VIFF 2012 Review – City Lens: 60s Vancouver by Night & Day

I mentioned that I already saw one shorts program at the VIFF. I was lucky to come across a second one. City Lens wasn’t just any shorts program but one done by Vancouver filmmakers in the late 50’s and early 60’s and all were filmed in black and white. It was an interesting look at Vancouver through those years and what they showcased. Here are the films I saw and what I thought of them:

-City Patterns (1962)-This was a ten-minute short that featured images of Vancouver architecture to band music. It’s not necessarily the quality of the short I paid much attention to but of the places that were filmed. I often thought things like “So that’s what it looked back then” or “Does that place still exist?.” It was just a piece-by-piece film but I was amused with it.

-The Outcast (1963)-This was a biographical film of a former criminal trying reintegrate himself back to society. He’s both the subject being filmed and the narrator. We see him in a hotel on Main Street getting ready for the morning. We see him walk from industrial area to industrial area looking for work. We see him have a nervous look as a flashing police car drives by. During the filming shots he narrates who he is and what crimes he committed. He talks of his struggles to find a job with his criminal record. He also talks about his hopes to leave his bad past behind. The short left me wondering about former criminals and their opportunities to reintegrate into society back then. It left me wondering what was it like then? Is it better or worse now?

-PNE Midway (1960)-Now this is something that would definitely take a Vancouverite back in time. The Pacific National Exhibition fifty years ago. It was nice and fun to see how a day in their life of the PNE was like back in 1960 from workers setting things up to the rides and performances happening all day and night to the closing down for just another night. It was really neat and exciting to see. There was one scene I wasn’t happy to see which was the performance of an African American singing group with ‘Ebony Queen’ on the sign. It was a reminder that entertainment was one of the few big opportunities open to blacks back then and even having ‘ebony’ in the name was unpleasant to see. We should remember this was three years before Martin Luther King’s ‘I Have A Dream’ speech.

-The Seeds(1959)-This was actually a show meant for CBC Vancouver back then but it never was aired due to what claimed to be disturbing content. The movie starts with a gang of guys who like to control a diner. When the owner tries to stop the leader from harassing a girl, he gets beaten up. We later see the gang hang out in their favorite abandoned building playing cards and drinking straight whisky. At night they like to drive around like maniacs anywhere and everywhere. One day a young woman goes shopping with her young daughter when she caught the attention of the gang. She tries to get away only to be found in a shopping area. S tells the daughter to go home, sensing danger. They all try to chase her into a corner of the parking lot and it ends with her unhurt, unrobbed but scared. I didn’t understand what the point of the show was. Violence? Misogyny? I was left confused. I’m sure I would’ve felt uncomfortable watching that on television. I found it disturbing enough watching it in the theatre.

Overall I thought it was a nice break from the usual film fare. It was also nice to see how Vancouver looked those many years ago. I’ve only lived in Vancouver for 11 years but it was still quite an eye-opener to see how the city looked back then. Also it was unique to see four different types of films: documentary, a drama, a visual diary and a parade of images. This program was brought to us by Videomatica’s Graham X Peat along with some assistance from a Vancouver Archival Film company. It’s very rare to have a chance to see something like that.

City Lens was a welcome break for me at the VIFF. I think there should be something like this every year at the VIFF  that shows images of Vancouver past.

Move Review: The Help

I know what you’re going to say before I talk about The Help. There have already been a lot of movies about racism and segregation. Yes there have been. Nevertheless The Help is a well-made story about showing a black woman’s point of view on racism from a state most synonymous with segregation: Mississippi.

The movie revolves around three women in particular. The first is Abilene; an African American maid whose latest maid work comes right after the death of her son. The second is Milly; another African American maid who was recently fired from Hilly Hollbrook–Jackson’s white female ringleader–for using a toilet meant only for Hilly’s white family and is only rehired by a white ‘misfit’. The third is Skeeter; a white journalism grad from Ole Miss who is unmarried and wants to make a career for herself in writing but lacks a story.

The setting is Jackson, Mississippi. Segregation is alive and well but is facing abolishment. The black maids have had enough while the white upper class females want to see it kept. Hilly herself wants to enact a passage of a law to make it standard for separate bathrooms for white and colored people. Skeeter is tired of writing a housekeeping column and wants an actual story. She comes across it just after her former maid Constantine, who she always looked up to as a child, is mysteriously gone, Hilly speaks her pro-segregation mind at her ‘clique meetings’ and she encounters Aibilene and Minny. They have quite the story to tell and she learns a lot from what they have to say and what they’ve experienced. Even Milly’s story of her revenge on Hilly with ‘the pie’ makes for some colorful. Nevertheless a book publishing company wants to have the points of view from twelve maids, not two. It’s a struggle for Skeeter as she becomes more of a misfit in Hilly’s clique for being unmarried and being opposed to segregation and because of state law: Mississippi law can imprison writers and interviewees for cross-race writing. It isn’t until the shooting death of Civil Rights leader Medgar Evers that Skeeter finally gets her twelve to interview, however giving them pseudonyms to protect their identity. The result is the novel finally being made and boy does it stir up a lot of debate and reactions.

One thing about the ending is that a lot is accomplished and many good things come out of it. Despite positive changes, some bad things still remain and the movie doesn’t end on a completely positive note. The ending takes a turn for a different more negative ending. Nevertheless it did so on the right note. It reminds us that even after segregation was ended for real in the Southern States, some negative aspects of racism still remained and some changes didn’t go as far as it should have.

There have been movies about racism in the past and conquering racism but hardly has there ever been such where it’s on the basis of the black maids for white families. It touches on a common notion. The white children were raised and cared for by the African American maids and many of the children would look up to them as a mother figure. As most of those white children grew up as adults, they would then go on to the hiring and firing of them. They would adopt the cruelness to the maids their own parents had. The story is set in Jackson, Mississippi around the time of the civil rights movements and around the time Jackson, the capitol of Mississippi, is where segregation is possibly the most alive and well. The story features Skeeter, an aspiring writer who’s looking for a story and sees one. Remembering how Constantine was like a mother to her and wondering whatever happened to her, she hasn’t developed the hardness of heart her girlfriends had developed over the years. It is with her willingness to see the maids’ side and write about it that made her want to set the record straight. That helps to create the intrigue of the story.

One of the interesting themes in the movie is oddly enough its use of toilets. Many people including myself still look at toilets as something taboo but in recent decades, many people and many creative artists have defied this taboo and become more public about it and even incorporated it into art. In this film, it plays a significant role because as we remember, toilets were a part of the days segregation: separate ones for whites and colored. The Help presents toilets in many different references. It is Aibilene’s toilet teaching where she shows she’s a better mother to Mae Mobley Leefolt than Mrs. Leefolt is. It is where Minny uses a toilet for white people only in Hilly’s house that gets her fired. It’s where Hilly strongly believes in segregated bathrooms to the point to where she’s willing to take her plea to the surgeon general. It’s also the prank Skeeter uses to pull on Hilly for her lobbying. As taboo as it is, there’s no denying the significance of toilets in the movie.

One thing about the movie The Help is that it’s based on a novel that is complete fiction. That fact might make some question the triumphant moments in the movie. Question it all you want. One thing you can’t deny is that despite it being fiction, there are a lot of hard truths experienced by the African Americans in Mississippi that are portrayed very well and will make you think. Seeing how Hilly treats her maids meanly to the point of firing them instantly and even getting them arrested makes you think how many others were as mean as Hilly. That scene where Minny is with her eldest daughter in a maid’s uniform about to board the bus can also disturb you. Imagine a future that limited. Also that scene where Charlotte told how and why she fired Constantine. How many times do you think that has happened in the past? So the novel may not be based on a true story but possibly based on a thousand true stories.

The directing from Tate Taylor was top notch. He did an excellent job of directing the movie and writing the storyline well. The acting however is what made the movie most. The standout without a doubt was Viola Davis. Her performance of Aibilene was the glue of the movie and had the most to tell. Her acting was full of believability from start to finish. Octavia Spencer was the top scene-stealer as Minny. She was able to make for an excellent turn with adding elements of humor to her role. Emma Stone delivered possibly the best performance of her career. Already people are saying she’s the next big thing. Her performance of Skeeter demonstrates she can also make a good actress of herself. Also a standout is Bryce Dallas Howard. Her character acting was so excellent, she will easily make you hate Hilly.

Overall, The Help is a very excellent movie revealing a harsh reality of 60’s Southern racism. Some say it’s not as harsh of a depiction as it should be. Nevertheless we shouldn’t forget that even in racism situations that aren’t as harsh, the hurt can still be felt and the picture can have an ugliness of its own.