VIFF 2020 Wraps Up Its First Online Fest

It does seem awkward to do a wrap-up for the Vancouver International Film Festival. Not just because it’s way into December, but because most of the film festival was online! Plus all my VIFF activity for 2020 was online! Nevertheless I feel it’s worth it.

2020 was an interesting festival as it had to resort to mostly online viewing of films. There were airings of films at theatres like the VanCity and Cinematheque, but they were very few and had limited capacity. Despite all this, the online system did give the opportunity to watch many of the films that were part of this year’s Film Festival. There were 102 feature films, 98 short films and 19 talks and events at this year’s VIFF. The number of VIFF Gold passes sold out. Despite the lower number of films, viewership was still good as it totaled over 50,000 online views.

For me, this was a unique experience to view a film festival all all online. I first had a goal of seeing ten films online. There was some time where I thought I had a lot of catching up to do as there were days I didn’t watch. Then it was like the last five days I did a lot of cramming. Like two films a day each day. In all honesty, I prefer watching films in the theatre. Having them in the theatre is better for demanding my attention. If I watch it on a computer, I will easily be distracted by other things online or want to sneak a websearch in. If I’m in the theatre, it’s nothing but that film.

Nevertheless I was successful in seeing fifteen feature films and two shorts segments. I saw six Canadian films or film segments, one multinational set of shorts, four American films, four European films, and two Asian films.Those who know me know my film goals for the VIFF consist of three main goals: one Canadian feature-length film, one shorts segment, and one contenders of the Best International Feature Film Oscar. The goal of a Canadian film was accomplished with Monkey Beach: the first VIFF film I saw this year. The shorts segments I did twice with Programme 2 and Reel Youth. The International Feature contender I was not able to do. During VIFF, there weren’t even ten countries that gave their official submissions to the AMPAS Academy. At the time, none of them were shown at the VIFF. The reason why so few is because the 2020 Oscars will be held on April 30th and the other countries were in no rush. During that time, I went with films I felt would best contend: Undine, Father and There Is No Evil. As time passed, it would eventually be revealed none of those films became their nation’s official submission in the category. Looks like this was one goal I had to put on hold this year.

One thing that was not absent from this year’s VIFF was their award winners. Awards were still given out. I’m happy to say that three of the films I saw won awards. One thing about this year’s awards was that because of the nature of the festival, most of the people’s choice or audience award categories could not happen. Thus only one audience award. Included for this year are VIFF Immersed awards for virtual reality that is sponsored by VeeR VR network. Here’s a list of the award winners from this year’s VIFF:

BC Spotlight Awards

Sea To Sky Award

Presented by Telus

WINNER: Nuxalk Radio (dir. Banchi Hanuse)

Special Mention: Cosmic (dir. Meredith Hama-Brown)

Best BC Film Award
Presented by CreativeBC, Encore by Deluxe
WINNER: The Curse of Willow Song (dir. Karen Lam)

BC Emerging Filmmaker Award
Presented by UBCP/ACTRA, AFBS & William F. White
WINNER: Jessie Anthony for Brother, I Cry

Best BC Short Film

Presented by Telus Storyhive

WINNER: Cake Day (dir. Philip Thomas)

Special Mention: Sunken Cave And A Migrating Bird (dir. Qiuli Wu)

Canadian Film Awards

Best Canadian Film
Presented by Directors’ Guild of Canada

WINNER: Beans (dir. Tracey Deer)

Special Mention: Nadia, Butterfly  (dir. Pascal Plante)

Emerging Canadian Director
Presented by Directors’ Guild of Canada
WINNER: Violation (dirs. Madeleine Sims-Fewer and Dusty Macinelli)

Best Canadian Documentary
Presented by the Rogers Documentary Fund
WINNER: Call Me Human (dir. Kim O’Bomsawin)

Special Mention: Prayer For A Lost Mitten (dir. Jean-Francois Lesage)

Best Canadian Short Film
Presented by Side Street Post
WINNER: Bad Omen (dir. Salar Pashtoonyar)

Special Mention: Moon (dir. Zoe Pelchat)

Most Promising Director of a Canadian Short Film
Presented by Delta Air Lines
WINNER: Acadiana (dirs. Guillaume Fournier, Samuel Matteau and Yannick Nolin)

Special Mention: Labour/Leisure (dirs. Jessica Johnson, Ryan Ermacora)

VIFF Impact Award
Presented by The Lochmaddy Foundation

WINNER: The Reason I Jump (dir. Jerry Rothwell)

Rob Stewart Eco Warrior Award

Presented by RBC and Cineplex

WINNER: The Hidden Life Of Trees (dir. Peter Wohlleben)

VIFF Immersed Awards

Best Cinematic Live Action
WINNER: Kowloon Forest (dir. Alexei Marfin)

Best In Documentary
WINNER: By The Waters Of Babylon (dirs. Kristin Lauth Schaeffer and Andrew Halasz)

Best In Animation
WINNER: The Book Of Distance (dir. Randall Okita)

Honorable Mention In Animation
In The Land Of Flabby Schnook (dir. Francis Gelinas)

Audience Award
WINNER: Ecosphere: Raja Ampat (dir. Joseph Purdam)

VIFF Immersed Volumetric Market Awards

Sponsored by VeeR

  • Uninterrupted (dirs. Nettie Wild and Rae Hull)
  • A Vocal Landscape (dirs. Omid Zarai and Anne Jeppesen)

Before I wrap up my blog, I’ll give you the other films in which I saw at the fest. All films listed below are Canadian unless otherwise noted:

And there you have it. That’s my wrap-up of the film festival. I know it took me a long time to finish it all up, but I finally mustered the energy after all my work and courses. As for next year, we’ll see how the VIFF is carried out. Will they do more online films? Will they reduce the number of theatres or keep the same number they had in 2019? All I can say is I hope to see the VIFF films back in theatres. I like volunteering and being part of events. Only time will tell how VIFF 2021 is played out.

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