Move Review: The Help

I know what you’re going to say before I talk about The Help. There have already been a lot of movies about racism and segregation. Yes there have been. Nevertheless The Help is a well-made story about showing a black woman’s point of view on racism from a state most synonymous with segregation: Mississippi.

The movie revolves around three women in particular. The first is Abilene; an African American maid whose latest maid work comes right after the death of her son. The second is Milly; another African American maid who was recently fired from Hilly Hollbrook–Jackson’s white female ringleader–for using a toilet meant only for Hilly’s white family and is only rehired by a white ‘misfit’. The third is Skeeter; a white journalism grad from Ole Miss who is unmarried and wants to make a career for herself in writing but lacks a story.

The setting is Jackson, Mississippi. Segregation is alive and well but is facing abolishment. The black maids have had enough while the white upper class females want to see it kept. Hilly herself wants to enact a passage of a law to make it standard for separate bathrooms for white and colored people. Skeeter is tired of writing a housekeeping column and wants an actual story. She comes across it just after her former maid Constantine, who she always looked up to as a child, is mysteriously gone, Hilly speaks her pro-segregation mind at her ‘clique meetings’ and she encounters Aibilene and Minny. They have quite the story to tell and she learns a lot from what they have to say and what they’ve experienced. Even Milly’s story of her revenge on Hilly with ‘the pie’ makes for some colorful. Nevertheless a book publishing company wants to have the points of view from twelve maids, not two. It’s a struggle for Skeeter as she becomes more of a misfit in Hilly’s clique for being unmarried and being opposed to segregation and because of state law: Mississippi law can imprison writers and interviewees for cross-race writing. It isn’t until the shooting death of Civil Rights leader Medgar Evers that Skeeter finally gets her twelve to interview, however giving them pseudonyms to protect their identity. The result is the novel finally being made and boy does it stir up a lot of debate and reactions.

One thing about the ending is that a lot is accomplished and many good things come out of it. Despite positive changes, some bad things still remain and the movie doesn’t end on a completely positive note. The ending takes a turn for a different more negative ending. Nevertheless it did so on the right note. It reminds us that even after segregation was ended for real in the Southern States, some negative aspects of racism still remained and some changes didn’t go as far as it should have.

There have been movies about racism in the past and conquering racism but hardly has there ever been such where it’s on the basis of the black maids for white families. It touches on a common notion. The white children were raised and cared for by the African American maids and many of the children would look up to them as a mother figure. As most of those white children grew up as adults, they would then go on to the hiring and firing of them. They would adopt the cruelness to the maids their own parents had. The story is set in Jackson, Mississippi around the time of the civil rights movements and around the time Jackson, the capitol of Mississippi, is where segregation is possibly the most alive and well. The story features Skeeter, an aspiring writer who’s looking for a story and sees one. Remembering how Constantine was like a mother to her and wondering whatever happened to her, she hasn’t developed the hardness of heart her girlfriends had developed over the years. It is with her willingness to see the maids’ side and write about it that made her want to set the record straight. That helps to create the intrigue of the story.

One of the interesting themes in the movie is oddly enough its use of toilets. Many people including myself still look at toilets as something taboo but in recent decades, many people and many creative artists have defied this taboo and become more public about it and even incorporated it into art. In this film, it plays a significant role because as we remember, toilets were a part of the days segregation: separate ones for whites and colored. The Help presents toilets in many different references. It is Aibilene’s toilet teaching where she shows she’s a better mother to Mae Mobley Leefolt than Mrs. Leefolt is. It is where Minny uses a toilet for white people only in Hilly’s house that gets her fired. It’s where Hilly strongly believes in segregated bathrooms to the point to where she’s willing to take her plea to the surgeon general. It’s also the prank Skeeter uses to pull on Hilly for her lobbying. As taboo as it is, there’s no denying the significance of toilets in the movie.

One thing about the movie The Help is that it’s based on a novel that is complete fiction. That fact might make some question the triumphant moments in the movie. Question it all you want. One thing you can’t deny is that despite it being fiction, there are a lot of hard truths experienced by the African Americans in Mississippi that are portrayed very well and will make you think. Seeing how Hilly treats her maids meanly to the point of firing them instantly and even getting them arrested makes you think how many others were as mean as Hilly. That scene where Minny is with her eldest daughter in a maid’s uniform about to board the bus can also disturb you. Imagine a future that limited. Also that scene where Charlotte told how and why she fired Constantine. How many times do you think that has happened in the past? So the novel may not be based on a true story but possibly based on a thousand true stories.

The directing from Tate Taylor was top notch. He did an excellent job of directing the movie and writing the storyline well. The acting however is what made the movie most. The standout without a doubt was Viola Davis. Her performance of Aibilene was the glue of the movie and had the most to tell. Her acting was full of believability from start to finish. Octavia Spencer was the top scene-stealer as Minny. She was able to make for an excellent turn with adding elements of humor to her role. Emma Stone delivered possibly the best performance of her career. Already people are saying she’s the next big thing. Her performance of Skeeter demonstrates she can also make a good actress of herself. Also a standout is Bryce Dallas Howard. Her character acting was so excellent, she will easily make you hate Hilly.

Overall, The Help is a very excellent movie revealing a harsh reality of 60’s Southern racism. Some say it’s not as harsh of a depiction as it should be. Nevertheless we shouldn’t forget that even in racism situations that aren’t as harsh, the hurt can still be felt and the picture can have an ugliness of its own.

Elizabeth Taylor 1932-2011

I’ll start by asking a series of questions. When you think of the term movie star, who comes to mind? Or what comes to mind? Is it their captivating looks? is it their ability to epitomize fame and fortune? Is it their ability to win crowds to the big screen time after time? Is it a presence that captivates the audience in their seats? Or is it their ability to do great acting time and time again? Do the standards of those that deserve the term movie star change over time? Or are the standards of a movie star timeless? When you think of the term movie star, how many from the past deserve that title? How many current actors deserve to have such a title bestowed upon them?

On Wednesday morning, we lost one who deserved to fit the term movie star in any or possibly every definition of the term. Her name was Elizabeth Taylor. She’s possibly one of the last of a breed that fit the term movie star as we know it to a tee. She had the looks, she lived large in more ways than one, she was able to attract crowds to the theatres and grab hold of their attention, and she knew how to give wonderful acting performances time after time.

Her acting career started early. She was discovered and signed on by both MGM and Universal at the age of ten. She had a great career as a child actor in gems like Lassie Come Home and Jane Eyre but it was her performance in 1944’s National Velvet that was her signature turn as a child actor. She was also successful in making a transition to adult actor almost immediately when she starred in 1950’s Father Of The Bride. Her career as an adult actress would accelerate starting with her role in 1956’s Giant opposite Rock Husdon and James Dean. She would then be nominated for an Academy Award for Best Actress four years in a row starting with 1957’s Raintree County opposite Montgomery Clift, 1958’s Cat On A Hot Tin Roof opposite Paul Newman, 1959’s Suddenly, Last Summer opposite Montgomery Clift and finally a Winner for 1960’s Butterfield 8 which she acted opposite then-husband Eddie Fisher. In 1960, she became the highest paid actress in Hollywood and more starring roles continued, including for 1963’s Cleopatra, 1967’s The Taming Of The Shrew and her second Best Actress Oscar winning role in 1966’s Who’s Afraid Of Virginia Woolf? Soon after, the movies she starred were flopping and her bankability faded. It wouldn’t stop her from acting in movies, television and stage. Her last movie role was in 1994’s live-action version of The Flintstones. Immediately after, she announced her retirement from films.

She also had one-of-a-kind winning looks. Her looks were definitely that of a movie star. Even at a young age, you knew she had a face for the screen. The smooth face and glowing violet eyes. You could tell in her earlier moviesthat she had the looks. Even in adolescence, she matured with grace and beauty and would have the looks perfect for Hollywood’s Golden Age. She also knew how to live the glamorous life. She was always seen with the most glamorous dresses and was renowned for her huge collection of jewelry including huge diamond rings and diamond necklaces. She even launched two fragrances in the 1990’s.

She also had the ability to be the subject of much publicity, both while active in her acting career and after. She was known for her eight marriages to seven husbands: starting with hotel mogul Conrad Hilton and ending with Larry Fortensky. Her relationship and eventual marriage to Eddie Fisher made headlines because it interfered with his marriage to Eddie Fisher. She married Richard Burton twice over a period of twelve years. Only her marriage to Michael Todd lasted until his death. She was known for her weight gain battles, frequently lampooned in Joan Rivers’ standup comedy material. She had well-publicized substance abuse battles that included a stay at the Betty Ford Clinic where she met her final husband Larry Fortensky. Her friendship with Michael Jackson also made tabloid headlines. Fact: she is the godmother of Michael’s two oldest children. She also battled constant health problems and they would always make for good tabloid copy. She broke her back five times and had two hip replacements. She also battled life-threatening illnesses like a brain tumor, two bouts of pneumonia and numerous heart problems. 

Despite her life of luxury and her questionable relationships, she was also one who knew how to use her celebrity to attract a cause. She supported AIDS causes starting in 1984 when they were not popular but became more active after her friend actor Rock Hudson died of the disease in 1985. She founded or co-founded two major AIDS charities and promoted major AIDS fundraising events. He also devoted herself to many causes relating to Israel and Zionism. She herself converted to Judaism in 1959. She would use her celebrity for many fundraising events and for awareness for the causes she believed in. In turn, she has been awarded humanitarian awards during her life. She was even named a Dame in 2000.

When she died on Wednesday, many believe we lost the last great movie star of Hollywood’s Golden Era. Although that’s disputable, we did lose a one-of-a-kind. She had the picture perfect looks for Hollywood but she delivered solid acting every time. What mistakes she made in her personal life, she made up for in her charm and grace. She lived every inch of the definition ‘fame and fortune’ but was still in touch with what was happening in the world. Many leading ladies came before her and many have come since but she will never be equaled. Elizabeth, we’ll miss you.