It’s a fall tradition of mine. The Vancouver International Film Festival (VIFF) comes back and I end up volunteering for it. It’s a tradition that was broken last year. You can’t blame me. The COVID pandemic severely limited seating capacities and the number of films they could show on screens, not to mention theatre attendance. Last’s year’s VIFF was a case where few shows were shown in theatres and most were screened online. This year, the VIFF makes a big return back to the theatres, if not a complete return.
The International Village which used to allow three of its theatres to show VIFF films during fourteen of its sixteen days isn’t doing it this year. The Centre for the Performing Arts isn’t giving itself to the VIFF this year either. There are five theatres from past years that are VIFF venues again this year: Cinematheque, Vancouver Playhouse, Rio Theatre, SFU Goldcorp Theatre and the VanCity Theatre at the VIFF Centre. The VIFF also acquired four new venues to facilitate for the fest:
- Annex Theatre – It’s called the Annex because it’s the annex to the Orpheum theatre. It’s a nice cabaret-style theatre that served the VIFF before as a lecture hall or conference room. This time, it will be showing films throughout most of the VIFF.
- Hollywood Theatre – Those that remember my blogging from bygone days will know the Hollywood is a theatre in the West Broadway area build back in the 1930’s. Although it’s no longer owned by the original members, it has reopened to become a multi-event stage with mostly theatrical shows and music concerts. During the VIFF, it will return to its original purpose as a movie theatre.
- Studio Theatre: VIFF Centre – Even before the pandemic hit, there was a fundraising initiative underway at the VanCity Theatre of creating a studio theatre meant for screening local films and give more local filmmakers opportunity. It was finally opened this summer and this is the first VIFF in which it will serve as a venue! Just to the left of the main studio theatre at the VanCity, it’s smaller in capacity but can serve its purpose well.
- Kay Meek Arts Centre – I think this is the first VIFF venue outside of the city of Vancouver ever. Located in West Vancouver Secondary School, this local theatre is also a major centre for arts in West Vancouver.
This year, I’m back to volunteering. I will be at the Playhouse Theatre and working as part of a ‘skeleton crew,’ which is the minimum number of volunteers a facility can have at one time. This is one of the precautions as part of the pandemic. The second is that theatres will only be at 50% capacity. The third precaution is that people are to have their BC Vaccine Card or Vaccine Passport to get into theatres. For those who don’t know what a Vaccine Card or Vaccine Passport is, it’s a scanner code the certifies that one has been vaccinated twice.
For those that are still too nervous about going into a theatre, there are many of the VIFF films that can be streamed online. Many of you may remember that the majority of VIFF films from last year can be streamed from wherever they wanted whenever they wanted. Not the case this year as the online screenings can be screened during select times and there are many that have a limit to the number of online customers of that screening.
The VIFF will be starting today and running until Monday October 11th, which is Canadian Thanksgiving. Returning back to the Festival are VIFF Immersed technology exhibits, VIFF Totally Indie Day, VIFF Talks and Masterclasses and VIFF AMP music conferences. For film lineups, there will be 185 films. 73 of them will get a cinema run. Of the sixteen expected to stand out:
- The Electrical Life of Louis Wain – The Opening Gala film. It’s an eccentric biographical film of artist Louis Wain who is played by Benedict Cumberbatch and directed by Will Sharpe.
- Petite Maman – The Closing Gala film. The latest feature from Portrait Of A Lady On Fire director Celine Sciamma. It’s a unique story of the mysterious bond between mother and daughter.
- All My Puny Sorrows – Michael McGowan directs this film adaptation of the novel by Miriam Toews. Alison Pill stars as a young woman hugely concerned for her talented sister.
- Belfast – A film loaded with potential Oscar buzz. Kenneth Branagh directs this story of the spark of civilian unrest in 1969 Northern Ireland as seen through the eyes of a child.
- Benediction – Directed by Terence Davies, It’s a portrait of World War I poet Siegfried Sassoon. It stars Jack Lowden and Peter Capaldi.
- Bergman Island – Directed Mia Hansen-Love. As the village Ingmar Bergman grew up in has been turned into a theme park , two filmmakers, played by Vicky Krieps and Tim Roth, ponder their relationship.
- Drive My Car – A three-hour film by Ryusuke Hamaguchi. A recently-widowed theatre director tries to live life again as he puts together a new production, and casts his late wife’s lover as the lead.
- Everything Went Fine – Directed by Francois Ozon and stars Sophie Marceau and Charlotte Rampling, it’s the story of an 85 year-old man who wants his daughter to end his life, while she tries to change his mind.
- Memoria – Directed by Uncle Boonmee director Apichatpong Weerasethakul, it’s the story of an orchid grower in Colombia, played by Tilda Swinton, who experiences a booming noise only she can hear.
- Mothering Sunday – Directed by Eva Husson, it’s about a maid in 1924 who spends time with her lover before he is about to marry a younger woman. Can she change his mind?
- Night Raiders – Directed by Danis Goulet, this is a futuristic film set in 2043 and Canada plans to return to past colonial ways of treating Indigenous children.
- Official Competition – The film is about a Spanish female film directer trying to direct two male movie stars with big egos. It’s co-directed by Mariano Cohn and Gaston Duprat and it stars Antonio Banderas and Penelope Cruz.
- One Second – Directed by Zhang Yimou, It’s a story of a man during China’s Cultural Revolution who escapes China’s labor camps to see his actress daughter on screen. It’s no easy task.
- Red Rocket – Directed by Florida Project director Sean Baker, this film is of a washed-up porn star returning to his hometown trying to reconcile with his wife, but also promoting a young teenaged girl to stardom.
- The Sanctity Of Space – A documentary directed by Renan Ozturk and Freddie Wilkinson. It’s of the mission to meet with famed cartographer Bradford Washburn whose worked opened up a new world for mountain climbers pursuing Alaska and Yukon.
- The Worst Person In The World – Directed by Joachim Trier, it’s a coming of age story of a young woman about a young woman who leaves a trail of destruction in her wake.
And there you go. That’s just a brief preview of the highlights at this year’s VIFF. But the VIFF has more films to offer. Way more. It’s worth checking out over these next eleven days.