Tag Archives: 1920’s

Movie Review: Midnight In Paris

Midnight In Paris turned out to be one of the most unlikely sleeper hits of the summer. Little was expected of it: Owen Wilson being the biggest name, a romance featuring characters older than the 20’s, a Paris setting and a trip back to the past. Somehow it was able to capture people’s imaginations and make moviegoers want to see it.

The story is about Gil: a Hollywood screenwriter who’s successful but easily distracted. He’s engaged to Inez, a daughter of wealthy conservative parents. While the four are vacationing in Paris, Gil is struggling to finish his first novel about a man working in a nostalgia shop; a novel for which he plans to give up his scriptwriting career and move to Paris for inspiration. This does not sit very well with Inez’s parents as they don’t favor the arts or Paris nor does it sit well with Inez herself as she intends to live in Malibu. Meanwhile Inez’s friend Paul who appears to know a lot of the artistic greats makes things more complicated as Gil finds him insufferable and even phony.

 After a wine tasking one night, Gil is drunk and alone outside the hotel. At midnight, Gil comes across a coach leading a group to a secret place. Gil joins the group and the people appear to be celebrating 1920’s couture. Later we see that the coach leads to a place where the 1920’s come alive with the Cole Porter, Josephine Baker, Ernest Hemingway, F. Scott Fitzgerald and wife Zelda. He even meets Gertrude Stein and offers her to look over his novel. One catch we learn as he returns to the hotel, he’s back in the present.

Gil goes to return the next night novel in hand and offers to bring Inez with him but she’s annoyed with what he says and returns to the hotel. The coach returns at midnight and this time Ernest Hemingway is inside. He gives Gertrude his novel and she introduces him to Picasso. Gil encounters Picasso’s mistress Adrianna whom he has become attracted to. The following day Paul  shows Gil and Inez Picasso’s painting of Adrianna at a museum and tells his story about it. Gil contradicts with the truth he just saw the other night, only to annoy both Paul and Inez.

Gil visits the past more often for inspiration for his novel which annoys Inez. Her father even hires a private investigator on him, only to be lead to the Versailles during the era of Louis XIV and never to be found again. Gil spends more time with Adrianna, who leaves Picasso for Hemingway. This confuses Gil as he feels he’s falling in love with her. Meanwhile he meets with surrealists like Salvador Dali, Man Ray and Luis Bunuel who see nothing strange about him coming from the future. Gil goes furniture shopping with Inez but comes across and an antiques dealer who’s selling Adrianna’s diary. He also learns from a conversation with the antiques dealer herself that she also has the same fondness for the 20’s Gil has. Later a guide from the Rodin Museum translates Adrianna’s diary and he learns she’s in love with him. Gil returns to the past and confesses his love to Adrianna. A coach leading them to the days of the Belle Epoque drives up and Adrianna opts to go in, talking of how she longs of the days of the Belle Epoque and how the 1920’s are so imaginative. It there that Gil learns about the illusionate lure of nostalgia and learns to accept the present for what it is. In the end, the romantic triangles between all involved take a surprising turn and Gil makes some surprising decisions.

I don’t think the movie is stressing too many points but rather telling an amusing love story where artistic inspiration and one’s passion are the top themes. It does pay an admiration for the writers and thinkers in the past but it reminds us to admire their influences rather than dwell back to their time.

Another theme that’s common in Woody Allen’s movies is about artists and their inspirations. It shows how a top Hollywood writer feels that burning desire to create a novel that no Hollywood millions can take the place of. Allen puts in many legendary artists, writers and filmmakers—including some from an American expatriate group in Paris at that time–who received their inspiration in Paris to make his point. It also reflects on Allen’s feelings of conservatism being stuffy, especially with the Tea Partiers. Interesting how Gil is an artist mesmerized by legends of the past while Inez’ father admires a political party known for its past thinking.

In terms of the movie’s acting, this is the best acting I’ve seen from Owen Wilson. He seems in these past few years to be leaving his past Slacker Pack schtick behind and is now doing more sensible roles. This is an excellent move for Wilson. Here he plays a man who’s smart but easily distracted. Very good job. The supporting roles were also excellent, especially the character acting. Most of the characters of people from the past are so well-acted, you easily forget who the actor is. It took me a while to recognize Adrien Brody as Salvador Dali, Marion Cotillard as Adrianna and Tom Hiddleston as F. Scott Fitzgerald. The most recognizable was Kathy Bates as Gertrude Stein. Nevertheless her acting was still top quality.

The best effort has to come from the directing and writing from Woody Allen. I will admit that Woody Allen’s humor and comedies are not as fresh as it was during the 70’s and Midnight isn’t that different. If there’s one thing I like, it’s that Woody Allen is able to keep quality and good effort in comedy. While most comedic writers rely on cheap shots, one-liners and slapstick to make hit comedies, Allen keeps the intelligence in his storylines and presents comedies with amusing situations, full characters and an ending that differs from your typical Hollywood endings. Here we have characters that make you laugh and think at the same time. Here we have a return back to the past that fits the story well. Here we have a romantic comedy that doesn’t end the way your typical Hollywood romantic comedy ends. in terms of box office, Midnight is Woody’s highest-grossing film in North America ever. Impressive.

Midnight In Paris is not a comedy for everyone. I don’t think a trip into the past in Paris at the stroke of midnight will draw everyone. Nevertheless it is a refreshing break from your typical predictable, formulaic Hollywood fare and will impress whoever is willing to view it.

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