t just about the yes-voters and the no-voters stating their case. The story is also about the eleven women involved in the voting. We have eleven women of various different backgrounds. They range in ages from a 60-year old veteran of the place to a 20 year-old newcomer, married or divorced mothers to single women, two immigrants from Albania or Africa, and even a woman disabled from an injury on the job. All of them make their backgrounds and life-experiences known in the film as they all try to reach their final vote. Whenever you hear one of the women state her reason for her vote, what you hear is the story of at least a thousand other women who share her experience. What they say is that valuable.
The film does bring dignity to the six that vote ‘no.’ The film however does not try to make the five women who vote ‘yes’ look like they’re stupid or ‘conformist sheep.’ You just have to hear their stories on why they voted the way they did. The film does keep the dignity of those that voted ‘no,’ but also brought a human side to those that voted ‘yes.’ You’ll see in the film that those that voted ‘yes’ at the very end didn’t do it like they were in a flock of sheep. A lot of heart and soul and a lot of heavy thinking went into their ‘yes’ vote too.
The film is actually based on a stage play by Stefano Massini. I’ve never seen the stage play, but it’s very possible the play was just set in the meeting area with the eleven women discussing the deal. There would have to be some elements needed to bring this play to the big screen and make people want to watch it. I think the element of having the boss from France, Mme. Rochette coming over and holding the meeting adds to it. That scene near the end where she gets frustrated with the long wait and walks out telling off the Italians in French said quite a bit. It had me wondering: “Is that what people in France think of Italians?” It also sent a message of the disconnection between the business hierarchy and workers that obviously exists. Mme. Rochette appears at the beginning to be empathetic with the workers, especially Hira. She appears to be a congenial partner with them especially when she receives the gift of the big mozzarella. However the truth about how she feels gets revealed when the women delay their vote long enough. That doesn’t simply speak of Mme. Rochette, but lots of other CEO’s worldwide. I think a lot of them feel they need to have a disconnection from them in order to make business happen, no matter how cruel.
This film directed by Michele Placido, who co-wrote the screenplay with Toni Trupia and original playwright Stefano Massini, did a very good job in creating an intriguing film where most of the action takes place in one location. Massini’s play on its own is excellent in creating well-dimensioned roles for all eleven women in the play. Placido makes the right additions for the sake of the film while maintaining the importance of the debate as the focal point. The standout actress of the film has to be Ottavia Piccolo. She does a very good job in playing a woman who achieved a lot of success in playing along with the system, but now wants to be the strong one. Piccolo allows her role as Bianca to be a role that speaks as much in silence as she does in dialogue. All eleven women who are part of the voting scene all have roles that are full of volume. Each of the roles represent a woman everyone knows and were well-acted out.
7 Minutes is more than a film about a labor issue being voted upon. It’s also about people in this modern work world, most specifically women, and their feelings coming across as they vote.
Elle was one of those films that came around the time of the Academy Awards. It has a lot of interesting elements, but it features a lot of elements some would first find unwatchable. Is it worth it?
The film begins with a cat witnessing the rape of her owner Michele LeBlanc (that’s right). The masked rapist immediately leaves. Michele just calmly cleans up themes and resumes her life, but doesn’t call the police. Michele returns back to her job as CEO of a video game company where her male employees either lust after her or view her as a ‘bitch.’ She tries to maintain a relationship with her son Vincent but feels detached as she feels he’s being controlled by her pregnant girlfriend. She has a troubled relationship with her mother who is narcissistic and has a thing for younger men. She’s having a love affair with Robert, the husband of her best friend and business partner Anna, but also has caught the eye of her new neighbor Patrick, although his devoutly Catholic wife Anna is unaware of this. Michele also has a troubled past.
The reason why Michele doesn’t call the police is because she has a sordid past. She is the daughter of a mass murderer who was arrested and imprisoned over 40 years ago when Michele was 10 years-old and even involved Michele in his murder spree. His parole hearing is coming up and the events from the past still haunt her. Her friends plead for her to report the rape to the police but Michele won’t, fearing the police have it in for her. Life is hard for Michele as she receives harassing text messages form a man claiming to watch her. She’s also the victim of a hacked video game which shows an alien with her face being raped by another alien. She learns the male colleague who made the hacked video game is infatuated with her but not the rapist. Her ex-husband learned of the news and tried looking out for her safety.
Christmas only adds to the stress as her mother falls into a stroke and her dying wish to Michele is to see her father. Michele tells her son Vincent she believes he’s not the father of his girlfriend’s child. The rapist returns for the third time, but Michele takes of the mask to discover it’s Patrick. Even though she now knows, she still doesn’t call the police nor have an alarm installed in her house.
Michele goes to visit her father in prison only to learn he hung himself. On the ride home, she gets into a car accident. She calls her friends instead of an ambulance, but the only one who responds to the call is Patrick. Michele gives Patrick a shocking confession of her feelings toward him which leaves Patrick shocked and confused. Then the day of the celebration of the launch of the new video game. At the party, she confessed to Anne her affair with Robert, which breaks Anna’s heart. The story ends with a tensely climactic moment and an ending that comes across as triumphant.
The thing about this film is that it deals with a complicated cat-and-mouse situation. Michele wants to get her rapist arrested but she is afraid to call the police, feeling they’re after her. That could also explain why she wouldn’t call an ambulance after the car crash: because of her past. She has a sense of who did it, but she feels an attraction to him. She is caught in situations in her work, in her family and even within her circle of friends at the same time. It’s enough to make anyone snap. It even turns her into a spiteful bitter person to whomever she meets up with. You hope that her rapist is caught but you’re left wondering how will it end? Will he be caught? Will Michele be the one who ends up killed? Will her rapist end up her new lover? It keeps you intrigued.
One thing about this is that this film is a psychological thriller that succeeds in taking subject matter that is disturbing and even unwatchable and turns it into a story that becomes positive in the end. Normally I am very nervous about the subject of rape in a film. In fact the very opening scene of the rape (as witnessed by the cat) and her bleeding vagina in the bath really had me questioning what Paul Verhoeven was up to. I’ll admit I had a mistrust to Verhoeven because I know he has a reputation for films like Basic Instinct and Showgirls. I still haven’t forgotten the misogyny of the latter and I was anticipating misogyny in the film at first. Even the scene that appears like Michele is consenting to the rape of Patrick makes me wonder, in addition to knowing Michele actually gets sexual satisfaction from it. In the end, the film delivers a strong female character who is able to piece the puzzle together. It’s at the end we see Michele as if she triumphed in the situation.
SPOILER ALERT – IF YOU DO NOT WANT TO KNOW THE ENDING, BYPASS THIS PARAGRAPH: The ending is a surprise as well. Throughout the whole film, you see Michele as a bitter, hurting, troubled woman with the world seemingly against her or bothering her in every which way. However it’s right after Patrick is killed that everything magically becomes right. We see how Rebecca isn’t as hurt over Patrick’s death as she’s moving out, and makes it obvious she knew what Patrick was up to. We see how Vincent has been able to get better in his career and relationship. We see how Michele is finally able to make peace with her father. We also see how Michele makes peace with both Josie and Anna as they’ve both left Robert, and even resumes the strong friendship with Anna. It’s like life for all during the time of Michele being raped was what was causing friction in the lives of Michele and those around her, and it was Patrick’s death at the hands of Vincent that set everything right for all. Normally something like that wouldn’t work in terms of a story. I mean how is it possible for a rape victim to recover from what happened seemingly overnight? But the way it was played out in the story made it look very believable and made it look like the story ended on the right note. Quite an accomplishment, especially for a psychological thriller.
This film is actually an adaptation of a French novel titled Oh. I’ve never read the novel but David Birke does a very good job in creating a story that’s both a psychological thriller and a big puzzle that somehow is able to get all the pieces to fit in the end. Paul Verhoeven also did a good job of directing. I will admit I did get suspicious with him, especially after seeing certain scenes. However it’s in the end that I feel he did a very good job of creating a strong female character despite appearing to push the envelope at times. However making the story work also came down to Isabelle Huppert in her performance of the protagonist Michele. She had to portray a character who seemed to have everything pushing her to snap but somehow keep her composure throughout the ordeal, despite being bitter and spiteful, and appear triumphant in the end. She accomplished that feat excellently. Supporting performances of note include Laurent Lafitte as the troubled neighbor Patrick and Anne Consigny as Anna: the friend caught in the love triangle.
Elle begins as a film that one would expect to be misogynist, but instead paves the way for a female character who triumphs in the end. It’s the film’s surprising twists and turns that make it.