VIFF 2018 Review: Djon Africa

Djon Africa
Djon Africa is about a young man, played by Miguel Moreira, who is searching for his father, but discovers a lot more.

What can I say? Illnesses have a lot to do with why I’ve been late in publishing my blogs from the VIFF. However things have been getting better lately. So I can come back at it.

One thing I like about going to the VIFF is I get the chance to see films that are ‘off the beaten path.’ One of which was the Portuguese film Djon Africa which was a good story to watch.

The film begins with a 25 year-old Portuguese man names Miguel. He works construction during the day and is musician Djon Africa by night. He is a bit of a slacker. He was raised by his grandmother and has family roots in the African island of Cape Verde. However he doesn’t feel at home in Portugal. He’s asked about his father and his grandmother often says ‘a bit of a player and a scoundrel.’  One day he goes clothes shopping with his girlfriend and a storeowner suspects him of shoplifting. Racism?

One day he comes across a good amount of money. He makes the decision to travel to Cape Verde in search of his father. The problem is he has nothing to go with. He doesn’t know what his father’s name is, which town he lives in or who his family is, other than a sister who lives in the capital city of Praia. Nevertheless he is determined. During the flight, Miguel already begins envisioning the Cape Verde he knows nothing about by dreaming of the stewardesses dancing in the aisle.

Then Miguel arrives in Praia, the capital city of Cape Verde. Even as he gets off the plane, he notices how more picturesque Cape Verde is in comparison the Lisbon. The first place he goes to do his search is visit his aunt. Unfortunately he hears the bad news from family in mournful prayer that his aunt has been deceased for a year. He learns the aunt has family in Taffaral, but when he gets there, he learns he’s possibly in the wrong Taffaral; Cape Verde has two Taffarals. To make the search more frustrating, Miguel loses a lot of his belongings after a night of getting intoxicated on Cape Verde’s firewater liquor grogue.

During that time of island-hopping from place to place, he comes across the natives in various ways. He comes across a lot of younger girls who have taken aback with his dreads and even call him ‘Bob Marley.’ He comes across a goat-herder Maria Antonia who impulsively gets him to work her land. He agrees. One can sense that Miguel is losing focus in his search for his father and has started falling in love with the country he never knew. Then he gets a phone call from Portugal. It’s his girlfriend back in Lisbon telling him she’s pregnant. The film ends with one final image of Miguel walking the street.

It’s a common story to see sons search for their father. We see it time and time again. However this does have its own way of telling the story. The biggest ingredient is the land of Cape Verde and the people themselves. The people that Miguel come across, the places that he visits, they make for Miguel’s time here and are key to changing him as a person. It’s even people like the farmer who teach Miguel to be responsible. The meeting face-to-face with his father doesn’t happen, but I believe it was the intention of the film to be a lot more than that.

One thing about the film is that it gives a lot of charming images of Cape Verde: of the people, of daily life, of the geography. All of which play a role as it is part of Miguel’s experience in Cape Verde as he tries to find his father. During the time he learns a lot about where his father comes from even though he hasn’t met him face to face. Miguel even learns more about himself.

SPOILER WARNING: DO NOT READ ANY FURTHER IF YOU DON’T WANT TO KNOW THE ENDING: The ending where you see Miguel walking down the street will get you wondering. Especially since it’s after his girlfriend calls Miguel to let his know she’s pregnant. Sure, we simply see Miguel walking down the street, but it does get you wondering. Will Miguel be like his father that he decides to stay in Cape Verde? Miguel has sure come to embrace the island. Also that image where Miguel walks down and an older man in dreads looks back: possibly his father. It may give you the idea that the two may meet someday soon. Maybe it’s best that the movie end there, with the two not meeting and with it being unclear Miguel will return to Portugal for his girlfriend. They say film should leave people asking questions instead of getting answers.

Top notes go to directors Joao Miller Guerra and Filipa Reis. The personal couple are most experienced in making documentaries and short films. Here you can sense that the story is told documentary-style as Miguel learns something new every day and grows as a person. Also worth admiring is the performance of Miguel Moreira. He doesn’t do any over-the-top drama in his acting. His acting is all about growing inside as a person, and we see that in the film. Also deserving high recommendation is cinematographer Vasco Viana. The images of the geography of the land and the people are very key in this personal story of Miguel. Vasco delivers excellent images that help make the story.

Djon Africa may come across as a boring film at first, but it’s a story about personal growth. You have to see it to understand it, as well as understand the ending.

VIFF 2018 Review: Ben Is Back

Ben Is Back
Ben Is Back is about a son (played by Lucas Hedges) returning home from rehab for Christmas, but under the watchful eyes of his mother (played by Julia Roberts).

Another movie from the VIFF anticipated for bigger release later on is Ben Is Back. The film consists of a lot of dark subject matter, but does feature a lot of elements that make it worth seeing.

It’s Christmas Eve in a New England home. The Burns family is rehearsing at church for the Christmas play. Unbeknownst is that their son Ben has returned from rehab to spend Christmas with them. He sees that the house has an alarm system since he was sent there. Smart parents. When the family arrives, they are shocked to see him there. Ben has fun with his two younger half-siblings at first, but mother Holly, stepfather Neale and sister Ivy are nervous. Holly decides 24 hours and Ben must be in her supervision. Ben agrees.

On Christmas Eve, she tries to take his mind off things by going to the mall. The first person they see is the doctor: the one who prescribe painkillers he claimed weren’t addictive, but were. Holly gives the doctor a piece of her mind. To take Ben away from the frustration, she takes him to a store. Ben notices Clayton, the town pusher, going down an elevator. As Ben appears changing in a store,  Holly notices Ben is taking too long and suspects the worst. Holly shouts to get Ben out.

After that, they go to a church hall that’s holding an AA meeting. In the hall are two or three teens Ben deals drugs to, including one that wants to meet up with Ben later and get ‘done.’ Ben agrees, but that infuriates Holly to the point she takes him to a cemetery and tells him to pick his grave.

The family with hope the Christmas play will take their mind off things, until they see the mother of one of Ben’s ‘customers.’ The daughter died and the mother is looking distraught. Ben is moved to tears during the show. Coming home, they find the house broken into and the dog is stolen. The father pins the blame on Ben. Ben feels he has to help the family out and get the dog back. Ben learns the dog is with Clayton who’s holding it hostage for money Ben owes him. Ben and Holly go out together to get it solved. However there are people who want Ben dead.

Ben soon leaves Holly on his own pursuit to get things done. Holly takes the other car and searches like mad to find Ben. Holly finds herself in the home of the mother of the deceased daughter. Holly tries to be friendly with her. The mother gives her something in case Ben overdoses. Ben meets with Clayton to get the dog back, but Clayton expects a favor involving drug trafficking. While Holly feels lost, Ivy calls and says she’s able to track Holly and Ban through her iPad. As Ben does the ‘favor’ for Clayton, Clayton ‘pays’ him with a special pill. Meanwhile Holly senses Ben in a solitary location, thinking he’s dead. The story ends with a hugely climactic moment.

I’m sure when a lot of you first heard the premise of the film, some of you probably thought “I know where this is going.” The film I’ll bet you were thinking about is Rachel Getting Married. It does seem like it’s starting in similar fashion as Rachel Getting Married where a child who’s in rehab returns home for a special occasion. One thing to say is that a child returning from rehab during a holiday or a festivity is a common occurrence in real life and something a lot of families experience on a day-to-day level. It’s a story that can be played out in real life hundreds of different ways. Some may be redeeming and some may even be tragic.

Ben Is Back is a different story from Rachel Getting Married. Kym goes through her struggles at home, but returns back to rehab as a stronger person. Those who saw Rachel know that’s the main theme is about healing and the struggle to achieve it. Ben Is Back is a different story. Ben Burns is home for 24 hours in a town that’s full of memories of his drugged past. On top of it, Ben is a former dealer who is responsible for leading other teens of his town to their own drug addiction, including one fatal. You hope that Ben stays as strong through the fight the way Kym was, but you see that Ben succumbs to a lot of the pressures along the way. The film ended with a different ending from the message of hope Rachel appeared to have. True, Ben’s ending was more dramatic and almost ended up making for a tragedy, but it made for its own story.

One of the key themes of the film is that of family relations. Without a doubt, the biggest relation of focus is a mother for her son. Holly has seen the hardest of the issue. She has to lay down rules for Ben during these 24 hours. She is also very suspicious Ben will back to his old ways during that time. One key scene is when Ben is talking about drugs to a teen he saw during an AA meeting. Infuriated, she takes Ben to a cemetery and tells him to pick his grave. Of course that was very impulsive and very wrong of Holly, but it represents the frustration of dealing with a child of drugs Holly is supposed to have a ‘tough love’ attitude about it, but doesn’t go about it best. The whole film is a case where Holly wants to keep Ben sober during that period of time, but the events become a case where it’s down to where she just wants him to be alive.

Other family relations play a part in the film. There’s the sister Ivy who’s very nervous about Ben coming home feeling he’ll be a wreck again. In the end, she becomes the one who is best in helping Holly find Ben. Then there’s the stepfather Neal Burns. He feels a load of contempt for Ben and his addiction. When the dog is stolen, Neal touts the whole blame on Ben. Even while Holly is searching, Neal doesn’t bother helping, even referring to Ben as ‘that drug addict’ instead of his own stepson. It’s only until the end that he’s willing to help.

One weak thing about the film is the ending. I know that it ends right at the very moment of the drama, but it does seem like it ends the film abruptly and way too soon. I know directors have two or three alternate endings for a film, but it makes you wonder if this was the right choice for ending?

This is a good film for writer/director Peter Hedges. It may not be his best film as he has had bigger accomplishments in the past, but this is a film Peter can be proud of. Peter’s son Lucas has become one of the biz’s rising stars right now. It started happening with Manchester By The Sea and he’s been on a role. This film is one of two films he plays a lead role in. I have not seen Boy Erased, so I can’t compare. He does a very good very intense performance here. His career can only get better. However the film belongs to Julia Roberts. Even though Lucas plays the titular character, Julia stole the show as the mother. Her emotions and feelings shown in the film are like so many mothers in that situation. She played the part excellently and stole the show. There were other minor performances that were very good like Courtney B. Vance as the stepfather with an axe to grind, Kathryn Newton as the nervous sister and Michael Esper as the heartless drug supplier.

Despite the abrupt ending, Ben Is Back is an excellent movie about the struggles of drug addiction. You might first think it’s a rehash of Rachel Getting Married, but it tells its own story.

VIFF 2018 Review: Can You Ever Forgive Me?

Can Ever Forgive
Melissa McCarthy plays author-turned-forger Lee Israel in Can You Ever Forgive Me?

Most of the time I like going to the VIFF to check out the out-of-the-ordinary cinema. However when a film with a lot of Oscar buzz hits the VIFF, I admit I’m tempted to see that. I was lucky to have my chance with Can You Ever Forgive Me?

The story begins in 1991 with 51 year-old Lee Israel at her customer services job. She obviously hates her job because she has a bad attitude and gets a lot of ‘old’ comments from the younger workers. She shows up at work with a glass of scotch in her hand, curses at her co-workers and then curses at her boss. That’s it. She’s fired. After being fired, she just simply downs the rest of her scotch.

The thing is Lee Israel was born to write. She wrote for Esquire magazine for many years and published biographies of Talullah Bankhead, Dorothy Kilgallen and Estee Lauder. However her status as a successful writer ended years earlier after her biography of Lauder flopped. On top of that, she’s trying to publish a biography of Fanny Brice, but her agent says it’s not going to be a hit. Her lack of commercial success in writing couldn’t come at a worse time. She has expenses up to her eyeballs with a cat who’s sick and needs new medicine, outstanding veterinary bills form past visits, overdue rent from a landlord, and an old typewriter that keeps breaking down. Whatever money she can get, it comes from typed original letters of famous authors. She doesn’t get much money from the bookstore; one where the young author isn’t afraid to run into Lee what a has-been author she is.

One day she goes for her usual drink of scotch at her local bar. Also getting a drink is a washed-up stage actor named Jack Hock. Hock himself had a downfall after irreverent behavior at a party while drunk: peeing in a closet! This is a chance to rekindle a past friendship. They have a lot of catching up to do. This comes around the same time Lee is continuing research for her book about Fanny Brice. One day at a library while doing research on Brice, she comes across an original typewritten letter written by her. She takes it home and notices the font on the letter matches the font on Lee’s own typewriter. That gives Lee an idea to add in a juicy P.S. sentence about Fanny’s ‘love’ for a woman. She takes it to a bookstore that buys original letters from authors and they buy it for good money. However she’s told that letters with juicier detail get bigger money.

That gives Lee an new idea for success: making fake letters of renowned deceased authors. Her next subject is Noel Coward. Here she tries to get information on the type of letterhead Coward typed his letters on, the typewriter used and the subjects Coward normally talked about. Her letters are of Coward talking about his homosexuality. Israel also gets practice of forging signatures. She goes to a bookstore that buys letters for bigger money and it works! Lee can afford to pay off the vet, buy medicine for her ailing cat, pay off her landlord and even go out on a first-class night with Jack Hock to a drag cabaret performance. Soon she goes to a memorabilia show with Jack and learns all about authenticators. That just makes her more determine to succeed. She picks more deceased authors like Dorothy Parker, Lillian Hellman, Louise Brooks and Ernest Hemingway,  buys the right typewriters, bakes the letters and envelopes to make the right aging, does the right forgery on the signatures. The work pays off. The authenticators fall for it and Lee gets paid good money! Lee’s also good at making phone calls disguising herself as director Nora Ephron. Lee also makes friends with a bookshop owner named Anna.

However reality does catch up. Lee is told by one of the bookowners that he senses a forgery as a friend of his who knew Noel Coward wouldn’t be so public about his homosexuality. Within time, all bookstore owners are given a fax from the FBI alerting them of Lee and her alleged fraud. Even an unscrupulous bookdealer threatens to report her to the FBI unless she pays him $5000. Does that stop her? No, as long as she has Jack. Jack is the one making the sales with the bookstore owners on the juicy forged letters. She even goes to libraries with access to archives and steals letters to cash in on. Jack brings her the money, but starts getting suspicious of whether he’s trying to steal from her. FBI agents threaten her with interrogation, but she garbages all her typewriters to avoid being caught.

One time she goes away for a three-day trip of ‘consulting’ archives and leaves Jack to take care of her cat, which includes giving him medicine. Lee steals more letters, and even meets up with her ex-girlfriend. The ex tells her of how distant she became after the flop of her Estee Lauder book. Meanwhile Jack gives the cat the wrong medicine and even gets his new boyfriend to stay overnight at her place. It’s when she returns that it all falls apart. She finds Jack making love to a man in her place, she finds her cat dead, and she soon finds herself arrested for her forgery. After much talking from her lawyer, she’s told she will most likely be found guilty and her persona and alcoholism could works against her for her sentence. She confesses her wrongdoings in court despite having no regrets. Her sentence is six months house arrest, to repay the booksellers she ripped off and to attend AA meetings.

The story ends on a positive note. She rekindles her friendship with Jack, who’s dying of AIDS. She buys a new cat and does her writing from a computer. One day, she even passes a bookseller who has the ‘Can you ever forgive me’ letter where Lee forged Dorothy Parker’s likeness. Lee sends an appropriate response. It’s up for you to see what the response was. And the response from the store owner.

When one does a story about a person in the past doing all these actions, it’s always a question on whether the film is relevant for the present. Would a film about a washed-up author forging letters about deceased celebrities and authors most of today’s generation don’t have a clue about be relevant? I can see relevance in it as it is a reflection of our present. Firstly we live in a time of celebrity worship as lots of people go to Instagram or Twitter to check out the latest dirt from their celebrity. Gossip pages get huge hits because people love shoving their nose in others’ dirty laundry. It’s easy to see why these fake letters about these celebrities’ personal lives would spark a lot of interest and make Lee Israel rich.

The interesting thing is that it sheds a light on the literary industry as well. I know we live in a culture where we’re encouraged to appreciate authors for their literary efforts, but all too often we forget that authors are subject to the same cruel industry that musicians face in the movie industry and actors face in businesses like Hollywood. The New York Times Bestseller list is the Bestseller list to end all Bestseller lists that decides the happening writers and the wash-ups. It’s no wonder Lee felt the frustration of this. You could understand why despite Lee’s success in forgery, she still wanted to be known as an author.

The film is not just about the act of crime and the difficulties of being an author. It’s also about Lee herself. Basically overall it showcased her biggest weakness: her attitude. She blamed her loss of her customer service job on ageism, but she swore at her bosses and drank gin on her last day. Her attitude cost her relationship with her ex-girlfriend. It also almost cost her friendship with Jack. It may even had to do with why she wasn’t getting writing jobs. A bad attitude can be costly. Lee would have to face the music of her wrongdoing. The biggest statement was when Lee was too afraid to face Anne in the store just as she was about to get sentenced.

Marielle Heller directs a very clever comedy about a writer starving for success, even if it’s illicit. Nicole Holofcener and Jeff Whitty took on Lee’s memoirs and deliver a script that tells the story and more. Nicole provided the edge of a 50-something woman just trying to make something of herself. Whitty provided the backdrop of the difficulties of Lee and jack being LGBT in New York in 1991. The script not only tells the story but tells a lot more too.

Also what adds to the film is Melissa McCarthy playing Lee Israel. Hard to believe the first pick for the role was Julianne Moore. Melissa caught moviegoers’ attention when she played the feisty Megan Price in Bridesmaids. It’s been success ever since and she’s one of the most happening things in big-screen comedies right now. However most of her comedy roles in popcorn comedies have been over-the-top performances. Here, McCarthy takes on a role of a literary figure with humor and makes it three-dimensional. Possibly her best performance since Bridesmaids. Stealing the show from Melissa is Richard E. Grant. He makes the film as much Jack’s as it is Lee’s. He played Lee’s partner in crime well and the two had good chemistry. Jane Curtin was also good, and unnoticeable, as the literary agent. Dolly Wells was also good as Anne: the lonely shop keeper.

Can You ever Forgive Me? makes for a smart and entertaining comedy. So entertaining, you just might want to buy one of Lee Israel’s forged Dorothy Parker letters soon after.