2012 Movie Year In Review: A Record-Setter

Movie (640x306)

As some of you have noticed over the year with my blog, I’ve been paying big attention to what has been happening at the box office in 2012. I’m sure those who’d want to see an increase in the annual box office total this year also would have paid such big attention. Anyways 2012 has ended and the movie year has ended on a positive note.

The reason for 2012’s big attention has to do with years past as I have pointed out in previous box office posts. 2009 not only set a box office record of almost $10.6 billion but became the first ever $10 billion year. The following years were not so impressive. 2010 just missed breaking the record by a measly $30 million but the bigger news was of the ticket sales being the lowest since 1996. 2011 was even more humbling by being over $400 million shy of 2009’s record and even less ticket sales than 2010.

For 2012, I was looking forward to see if it was going to break the record with both eagerness and nervousness. Eagerness because I wanted to see the new record set. Isn’t that the goal of every year to be the box office record-setter? Nervousness because if there was another dip in the box office or in ticket sales, who knows what that could mean for the future of movies? Especially in this multimedia universe?

January and February shows signs that the box office was improving. March and April showed the success to continue assuredly, if not spectacularly. May and June added to the promise of 2012 being the record breaking year. July to September showed the chance of finally breaking the record continuing well. With three months to go, 2012 was $240 million more than last year at that same time and $363 million more than the first nine months of 2009’s record-setting year.

October continued the steady success with continuation of Hotel Transylvania and the big opening of Taken 2. Success of the opening of Paranormal Activity 4 and the slow but steady building buzz of Argo also added to October’s success. October actually finished with $559.2 million: $13 million less than October 2011 and almost $60 million less than 2009. Not that much of a downer. November began with the big openings of Wreck-It Ralph and Flight. Further excitement came via the latest James Bond flick Skyfall opening at $88.3 million: the biggest opening weekend ever for a James Bond movie. However it was the opening of the final Twilight movie Breaking Dawn Pt. 2 and the steady climb of Lincoln that led November to a total gross of $1.423 billion to make it the highest-grossing November ever.

December however lacked the buzz. Excitement continued with the success of Breaking Dawn Pt. 2 but excitement was weak in the first weekend of December as the weekend of Breaking Dawn was only $17 million with Skyfall, Rise Of The Guardians, Lincoln and the Life Of Pi close behind. Further lack of excitement for an opener continued the following week as Skyfall found itself back at the top with a paltry $10.7 million. Excitement came back in the third weekend of December 2012 with the long awaited The Hobbit: An Unexpected Journey opening with $84 million. The Hobbit remained at the top of the box office until the end of 2012 despite challenges from opening from Jack Reacher, This Is 40, Django Unchained and Les Miserables. In the end, December 2012 ended rather weakly with a total gross of $988.5 million: the first December since 1999 to gross less than $1 billion.

Now that the year has ended, how does it all stack up for 2012? It actually stacks up quite well. 2012 had strong showings with excellent opening weekend including four opening weekends to rank in the all-time Top 10 and The Avengers setting the record with the first ever $200 million opening weekend. 2012 also produced two movies in the Top 10 list of all-time highest grossing movies with The Avengers at #3 with $623 million and The Dark Knight Rises at #7 with $448 million. The whole year brought a total record gross of $10.835 billion. Ticket sales were also the biggest in three year with a total of 1.364 billion sold.

Now that the record has been accomplished for 2012, this means a new challenge for 2013 to attempt to set a new record or sell more tickets. Will they do it? It all depends what the year has in store.

WORKS CITED:

“Monthly Box Office Chart” BoxOfficeMojo.com. 2013. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/monthly/

“Yearly Box Office Chart” BoxOfficeMojo.com. 2013. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/yearly/

2012 Box Office – With Three Months To Go

NOTE: This blog was meant for the beginning of October but was put on hold because of my writings for the Vancouver International Film Festival. And just right after the VIFF concluded, my RAM dies on me. Now that things are back to normal, I can post this.

Another three months have passes. Two months of summer heat featuring a September that usually slumps but they still want to give people reasons to go. Meanwhile people eyeballing the box office stats are hoping 2012 will be a record-setting year. Already I talked about 2011’s grief as well as the upswings of January and February, March and April, and May and June. Even if the months didn’t set records it still added to 2012’s consistency. The big question is how did July to September stack up?

July had the big struggle of trying to cope with the shootings that happened in the midnight screening of The Dark Knight Rises in Aurora, Colorado. Despite the tragedy, it did not deter moviegoers. The month started off strong with Ted being the sleeper hit of the summer and one of the biggest hits of the month. Strong showings by Brave and Magic Mike and a strong Top 10 ending by The Avengers also started the month off well. The following week saw a healthy opening for The Amazing Spider-Man followed by a good opening with Ice Age: Continental Drift. The tragic shooting in Aurora didn’t prevent The Dark Knight Rises from achieving the third-highest grossing opening weekend ever. The monster success continued into the following weekend. Overall this year’s July ended up being only the sixth-highest grossing July ever and almost $200 million less than last July. It’s unknown whether the shooting in Aurora had much to do with the drop but I’m sure most people knew this was a one-in-a-billion incident.

August showed some slight improvement. Action or adventure movies ruled the month as it began with The Dark Knight Rises continuing with its reign on top and the remake of Total Recall debuting at #2 in the first weekend of August. The following weekend saw The Bourne Legacy on top with some comic relief at #2 in the form of political goofballs in The Campaign. The following weekend had The Expendables 2 open on top but not without family movies like ParaNorman and The Odd Life Of Timothy Green opening strongly that weekend. The following week was weak in debuts as Premium Rush was the strongest debuter that weekend and it was only #8. The Expendables continued to be on top. Overall 2012 grossed more than $40 million more than August 2011. It stands as the second-highest grossing August ever with only 2009 being the highest.

In September, there’s always the mark of the slowdown of the movie season with the summer wrapping up and the remaining weekends having lukewarm results. The Possession opened the month on top that Labor Day weekend and continued to be on top the following week. The third weekend in September featured more excitement with strong debuts from Resident Evil: Retribution on top and the 3D re-release of Finding Nemo opening strongly in second. The fourth weekend saw three debuting movies on top–End Of Watch, House At The End Of The Street and Trouble With The Curve–but their opening weekend grosses were between $12.2 million and $13.1 million. It was the fifth and final weekend of September that added more excitement with the animated Hotel Transylvania opening with $42.5 million–the biggest opening weekend ever for a September release–and Looper in second with an opening of $20.8 million. September ended with a total of $532.4 million, almost $75 million less than last year’s September.

So with nine of the twelve months of 2011 completed, it appears that 2012 is poised to be a record-braking year: $240 million more than last year and $363 million ahead of 2009’s record-setting pace. However don’t get excited too soon. We should not forget that these last three months were what helped propel 2009 to the record and the milestone of being the first $10 billion movie year. That quarter’s total gross of over $3.5 billion is still the highest total gross for that quarter. 2010 failed to overtake it and just missed the record. And 2011 was on record-breaking pace by $120 million but a weak fourth quarter even with a Twilight movie failed to break the record. A fourth quarter of over $3.15 billion will finally do it. So let’s hang tight.

Also you notice I left October out. As I said at the beginning, this article was meant to be published weeks ago so that’s why it’s not there. Plus with Box Office Mojo not complete in totaling up October, I think waiting is a good thing.

WORKS CITED:

“Monthly Box Office Chart” BoxOfficeMojo.com. 2012. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/monthly/

“Quarterly Box Office Chart” BoxOfficeMojo.com. 2012. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/quarterly/

My Top 10 Movies of 2011

A while back I remember one writer I’m subscribed to  posted their Top 10 list in may with the title ‘Better Late Than Never’. Now here I am three months later with mine. I’ll bet the reason for her list being published late is the same reason for mine. While the professional critics have the luxury of access to all the preview DVDs or special screenings before the year end. I have to wait until they’re released on the big screen or the DVD store to see them. I’m sure it’s probably the same reason for her too.

As for me being extra-late, I’m sure all my writing about Euro 2012 and the London Olympics can explain that. Yeah, I was so hyped up over those sporting events as well as the feedback and the record-setting hits I was getting from my articles about them, I forgot about my movie list. In fact I just watched the last DVDs of 2011 I had left to watch just yesterday. Believe me three DVDs in one day is no easy chore. Interestingly enough one of my articles about certain athletes to watch for the London Games is still getting hits even though the London Games ended two weeks ago.

Anyways it’s about time I created my Top 10 of last year, especially since some people are still hitting my Top 10’s of past years. So without further ado, here are my Top 10 Movies of last year along with five films worthy of Honorable Mention:

MY TOP 10 MOVIES OF 2011

1) Hugo

2)The Descendants

3)The Artist

4)Moneyball

5)The Help

6)Midnight In Paris

7)A Separation

8)50/50

9)The Tree Of Life

10)Of Gods And Men

HONORABLE MENTION:

-Drive

-Harry Potter and the Deathly Hallows, Part 2

-Tinker Tailor Soldier Spy

-The Adventures of Tintin: The Secret Of The Unicorn

-Super 8

2012 Box Office: May and June Make For A Good End To First-Half

The first half of 2012 has passed already. A lot of movies have been released. A lot of hits and a lot of flops have been decided. But the success of the first six months of the movie year has also been decided. There was a lot of yo-yoing but its success has been determined and has allowed for studios to set goals to make 2012 a record-breaking year for them and for the movie year as a whole.

As some of you may know, the box office of 2012 is an interest of mine ever since the box office slump of 2011. 2009 still remains the highest-grossing box office year ever. Since I’ve been writing and paying attention, January and February showed big signs of improvement while March and April had a bit of a yo-yo.

May is usually seen as a month of excitement as it’s the month when the summer movie season opens. This May opened full of excitement as The Avengers broke box office opening records left, right and center and continues to draw audiences to this day. It reigned supreme over the first three weekends of May only to be dethroned in the last weekend by Men In Black 3. Even strong debuts from movies that didn’t open at #1 like Dark Shadows, Battleship and The Dictator as well as continued success of The Hunger Games helped May 2012 in ending with a strong total of  $1.141 billion. It wasn’t has high as last May but didn’t go under by that much: only $52 million. This year’s May is actually the sixth-highest grossing May ever. 2003 is the highest grossing ever with $1.4 billion.

June opened well in its first weekend with Snow White And The Huntsman debuting on top along with continued strong showings with MIB 3 and The Avengers. The following weekend was also strong with the debuts of Madagascar 3 and Prometheus both grossing over $50 million that weekend. Its successes in the Top 2 continued the following weekend with the debuts of Rock Of Ages and That’s My Boy lacking muscle. The following weekend saw Disney/Pixar’s latest picture Brave opening strong with $66 million. Nevertheless it was the final weekend of June leading into July 1st that saw strong debuts for Ted and Magic Mike. They don’t call the summer movie season a tight competition for nothing. June 2012 ended with a total gross of $1.169 billion: $27 million more than June 2011 and the third highest-grossing June ever. Only two other Junes have had higher total grosses: 2004 with $1.376 billion and 2010 with $1.41 billion.

Now that the months have all been looked at, it’s now time to look at the first half as a whole. And upon looking at the first half of the year, it appears that 2012 is on a record-setting pace. The first six months of 2012 have grossed a total of $5.184 billion. This makes it the first time the first six months have grossed a total more than $5 billon. Its total is $320 million more than the first six months of last year and $255 million more than the first six months of 2009, the year that holds the total-gross record.

So for those who are also keeping track of this year’s box office stats, remember that 2012 has $5.41 billion dollars to go in order to break 2009’s record. July opened well with continued success of Ted and an impressive debut for The Amazing Spider-Man. A strong chart-topping debut of Ice Age: Continental Drift also continued the success the following weekend.

However it was this weekend that has been hit hard. The Dark Knight Rises was expected to open phenomenally this weekend. Instead it opened with tragedy in Aurora, Colorado on Thursday as a crazed gunman named James Holmes opened fire in a theatre killing 12 people and injuring more than 50 of others. This incident has sent shockwaves in the US, around the world and in the entertainment industry. Warner Brothers was saddened by the shootings and cancelled premieres in Paris, Mexico and Japan, suspended marketing in Finland and won’t release box-office figures until Monday the 23rd. Director Christopher Nolan spoke on behalf of the film’s cast and crew and called the incident ‘devastating’. Many moviegoers remained undeterred by the incident and continued to show up. I myself plan on seeing this knowing that the shooting is a one-in-a trillion incident. The last time I ever heard of a shooting in a theatre was when Boyz ‘N Tha Hood opened back in 1991.

The second half of 2012 opened on an exciting note however currently stands on a tragic and nervous note. Will there be any changes in terms of cinema admittance in the future? Will the showings of movie trailers be changed or altered? Will this year’s box office be affected in the long run? Only time will tell.

WORKS CITED:

 “Monthly Box Office Chart” BoxOfficeMojo.com. 2012. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/monthly/

“Quarterly Box Office Chart” BoxOfficeMojo.com. 2012. Box Office Mojo. Owned by IMDB.com. http://www.boxofficemojo.com/quarterly/

WIKIPEDIA: 2012 Aurora Shooting. Wikipedia.com. 2012. Wikimedia Foundation Inc.  <http://en.wikipedia.org/wiki/2012_Aurora_shooting&gt;

‘Hot Problems’ And The Charm Of Awful

‘Hot Problems’ girls Lauren Willey and Drew Garrett

I was watching the latest React video on Youtube from the Fine Bros’ various React shows: Teens React To Hot Problems. Actually first I paused the video after ten seconds so I can hear Hot Problems for myself.  As I was listening to the intro of that video which will soon hit 30 million views, I noticed that the number of dislikes was more than 90% of the likes. That had me wondering. Then I heard it for myself. It was so dreadful I had enough after two minutes. I could not blame the teens that were irritated with it. Then the song  grew on me: I actually liked it because of how awful it was. I’m sure I’m not alone, but why does this happen?

I’ll admit there are times when our society is charmed by things that are downright awful. Possibly the reason why we have a term called ‘guilty pleasure’. I’m sure it has existed since the beginning of time. We should remember that there was such thing as B-movies when movies started coming out. Some of the best of the worst came either during the 30’s or the 50’s. It was movies people loved because of its awfulness. I’m sure B-movies continued in the 60’s but who remembers those?

Then came the 70’s. This was the decade when awful really started to take off. B-movies became ‘cult films’ with all sorts of blood, gore, exploitation and purposely-bad acting. There was also the raunchy Rocky Horror Picture Show: a musical where the house of Frankenstein meets the sexual revolution that made no real sense. TV also had its variety of bad taste to offer too. Remember the $1.98 Beauty Show and The Gong Show? Yeah, I especially remember the latter. Even now I love watching clips of old Gong Show acts on Youtube. It’s my guilty pleasure.

Awful had a bit of a lull in the 80’s or 90’s but there was the occasional hit that was loved for its awfulness, like the infantile man/boy Pee-Wee Herman or the sitcom Married With Children. Those who saw Married With Children would remember it for its awful episodes, awfully acted superstock-like characters and very off writing as much as it was for its raunchiness. Nevertheless it was all those factors why people loved it. On the opposite side, there was Saved By The Bell: a Disney Channel show that found its way on NBC in 1989. Its lame writings, characters and over-the-top cutesy scenarios were eaten up by young teens and preteens and help pave the way for many fluffy sugar-coated Disney Channel shows that have become phenomenons in the past 7 years.

However it seems like in the 21st Century, bad taste and awful have aimed to become either legendary or competitive, or both. It seems like in a multimedia world we live in that has so much to offer, one has to stand out above the rest. That even includes performances of bad and terrible. And it’s produced some legends too along the way. I don’t know the first 21st Century instance of bad being catchy but I assume it’s the 2003 movie The Room. It’s so bad it earned its own Rocky Horror like following. The difference being Rocky Horror was basically bad acting and bad writing done professionally. The Room is just completely amateurish from the acting to the writing to the stunts to the cinematography. I can’t see a single trace of professionalism in it. Nevertheless it was The Room’s pathetic awfulness that garnered its cult following.

2004 would see the temporary stardom of non-singer William Hung; the right no-talent at the right time. He arrived right while the nation was so fixated on American Idol shelling out the next big thing in pop music with contestants groomed and dressed to perfection and voices pitch perfect. Hung didn’t have the look at all and he sounded dreadful with his version of Ricky Martin’s She Bangs. But his horrid audition was catchy enough for him to garner a fan following including the release of a disc tiled Inspiration and numerous talk show appearances. Weird how a singer could become so famous for their awfulness and imperfections. Today William is out of music altogether and now works for the LA County Sherriff’s Department.

Then along came this thing called Youtube in 2005. Youtube went from being a channel that simply showed home movies to also changing the fame game. People could become famous for simply saying things like “Leave Britney alone,” or “Charlie bit my finger.” It was a place musicians can play their own music which would pave the way for the popularity of Chocolate Rain. It was also where a teenager could become hugely famous for a hyperactive 6 year-old character named Fred.

Youtube was also seen as a domain for professional skilled musicians to show their stuff and hopefully get their big break. It worked for launching the careers of recent teen phenoms like Justin Bieber and Cody Simpson. It also allowed a 13 year-old girl named Rebecca Black perform a song called Friday. Tailor-made by an amateur music producer with a $5000 promise to her parents it would make her a star, it was done with cheesy lyrics, Rebecca Black singing either monotoned, nasally or to auto-tune, and the producer rapping. The song was placed on Youtube back in February of 2011 and has received 31,000,000 hits so far and 810,000 ‘thumbs’: almost 80% are dislikes. It worked to propel Rebecca to fame but the kind of fame with a lot of ridicule. Yet its awfulness also started a huge following with a lot of satire videos to follow. A lot of people will admit the awfulness was catchy. Even Lady Gaga thinks Rebecca Black is a genius.

Now 2012 brings a new chapter to awful entertainment and yes, it’s courtesy of Youtube. Two California high school girls going by the name of Double Take recorded a song entitled Hot Problems about the problems girls that are labeled ‘hot’ go through and had the video placed on the OldBaileyProductions channel on April 15th. Since then the song has gone viral to the point it has already received 12,000,000 hits. The reactions are mostly negative as the song has received over 520,000 dislikes and not even 40,000 likes. It even has many people comparing the song to Friday in terms of its awfulness. It has cheesy lyrics and the singing of the two girls sound like they don’t have a hint of skill or unison. Yes, it too has had its own spoof videos too. Some are even calling it the ‘worst song ever’. Didn’t they say the same thing about Friday last year?

All parties involved in this have responded to the feedback from the song. OldBaileyProductions responded saying they have nothing to do with the song and that they created the video as a favor for a sibling of a friend. The two girls of Double Take, Drew Garrett and Lauren Willey, also responded to the feedback to their ‘masterpiece of maladroit’. They admit they were not good singers and that they were just simply ‘talk-singing’. They also said they made the video to simply have something funny for their friends and didn’t mean anything from it. Hey, at least they’re not desperate for fame the way Rebecca Black and her parents were. Also unlike Rebecca Black, they’re brushing all negative criticism aside. They are heading to college with career plans for real careers but they do admit that they’re ‘open’ to careers as songwriters. Also they admit they don’t consider themselves ‘hot’.

Nevertheless it’s a surprise how another awful song or awful act gets a following. I’m sure that in this Youtube world, there will be more to come. Who knows? Maybe next year we might have a new ‘worst song ever’. You gotta love this planet.

WORK CITED:

“’Hot Problems’ Dubbed Worst Song Of The Year.” ABC News.go.com. 2012. ABC News. 20 April 2012. <http://abcnews.go.com/blogs/entertainment/2012/04/hot-problems-dubbed-worst-song-of-the-year/>

2012 Box Office: March and April’s Continued Success

Another two months have passed and the box office has enjoyed a continued increase this year, if not completely consistent. If there’s one message to be made so far,  it’s that Hollywood’s doing all the right stuff these past four months of 2012.

As many of my followers already know, I’ve been paying close attention to the total box office results this year. I started doing it every year only in recent years. This year I’m paying special attention this year because you can bet Hollywood is hoping for its biggest year ever. Also you can bet Hollywood is looking to rebound after the disappointments of the last two years as noted in my article about 2011’s Box Office.

2012 shows signs that the box office is looking up for sure. I made previous notes in my focus on January and February of the reasons for Hollywood to be optimistic. Its total gross was over $320 million more than last year’s and the biggest January/February total gross ever. March and April gave box office stats impressive enough to keep Hollywood smiling too.

The first weekend of March 2012 showed continuing promise for the box office as Dr. Seuss’ The Lorax opened with $82.8 million. It was even strong enough to keep the heavily-promoted John Carter from debuting at #1. The following week saw 21 Jump Street debut with a strong opening. However nothing could compare in March for the opening of the heavily-anticipated The Hunger Games. Its opening weekend of $152.5 million raked as the third-highest opening weekend of all time at the time and its buzz was even able to outdo the openings of Wrath Of The Titans and Mirror Mirror the following weekend. The end result for March 2012 was $1.071 billion: the highest-grossing March ever; only the second March ever to gross more than a billion dollars and $412 million more than the gross of March 2011.

April didn’t have as strong buzz as last year this time around. The month began with the continuing endurance of The Hunger Games keeping it at #1 during the first two weekends of April. Its box office domination even warded off debuts like American Reunion, Titanic 3D, The Three Stooges and The Cabin In The Woods. It wouldn’t be replaced as the #1 movie in North America until Think Like A Man opened. Think still continued as the #1 movie the following weekend, even outdoing the debuts of The Pirates! Band Of Misfits and The Five-Year Engagement. Nevertheless Think Like A Man’s opening weekend was only a humble $33.6 million.

The lack of sizzle of April’s openers led to a roughly estimated total gross of $725 million: $200 million less than last year’s record-setting April. Nevertheless April was only a minor box office setback as the box office of those four months amassed a total roughly over $500 million more than last year. So 2012 remains on pace for being the highest-grossing year ever.

As we head into May, we already know the box office is getting more boost as the very first weekend saw the release of The Avengers which not only broke the box office record for opening weekend but set a box office milestone too. Its record-setting opening weekend of $207 million made it the first-ever $200 million weekend! May promises more box office excitement with The Dictator, Battleship and Men In Black III. The rest of the summer is also full of buzz with Battlefield America, Madagascar 3, Disney/Pixar’s Brave, and the latest movies in the Spiderman, Jason Bourne, Expendibles and Batman franchises.

2012 is continuing on another impressive year and the buzz in the following months should continue long enough to make this a record-setting year.

WORK CITED:

“Monthly Box Office Chart” BoxOfficeMojo.com. 2011. Box Office Mojo. Owned by IMDB.com. <http://www.boxofficemojo.com/monthly/>

Oscar 2011: The Buzz And The Biz

Well how about it? Exactly thirty-four days have passed since the Academy has given out the golden statuettes. The box office results of the nine Best Picture nominees also have a lot to say too. Some good, some bad.

Box Office Mojo does it every year. They have charts of the Oscar nominees and winners. They also have a special Best Picture chart where they divide the grosses into Pre-Nom (before the nominations are announced), Post-Nom (after the nominations are announced) and Post-Awards: after the Oscars are decided. Here are the charts of reference:

    2011 Best Picture Nominees

    2011 Nominees: All Categories

This year’s charts shows some interesting stats involving the nominees. Four movies–The Tree of Life, Moneyball, The Help and Midnight In Paris–had already completed their box office runs long before the nominations. Some opened again after the nominations were announced but it attracted modest-size crowds compared to its heydays months earlier. War Horse opened late in the year but it had already neared its total gross just before the nominations were announced and the nominations had very little effect on its gross.

The movies with the biggest boosts of the Oscar nominations were Hugo, The Descendants, The Artist and Extremely Loud and Incredibly Close. Hugo grossed most of its total share before the nominations but the Oscar nominations helped increase its gross an additional $13 million before the Oscars. Oscar wins helped give Hugo an extra $4 million even though it was already on DVD just two days after the Oscars. The Descendants was another movie that was already doing well before the Oscars possibly because of George Clooney’s star power. Nevertheless this film had the biggest post-nominations gross of all nine Best Picture nominees with $31 million including an additional $3.9 million after the Oscars were awarded.

Extremely Loud And Incredibly Close and The Artist were the two Best Picture nominees whose grosses more than doubled after the nominations. Both films did so-so before the Oscar nominations with Extremely Loud grossing just under $12 million and The Artist grossing just over $12 million. The nominations would change lots as Extremely Loud has grossed an additional $20 million since the nominations. The Artist would also gross an additional $19.4 million between the nominations and awards but its Oscar wins including the Best Picture win would help give it an additional $11.4 million to date currently standing at $43.3 million. The Artist is the only Best Picture nominee this year to gross even as much as $5 million after the awards.

The biggest surprise about this year’s set of Best Picture nominees isn’t necessarily because there are nine instead of ten but that only one, The Help, has grossed more than $100 million either before or after the Oscars. Even last year, there were five that would at least have a total gross of more than $100 million. The average gross of this year’s Best Picture nominees of $69.6 million is actually the lowest average since the more-than-five nominees system was reintroduced at the 2009 Oscars and the lowest since the 2006 Oscars fivesome. This year’s hit movies were left out of the cold. There was no Disney/Pixar blockbuster that found itself in that group. There was no movie with a lot of Oscar buzz that caught on in a big way. Even the family-friendly Hugo didn’t hit the $100 million mark. A shame since the movie cost $170 million to make. Even seeing how The Artist hasn’t even hit the $50 million mark tells quite a bit about the box office crowds. Its gross isn’t as low as say the The Hurt Locker was two years ago but it still says a message not just about box office crowds but even the Academy and their voting, how nowadays crowd fanfare doesn’t mean an awful lot in choosing Best Picture.

So there you have it. The rundown of this year’s business involving the Oscar nominees and winners. Each year tells a different story on both the Academy’s voting and the box office outlook. Next year’s should also tell a lot too. Stay tuned.

The Hunger Games Very Hungry For Hype

Jennifer Lawrence and Josh Hutcherson: stars of the upcoming The Hunger Games.

Have you seen stuff about The Hunger Games? How could you not? The trailer has been showing in theatres these past few months. Magazines have been having cover stories and even special commemorative issues to do about it, even though it doesn’t open until three days from now. Movie shows both on television and Youtube are all abuzz about it. This is the latest movie hypefest, and for good reason.

The Hunger Games is based on a popular young adult novel by Suzanne Collins released in 2008. It has since sold over 1 million copies and has been translated in 26 languages. The first novel has spawned off two more subsequent novels Catching Fire and Mockingjay: all part of what’s known as The Hunger Games trilogy.

The film version of the novel finally hits the big screen this weekend and already boasts an impressive line-up. First up is 21 year-old Jennifer Lawrence who plays Katniss. She is most famous on television for The Bill Engvall Show but her film career has taken off in the past couple of years with roles in Winter’s Bone, which she was nominated for an Academy Award for Best Actress, and for X-Men: First Class. Peeta will be played by 19 year-old Josh Hutcherson who has had an impressive acting career as a child with movies like Zathura and Bridge To Terabithia and has continued success as a young adult in The Kids Are All Right. Gale will be played by22 year-old Liam Hemsworth. He’s best known as the younger brother of Chris Hemsworth but Liam has a resume of his own with television experience in Australia and movie experience in the US with The Last Song.

The movie also has supporting roles played by some well-established adult actors like Woody Harrelson, Elizabeth Banks, Stanley Tucci, Lenny Kravitz and Donald Sutherland. The movie is directed by Gary Ross, most notable for directing Pleasantville and Seabiscuit. There’s lots of pressure for this movie to succeed as the success of the first movie should tell a lot about the future of the next two sequels. Hollywood is already expecting this to be the next hit movie series. And let’s face it.  The Harry Potter series is finished. The Lord Of The Rings series is history with one last Hobbit movie to come. Twilight has its last movie to come, hence its own twilight within a year. James Bond movies aren’t exactly one for the young clique. So this Hunger Games is seen as the next big movie series to propel the box office.

So far the hype seems to be paying off. The pre-sale tickets for the opening weekend have been on sale since February 22nd and has already sold almost 2000 shows in advance, a record according to the Huffington Post. Even the first Twilight movie’s pre-sales weren’t that high. The actual opening weekend total is still in question and to be determined this Sunday. Experts run the gamut over predicting the opening weekend to be anywhere from $85 million to $140 million. It could be possible to set an opening weekend record but it would be a bit of a surprise since March isn’t the best month for setting opening weekend records: the summer months are. So far the biggest opening weekend for a March movie is 2010’s Alice In Wonderland with $116.1 million: the tenth-highest opening weekend ever. Anyways for those keeping Box Office score, here are the records to focus on, according to Box Office Mojo:

  • Biggest Opening Weekend (All-Time): Harry Potter and the Deathly Hallows: Part 2 – $169.2 million
  • Biggest Total Gross (All-Time): Avatar – $760.5 million (U.S.)/ $2.782 billion (Worldwide)

So hang tight folks. The Hunger Games open Friday. Let the games–both The Hunger Games and the Box Office Games– begin!

UPDATE: I saw the movie and here’s my review!

2012 Box Office Shows Signs Of Improvement

You might remember I talked about a box office slump that happened over 2011. If there’s one thing looking up, it’s that January and February of 2012 have shown improvements from the previous year.

January started off well as 40 movies were to be released that month as compared to 33 the January before. January 2012 grossed $430.1 million, more than $100 more than January 2011. The highlights of that month were Contraband, Underworld Awakening, The Devil Inside and a 3D re-release of Beauty and The Beast. February 2012 was also significantly higher than that of 2011. This February grossed a total of $708.3 million, more than $120 million more than the previous year. That month’s biggest hits were The Vow, Safe House, Journey 2: The Mysterious Island, The Woman In Black and a 3D re-release of Star Wars: The Phantom Menace.

Overall it appears that 2012 is on pace to becoming the highest-grossing movie year. We should keep in mind there are ten more movie months this year. We should also take into fact that this is not the highest combined gross of January and February: 2009 has the highest and 2009 would go on to be the highest grossing movie year ever. March has already started strong with Dr. Seuss’ The Lorax grossing more than $70 million last weekend and has the heavily-hyped John Carter opening this weekend. 21 Jump Street is next week’s release with the biggest clout while the following weekend will have the heavily-promoted The Hunger Games opening. Having a fifth weekend in March helps as two movies with big buzz —Wrath of The Titans and Mirror, Mirror— open that weekend.

April also promises to have movies with a lot of buzz. Titanic will be released in 3D. Also vying for the opening weekend is American Reunion and The Cold Light Of Day. The following week will have The Cabin In The Woods and The Three Stooges. Romantic movies, both drama and comedy, dominate the following weekend with The Lucky One and Think Like A Man. The final weekend of April will see the release of The Five-Year Engagement, The Raven and the animated The Pirates! Band Of Misfits.

It still remains in question whether 2012 will break 2009’s box office record. Whatever the situation, 2012 shows that compared to 2011, the box office is picking up steam again.

WORK CITED:

 “Monthly Box Office Chart” BoxOfficeMojo.com. 2011. Box Office Mojo. Owned by IMDB.com. <http://www.boxofficemojo.com/monthly/&gt;

2011 Movie Year In Review: Another Downhill Year

It seems with every movie year, it tells a lot of its overall successes and failures. However its overall total would be the big determiner if it was a success of a year or not. 2011’s movie year not only showed one year’s lack of success but Hollywood’s continually declining success.

2011 started carrying the burden of the not-so-good news of 2010. 2010’s total box office finished at $10.565 billion: $30 million less than 2009’s record-breaking year. At first $30 million doesn’t seem that that big of a loss but there was one additional sobering fact. 2010 sold almost 1.34 billion tickets: the lowest since 1996. Even Entertainment Weekly made note of that during January of 2011 and offered some tips in increasing movie turnout.

2011 had even more sobering statistics to tell. The year’s total gross was almost $400 million less than 2010’s: a dip of 3.8%. These two years in a row failing to outgross each other was the first such pair of years since 1990 and 1991. Ticket sales were also lower: 1.276 billion to be exact and the lowest since 1993. Not pleasant at all.

2011 was not completely bad news. The year still grossed over $10 million and became only the third year ever to do so. The months of January to March failed to outgross 2010. Mind you it was hard to do considered January and March 2010 had mammoth hits like Avatar and Alice in Wonderland. That downtime ended in April as it managed to become the highest-grossing April ever at $948 million. Successes like the action movie Fast Five and animated family movies like Rio and Hop had a lot to do with it. May also managed to be bigger than 2010’s thanks to Thor and Pirates of the Carribean 4 but June was a setback of a quarter-billion. Movies with big buzz like X-Men: First Class, Super 8 and Cars 2 didn’t pan out as big as they hoped. July and August offered bigger grosses than 2010 thanks to Transformers 3, the last Harry Potter movie, Captain America, the Rise Of the Planets of the Apes and the sleeper hit The Help. Thanks to July and August’s success, the whole summer’s total just managed to squeak over the previous year’s total. September became the highest-grossing September ever, thanks in part to a 3D release of the Lion King but the last three months had lackluster box office results. Not even the latest Twilight movie, the second Sherlock Holmes movie or the latest Mission Impossible could help the last three months of 2011 outgross the previous year, nor lead 2011 to a higher box office total.

So who or what’s to blame for this? You could blame the theatres for giving such irritating increases in ticket prices. You could blame the lack of box office star power of today’s A-list stars. You have to admit the star power of Julia Roberts, Tom Cruise, Tom Hanks and Will Smith isn’t as big as it used to be and there haven’t been any new ones to achieve the star power they once had. You could blame it on the lack of attractions at the theatres itself. That explains why a few theatres, including the Coquitlam SilverCity, have included an adults-only VIP lounge that includes alcoholic drinks. You could blame the lack of new winning ideas coming from Hollywood.

You could also blame it on a lot of external factors as well. First the economy. You have to admit that tough times don’t make for being able to afford a night out at the movies that often. You could also blame it on a lot of the new media functions and new ways to see movies. In the last five years, Youtube and Netflix have come about and it has changed a lot with people seeing movies. Even cellphone companies have movies in which one can download and watch on their cellphone, much to the displeasure of the likes of David Lynch. In fact that has led to a lot of changes in businesses such as video chains like Blockbuster and Rogers either going bankrupt or reducing its stores. Even local stores like Vancouver’s Videomatica–which specializes in hard-to-find DVDs like cult movies, indie flicks and a multitute of classic movies–had to close their main shop and relocate to a record store to keep business happening, especially for their most loyal patrons. It also explains why it’s next-to-impossible to have a single-screen theatre as I stated in my article about the closure of the Hollywood Theatre. In fact in my city of New Westminster, there will be a cinemaplex opening up with ten screens and a total seating of 1800: an average of 180 per screen. That’s the realities of running a movie theatre nowadays. Also we should remember that we’re now at a time when video games make higher annual grosses than movies. So people are finding other alternative ways to entertain themselves.

Despite all that’s happened last year and even happening now, 2012 has a lot of movies to show. Hollywood knows its demands and film festivals have their line ups planned. So hopefully 2012 should give you plenty of reasons to go see a movie this year.

Okay. Now I’m done the one and only ‘2011 in Review’ article I feel I need to right. Now I can go back to what I do best, which is review movies and the awards season. Golden Globes predictions tomorrow.

WORK CITED:

“Yearly Box Office Chart” BoxOfficeMojo.com. 2011. Box Office Mojo. Owned by  IMDB.com. <http://www.boxofficemojo.com/yearly/>