Erica Fae plays a Maine woman determined to keep her lighthouse in 1876 in To Keep The Light.
Here at the VIFF, you’ll see many films directed by female directors. One is ToKeepTheLight, directed by Erica Fae. It’s a very impressive work.
Abbie is the wife of Thomas, a lighthouse keeper in Maine in 1876. However Thomas has recently fallen ill and has become bedridden with a complete loss of appetite. That means Abbie will have to tend to the lighthouse while he is sick. She does everything Thomas does and keeps record of everything although she does commit one error.
One morning she sees a body of a man has washed ashore. The following day, she sees the man has not awaken so she assumes he’s dead. However just as she’s about to cast the body to sea, the man awakens. She gives him shelter and food as he’s about to recover. He tells her the story of how he ended up in the sea. As he’s recovering, she tells Thomas of this man: a Swede named Johan. It’s only a matter of days that Johan gets better. He’s even able to help Abbie with the lighthouse.
Abbie’s even able to go to town with Johan but the townpeople do not look fondly towards Abbie or Johan. Some are suspicious of the two considering Thomas is still bedridden. Even the postal lady Mrs. Williams has a suspicion towards Swedes as do many of the townfolks. It’s difficult enough since one family, the Eaton family, feels they should have owned the lighthouse only to have been outbid by Abbie and Thomas.
One day Abbie sees the breakfast eaten, assuming Thomas is starting recover and lies next to him, only to discover it’s Johan. Abbie soon learns the horrific news. Thomas is dead; he drowned himself. As if Thomas’ death isn’t hard enough, she knows she could lose the lighthouse to the Eatons. Troubles turn worse as the Chief Inspector conducts an inspection and gives it a scathing review, mostly because of his male chauvinism. Soon Johan reveals her love towards Abbie just around the time the Eatons are trying to claim her lighthouse. Abbie would have to make an important decision. She does, but not the decision most would expect.
Listening to the first five minutes of the Q&A with Erica Fae, I learned a lot more about women who looked after lighthouses in place of their ailing or deceased husbands. It’s documented but the times whitewashed their contributions those many years ago. Erica Fae is able to bring their achievements to full view and for us to finally see. Even though Abbie is a fictional character, it’s enlightening to see what they did during the time. I’m glad Erica has the chance through this film to finally tell us their story and finally commend their accomplishments.
If there’s one glitch about this film, it’s that it doesn’t appear like it’s solid in its intention as a film. It becomes obvious it’s about one woman’s struggle to keep the lighthouse she should rightfully own being the widow of the previous owner. However the story of Abbie’s struggle has the distraction of her romance with Johan. I’ll admit while watching this, I was left wondering if the film was intended to be a romance: a story about the man Abbie truly loved. I don’t have a problem at all with films conveying a message of women fighting for their rights but I think the romance from Abbie and Johan took away from the story’s message and would leave confused about what the main intention of the film is to be.
SPOILERALERT – DoNotReadThisParagraphIFYouDon‘tWantToKnowTheEnding: Even the ending had me confused. It’s obvious Abbie loved Johan but it couldn’t be that she was thinking of marrying him to keep her lighthouse. Even if it was right after the death of Thomas, Abbie didn’t come across as that type of woman. If she were to marry Johan, it would be because she loved him. I admit I had different expectations in the film. I thought Johan would follow his heart and come back to her. I think that’s why the ending of her writing the letter to set her ownership of the lighthouse in stone left me confused.
I give a lot of respect to Erica Fae for this film. Fae is best known as an actress in the film Synecdoche, New York and a recurring character in Boardwalk Empire. She wrote, directed, researched and played the lead in the film. She does an excellent job in all the duties she takes on in the film but there are some noticeable flaws. I know I made mention of a story of a love mixed with a woman’s fight for her right as coming off as uneven. As far as Fae’s acting, she does an excellent job of playing the character but she doesn’t come across as too believable as a woman from the 1870’s in New England. She comes across as too 21st century in her movement and her speaking. Antti Reini did a good job of playing Johan. The other cast members also did very well in their parts. The cinematography by Wes Cardino was excellent and gives a great feel for the East Coast. The score by Caroline Shaw was also very fitting for the film.
ToKeepTheLight has its noticeable flaws. Nevertheless it is a good story about what certain women had to fight for that often goes overlooked. I thank Erica Fae for giving us this story.
Red Army spotlights the Soviet hockey dynasty both on the ice and off the ice and reveals things we never knew.
If you like hockey, you may be interested in watching Red Army. It takes you back to a dynasty in sports history hockey fans will remember well.
The film focuses on the glory days of Soviet hockey. It doesn’t focus so much on its first exposure of Soviet hockey prowess back during its early days starting with the 1956 Winter Olympics and continuing in the 1960’s. Its prime focus however was during the 70’s and 80’s when Soviet hockey was at its best and most dominating. This was the era of Vladislav Tretiak who is widely considered to be the best goalie in the history of ice hockey. This was also the era of Vyacheslav ‘Slava’ Fetisov and the magic five that included him, Igor Larionov, Alex Kazatanov, Sergei Makarov and Vladimir Krutov. As Canadians, we saw them as invincible machines who we all thought we’d lose to big time or have to put in a hell of a fight to win, as we did at the 1972 Summit Series and the 1984 Canada Cup.
The film also focuses on the team being instrumental during the Cold War. As many may remember, there was the ‘free world’ led by the United States and the Communist world led by the U. S. S. R. or Soviet Union as we commonly called it. Both countries were bitter enemies and both sought to defeat the other. The people were left paralyzed with fear feeling a war between the two might strike any day especially as each country increased its nuclear warheads. As far as sport went, it was in that arena where the Cold War was a common scene of rivalry. The Soviet Union as well as the other Soviet-allied nations of the Eastern Bloc wanted to use sport as a showcase of Communism’s superiority. The USA/USSR rivalry was always the biggest rivalry at any Olympics. The US had their winning sprinters, decathletes, boxers, wrestlers, swimmers and figure skaters. The Soviets had their gymnasts, throwers, weightlifters, cross country skiers, pairs figure skaters and especially its hockey team. The USSR saw their athletes as soldiers in the sports arena.
However the film does more than remind us of the times and the USSR’s dominance. It also showed life in the USSR. Life under the rationing system may have been fine before World War II but it was hard after the war especially with the country being devastated at a massive level. It didn’t rebuild well but rationing among its citizen’s still existed. It made for a hard life for most as people lived in crowded houses which might not have included running water. Even Slava Fetisov remembers receiving fish on Thursday. It also showed how the athletes were the privileged ones in the Soviet system while regular citizens had to stand in line-ups for their daily rations. It even showed the weakening of this system to the citizens in the 1980’s which paved the way to the reforms known as Glasnost and Perestroika and the eventual collapse of the USSR in 1991.
Of all the hockey players, the film focuses mostly on Slava Fetisov. Fetisov was discovered by sporting scouts of the government who were hired to search out talent at a young age to train up to Olympic level. That was sport in the Soviet Union: children were scouted out, analyzed physically for future athletic potential, and taken to central training facilities to train eleven months a year up to Olympic level. As cruel and inhumane it was for the USSR to do that, it worked and the USSR often had the biggest Olympic medal haul during that time. However the USSR cherished winning in ice hockey the most. In fact there was one propaganda song sung by boys about hockey where they sang lyrics like: “Real men play hockey. Substandard men don’t play hockey.” It was in the hockey stage where they could best show the world Communism’s prowess. It succeeded with winning a massive number of World Championships and eight Olympic golds out of the team’s ten Olympic appearances.
The documentary shows another side of the Soviet hockey team. We all saw the Soviets to play hockey like machines. What we would learn in that documentary is that the Soviets were not only prepared to have the brawn for the game but they were also prepared to have the smarts for the game as they were taught strategies by chess players. They were even taught ballet by some of the top ballet instructors. It wasn’t just tough training they went through but smart training too. What came of it was a play that was not only powerful and effective for winning but a play of style and finesse. Hard to believe none of us Canadians noticed that. Maybe if we weren’t so charmed by all this hockey fighting in the NHL, we would’ve noticed.
The documentary showed another aspect of the Soviet players that we missed all along. Sure, we saw the team as machines but the team was like a family. Slava Fetisov, Tretiak, Larionov, Makarov, Krutov, Kazatonov, they all saw each other as brothers. Of course when your taken from your own home and trained at a location thousands of miles away eleven months of the year, it should be natural to do so. It not only helped in making them better players but it helped with the players knowing their playing style inside out and make them a winning combination on the ice. A reminder that team chemistry was as essential to the success to the Soviet team as it is in practically any team sport. That was one of the qualities coach Anatoliy Tarasov— USSR hockey coach from the 1964 to 1972 Olympics– invested into the Soviet hockey team.
However the film also shows some darker sides of the Soviet team. It begins however on a positive note with Fetisov’s first experiences being coached by Tarasov in the 70’s. Tarasov wasn’t just simply a strict coach but he also played the role as a father figure to the team. Tarasov also helped develop key qualities in the team–speed, grace, teamwork, and patriotism– that became the blueprint of Soviet hockey and helped create their dynasty. However after Tarasov was fired, Viktor Tikhonov was brought in as coach. The Miracle On Ice game of 1980 really hit the Soviets hard not only as a loss of a gold medal but also what appears to be a turning point for Tikhonov. Tikhonov became a lot more ruthless to the players and trained them harder. You can understand why the Soviet players have a disgusted look on their face whenever you mention the Miracle On Ice game and don’t want to talk about it. It was not only a defeat for them but that also marked the time when Tikhonov became more ruthless. He dominated control over the players’ lives. He even cut players from the Soviet team if he sensed they might defect. One example of Tikhonov’s control was when one player’s father was dying. Tikhonov wouldn’t allow him to see his dying father. Things even got so frustrating for Slava at one point, he ran away from the national team to spend time with Tarasov. Here in the documentary none of the players have a positive thing to say about Tikhonov.
The documentary showed that even though the Soviet team was highly acclaimed by the government for their prowess, they were also under heavy scrutiny by the government. Tikhonov wasn’t the only one nervous about possible defections because of the temptation of the NHL. We should remember it was commonly expected that athletes from communist countries were expected to be proud to compete for national glory and reject temptations of money. The team as well as other elite Soviet athletes were allowed to hold Soviet passports: something most Soviet citizens were denied. They were however only allowed to hold them for when they were to attend a competition. Once they arrived back in the USSR, they had to hand them back. Members of the KGB traveled with them in case one member planned to defect. There was a fear that one defection could set off a wave. It reminds us for all their glory and special treatment from the government, they were puppets under a system with a huge eagle eye over them. In fact Tretiak may have been the greatest goalie ever but he was never once allowed to play for the NHL in his whole career.
The sudden arrival of Soviet players into the NHL was greeted with excitement but players like Fetisov (right) found adjusting to NHL play came with difficulties.
The documentary also shows when the bubble eventually did burst and Soviets eventually did find their way into the NHL. It all started when a junior player by the name of Alexander Mogilny decided to defect in May of 1989. Eight players including Fetisov soon followed. The arrival of such players was met with excitement for some NHL fans while others were more forbidding like Don Cherry who didn’t want any at all. However things weren’t easy. Even though Glasnost and Perestroika were starting to happen, Soviet athletes were still under scrutiny. Fetisov’s professional career in the NHL was monitored. As for play, Fetisov did not adjust too well to new life in the NHL. He learned right in his first game how the NHL was a different kind of play, especially when it came to fighting. His wife Ladlena had some challenges fitting in with the other wives of her husband’s NHL teammates. The struggle was common for a lot of Soviet players trying to adjust to NHL play. Nevertheless things eventually did pay off for Fetisov as he was with the Red Wings in 1997 the same time as Larionov and three other younger Russians. The team was able to get a chemistry of their own and they won the Stanley Cup. The team was able to bring the Stanley Cup to Moscow’s Red Square that year but not without challenges such as clearing things up after a post-victory limousine incident and negotiating with the Russian government.
The documentary ends with what has happened since. Fetisov has become a member of the Russian political party, a Minister of Sport in Russia and even part of Russia’s bidding team in 2007 for the Sochi Olympics in 2014. Tretiak is simultaneously the current President of the Russian Ice Hockey Federation and runs his own goalie school in Toronto which is considered physically punishing by most and very restrictive to whom is admitted. Tikhonov was given countless honors like the Orders of Honor and Merit in Russia and was even a nominee for the Olympic Order. The lives of all the hockey players living and deceased are also focused on at the end.
However the most notable end is the focus on the end of Soviet hockey. As you know the USSR collapsed in 1991. Surprisingly Tikhonov mellowed down in his coaching style afterward but it was still successful enough to bring the team of former Soviets under the name The Unified Team their last gold medal in 1992. The Soviet dynasty ended with as much of a bangs as it began with at the 1956 Olympics. Team Russia has been a different story. Russia continues to churn out top talents and top players. However Russia has never won Olympic gold. Silver in 1998 and bronze in 2002 but that’s it. They didn’t even have it together during Sochi when they lost their quarterfinal to Finland. Leaves you wondering when you remember that talk of the Soviet’s team chemistry if that’s what’s missing with the Russian team. The film ends showing Alexander Ovechkin, the current Russian phenomenon, playing a shootout game for a Washington TV station. A bit of trivia: Ovie was just two weeks short of his sixth birthday when the USSR collapsed. As he plays his game for the TV crew, we hear Slava saying something’s missing in Russian hockey. You’re left feeling that same way too.
One of the funny things of the documentary is that it will remind a lot of Canadians of the inferiority complex Canadians had to endure with in the 1980’s and maybe even the late 1970’s. Already Canadians were going through an inferiority complex of being made to feel second-fiddle to the Americans ever since the inclusion of cable TV bringing American entertainment into our living rooms. Adding to the feelings of inferiority to Canadians was seeing the Soviets excel in hockey. It was often a case of Olympic rules as the best Canadian players were professionals who were ineligible to compete in the Olympics. The best Soviet players however fit within the Olympic rules and were thus eligible to compete at the Olympics Games while the Canadian team at every Olympics during that era always fielded a diluted version of our very best. The Soviets almost always came on top while the Canadian team always fell short. Even when Canada got out its best pros for the Canada Cup, Canada would still face tough challenges from the Soviets as they were total machines and would almost always dominate over the Canadians. You can understand why Canadians cherish the memory of the victory at the 1972 Summit. You can also understand why the Americans hold the 1980 Miracle On Ice close to their hearts. Being second to the Soviets in what is ‘our game’ bit hard and left us down for a long time.
The film also brought back a lot of memories not just of the Soviet team but also how many of us remember the changes of Glasnost and Perestroika that were happening of the late-80’s and early 90’s. It even reminded us of the sports personalities at the time such as Brian Williams, Ron MacLean, Don Cherry, Don Wittman and Al Michaels. It also reminds us of many memorable moments in hockey. In fact it brought back the memories when I remember first hearing of Mogilny’s defection. Who would have thought that would be the beginning of the end?
Another unique thing is that it does something that was never done with the North American television stations before. It humanized the Soviet team. It reminded us behind the strong stoic Soviet team, they were human beings that went through a lot of difficulties. They had human heartbreak of their own. One example when Slava was in a car crash in 1985 that killed his 18 year-old brother. He went through a period of his live when e just didn’t want to live. Even Slava’s talk about his frustration with Tikhonov to the point he runs away to Tarasov showed that even these tough, stoic players had a breaking point of their own. To think all us North Americans saw in the Soviets were machines.
If there was one glitch in this documentary, it’s that Gabe Polsky sometimes does a bit of playing around with the interviews. In fact I remember seeing at the beginning him trying to ask Slava some questions while he’s on a phone call. It’s no wonder Slava flipped him the tweeter after the second question. We see Polsky do a few other stunts too. It’s a question if it was really worth it.
Another glitch is that the film was first released in the middle of 2014 and there was some information either missing or failed to update since. One missing piece of information is Tikhonov’s death in November of 2014. Another piece is of the Sochi Olympics where Fetisov was one of the Olympic flagbearers during the opening ceremony and Tretiak was the final torchbearer along with pairs figure skater Irina Rodnina whom herself is also a three-time Olympic champion and considered the best ever in an event known for Soviet dominance.
Red Army is an intriguing documentary that hockey fans will find worth watching. It takes you back to a stellar dynasty and a unique time. It will also show you a side of them you may have missed during their heyday.
Bluegrass phenom Chris Thile (extreme right) launches his new band The Punch Brothers (background) in How To Grow A Band.
Okay, you’re probably asking why I’m still doing reviews from the Vancouver International Film Festival when it ended ten days ago, right? Well this review will be the last one. A wrap-up of the festival will follow the next day.
How To Grow A Band isn’t about a rock band. It’s about a bluegrass band that brings a unique sound to bluegrass music. It’s an eye-opener of the challenges of starting a new band in any style of music.
The documentary starts as mandolinist Chris Thile is starting the show for his band The Punch Brothers. The film then goes to the early years of Chris Thile. It first starts back to Chris in 1989 at the age of 8. His father Scott was a bluegrass musician and Chris easily followed in his footsteps. He soon became what you’d call a ‘bluegrass prodigy’, winning mandolin competitions at a very young age.
His father performed at That Pizza Place, a popular bluegrass hangout in Southern California. There he met the Watkins siblings Sean and Sara whose parents also performed there. The three along with Scott formed the band Nickel Creek. They started off playing traditional bluegrass but they switched in their teens to ‘progressive bluegrass’ by mixing traditional bluegrass sounds to alternative rock. They had a career that included being featured on recordings from Dolly Parton, the Chieftains and Glen Phillips as the Mutual Admiration Society. They opened five 2003 shows for John Mayer and two of their albums were produced by Allison Krauss; both of which hit Gold status. They had a career that included six albums and four Grammy nominations including a 2001 win in the Best Bluegrass Album category for This Side. In 2006, the members decided to part different ways because they wanted to expand their musical horizons and held their Farewell (For Now) Tour that ended in 2007.
For Chris Thile, it was exiting Nickel Creek and entering the Punch Brothers who were firstly Chris’s backup band as a solo artist and called How To Grow A Band up until 2008. The Punch Brothers were to take bluegrass in another new direction as part of the ‘newgrass’ movement. The direction they wanted to take bluegrass in was in the direction of ‘chamber music’: a fusion of bluegrass with modern classical. The band consisted of his childhood friend Gabe Witcher on fiddle, Chris Eldridge on guitar, Noam Pikelny on banjo and Greg Garrison on bass.
The documentary takes the viewer through the first two years of the band when they were first recording together to when they first perform together to the periods when they want to take their talent and creativity in new directions for the group. It not only shows them performing together in their sessions but it also shows the radio interviews they gave for BBC radio for their first live performance together, in Glasgow, Scotland in 2006. They’d continue to tour much of England before reaching the United States. They’d perform their The Blind Leaving The Blind suite at Carnegie Hall in 2007. They’d then change their name to the Punch Brothers once signed onto Nonesuch Records.
The documentary showcases the good times they have together performing, signing autographs and being together. It also showed the tensions and arguments the members had while on tour and preparing for recording. It reminds us that even though they are a unified band, they are also five musicians with creative wants and needs of their own. The members even had side projects of their own two. It’s a matter of them finding a balance between personal needs and group needs in order to function well both as individuals and group members. The documentary also features interviews and opinions with the industry professionals the Punch Brothers work with along the way. The things they say about working as a group and of showbiz demands are words that could be said for any group of any music genre. The documentary doesn’t shy away when bassist Greg Garrison makes the decision to leave the band for family responsibilities. It’s sudden but the group is understanding. The group then hire Paul Kowert as the replacement bassists, as seen at the end.
The documentary is a good outlook on a band that’s just starting out. We’re reminded that even when there are musicians with famed reputations, starting a new band is not an easy thing to do. It’s still as risky work as when they tried to get their very first big break. One thing the documentary leaves out of the picture is the personal lives of the members, especially the fact that Chris married at 21 and divorced 18 months later. In fact it was Chris’ messy divorce that inspired their The Blind Leaving The Blind suite. The only one where there was some significant focus on was that of Greg because that would be the reason why he’d eventually leave the Punch Brothers. I guess it was the director’s choice to focus on the members as band members rather than showcase their personal lives.
The documentary not only shows the life of a band but also shows what being a bluegrass musician is like too. There’s not only home videos of Chris Thile as a child but of the other members too. Chris wasn’t the only one who started out young. All of the other members share similarities with Chris in their childhoods. Some were young professional performers at a young age too and Gabe was even a Star Search contestant at 9. Chris Eldridge’s father Ben Eldridge was a banjoist for the 70’s bluegrass band The Seldom Scene. Former Nickel Creek violinist Sara Watkins even talks about the importance of starting out young and performing like a pro as a child. This documentary is as much about the music and musicians as it is about a band in forming and developing.
This documentary also showed some ironies too. Chris and Gabe were part of a tight-knit bluegrass community from Southern California. In fact none of the Punch Brothers hail from Kentucky and the band currently base themselves in New York City. Also as ironic is that it’s Britain that first welcome the music and sound of the Punch Brothers before the Americans do. I always knew the British are more welcoming towards creativity and new sounds but it surprised me how welcoming they were to bluegrass. I will admit that I myself can’t tell the difference between basic country music and bluegrass country. One thing I will say is that the documentary made me like bluegrass music a lot more.
In case you wondered what has happened to the Punch Brothers since 2008 when this documentary ends its footage, they released the albums Antifogmatic in 2010 and Who’s Feeling Young Now? in 2012. They also recorded the track Dark Days for the soundtrack to The Hunger Games and have made appearances on the Late Show With David Letterman and the Tonight Show With Jay Leno. They’re very popular in Europe and are currently touring there as of press time. They’ve also done work with their own side projects too. Most notably Gabe has performed backup with many notable country musicians, provided the violin for the Brokeback Mountain soundtrack and performed with the Dave Rawlings Machine. As for Chris, he’s been the busiest. He completed a mandolin concerto in 2009 which has since been performed by a consortium of orchestras in the United States. He recorded The Great Rodeo Sessions in 2011 with famed cellist Yo-Yo Ma, bassist Edgar Meyer and fiddle player Stuart Duncan and they even performed together on the Tonight Show With Jay Leno. Most recently he won a $500,000 grant from the annual MacArthur Fellows program.
I was actually designated to be an usher for this documentary leading people to their seats in the dark. This was only the second film I saw in its entirety as an usher. Great film. Right after my ushering duties for the movie were done, I was to distribute ads in promoting their Vancouver show. I took an interest in the Punch Brothers after seeing this documentary and learn more about what they’ve done since the documentary. It’s great seeing what they do and I wish them all the best in the future.
How To Grow A Band is as much a story of the Punch Brothers from the birth of the band to their fruition as it is a story about the music business and a statement about being a bluegrass musician. Anyone who’s interested in getting their band off the ground in any genre of music should see this.
BONUS FOR VANCOUVERITES: As for their Vancouver show I was talking about, the Punch Brothers are coming to Vancouver on November 24th. They will be performing at the Chan Centre for the Performing Arts. Here’s where to go to buy tickets: http://www.chancentre.com/whats-on/punch-brothers