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Oscars 2025 Best Picture Reviews: Part One

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The 2025 Academy Awards have announced the ten films worthy of being nominees for the Best Picture award. All ten are different in their own ways and their own styles. All of them are good at showing why they are being considered for the Best Picture award. Even in the first of my five reviews of the Best Picture nominees, we have two films that are polar opposites. One of the nominees in my review is an arthouse film by a Greek director who has become a big name in the arthouse film scene. The other film is one of the biggest summer blockbusters of the year done by a rising name in Hollywood. Both films are great in their own ways.

Bugonia

This film has two themes that are common in our modern world. The first theme that stands out is the power balance of those in control and those below that they command. That’s something of common discussion in our modern world that really gets a lot of conversation and a lot of angry responses. Especially as we see the wealth gap consistently widen in our society. I’m sure there is frequent talk on social media of revenge plots and revenge wishes that somewhat resemble Teddy’s and Don’s on Michelle. The second theme reflecting what stands out in our modern world is that of conspiracy theories. Thanks to social media, they’re all over the place. They range from government conspiracies to aliens living among us and there’s no limit to what they can be. The film is also very reflective of the type of person who believes their conspiracy theory to be true. Sammy completely believes his belief in aliens from the planet Andromeda to be the truth. Everything he read from the book fits the narrative of Michelle. The only person he will befriend is his autistic cousin Don. When he hears opposition from anyone, he becomes hostile or even violent.

The film appears to play around with a far-fetched conspiracy theory and tries to create a scenario of what if such a certain conspiracy theory turns out to be true? Sammy’s plot of revenge appears ridiculous but it’s also personal. Michelle is CEO of a pharmaceutical company that used his mother to test out a medicine that left her comatose. Teddy is convinced she is an alien and not only does he and Don commit their revenge on her, they plan it days before a lunar eclipse so they can get what they want before the mothership they anticipate will take her away. At first, this appears ridiculous as Michelle is still rational in thought while Teddy is belligerent. She knows how to use the power of the word to expose Teddy’s weakness and is very good at resisting whatever torture methods Teddy and Don inflict on her. As the eclipse looms, Michelle appears to play around with Teddy’s alleged charade but after she finds a dirty secret behind Teddy, she confronts him to give him an alternative theory to his conspiracy. A theory he can’t handle. The ending will not only leave you thinking the conspiracy is true but give you a shock ending. One that’s semi-apocalyptic!

Once again, Yorgos Lanthomos delivers a great film. This film is actually based on a 2003 film from South Korea called Save The Green Planet. Here, he teams up with Will Tracy, a former writer for The Onion, to adapt the story into an American scenario and relating to the present. Now a film set in the present is not something I would expect from Lanthimos. All the films I’ve seen from him are either set in the past or exist in another universe altogether. Those who’ve seen Poor Things know that Lanthonos can do science fiction, but a film about aliens living in human form is something many of us would not expect. Once again, he takes on a story that one would expect to make for a dreadful film and makes it work. It could be Tracy’s writing, could be Lanthimos’ directing, or it could be the acting from the actors, but they make it work. Lanthomos again does the impossible by making something that has a big risk of failing succeed with flying colors!

Excellent acting again from Emma Stone. She’s been seen in big-name films for almost 20 years and she still knows how to work the role well. She is acted in the last four Lanthimos films. Again she works the role well and takes command of the picture. She makes what could be a ridiculous character work like magic! Also worthy of praise is Jesse Plemons. He does an excellent job of playing a conspiracy-obsessed man. He does a great job of capturing the common mind of such a person on how they live a world of their own and are hostile to opposition. He really convinced me. Aidan Delbis is great in his film debut. He’s autistic in real life and he captures the chemistry between him and Sammy very well.

The film also has a lot of standout technical work such as the set design from James Peice, the makeup and hair by Torsten Witte and the original score from Jerskin Fendrix.

Bugonia is a shocker of a film. It’s a shocker in the style of film and as a film with a twist of an ending. This is one film to expect the unexpected!

F1: The Movie

A movie about fast facing cars makes for an attention-grabber for the hypercompetitive summer movie season. A pure sports film about auto racing isn’t as much of an attention-grabber like the mix of fast auto driving and action as in the Fast And The Furious films. Having Brad Pitt in the film does help but there has to be more to it. Scenes of fast racing always make for a thrill ride but there will still have to be a good story to go with it. The film does provide it with the story of a racing team that struggles to survive, an older racer who wants to prove he’s not washed up and a younger racer who has in a lot of potential and is hungry to win. There’s the clash of racer’s egos and a technical director who’s trying moves and methods that are unorthodox and even risky. Add in the fierce rivalry between the two, illegal moves and a romance in the way, and you have a good story. With many actual Formula One racers added into the film, you can tell this is a film that means serious business. It even goes into family relations of how Joshua and his mother have conflicting opinions of Joshua pursuing a Formula One race career and even the mother’s reactions after her son’s near-fatal crash. It’s not the Oscar fare type of story but it does make for a film that’s more than just the effects.

As for the effects, the film delivers on this. When you have a film about Formula One auto racing, the crowds are naturally going to expect a film that delivers the experience of race car driving. Most of us will never live that thrill and a movie is the closest we’ll ever get outside of a video game. The film does capture the high-speed moments a racer commonly experiences as well as the crashes and the intensity of the races. Outside of the effects, it also captures a lot of top training moments and the tension of the Formula One season and the difficulties of being a racer on the circuit as well as the challenges in making it for both the racer and the team. The film goes all over the spectrum in delivering a story about Formula One racing that captures the overall essence and challenges of being part of the Formula One circuit.

This film is another accomplishment for director Joseph Kosinski. It seems unnoticed, but Kosinski appears to be a rising name for blockbuster films. His success started with 2010’s Tron: Legacy and continued with Oblivion and Only The Brave, but he finally achieved Oscar acclaim with Top Gun: Maverick. Here, Kosinski works to make a fresh story about Formula One racing work with the story he co-wrote with Ehren Kruger. This story is not as deep as most of the films nominated for this year’s Oscars but the story delivers a lot more than the stories of common blockbuster fare. The story takes the audience beyond the Formula One racetrack and shows the common difficulties a Formula One racer has to face along with giving the racers Sonny and Joshua more personality and more depth than you’d see in roles of common summer blockbusters. It’s a story that goes beyond what one expects.

Brad Pitt is great as racer Sonny Hayes. A racer who never had his chance but sees a chance during a time he’s not fit to race again, that could be played off in simple manner. Brad gives the role of Sonny some depth and makes Sonny relatable as well as keeping the story from going cardboard. Damson Idris does a great job of playing rising racer Joshua Pearce. He does a very good job of playing a racer that is hungry but arrogant and has a lot to learn, His rivalry with Sonny while also being a student adds to the story. Javier Bardem is also great as the team owner Ruben Cervantes. He does a great job in showing Ruben anticipating good results but nervous because of what he fears could happen to his team. Kerry Condon does a great job in her role as a technical director who dares to pull risky moves and even challenge the rules. Sarah Niles is also very good in playing the mother who’s supportive of her son’s career but also fearful.

The technical aspects of the film area especially great. Claudio Miranda delivers winning cinematography for this story delivering the right shots to capture the excitement of racing. Stephen Mirrione delivers top editing in piecing together a story that works. Hans Zimmer adds in a score that fits the film excellently. The film’s visual effects team delivers excellent effects to give the audience the thrill ride of racing they expect to get out of a racing story.

F1: The Movie is a racing movie that goes beyond being a simple racing story. It delivers in a story with intensity and gives characters with a lot of dimension. It also doesn’t compromise in the action moments and the effects that the movie crowds expect it to deliver.

And there you go. This is my first pair of reviews of this year’s Best Picture nominees. I’m planning to have it two films per blog so you can expect to see four more blogs to come.

VIFF 2017 Review: Housewife

Jon The Blogcentric1 Comment

Housewife-4
Clementine Poidarz (left) submits herself to a ‘master of the mind’ (played by David Sakurai) in Housewife.

It’s my tradition to end the VIFF by seeing the very last film they show. It’s always on the final day and at the Rio Theatre at 11pm. This year, it’s Housewife: a horror-thriller from Turkey in English. It wasn’t just the last showing at the VIFF, but its only showing at the Festival and a Canadian Premiere too.

The film begins on a snowy day 20 years ago. Seven year-old Holly lives a quiet life with her family until one day, her sister menstruates. Her mother reacts chaotically as if it’s a curse and kills both her sister and her father. Flash forward twenty years later. Holly is married, but the memories still haunt her from that horrific night. Her husband wants to start a family, but she pops birth control pills without him knowing.

One day, a childhood friend meets up with Holly again. They reconnect after all these years. The friend even invites Holly to an event her and her husband will be attending called ‘Umbrella Of Love And Mind.’ Holly comes to the event with her husband. The two couples are having a nice time together. Then the event starts. The event gives an impression it’s like a bizarre cult. The audience is introduced to a charismatic mastermind by the name of Bruce O’Hara. Bruce picks Holly right out of the audience as the first person he ‘demonstrates’ on. He’s able to get her mind to travel to another level and even into her fears. Holly and the crowd are impressed, but her husband is unhappy and mistrusting.

Holly carries on with life after the event, but the memories are now mixed with bizarre visions of murder. Holly goes back to Bruce for help. He continues to put her under his mind control. Meanwhile the husband is getting upset. He feels this is all a hoax. Finally Holly goes back one last time. The dreams are now of Bruce committing murder on Holly, ripping off her face and even wearing it! The movie ends on a bizarre, if not ridiculous, note that makes the film look like it’s incomplete or missing a lot of stuff to make sense.

The thing about the film is that it attempts to create the intrigue of a thriller it should create, but later comes across as confusing and even clumsy at the end. The opening looks promising as the opening scene shows some elements of Carrie in it. Actually even before you go to see the film, you’d get a sense that this would be a horror film, or something close to it. The master-of-the-mind who comes off like a cult leader is where you first start thinking if this will help the story or make it look ridiculous. Especially when he comes dancing onto the stage with ‘I’m Your Boogie Man’ playing in the background. It’s as the story moves into the second half that it starts treading into areas that are either confusing or ridiculous. The film even ends on a bizarrely ridiculous note that gets you wondering what the point of this story is.

It even gets you wondering what is director Can Evrenol trying to do as far as it being a thriller movie? Is he tapping into common thriller elements? Is he trying to create new thriller elements for the cinema? What is he trying to do? I left thinking he didn’t accomplish too much in the 80 minutes of the film, except add a lot of bizarre gore that makes you wonder what its point is. Maybe if he and co-writer Cem Ozuduru gave the film more time and better script, we’d get a better understanding of it, possibly even a decent understanding of it.

The acting was not the best. This is Can’s first English-language feature and he hires either Turkish or European actors for the roles. You can notice the accents. Lead protagonist Clementine Poidarz did well with her role, despite noticeable imperfections. David Sakurai looks awkward and even wooden in his role as Bruce O’Hara and even looks like he isn’t fully in character at times.

Housewife is Can Evrenol’s first attempt at an English-language feature and his first feature-length horror film. It’s not much of an accomplishment since its imperfections are very noticeable.

And there you have it! This is the fourteenth and last review of all the films I saw at this year’s Vancouver Film Festival. Quite the experience. My wrap-up is coming soon.

Movie Review: Ex Machina

Jon The Blogcentric1 Comment

Meet Ava: a female A.I. robot who is the subject of Ex Machina.
Meet Ava: a female A.I. robot who captures the intrigue of a young computer tech in Ex Machina.

Ex Machina didn’t seem like a movie that would win a lot of people over. However it did capture a lot of people’s intrigue both with the story and its subject.

The movie begins at the office of Bluebook, the world’s most popular search engine. A worker named Caleb has won a prize. He’s excited and everyone’s excited. Later on we learn what his prize was. A trip to his boss Nathan’s laboratory in a remote location up north with no cellphone use available. His boss Nathan is there with Kyoko his maid the only other person. Nathan mentions that he is working on artificial intelligence persona and wants Caleb to assist in the studies. Specifically to focus on if robots can be human and have feelings and a conscious. In a sense, pass the Turing Test where the barrier between humans and computers are broken.  Nathan wants this thing to be a friend-friend atmosphere instead of boss-worker. Caleb nervously agrees.

He is told he would meet with the subject named Ava. Ava is a robot with a female face and voice and Caleb is to first sense if Ava has a conscious. Caleb is introduced to Ava who has muscle-like arms and legs but very human-like skin and a very human-like voice. Caleb and Ava have a conversation. Nathan admits he constructed Ava’s images, behavior and motions from information and photos he hacked from people’ data searches through Bluebook.

Caleb’s study of Ava is not confined to one-on-one meetings in a special room. He can view Ava in her small ‘apartment’ where he notices her sitting and moving around. Caleb also notes of power outages that happen at the place and happen for only a few minutes at most. It’s claimed to be because of Ava charging herself and that Nathan has bad wiring due to the system. The next day Caleb and Ava develop a conversation that’s more personal. Then another blackout occurs where Ava tells Caleb that Nathan is a liar and not to be trusted.

Over time, Ava becomes more like a human and Caleb noticeable develops a bond with her. However he sees Ava’s confinement by Nathan as a form of abuse, especially since Ava talks of how she wants to go out in the work. Nathan adds to the drama by saying Ava will be reprogrammed in the future which will effectively kill her.

Thins become more frustrating for Caleb. He notices how Kyoko goes from being Nathan’s maid to being his party person. It becomes frustrating to the point when Nathan passes out drunk, Caleb steals his card to look up information of any other robots. He learns of other robots Nathan created and eventually did away with. They’re all there in a storage section. All were very human in behavior in their use. During an outage while in conversation with Ava, Caleb mentions his escape plan to her and tells her to be ready by a certain time. Caleb also learns the truth about Kyoko: she’s a robot too. It frustrates Caleb to the point he cuts himself to see if he’s still human.

The plan to escape is foiled. Nathan knew the information of the escape because of videotaping during the blackout. Nathan even tells Caleb that Ava is the user as she wants to use Caleb to escape. Right at the moment of the planned escape, Nathan knocks Caleb out and goes to destroy Ava only to have Kyoko kill him. On the day Caleb is scheduled to leave, another backfiring happens. This time with Ava in an ending nobody expected.

This is another film dealing with A.I. and people interacting with computerized machines. Seeing the movie made me think of the movies this century of people interacting with A.I. personas. There was 2001’s A.I.: Artificial Inteliligence where a woman assumed the role of a mother with a child-like robot programmed with human emotions. There’s 2013’s Her of a man interacting with a ‘virtual girlfriend.’ And now we have Ex Machina. At first, movies of humans interacting with computers or robots didn’t appear to be the material for smart movie making. However it has gotten way better over time. Ex Machina is an example of a thriller that succeeds in getting the audience intrigued over Caleb’s involvement with Ava while leaving us nervous what will happen next at the same time.

SPOILER WARNING IN PARAGRAPH: Human interaction with robots isn’t the only reason why people would be so fascinated by this film. Other elements include how Nathan is like this svengali-like master of the show who eventually becomes a victim to his own game. There’s even the question of who is being the true user to Caleb? Nathan or Ava? Even all the talk between Caleb, Nathan and Ava of various philosophers, scientists and artists would have us interested as it deals with the human mind and how Nathan creates these types. Also as fascinating is how Caleb tells his story to Ava about the girl who wants to escape and does. In the end, it becomes what happens to Ava as she does just that leaving Caleb behind with a dead Nathan and a dead Kyoko.

Alex Garland did an excellent movie that has us both thrilled and nervous, and possibly even thinking about ourselves. Would we be fooled by robot types or feel a human connection to those types in the future? Alex has done an excellent job in his directorial debut. He already has a reputation as a scriptwriter for British movies like 28 Days Later. This film which he directs and writes is an excellent accomplishment as it succeeds in making a smartly-done movie about human-like robots and delivers with unexpected twists and turns. It’s also good to see how other countries are also getting into the sci-fi genre. It’s not just Hollywood anymore. And to think Hollywood could never do human/robot movies this well.

Domhnall Gleeson was very good as Caleb however his performance was overshadowed by the roles of Ava and Nathan. Alicia Vikander did an excellent performance as Ava. She had the challenge to come across appearing as a believable robot at first that becomes more human over time. That was no easy task and she accomplished it. Oscar Isaac was also excellent as Nathan. He does an excellent job of portraying the eccentric genius with a svengali-like persona quite well. His character could remind you of some other eccentric geniuses of the past. Isaac even gets you wondering whether Nathan created all those robots for the sake of a technological breakthrough for the public or simply for sex toys for himself. He adds that intrigue. The visual effects were excellent and fit flawlessly with the film and the music from Ben Salisbury and Geoff Barrow fit with the intensity of the film.

The summer movie season is still young but Ex Machina is already a surprise winner for this year. This is one movie of 2015 that goes beyond what one will first expect.