Movie Review: Beavis and Butt-Head Do America (1996)

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Death Valley is one of the unexpected stops for Beavis and Butt-Head as the two Do America.

Remember Beavis and Butt-Head? Yes, the two stupid teens who somehow could make us laugh. As most of you remember, they had a feature-length film from 1996 entitled Beavis and Butt-Head do America. I had the luck to see it on the big screen in theatres.

The story is about Beavis and Butt-Head first losing their television. With nothing else to do, they go around town searching for it. However they find themselves with a drunken criminal, Muddy Grimes, who had just been done wrong by his girlfriend Dallas and wants revenge. He thinks B&B are the two hired to do the job and sends them to Las Vegas to off her.

While in Vegas, the two first make fools of themselves on the dance floor only to be led to their hotel suite: right next door to Dallas. However Dallas is one step ahead of Muddy and is able to get the two to transport a small electronic capsule which unknowing to them actually contains anthrax.

The FBI learn of B&B having the anthrax capsule and are on pursuit of them. Nevertheless they’re led astray as B&B constantly go off-path to various other areas of the U.S. such as the Hoover Dam, the Grand Canyon, Yellowstone Park and Death Valley. The latter they encounter their long-lost fathers: former Motley Crue roadies.

Things become more bizarre as they meet up with a vengeful Muddy who wants to kill the two only to learn he mistook B&B for his real accomplices. Meanwhile the FBI are after B&B and the capsule and are ready to get them as they near Washington D.C. The ending sets up for what everyone would expect to be the takedown of the two only to have things change by their unwitting and temperamental neighbor. In the end, Beavis and Butt-Head save the day and are rewarded by President Bill Clinton. They return home to find their TV and return to being their stupid selves.

I remember when the project first came out, it was originally thought to be a challenge to have a consistent entertaining feature-length film of Beavis and Butt-Head. Those who remember the TV show from MTV will remember that the show was about the brainless duo going into situations that were both mind-numbing but very entertaining in a stupid kind of way. That and their critiquing of music videos where they came across as your typical teen male bozo horndogs. The series created by Mike Judge and aired on MTV turned out to be just what the young wanted as it charmed crowds from 1993 to its end in 1997.

However the series also freaked parents out and would cause a lot of debate over television ratings and parental friendliness of shows, especially after it made headlines for a lot of young people recreating a lot of destructive incidents of the show: two of which proved to be fatal. Despite the copycat incidents, Mike Judge refused to believe that his show was responsible and would ask where the parents were. The controversy surrounding the show however would be reason why there’s that scene at the end of Bill Clinton rewarding B&B for their ‘service to the country’ and saying: “You exemplify a fine new crop of young Americans who will grow into the leaders of this great country.” Talk about the right shock stuff at the right time. Mind you that’s what 90’s entertainment was all about: entertainment that rattled cages, wreaked havoc, got people’s blood boiling…but came out winners because of it.

Once B&B became a phenomenon in 1993, it paved the way for the chance for a feature-length film. Mind you it would not be easy. It had to be a consistent script that would fit the big-screen right. That would mean an actual story instead of the typical ‘incidents’ as in the series. Plus the flavor of the two characters could not be lost. The two disgustingly charming underachievers had to start that way at the film and stay that way at the end despite whatever happens throughout.

You could imagine Mike Judge and his writing team would have to make a lot of choices and some were noticeable: include Anderson, have a big of Van Driessen, have a surprise for McVicker and everyone, leave out Buzz-Cut, Daria and Stewart, include their long-lost dads, keep out music video critiquing. Yes, it was a challenge. Plus there was having actors for the right fit for the roles like Demi Moore and Bruce Willis, big names at the time, rising star Greg Kinnear, loyal fan David Letterman who gave the two an appearance on his show, and character-actors Robert Stack and Cloris Leachman. In the end, it turned out to be a winning result and it not only charmed fans but received appreciation from critics as well. Watching it in the theatres again this summer got me laughing once again.

However this leads to the big question. Does Beavis and Butt-Head Do America stand the test of time all these years later? I don’t think it does. Firstly today’s young people may not get why B&B was just just what we needed back in the 90’s. Those of us from the 80’s and 90’s remember headbangers at school and teenagers who were idiotic, clueless and even violence-obsessed. Beavis and Butt-Head were the epitome of those teenage male stupids who impulsively loved violence and used their penis instead of their head. Teenagers change over the decades and over the various waves of pop culture and I don’t think today’s teens would get B&B. In fact the show was brought back to MTV a few years ago but it didn’t even last a full season.

Secondly, I feel the biggest reason why B&B don’t stand the test of time too much is because of the shock value and envelope-pushing they did in their time. Look at entertainment nowadays. We have a lot more now than what was around 20 years ago. We have the internet which allows for free speech that’s as unlimited as it gets. We have YouTube where one can post all sorts of videos of all sorts of things. We also have channels strictly devoted to cartoons that pave the way for more adult-oriented cartoon shows than before.

Beavis and Butt-Head came during a time when there were no cartoon channels. Most adult-oriented cartoons would have to soften themselves up if they wanted to be shown on the networks. MTV was the network that dared to show a cartoon as irreverent as Beavis and Butt-Head. B&B hit the airwaves just three years after The Simpsons were rattling cages with Homer’s stupidity and Bart’s sass-mouth and just a year after Ren and Stimpy took cartoon weirdness to new levels. B&B and MTV were the right fit, especially with their music video critiques. They ruled cartoon irreverence during their entirety. However their irreverence would actually pale in comparison to the irreverence of today. In fact it wouldn’t even take a year after the films release for South Park and it’s first season consisting of Stan’s Gay Dog, Cartman dressing up as Hitler and Mr. Hankey The Christmas Poo to outdo all the irreverence and envelope-pushing Beavis and Butt-Head did in their entirety. That’s the fates of entertainment and why Beavis and Butt-Head would now be seen as something to yawn at. Heck, even the whole channel of MTV is struggling right now but that’s another subject.

Beavis and Butt-Head Do America may now lack the the shock value, the envelope-pushing and the irreverent punch it had in its time. Nevertheless it can still entertain loyal fans of the show that still love it after all these years.

Movie Review: Moonrise Kingdom

Kara Hayward and Jared Gilman escape together in Moonrise Kingdom.

Moonrise Kingdom is one of those films one who wants get off the beaten path might want to see. Knowing that Wes Anderson is directing it is one sign this is something out of the ordinary. But is it enjoyable?

The film starts with a young girl, the oldest of four children and only daughter, has her binoculars out for a search. She leaves her house on the search with her cat, six books and a record player but we don’t know what she’s searching for. Her name is Suzy Bishop. Meanwhile it’s rise and shine for the Khaki Scouts at Camp Ivanhoe. Only one scout is missing and no one can find him. His name is Sam Shakusky.

Flashback a year ago. Suzy is about to perform for a church musical for Noye’s Fludde by Benjamin Britten. Sam sneaks in and meets Suzy. It was like love at first sight for the two. Over the year’s time, they were pen friends and they made a secret pact to reunite in the summer and run away together. Now today is the day. As Suzy is walking to the area with binoculars in hand, Sam paddles his canoe over the lake well-equipped with camping equipment. They meet and camp out for several days on a secluded cove which they call Moonrise Kingdom. Their love blossoms as the days pass and as Sam paints pictures of her.

Eventually the two are located by the scoutmaster, the police and Suzy’s parents. They’re first able to evade escape by the scouts after Suzy stabs one in the side with lefty scissors. But it’s all too late as they are caught. Suzy is taken home by her parents and is ordered never to see Sam again. Sam is in custody with Captain Sharp and is about to be sent to ‘juvenile refuge’ because he is an orphan and his foster parents no longer wish to house him. The two run off again and hide. One other thing to add: a hurricane is expected to hit the area in a matter of days.

It’s this second incident that people are more cooperative. The Scouts learn of the love of the two and believe it their duty to help them hide. The Scouts even seek out the help of Cousin Ben to help them in the hiding out. It appears to be successful but there are many twists and turns including a flash flood within the camp and the recovering stabbed boy blockading Sam’s escape. After a lengthy chase, they return back to the church as it is about to do a musical. Problem is all those attempting to chase the two down head there too and the hurricane is slowly but surely approaching. Sam and Suzy refuse to give up and even go as far as going to the top of the church steeple while the storm is at its wettest and windiest to evade capture. The ending ends in an offbeat way but it’s a happy ending that ends in a charming manner.

I’m unsure if Wes was trying to get a point across in this movie or if he was just trying to deliver a quirky but nice story. It’s easy to sense that there may be a message here with a lot of elements in the story: 1965, New England, scouts, church plays, lawyer parents, an orphan who runs away a lot, a girl with behavioral problems. Whatever the situation, Wes succeeded in making this offbeat kiddie-romance quite charming. Wes has had a history of doing charming but quirky movies like Rushmore, The Royal Tenenbaums, The Darjeeling Limited and even the animated family movie The Fantastic Mr. Fox. Here he has a story of children in love that commonly make for a typical cutesy story, adds his own quirks in there, gives the two children in love unique characters and delivers a winning and entertaining story. How often can a director accomplish that?

Besides Anderson’s filmmaking, the film has  other great qualities too. The script he co-wrote with Roman Coppola, son of Francis Ford Coppola, adds to the charming quirkiness of the movie. The acting performances of the leads Jared Gilman and Kara Hayward were very good, especially since they’re debut performances. The one thing is that Wes Anderson wanted the two to act in a certain style of acting that would fit the movie instead of your typical acting. Both did a good job of not only doing their character but succeeding in making the chemistry both quirky and a perfect aspiring at the same time. Anderson also brings back actors he has worked with in past movies like Bill Murray, Jason Schwartzman and Larry Pine and he also includes Edward Norton who will star in his upcoming The Grand Budapest Hotel. Their addition as supporting players also add to the story as well as supporting performances from other established actors like Harvey Keitel, Bruce Willis, Frances McDormand and Tilda Swinton.

It wasn’t just the writing, directing and acting. The music also added to the movie as well. The first is the inclusion of Benjamin Britten’s music in the movie. It’s obvious Wes had a liking to Britten’s music as a child. In fact we hear the Young Person’s Guide To the Orchestra played by Suzy’s little brothers at the beginning. The original music from Alexandre Desplat also added to the movie’s charm too. Many can agree that the use of such music had a lot to do with the movie’s charm.

Moonrise Kingdom is an odd and quirky story that will win you in the end. Great movie to watch for moviegoers who want to get off the beaten path.