I’m not too familiar about the Korean movie industry. However The Running Actress does offer some interesting insights.
The film is divided into three acts. Act 1 consists of Moon going on a hike with two friends. Then they soon run into producer Won Dong-yeon and two of his colleagues. Later all six of them go on a dinner together. However the dinner is discomforting to Moon as all they focus on is her looks and having her work in their film for free. She’s unhappy about it and on the way home, she has the manager stop the car and she runs out!
Act 2 is all about the discomforts of fame, especially past fame. She has to deal with past images of her in the limelight. She also has to deal with the fact she hasn’t had a role in so long, and the first role to come in recent times is for her to play the mother of an adult child. At her age? She tries to get a loan, but is turned down. She tries to use a sick estranged in-lay for assistance, but it comes to no avail. Home life with her husband and small child is no escape from all the pressures. At the end of it all, she is back in the car with her manager and again demands he stop the car. She runs out screaming again!
Act 3 is at a wake for a director she worked with during her young-and-famous days. She doesn’t plan to stay there long because she wasn’t on good terms with the director. However noticing the small size of the wake — just her, his wife and son — she stays there longer. She even starts up a conversation with an old acting acquaintance. Then a younger actress who the director has last worked with comes in and mourns out loud. She later joins in a conversation with all and it turns ugly as the director’s widow has a lot of wrath towards her. The film ends with Moon and the young actress walking together in friendly conversation.
The funniest thing about this film is that it makes the Korean film industry so bitingly close to that of Hollywood. I may not be very familiar with the Korean film industry or how it operates, but this film is a reminder that judging an actress by age isn’t simply a Hollywood-only thing. I can see that happening in Korea especially since we have this whole K-Pop phenomenon. Young singers handpicked mostly for their youthful looks and then trained for four years as an act together to top the charts. I can easily see how the Korean film industry can be very youth or young-adult oriented. I don’t know what types of movies they shell out in Korea but I can see it happening.
In the meantime there’s Moon So-Ri. She had it big for so many years and then she lost it. She’s so starved for money, she has to rely on an estranged ailing in-law for help to get it. Her slate of film roles dry up because of her ‘yesterday’s news’ status, and her only chance is playing a mother of a young adult. Interesting that Hollywood wouldn’t be the only film industry to be as judgmental as that in terms of an actress’ age.
At the same time, it not only tackles the dark side of the entertainment profession in a humorous way. It also pokes fun at the emotional reactions of those involved too. Moon herself has her moments where she just can’t hold it in and just lets it out. Even at the funeral for Director Lee, there are the over-the-top emotional reactions from those as well. It really shows how interesting the people in entertainment are like.
The star of the film is Moon So-ri. She wrote it, directed it and stars lead in it. In actuality, this film was actually three short films Moon did as she was completing an MFA program at Chung-Ang University. I think she did a smart thing by putting the three together and creating a feature-length movie. It’s humorous and smart. It draws on some of Moon’s own experiences, but also includes some fictionalizations too. She does a very good effort as a whole here. The supporting players also do a good job in their own acting here. She even has her own real-life husband Jang Joon-hwan play himself in the film. It’s also interesting real-life producer Won Dong-yeon agree to be in it. I think he probably agrees with the message.
The Running Actress is a humorous look at a reality of the stupidity of the entertainment industry. It’s also a humorous look at the emotional attitudes of the artists involved. Moon So-ri does a good job of showing a stupidity in a humorous way.
I’ll start by asking a series of questions. When you think of the term movie star, who comes to mind? Or what comes to mind? Is it their captivating looks? is it their ability to epitomize fame and fortune? Is it their ability to win crowds to the big screen time after time? Is it a presence that captivates the audience in their seats? Or is it their ability to do great acting time and time again? Do the standards of those that deserve the term movie star change over time? Or are the standards of a movie star timeless? When you think of the term movie star, how many from the past deserve that title? How many current actors deserve to have such a title bestowed upon them?
On Wednesday morning, we lost one who deserved to fit the term movie star in any or possibly every definition of the term. Her name was Elizabeth Taylor. She’s possibly one of the last of a breed that fit the term movie star as we know it to a tee. She had the looks, she lived large in more ways than one, she was able to attract crowds to the theatres and grab hold of their attention, and she knew how to give wonderful acting performances time after time.
Her acting career started early. She was discovered and signed on by both MGM and Universal at the age of ten. She had a great career as a child actor in gems like Lassie Come Home and Jane Eyre but it was her performance in 1944’s National Velvet that was her signature turn as a child actor. She was also successful in making a transition to adult actor almost immediately when she starred in 1950’s Father Of The Bride. Her career as an adult actress would accelerate starting with her role in 1956’s Giant opposite Rock Husdon and James Dean. She would then be nominated for an Academy Award for Best Actress four years in a row starting with 1957’s Raintree County opposite Montgomery Clift, 1958’s Cat On A Hot Tin Roof opposite Paul Newman, 1959’s Suddenly, Last Summer opposite Montgomery Clift and finally a Winner for 1960’s Butterfield 8 which she acted opposite then-husband Eddie Fisher. In 1960, she became the highest paid actress in Hollywood and more starring roles continued, including for 1963’s Cleopatra, 1967’s The Taming Of The Shrew and her second Best Actress Oscar winning role in 1966’s Who’s Afraid Of Virginia Woolf? Soon after, the movies she starred were flopping and her bankability faded. It wouldn’t stop her from acting in movies, television and stage. Her last movie role was in 1994’s live-action version of The Flintstones. Immediately after, she announced her retirement from films.
She also had one-of-a-kind winning looks. Her looks were definitely that of a movie star. Even at a young age, you knew she had a face for the screen. The smooth face and glowing violet eyes. You could tell in her earlier moviesthat she had the looks. Even in adolescence, she matured with grace and beauty and would have the looks perfect for Hollywood’s Golden Age. She also knew how to live the glamorous life. She was always seen with the most glamorous dresses and was renowned for her huge collection of jewelry including huge diamond rings and diamond necklaces. She even launched two fragrances in the 1990’s.
She also had the ability to be the subject of much publicity, both while active in her acting career and after. She was known for her eight marriages to seven husbands: starting with hotel mogul Conrad Hilton and ending with Larry Fortensky. Her relationship and eventual marriage to Eddie Fisher made headlines because it interfered with his marriage to Eddie Fisher. She married Richard Burton twice over a period of twelve years. Only her marriage to Michael Todd lasted until his death. She was known for her weight gain battles, frequently lampooned in Joan Rivers’ standup comedy material. She had well-publicized substance abuse battles that included a stay at the Betty Ford Clinic where she met her final husband Larry Fortensky. Her friendship with Michael Jackson also made tabloid headlines. Fact: she is the godmother of Michael’s two oldest children. She also battled constant health problems and they would always make for good tabloid copy. She broke her back five times and had two hip replacements. She also battled life-threatening illnesses like a brain tumor, two bouts of pneumonia and numerous heart problems.
Despite her life of luxury and her questionable relationships, she was also one who knew how to use her celebrity to attract a cause. She supported AIDS causes starting in 1984 when they were not popular but became more active after her friend actor Rock Hudson died of the disease in 1985. She founded or co-founded two major AIDS charities and promoted major AIDS fundraising events. He also devoted herself to many causes relating to Israel and Zionism. She herself converted to Judaism in 1959. She would use her celebrity for many fundraising events and for awareness for the causes she believed in. In turn, she has been awarded humanitarian awards during her life. She was even named a Dame in 2000.
When she died on Wednesday, many believe we lost the last great movie star of Hollywood’s Golden Era. Although that’s disputable, we did lose a one-of-a-kind. She had the picture perfect looks for Hollywood but she delivered solid acting every time. What mistakes she made in her personal life, she made up for in her charm and grace. She lived every inch of the definition ‘fame and fortune’ but was still in touch with what was happening in the world. Many leading ladies came before her and many have come since but she will never be equaled. Elizabeth, we’ll miss you.