VIFF 2024 Ends On A Good Note

I know that VIFF ended over two months ago, but I lacked the drive to write for a long time. Since we’ve passed Christmas, I figured it’s enough wasting time and to get out the wrap-up blog.

Last year, the Vancouver International Film Festival ended the Sunday before Canadian Thanksgiving. This year, they end on Sunday October 6th: a week before Canadian Thanksgiving. Still, it was an excellent 11 days of cinema. Yes, there was the continuation of downsizing for the festival. There were less than half the number of films there were in past Festivals before the pandemic. The church that used to be the Centre In Vancouver For Performing Arts was not available this year as it has been in past years. Despite that, most facilities that had been available for the VIFF in past years were available again. VIFF also continued to showcase digital films and digital arts as it’s fast becoming a growing art form. The common cinematic films still remained the highlight of the Festival and there were excellent turn outs. There were sellout shows and repeat screenings for many films. I’ll explain more when I talk about my volunteering experience.

For this year, I was only lucky to see twelve films. I still had my goals of watching a shorts segment, a Canadian feature-length film and a Best International Feature Film Oscar contender. I was able to accomplish all three. I often want to go above and beyond it but it didn’t work out. I didn’t have as much free time during VIFF as I normally do. Outside of Monday September 30th that was a national holiday, there weren’t any regular weekdays when I could see films at any time. Another problem was not as many films had a 9:30 start time on the weekdays that’s often the best bet for me. Despite those setbacks, I did make it work. Twelve is the same number of films I saw last year. There were at least two days when I saw three films. Yes, I have a habit of cramming. Actually there were three days I saw three films but one was a day I saw a single one by choice and the other two as an usher.

For volunteering, I worked ushering at the International Village again. The crazy thing about this year is there were a lot of changes in set-up. In the past, there would be a ticket purchase booth at ground level, line control and organizing for the three cinemas on the second and the cinemas on the third floor. This year there was no booth on the main floor, lines were still on the second but ticket purchase was on the third floor just outside the theatre entrance. Even the volunteer meeting room changed. In the past, it was in a room past the theatre admission area. This year it was moved to an area just outside the main entrance. It was a lot of getting used to and sometimes a discomfort. I volunteered for three days.

The first two shifts took place the evening of the first Saturday (September 28th) and the Sunday afternoon the following day. For those two days, they were mostly to do with line control and supervising the Platinum Pass lounge. In both cases, I didn’t have the luck of seeing films. It was after that Sunday afternoon shift completed that I went to see two films after. On Saturday, October 5th, I had the luck of being able to see an Altered States film before I could start my third and last volunteer shift. With it being my last shift for the year, I had the luck of being an usher and seeing two films in the theatre. Both were documentaries.

With only nine films seen before the last day of the Festival (Sunday October 6th), I made the final day my catch-up day. There would be two films I wanted to see but would not be guaranteed a seat because their tickets sold out: the Latvian animated film Flow and the Farsi-language Canadian film Universal Language. I first took a gamble with Flow by being in the standby line-up 45 minutes in advance. After waiting and waiting, I was able to get in. I got in ten minutes after it began. It was that high in demand and it was one of the few films at VIFF open to all ages. I saw it and enjoyed it. Also I wasn’t too disappointed with coming in late because I would later have the luck of seeing it in its entirety at the VIFF volunteer party held a week later! For the rest of the day before attempting to see Universal Language, I tried making judgments of what else to see and when. I saw the Marlina film in between that time and then went back to the International Village to be early enough to see Universal Language. While the gamble with Flow paid off, the gamble with Universal Language didn’t. Being only second in the standby line did not assure me a seat. So with limited time and distance left, I rushed over to the Queen Elizabeth Theatre Warehouse to see The End. Although I wasn’t happy with The End, I was glad to see the last film of VIFF 2024 to complete itself.

For those that want a list of the films I saw at VIFF 2024, here they are in the order I saw them in:

Now some of you may want to know which films are the award winners. There were six juried award winners and nine people’s choice award winners. Interesting for this year, they changed the names of the juried categories! Descriptions of the awards are with the named categories:

JURIED AWARD WINNERS

SUMMIT Award
for outstanding narrative feature by an established Canadian director:
Universal Language (dir. Matthew Rankin)

HORIZON Award
for outstanding first or second feature by a Canadian filmmaker:
Mongrels (dir. George Yoo)

TIDES Award
for outstanding documentary feature by a Canadian filmmaker:
Ninan Auassat: We, The Children (dir. Kim O’Bomsawin)

ARBUTUS Award
for outstanding feature film production in BC:
Inay (Mama) (dir. Thea Loo)

SHORT FORUM Award
open to all short films in the Short Forums
Strawberry Shortcake (dir. Deborah Devyn Chuang)

VANGUARD Award
open to all feature films in VIFF’s Vanguard section
78 Days (dir. Emilija Gasic)

AUDIENCE AWARDS

Galas and Special Presentations
I’m Still Here (dir. Walter Salles)

Showcase
No Other Land (dirs. Basel Adra, Hamdan Ballal, Yuval Abraham & Rachel Szor)

Panorama
Angela’s Shadow (dir. Jules Arita Koostachin)

Vanguard
Red Path (dir. Lotfi Achour)

Northern Lights
The Stand (dir. Christopher Auchter)

Insights
The Chef and the Daruma (dir. Mads K. Baekkevold)

Spectrum
Grand Theft Hamlet (dir. Pinny Grylls & Sam Crane)

Portraits
Luther: Never Too Much (dir. Dawn Porter)

Altered States
40 Acres (dir. R. T. Thorne)

There you have it! That’s my long-delayed wrap up blog for VIFF 2024. Next year’s VIFF will actually start in the month of October! The Festival is expected to go from October 2 – 12 in 2025. Looking forward to it.

VIFF 2023 Wrap-Up: A Very Late Wrap-Up

DISCLAIMER: As most of you know, the Vancouver International Film Festival ended on Sunday, October 8th. That’s the day before Canadian thanksgiving. Also many of my more common readers know I usually delay my VIFF wrap-up until November. The reason why this year’s wrap-up comes so late is because, like Angela in my last VIFF review, I was overworked. Not completely because of jobs but also because of an online learning course that consisted of a lot of assignments. In fact I had only a brief wrap-up at the end of my last VIFF film review in mind at first. When I saw I wrote an awful lot of a review, it was then I felt it was worth its own separate blog.

VIFF 2023 ended well. Hundreds of films from around the world were shown. They came in a wide variety of genres and lengths and formats. They ranged from Canadian to French to Asian to African, from dramas to documentaries to comedies to horror, from three minutes to 3 1/2 hours, and from theatrical films to virtual films and virtual arts.

This year, I only saw twelve films at the Festival. Actually it’s a better number than I first thought I would do. In the past, I wouldn’t have problems taking time off from my job and seeing some films in that time. This year, time was harder to book off and I did a single weekday off. Despite that, I still had an enjoyable time. I made a lot of effort to see films as often as I could during whatever free time I could muster. When I was volunteering, I was lucky to see three films during my volunteer shifts. More on my volunteering later.

This year I was successful in fulfilling my three main VIFF goals. I saw a shorts segment consisting of eight Canadian films. The Best Foreign Language Film Oscar entries I saw were two films but they were my first VIFF film and my last VIFF film. I saw a Canadian feature, despite it being animated. I don’t have a problem with that. I support Canadian film of any genre. I went to a VR exhibit. This was my first in five years. A lot has changed with VR film and the exhibit even included interactive art. I also saw two Altered States films. Both were over the top and fit the format well of what VIFF picks for an Altered States film. To my surprise, I saw more documentaries than usual. I saw five this year. They were all a case of a film being available while I was free. If I didn’t enjoy them, I did find them all intriguing. The most bizarre film I saw ended up being a Christmas horror film. Since Christmas is coming up, should I watch it again?

As for volunteering, I was back at the International Village. This year, they asked volunteers to do a minimum of three shifts. I started out with three but the number eventually grew to five. I first did two shifts on the opening weekend. One thing they introduced this year was the Platinum Lounge: a section at the theatre where Platinum Pass holders can relax before their show. I did some supervision there. Other duties I did was line control and ticket scanning. I also did a Thursday morning show that was slated exclusively as a showing for high schools. It went well, but it was a bit of a headache with some students playing games and straying off. Teenagers never change! Sunday became a case I was willing to combine two volunteer shifts into one: seven straight hours of volunteering! I didn’t mind as long as I can end the last day of VIFF seeing a film. Funny how the last film I saw at the VIFF wasn’t the last VIFF film to start but the last VIFF film to end. Film is a funny art!

Some of you may wonder who the Award Winners are. For those that care, here’s a list of the Award Winners of the 2023 Vancouver International Film Festival. There were jury award categories and audience awards for the VIFF categories of movies:

JURIED AWARD WINNERS

Best Canadian Film:
Fitting In (dir. Molly McGlynn)

Best Canadian Documentary:
Someone Lives Here (dir. Zachary Russell)

Best Canadian Short:
Katshinau (dirs. Julien G. Marcotte and Jani Bellefleur-Kaltush)

Emerging Canadian Director:
-Anna Fahr for Valley of Exile

Best BC Film:
WaaPaKe (dir. Jules Arita Koostachin)

Vanguard Award:
Animal (dir. Sofia Exarchou)

AUDIENCE AWARDS

Galas and Special Presentations:
-Monster (dir. Hirokazu Kore-eda)

Showcase:
The Monk and The Gun (dir. Pawo Choyning Dorji)

Panorama:
Irena’s Vow (dir. Louise Archambault)

Vanguard:
Let Me Go (dir. Maxime Rappaz)

Northern Lights:
Altamaako’tamisskapi Natosi: Before The Sun (dir. Banchi Hanuse)

Insights:
Physician, Heal Thyself (dir. Asher Penn)

Spectrum:
Asog (dir. Sean Devlin)

Portraits:
Call Me Dancer (dirs. Leslie Shampaine and Pip Gilmour)

Altered States:
Humanist Vampire Seeking Consenting Suicidal Person (dir. Ariane Louis-Seize)

And there you have it. That does it for my look at VIFF 2023. For those wondering when VIFF 2024 will be, September 26th to October 6th. I plan to be back and volunteering then.