Movie Review: Star Trek Into Darkness

Captain Kirk and Spock bring the villain Khan (Benedict Cumberbatch) in Star Trek Into Darkness.
Captain Kirk and Spock bring Khan (Benedict Cumberbatch) to justice in Star Trek Into Darkness.

The Star Trek franchise has really come a long way since its days as a television series, hasn’t it? Movies, a new series in the 90’s, a loyal following of Trekkies and even a 2009 remake of the original. Now Star Trek returns to the big screen with a remake of the sequel entitled Star Trek Into Darkness. Does it still entertain current audiences?

The movie opens with Captain Kirk defamed and demoted from his Captain position after Spock’s life is jeopardized while prevent a volcano from erupting on the planet Nibiru that would have wiped out all civilization and would have exposed all of Nibiru’s lives to the Enterprise. Admiral Pike has been reinstated but believes Kirk deserves a second chance and successfully lobbies for Kirk to be his first Officer.

The movie moves forward to London two centuries from now. A bomb has just exploded and the perpetrator is believed to be Starfleet agent John Harrison. The meeting about how to deal with Harrison is disturbed by Harrison’s jumpship. Kirk destroys the jumpship but Harrison is able to escape to the Klingon planet of Kronos. Meanwhile Pike was killed in the attack which promotes Kirk back to captain of the Enterprise. Kirk is left in charge of dealing with the Enterprise and Harrison whether to have Harrison killed by the torpedoes on board the Enterprise or brought to justice.

Their first attempt at capturing Harrison is by arriving on the Klingon planet even though they know Klingons are set to attack them. Harrison kills the Klingons but appears to surrender when aware of the torpedoes against him. It’s when Khan is held inside the Enterprise that is true identity is learned, Khan: a genetically engineered superhuman designed as a weapon 300 years ago for a war between the Federation and the Klingon Empire. On top of that, the torpedoes each have one of Khan’s crew cryogenically frozen inside. In the meantime Admiral Marcus, engineer of Khan and captain of the USS Vengeance which Khan designed, demands Khan’s release. The Enterprise refuses and that leads to a war leaving the Enterprise severely damaged.

Soon after many giveaways happen to the intentions of both Khan and Marcus which almost leads to the destruction of the Enterprise had it not been for Scotty’s fast thinking on the Vengeance. A confrontation between Kirk, Spock, Marcus’ daughter Carol and Khan leads to Khan succeeding and gaining control of the Vengeance. Khan will only allow the crew of the Enterprise free if given the torpedoes. They agree but just when it’s thought that Khan has the advantage, a surprise occurs. This leads to a battle between Khan and leaders of the Enterprise with a not-so-typical ending to the movie.

This is a continuation from what started in 2009 when the first Star Trek was remade. If you remember then, they attempted to remake the very first Star Trek movie with a modern faced cast and with modern special effects. The end result was one popcorn movie remake that worked well not just with audiences but critics alike. it even became the first Star Trek movie to win an Oscar: winning Best Makeup. Here in 2013 comes a new challenge of remaking The Wrath Of Khan with the new modern cast and the new special effects.

I’ll admit that I have not seen the original Wrath Of Khan so I cannot compare it to Into Darkness. What I can do is compare it with the 2009 remake of the original. The original was good as it was able to remake and even modernize the original well with good writing, good acting and excellent effects.  Into Darkness was also very good in its own way with the acting and the directing and especially the effects. There were times where the original actors (William Shatner and Leonard Nimoy) make appearances in the movie with is not uncommon for Hollywood to do in terms of movie remakes and movie versions of TV shows. However Shatner was given a good role that was atypical. As for the story, it was your typical Hollywood formulas in the story but what it lacks in original it, it makes up for in entertainment. It succeeds in being a thrill ride for those who see it with battles and even an ending that it not your typical predictable Hollywood ending.

The acting from the actors was also good. One thing I liked about the 2009 remake is that none of the actors were trying to fill the shoes of the actors past. Chris Pine knew he wasn’t to be a copy of William Shatner. Zachary Quinto knew he wasn’t to fill the shoes of Leonard Nimoy. John Cho knew that he’s not in George Takei’s shadow. Anton Yelchin knew not to compare himself to Walter Koenig. And Zoe Saldana was not trying to be Nichelle Nichols either.  Each had their part to do and doing it made it work. The actors again continue to do it in Into Darkness. Mind you the role of Spock was given a new challenge by having him convey emotion despite being a Vulcan. Even Benedict Cumberbatch did a very good job in playing Kahn, even if Khan came across as an unoriginal Hollywood villain.

J.J. Abrams can add this movie to his cloud as one of the top sci-fi directors in Hollywood. He started well with Mission Impossible III, progressed with the first Star Trek in 2009 and did it again in Super 8. Although Into Darkness doesn’t compare to the first Star Trek, it does not hurt his reputation at all and even adds to his consistency. The highlights of the movie of course were the visual effects as should be expected with any sci fi movie. People don’t go to a sci fi movie for the script. They go to escape to another world. And Star Trek Into Darkness succeeds into taking us into our world two centuries from now and into the many worlds in the Star Trek universe. It was a very good trip into escapism that most will enjoy.

Star Trek Into Darkness is a sequel remake that puts its most emphasis in the escapism and the excitement of the action. It succeeds again in giving the audience a trip to another world while staying true to the Star Trek theme. The big question is if there’s to be a remake of The Search For Spock in the future, how soon will it come out and what will the end result be?

Movie Review: Iron Man 3

Robert Downey Jr. makes it Tony Stark's last hurrah in UIron Man 3.
Robert Downey Jr. makes it Tony Stark’s last hurrah in Iron Man 3.

The first weekend in May certifies the official beginning of the summer movie season. This is where the big studios are the most competitive where they deliver big-time attention-grabbers in an attempt to hit new highs at the box office. As expected, the first movie to kick off the 2013 summer movie season is a sequel of a huge-grossing series: Iron Man 3. The question is does it live up to the hype?

Tony Stark is back but instead of setting up for his third adventure, it goes back in time to the turn-of-the-millennium. Tony had a fling with a scientist named Maya Hansen who worked for a mechanics company named Extremis that’s experimenting with regenerating amputated limbs. Her boss, scientist Aldrich Killian who’s disabled himself, offers Stark a job but Stark refuses much to Killian’s humiliation.

Fast forward to the present, Stark and girlfriend Pepper Potts build several Iron man suits in immediate response to an alien attack which left him with panic attacks. Meanwhile Stark learns of a new rival villain: The Mandarin, who assaults his butler Happy Hogan. Stark challenges The Mandarin with a televised threat only to be faced with battle with The Mandarin and his army who leave his mansion demolished. The world believes Stark and Potts to be dead but they’re both alive with Stark being rescued by Hansen and Stark dawning an Iron Man suit whose JARVIS technology lands him in Tennessee. Stark learns more about the Mandarin thanks to the help of a young boy named Harley. Harley directs Stark to an alleged bomb explosion. Stark learns that the explosion is not only by Extremis but a possible fake to cover up Extremis’ flaws.

After a failed attack by two Extremis agents, Stark is able to get the location of The Mandarin through Harley’s help and through using improvised makeshift technology. Stark soon learns that The Mandarin is an impostor, an actor named Trevor Slattery. The Mandarin is actually a decoy of Killian who used Hansen’s program to fix his own disability and create an army of his own who successful has Potts hostage in hopes of getting Stark to fix Extremis’ flaws. That’s not all Killian has planned. Killian also stole James Rhodes’ Iron patriot outfit in an attempt to hold the plane with the President Of The United States hostage. Stark attempts to save the plane and those on board. He succeeds but misses the President whom Killian intends to kill and have the Vice President as his puppet to follow his every order to make Extremis succeed in its business.

The end battle features a lot of twists and turns but gives a surprise but somewhat expected ending to the movie and the Iron Man series as well.  Oh yeah, I encourage you to sit through the credits for a surprise end.

Usually I’m not a huge fan of movie sequels. I consider Hollywood sequels to be the actors, directors and producers masturbating for two hours. However I did find Iron Man 3 to be enjoyable. This was movie that was to be, or appears to be, the end of the Iron Man series. It had quite a lot to work with and it did a very good job of it, even though I feel it could have been better. Yes it was a story with a lot of clichés and yes there were a lot of areas that felt very formulaic. Even the addition of a cute kid felt like Hollywood up to its usual tricks. What it lacks in terms of inventiveness and unpredictability, it does make up in terms of its visual effects. The fights still thrill and the effects still dazzle. It’s what one should come to expect from a superhero movie. Surely director/co-writer Shane Black knew what he had to deliver when he agreed to do Iron Man 3. He’s written for popcorn movies before. Even though he delivers an ending to a series that could have been better, he does mostly end the Iron Man series on a positive note. One thing is that even though this may mean the end of the Iron Man series, it doesn’t mean that Tony Stark won’t be back for the next Avengers movie. There was even a hint or two of The Avengers in the script.

Once again, Robert Downey Jr. brings out the character of Tony Stark, but it felt like something was missing. I don’t know what it was but I felt there was a certain quality of Tony that was present in the first Iron Man and made him a scene-stealer in The Avengers that was missing here. Pepper Potts was given more of a role as being the one getting Tony to smarten up although Gwyneth is not as much of a scene stealer as she could be. Guy Pearce could have done more with his role of Killian but keeps him as a stockish villain. Rebecca Hall was good as Maya Hansen even though her role was nothing out of the ordinary. Don Cheadle was good at being a comedic sidekick Iron Patriot but he too lacked the scene-stealing quality. Ty Simpkins was given a typical child actor role where he’s made to look cutesy. And Ben Kingsley’s turn as the Mandarin succeeded in being both intense and comical when it was required to be.

As is to be expected with any big release of the summer movie season, Iron Man 3 succeeds in challenging for top box office results. It achieved $174.1 million in its opening weekend making it second only to last year’s The Avengers for the biggest opening weekend ever. Even now it continues to remain strong at the box office even though it was replaced at the #1 spot in its third weekend by Star Trek Into Darkness. I don’t think it will supersede The Avengers‘ total gross since The Avengers was still #1 after three weekends. I am confident that Iron Man 3 will finish its box office run in the Top 10 of all time. It’s only $86 million away right now.

Iron Man 3 is a series-ending movie in which first seems surprising but turns out to be typically expected on second-thought. It’s better than the second but not as entertaining as the first. Nevertheless it ends on a good note, if slightly flawed.