Yes, the Vancouver International Film Festival starts again. Today begins the 35th installment of the Film Festival. This year will not only be exciting because of what to see but also what new additions are happening.
This year’s theme is: “Expand the frame.” Part of the aim of this year’s VIFF is to make the Festival more accessible and more creative. One of the new additions is the VIFF Hub. The Hub and surrounding area will be the location for lectures and exhibitions surrounding film and art. There will even be art exhibitions, virtual reality exhibits and music performances from DJs, local performers and performers from around the world. Some events are free of charge as long as you’re a VIFF member while some may be ticketed events. The VIFF website will explain it all.
Film is still the centre of it all. There will not only be films shown but lectures from industry professionals as well. Directors, producers and actors will appear at some showings for Q&A’s including an appearance of Tatiana Maslany. Deal-making will also be included in the process. This year, for the first time, there will be an IMAX film shown over at the Telus World of Science for the Closing Gala.
As for volunteering, this year there were 1100 volunteers signing up. Way higher than the usual 800 that serve the required 32 hours of work. Because of that, volunteer seating will be limited during many films or not allotted at all. Nevertheless I should be able to get in to see a lot of good films. This year promises to have hundreds of shorts and feature films from 73 countries, including five ‘globetrotting’ films. As of press time, 13 films are official submissions for the category of Best Foreign Language Film for this year’s Oscars. A footnote worth adding is A Flickering Truthfrom last year’s VIFF is New Zealand’s official entry in the category for this year. Canadian films will remain the focus as has been in past Festivals. This year’s top sponsor is no longer Rogers but a more local big name in telecommunications: Telus. SuperChannel will take over the People’s Choice awards.
As for highlights, here’s a list of some of the films headlining the VIFF:
OPENING GALA:Maudie – A biographic film of Canadian folk artist Maude Lewis starring Sally Hawkins and Ethan Hawke.
CLOSING GALA:Voyage of Time: The IMAX Experience – An IMAX spectacle of the universe from the beginning of time to today. Written and directed by Terrence Malick and narrated by Brad Pitt.
American Honey – A drama about a teenage orphan trying to grow up. Directed by Andrea Arnold and stars Shia LaBeouf.
The Birth Of A Nation – This Sundance’s hot ticket and the hottest thing to come from the fest in years. Nate Parker writes, directs and stars in this drama of a slave rebellion that occurred decades before the Civil War.
Elle – The latest black comedy from controversy-causing director Paul Verhoeven. Isabelle Huppert plays a video game CEO with a lust for power and revenge.
The Girl With All The Gifts – A British zombie drama directed by Colm McCarthy and stars Gemma Arterton and Glenn Close.
Graduation – A Romanian drama of a doctor doing what he can to insure his daughter gets into a presigious university. Director Cristian Mungiu won Best Director at this year’s Cannes Film Fest for this.
The Handmaiden – A Korean drama of a pickpocket who plays a Japanese maid of an heiress whose fortunes he plans to steal. Divided by chapters and loaded with sensuality.
Human – A documentary by French director Yann Arthus-Bertrand. It focuses on the world from on high from positive things like love to even negative things like murder.
I, Daniel Blake – This year’s Palme d’Or winner at Cannes, this film focuses on a man getting his disability status reassesses and denied benefits. Ken Loach’s look at one man rivaling the system.
Julieta – Pedro Almodovar is back! Spain’s submission for the Best Foreign Language film for this year’s Oscars, Almodovar returns to the heart-on-the sleeve melodramas with female lead characters he’s most famous for.
Manchester By The Sea – Another highlight from this year’s Sundance. Director Kenneth Lonergan showcases a story of a man (Casey Affleck) returning to his Massachusetts home after the death of his brother and trying to sort out his family’s past.
Milton’s Secret – A Canadian hot ticket directed by Barnet Bain, it’s a unique story of how a troubled 12 year-old teenager finds relief from the frustrations of his life through his grandfather. Stars Donald Sutherland and Michelle Rodriguez.
Moonlight – Director Barry Jenkins showcases a drama of an African-American man struggling to come out despite the past troubles that haunt him.
Toni Erdmann – Germany’s submission for the Best Foreign Language film for this year’s Oscars, the film tells the story of a woman frustrated with her conniving father and his female disguise that irritates her to the point of leaving him behind after her promotion.
So this is what this year’s VIFF has in store. It all starts September 29th and it all ends October 14th. Lots of excitement to come.
DISCLAIMER: Okay, I know this is a month late but I’ve had some busy times and two colds plus I was waiting for some certain facts that took forever to come. Nevertheless I decided to finally publish this VIFF wrap-up today.
The Vancouver International Film Festival wrapped itself up the night of Friday, October 9th. The sixteen days were full of excitement throughout the city. It was also quite warm which allowed for some people to pass up films in favor of savoring whatever sunny weather we’ll have left for the year. Nevertheless this year’s VIFF was still bustling. The format that worked the two previous years continued to work again this year. The three Tinseltown theatres gave the VIFF four extra days.
Volunteering was also good this year. Funny thing is this year we were only to do a single theatre this time around. I originally requested to volunteer for the VanCity theatre. Thing is it was loaded with volunteer requests. They asked me to do one of the other theatres. I obliged to do Tinseltown. That worked for the most part but the thing with me is I like to volunteer on both opening day and closing day: the two days Tinseltown isn’t part of the VIFF. That led me during the volunteer training to negotiate with one of the heads of volunteering and she gave me the option of doing Cinematheque those two days. I was happy with that, especially since I could get free popcorn.
Volunteering started off somewhat easy on opening day at the Cinematheque. Things became a bit more difficult when I worked the Tinseltown theatres. There one would have to deal with big crowds. Almost reminding me how busy it was over at the late Granville 7. There was even one time Tinseltown was so booked with volunteers, I was asked to volunteer the Sunday at the nearby SFU theatre. One film was a special event film where one corporate sponsor was giving people popcorn. Problem was food couldn’t be allowed in the theatre. You can imagine how peeved the people were. I also remember how busy closing Friday was. I had to do something over at the Centre for Performing Arts in between volunteering at the Cinematheque. Hey, film fests are busy things.
As for films I watched, I saw fourteen including the Reel Youth shorts fest. The feature-length films I saw came from Canada, USA, UK, Germany, Japan, South Korea, New Zealand, Greece, Ireland, India and Denmark. I saw a lot of good live-action movies as well as some good documentaries. I think the edgiest film I saw was Nina Forever. Hard to say what my favorite was. I found 100 Yen Love the most entertaining and A Flickering Truth to the the most eye-opening documentary I saw. I was hoping to see some Canadian live-action but it just wasn’t to be this year.
Anyways here is the 2015 Vancouver International Film Festival by the numbers:
–140,000: estimated gated attendance
–710+: Film and Television forum delegates
–930+: hours of film screened
–900+: volunteers
-520+ accredited industry guests
–549: public screenings
–370: films shown (shorts and feature length)
–99: Canadian Films and shorts shown
–85: countries entering films
–114: Canadian premieres
35: North American premieres
24: International premieres (first screening outside home country)
11: World Premieres
-198: meetings with industry leaders and delegates at VIFF Industry Exchange
–104: guest speakers
–14: entries in the Best Foreign Language Film category for this year’s Oscars shown
–16: days of showing films
–9: screens showing films
–7: theatres participating in the VIFF
Now I know some of you want to know the award winners. Here they are:
ROGERS PEOPLE’S CHOICE AWARD
-BROOKLYN (UK/Ireland/Canada), dir. John Crowley
VIFF MOST POPULAR INTERNATIONAL DOCUMENTARY FILM AWARD
-INGRID BERGMAN: IN HER OWN (Sweden), dir. Stig Bjorkman
VIFF MOST POPULAR CANADIAN DOCUMENTARY AWARD
-HAIDA GWAII: ON THE EDGE OF THE WORLD, dir. Charles Wilkinson
Those were awarded at Friday’s closing gala. After the VIFF closed, VIFF repeats happened at the VanCity theatre until Thursday the 15th. The volunteer party went from being held close to the end of the fest to being held on Halloween. It all started at the VanCity theatre as volunteers were treated to three circus-themed thriller films. The first one was held at 10 in the morning and was 1933’s Freaks which is frequently shown on Turner Classic Movies. The second was the 1960 British film Circus Of Horrors. The third and last was 1966’s Berserk starring Joan Crawford. Goodies and pastries were around for us to much on. Of course there were candies. There were prizes given away as well as prizes for costumes. Then the festivities ended with a three-hour dinner and dance at a nearby cabaret. It was a fun Halloween, that’s for sure. Great to see this year’s VIFF end on an exciting note.
So there you go. The 2015 Vancouver International Film Festival ended with continued success if not a record and fun for all volunteers. Next year’s VIFF is anticipated to be from September 23rd to October 8th, 2015 and should be bigger and better. It’s 10 months away but I still can’t wait. Anyways we’ll see how things go for next year’s VIFF. See you next year!
I’ve been to the Reel Youth Film Festivals of 2013 and 2014. I went to this Year’s Reel Youth Film Festival to see what they had to offer. I was impressed.
2013 was a focus more on young film makers. 2014 was still a majority of young filmmakers but did more focus on film directed to young people rather than focus on the age of the directors. Films made for young people by directors 20+ in age were more welcome that year than the previous one. This year was return to more focus on filmmakers up to age 19 and less focus on films by directors 20 or older.
This year there were 19 films. Seven were from Canada with four from BC. Six were from the United States with entries from Latvia, Kosovo, Iran, Georgia, India and Australia. Films focused on issues but they also had some fun too. The fun films included an animated short of a man and his dog on a stranded island, a boy asking another boy out and redoing it until he gets it right, a dating situation that can best be described as ‘a gas,’ human life from a dog’s eye view, life that starts in a smalltown and takes you back there, an animated film of a mantis’ first date and a simple task of getting a selfie with a 20 foot pink elephant that’s not so simple.
Issues however was the top focus of the festival and the shorts did speak about their issues. Issues included homelessness, bullying, missing indigenous women in Canada that often go overlooked, harassment at work, youth poverty in Canada and young disabled people.
Some of the films included dramatic settings such as a friendship between a man and a dog in tough times, emotional states relating to colors, a young person’s journey through life and the unfriendliness of our modern times, especially in urban India. There were some films that were biographical or focal like the homeless shelter cook from San Antonio, teenage musicians from BC with dreams that seem ignored by the school system and an 85 year-old woman with the self-confidence of a movie star.
Despite a lot of issues, there were films with messages of hope. Messages focused on homelessness in San Antonio, finding joy in pain the way Charlie Chaplin did, being comfortable in your own skin and making a disabled child feel like they’re not a misfit. Even a plotless short from Iran of a young grandson in a house with a leaky roof trying to keep the rain off his sleeping grandmother seemed like it had a message to say.
I think that was the point of this year’s selected shorts. These were films that focused on life, on emotions, on issues of concern, on problems and on hope. They all had something to say whether it be humorous or whether it be serious. Some had top-notch cameras or animation quality. Some were amateurish in writing, acting or even conveying their issue. Nevertheless all had their qualities that made it worth showing to the audience.
Once again, we were given our ballots to select our three favorite films and our favorite local film. Here were my picks:
Love On Wheels – A Georgian film of a wheelchair-bound boy who’s accompanied by his father (actually played by his brother) who’s also in a wheelchair so that he doesn’t feel cut off from the world.
Priorities – An animated short from Latvia of a man and his dog stranded on a deserted island during a rainstorm. Excellent animation quality.
The Second Right Off Main Street – An Ontario short of an adolescent growing up in a small town, moving away to pursue bigger and better things and finding himself back in his town.
Local – 1 in 5 – About a bully a teen girl can’t seem to stand up for herself against: poverty. Title reflects the statistic of youth poverty in BC. Filmed in New Westminster.
And there you go. That’s my look at this year’s selection of shorts at the Reel Youth Film Festival. If you know a young filmmaker, I recommend you let them know of the Reel Youth film society.
Yes, it’s that time when I volunteer for the Vancouver International Film Festival and see movies for free. At least when I have that lucky chance during my usher duties.
The festival opens Thursday September 24th and runs until Friday October 9th. This year’s festival looks full of energy. If you remember last year, it set a per-screen attendance record. Hopefully they can break it again or even break the total attendance record this year too. This is especially relieving since the future of the VIFF was questioned when the Granville 7 theatre closed. The last two VIFFs have been able to run very successfully under the new format and set-up. Having many theatres within various areas of the downtown and even including the Rio has not hurt attendance.
There aren’t that many changes in terms of screening of films. One minor change for the Rio is that they will be showing films on five nights at 11pm instead of 11:30. Another difference is that there’s an increase in the number of days films at the three screens of the International Village will be shown. It used to end on the last Sunday of the fest. Instead it will end the day before the fest closes: four more days. That will allow for more showings.
As for this year’s lineup, there will be 375 films shown over nine screens and sixteen days. Films with big buzz include:
Brooklyn – John Crowley directs this drama/comedy starring Saoirse Ronan that is loaded with buzz. Opening Gala film.
I Saw The Light – Tom Hiddleston takes a break from playing Loki and plays Hank Williams in this biopic. Closing Gala film.
Arabian Nights – Portuguese director Miguel Gomes directs a trilogy of films inspired by, but not adapted from, the novel.
Beeba Boys – Deepa Mehta directs a crime drama. Definitely one to raise eyebrows, especially among Indo-Canadian communities.
Dheepan – This year’s Palme d’Or winner from Cannes. Spotlights Sri Lankan refugees trying to make a living in Paris.
High-Rise – Ben Wheatley’s adaptation of J.G. Ballard’s novel that seems like a 70’s version of 50 Shades Of Grey.
Ingrid Bergman: In Her Own Words – Ingrid Bergman like you’ve never seen her before in rare film footage and an intimate look at the legend.
Louder Than Bombs – A family melodrama starring Jesse Eisenberg and Amy Ryan that can get overheated but touches on human emotions.
Room – Stars Brie Larson and William H. Macy. This Irish-Canadian drama may seem like a focus on one family until you learn its ugly truth.
A Tale Of Three Cities – A Chinese romance/drama directed by Mabel Cheung that is based on the real life story of Jackie Chan’s parents.
This Changes Everything – a documentary where Naomi Klein puts the right-wing pundit and other global warming critics in their place.
Youth – Remember how I did The Great Beauty? Director Paolo Sorrentino makes his English-language debut of a retiring director reflecting on his past. Stars Michael Caine, Harvey Keitel, Jane Fonda and Paul Dano.
As for volunteering this year, we’re now back to doing a single venue. However there are exceptions such as advertised jobs at certain venues such as in the case of disassembling and various other duties. Or my case where I work the International Village but want to volunteer on the two days it’s not operating such as yesterday. Fortunately I was given the bonus option of volunteering for Cinematheque. It was a good first night where I ushered and I was able to see a film. Review coming soon.
Anyways the VIFF has begun again. Be prepared for more films, fun and excitement.
DISCLAIMER: Okay, I know this is a month late but I’ve had some computer problems plus I was waiting for some certain facts that still have not yet come. Nevertheless I decided to publish this VIFF wrap-up as is today. Especially since I want to get my review of Mommy out soon.
The Vancouver International Film Festival wrapped itself up the night of Friday, October 10th. It was quite the sixteen days of films, discussions, films, events, films. You get the point. Nevertheless the end gave lots for people at the VIFF to smile about.
You may remember last year was about getting used to a new system of theatres with the closure of both the Granville 7 and the Ridge. This led to two new smaller theatres, a back-theatre to a mainstage and temporary use of three theatres in a downtown megaplex. It worked out well in the end in more ways than one. Firstly it helped the VIFF have a very good per-screen average of attended. Secondly it was an opportunity to learn and make improvements for the following year. This year was really excellent both in terms of attendance and festivities. I’ll get to the numbers later in my blog. One thing is that the film festival heads were now more familiar with the new format and could make it work better this time.
It seems like each year is a new adventure both in watching films and volunteering. Volunteering was a unique thing this year as people could now schedule their shifts electronically via an online booking system. Nevertheless things were the same that we all still had to sign in and sign out via a paper sheet. Yep, they still keep a total of hours through that method. One of the good things about the electronic system is that it expected people to trade shifts if they couldn’t make it or call in to cancel. A confirmation e-mail would be sent to them with a number for them to call and cancel if they couldn’t make it. If they didn’t, they risked being dropped and having their volunteer card cancelled if they had free movies in mind.
Another unique thing this year was we were not all confined to a single theatre. We could book shifts to as many theatres as we wanted. The commitment level was still expected as we were still expected to meet up with the theatre manager at all our shifts. I was able to book for SFU Woodwards, Cinematheque, The Rio, International Village (Tinseltown) and the Centre for Performing Arts. I think the only ones I didn’t do were the VanCity and the Queen Elizabeth Playhouse. Nevertheless it made for some good times. It made for some frustrations too in the case of scanners that delayed their use at times or didn’t scan passes or iPhones well.
One unique duty as far as volunteering was surveying. This was something new as I’ve never seen surveying done before. It wasn’t an easy thing to do as there wasn’t that huge of a number of people willing to do it at first. When incentives for entry into a contest came up, I made myself willing. There were three times I did it: a Saturday and a Sunday at Tinseltown and closing day at the Centre for Performing Arts including the gala. It was a good focus on attendees with the prime focus on people from out of town.
Filmwatching opportunities were good for me as you can tell by my reviews. However this year was not the year I gave the most reviews. Last year was with 16. This year I was able to review 14 even though I saw 15 in their entirety or close enough. The only one I chose not to review was In Search Of Chopin because it was more a DVD biography of Chopin simply played in front of a big screen. I saw films from France, Canada, the UK, the US, New Zealand, Mexico, the Netherlands and South Korea. I saw comedies, dramas, documentaries, shorts, feature-length films, television shows brought to the screen, independent films and big production company films. It was a good mix though I wish I could see more variety but I’m not complaining. They were all unique and had their own styles. I don’t think I saw anything really bad this year. Also I don’t think any of the movies I saw pushed the envelope in a big way unlike in the past. I think El Incidente was probably the edgiest because it told a unique story of the supernatural.
The most interesting thing that happened on screen was the unexpected airing of a short before some films showed. The short was called Echoes and I saw it three times: only once in its entirety. The first time I saw it, it was as it was ending and I thought I walked into the theatre just as a film was finishing. I tried looking in my VIFF guide for it but couldn’t find it. All I knew was that it was produced by the Weinstein brothers. Then I saw it again just before I saw Haemoo. Once again I walked in long after the short started and it didn’t make much sense at first. Also this time it was at the Centre and they had a tent from Lexus where they were signing people up for a Lexus contest, in which I entered. Later on I learned of the title and researched it online. I saw some Youtube videos and write ups about it and how both Lexus and the Weinstein Group are involved in its promotion. It caught my interest but still left me confused what the short was all about. I finally did have a chance to see it in its entirety when I was in my seat long before I saw El Incidente. I finally got what it was all about and the point of airing it before the show. Funny how it wasn’t until the very last show when it all made sense.
The number of films I saw could have been higher especially with the Rio having their 11:30 at night screenings for seven of those days. However I would only be willing to see such a late-night film if it was worth it and I was guaranteed to return home in decent time that night. I only saw two 11:30 shows. There were some I passed up: the one the first Friday because of its late start time, the one the second Friday because I was ticket scanning and only finished scanning long after the film started, two because I already saw one film while ushering and that was enough, and the one on the Thursday before closing because I fell ill. Weird how I was still ill but saw the 11:30 Rio show on the last night of the VIFF. Hey, it’s a personal tradition of mine I either see the last VIFF movie or volunteer on closing day.
As for the festival itself, the Festival had its third-highest number in terms of flat ticket entries: 144,000. 2011 and 2010 had higher numbers but this year’s VIFF of 144,000 entries over 349 films exceeded 2011’s record for per-screen attendance of 150,000 over 386 films. The results are especially impressive when you compare it 2012 which had more films and with last year under the new format. Last year’s total entries were 130,000: an increase this year by more than 10%. Great job, VIFF!
Anyways here is the 2014 Vancouver International Film Festival by the numbers:
–144,000: estimated gated attendance
–1000+: Film and Television forum delegates
–700+: volunteers
–549: public screenings
–349: films shown
219: feature length (60+ minutes)
130: short or mid-length films (less than 60 minutes)
–76: Canadian Films shown
–68: countries entering films
–83: Canadian premieres
45: North American premieres
24: International premieres (first screening outside home country)
11: World Premieres
–24: Media Screenings
–19: entries in the Best Foreign Language Film category for this year’s Oscars shown
–18: percentage increase of visitors from the US
–17: panels featuring 73 speakers
–16: days of showing films
–9: screens showing films
–7: theatres participating in the VIFF
Now I know some of you want to know the award winners. Here they are:
ROGERS PEOPLE’S CHOICE AWARD
-THE VANCOUVER ASAHI (Canada), dir. Ishii Yuya
VIFF MOST POPULAR INTERNATIONAL DOCUMENTARY FILM AWARD
-GLEN CAMPBELL: I’LL BE ME (USA), dir. James Keach
BEST NEW DIRECTOR AWARD (tie)
-MISS AND THE DOCTORS, dir. Axelle Ropert
-REKORDER, dir. Mikhail Red
VIFF MOST POPULAR CANADIAN DOCUMENTARY AWARD
-ALL THE TIME IN THE WORLD, dir. Suzanne Crocker
Runners-Up: MARINONI, dir. Tony Girardin
-JUST EAT IT: A FOOD WASTE STORY, dir. Grant Baldwin
VIFF IMPACT AWARD
-JUST EAT IT: A FOOD WASTE STORY, dir. Grant Baldwin
VIFF MOST POPULAR CANADIAN FILM AWARD
-PREGGOLAND, dir. Jacob Tierney
WOMEN IN FILM AND TELEVISION ARTISTIC MERIT AWARD
-SITTING ON THE EDGE OF MARLENE, dir. Ana Valine
BEST CANADIAN FEATURE FILM AWARD
-VIOLENT, dir. Andrew Huculak
MOST PROMISING DIRECTOR OF A CANADIAN SHORT FILM
-THE CUT, dir. Geneviève Dulude-Decelles
Honorable Mention:
BEST BC FILM:
-VIOLENT, dir. Andrew Huculak
MUST SEE BC AWARD:
-JUST EAT IT: A FOOD WASTE STORY, dir. Grant Baldwin
BC EMERGING FILMMAKER AWARD:
-SITTING ON THE EDGE OF MARLENE, dir. Ana Valine
Those were awarded at Friday’s closing gala. After the VIFF closed, VIFF repeats happened at select theatres for three more days. I helped volunteer two of those days at the SFU. Then it was the volunteer party on Sunday. I was able to get there right after seeing Still Life. The party was at the Rickshaw Theatre and it started with a showing of the 1972 film The Poseidon Adventure which not only consisted of the movie being shown but a cast re-enacting and spoofing the movie. There were even times they had people from the audience including myself participate. After the showing, it was a feast on appetizers, drinks and dancing to two of the VIFF’s favorite bands. Of course there were prizes given away and this year’s posters being given out. Great to see this year’s VIFF end on an exciting note.
So there you go. The 2014 Vancouver International Film Festival ended with record success and fun for all volunteers. Next year’s VIFF is anticipated to be from September 24th to October 9th, 2015 and should be bigger and better. I know last year I said I hoped the VIFF would be one Film Festival added to the FIAPF: the International Federation of Film Producers Associations. However some people prefer that it’s not as they feel VIFF not being part of the FIAPF-associated film fests would add to the VIFF’s reputation being an unspoiled celebration of film. We’ll see in the future. Anyways things look optimistic already and the VIFF’s reputation improves over time. See you next year!
You may remember at last year’s VIFF, I saw the Reel Youth Film Festival. The Reel Youth Fest was back again at this year’s VIFF. Again it was entertaining and creative.
Last year the main focus was to get the works of a lot of young filmmakers on screen. It didn’t matter if the quality was amateurish or professional. Its focus was to get the filmmaking images of the youth–whether it was making a point or just having fun– and get them on the big screen. This year did feature a lot of films done by the young. However it also featured a lot of productions by professional companies with a message to give to the young.
One of the top themes of the short films was bullying. This was especially the case as the United Way showcased the top three anti-bullying films by students. It was also focused on in a short film by a young Scottish director. Environmentalism was also a top theme of focus. With the controversial subject of shipping LNG’s, that was reflected in a BC film of three girls who have what starts as an innocent water balloon fight. There was the theme of youth representation which was focused on in a film done by five Hamilton teens. There was also the theme of digital media overkill that was shown in one young man’s film. There was also the theme of pressures young people face today–both socially and academically–as seen through the eyes of a young teen girl. Even teen love triangles were also focused. The theme of sexuality was included in a few films too including one on the topic of transgenderism from Portugal of a girl who always felt she was a boy.
The standout theme amongst the short films was to do about the promise and hope of a better tomorrow. That was reflected in one short film from Mexico about a boy who has to vacate his home to a new home. Another film showing the daily life of a Mexican-American girl’s mother while the daughter narrates in the background shows hope for her family. It was also reflected in an Iranian film of a young boy who sees hope in a piece of trash. It was even focused creatively in one film of a Bengali boy doing pretend filming. There was even one film from ex-street youth from Sierra Leone who showed what happens when they get $2000 handed to them immediately. The outcome isn’t what they expected but they all learned from it. I felt the message of hope for the future was best reflected in a film about a Peruvian youth orchestra where the orchestra is their escape from the poverty and harsh lives.
Sometimes the films weren’t always thematic. Sometimes they were reflections of people. There were two films which were of two different elderly people living in Greater Vancouver. One was the first black quarterback in professional football. Another was of a woman who just turned 91. Both were nice stories to hear. There was even a film about children in a small town in the Northwest Territories. It was just them playing in the background as the stories they tell of themselves and their family are told. It was a simple film that’s a nice eye opener.
Then there were films that try to get creative. This is where the young directors started to have fun. One was a story of a hitman’s murder attempt with poisonous muffins gone wrong. Another of a toy car getting lost and going on an adventurous trip. Another an animated adventure of a polar bear. Even an animated story of a fish dinner gone awry. No major point to it. Just a chance to have some fun and even possibly make a future out of it.
The films either came from all over the world or were shot in many places around the world. It made for an eclectic look at the lives of young people from a global perspective. Needs and concerns differ from one place to the next but they all share that common desire for hope for the future. There were at least eight films from Canadian filmmakers. There were six of which that were done locally. There was even one that was done by New Westminster youth and shot in areas I frequently visit. That was the film where it appears they’re giving adults a glove. Then they show they’re spreading the love. It left me wondering when it was filmed and how I wasn’t there at the time. I’m sure if they gave me the glove at first, I too would think: “What on earth is this?”
Just like last year, they gave all the attendees a ballot to fill out of their Top 3 films and favorite local. It’s hard to play favorites but here’s what I voted for:
Orchestra For A Dream – I rated it first because it had the best message of hope by showing a way out for disadvantaged youth.
Sin Madre – The film of the young girls’ mother and the daughter’s admiration for her really made me like this a lot.
What If There Was A Place? – Five Hamilton youth make their message heard that they demand to be taken seriously. Excellent two-minute film.
Best Local: And That’s Remarkable – A creative film that sends the message that you can either let bullying comments hurt you or you can defy them.
And there you go. That was the Reel Youth Film festival for this year. If you want to learn more about the Reel Youth Fest coming to your town or if you want to book a showing of your own, just go to the Reel Youth website.
Yes, it’s that time of year again. The Vancouver International Film Festival will be back up and running. It will open Thursday September 25th and run until Friday October 10th.
This year’s festival looks to be optimistic. As you may remember, last year’s festival could be considered a test pilot for the new way of doing the VIFF. They had no choice. The Granville 7–our main venue for years–closed in 2012 and a whole new system had to be created. It took finding new venues like the Vancouver Playhouse, the SFU Arts Centre, three cinemas of the International Village and the Rio Theatre and relocate their gala shows from the Vogue Theatre to the Centre for the Performing Arts. The end result was a success as it had one of the best per-screening averages. Sure there was a slight decrease in the number of films shown and the number of screenings but it payed off and kept the VIFF in a very healthy state.
There are not too many changes as far as screenings of films. One cool thing is that there will again be 11:30 showings at the Rio Theatre during certain nights. The festival promises to show 365 films from 70 countries during its duration. Some of the hot ticket films include:
Mommy– The latest film from 25 year-old Quebec directing phenom Xavier Dolan
Wild- A film starring Reese Witherspoon from Dallas Buyers Club director Jean-Marc Vallee
Maps To The Stars – A film by David Cronenberg with an excellent performance from Julianne Moore
Whiplash– a musical drama featuring drumming phenom Miles Teller
Welcome To Me– A dramedy starring Kristen Wiig that’s surprisingly very personal
Clouds of Sils Maria– A humorous but personal story starring Juliette Binoche and Kristen Stewart
Foxcatcher– An Olympic story directed by Bennett Miller that ends up being far from the Olympic dream
Men, Women and Children– The latest Jason Reitman film that shows relationships of teenagers and their parents’ relationships and the complications coming with it
The Riot Club– An intriguing look at special clubs and establishments in England in the 1800’s
Winter Sleep– Cannes’ Palme d’Or winner this year from Turkish director Nuri Bilge Ceylan
Goodbye To Language 3D– The latest from Jean-Luc Godard that caught the attention of crowds at Cannes.
The biggest change would be in the case of volunteering. In the past, volunteers would be kept strictly to a single theatre throughout the running of the festival. This time they can volunteer at any theatre or theatres they want. I myself have chosen to volunteer at three theatres so far. Yesterday at the volunteer orientation, all volunteers had to learn the five different duties which they will be assigned. This was the first time ever that the VIFF has given us instruction during the volunteer orientation. Nevertheless it’s a good thing for when they have to do their duty.
Anyways the festival begins tomorrow. Expect a lot of excitement. And expect to see a good number of reviews from me. For more information or to purchase your own tickets, go to the VIFF website.
The 2013 Vancouver International Film Festival wrapped up show on Friday, October 11th. Almost 350 films were shown on nine different screens in seven movie venues over the sixteen days. This year was expected to be a nervous one as it was trying to fit a new venue format but it worked out well in the end.
Getting used to new venues was part of this year’s VIFF. It was with that with us volunteers, the supervisors and the VIFF heads. The theater I volunteered at, the SFU Woodwards, was unique that it was located in the Woodwards Square of Gastown. It’s also a campus for film and theatre students of Simon Fraser University. The theatre itself was very good. It’s both a screen and a classroom with a seating capacity of 350. Also the theatre didn’t have concessions but the shopping square had no shortage of eating facilities.
One of the challenges of this year was separating moviegoers from students. Another was knowing how to set up lines. The venue consisted of the main floor, second floor and theatre on the third floor. On the first day we had the box office on the main floor and throughout the VIFF. Thus we’d have the ticketholders on that floor. We’d organize passholders in a line in the outdoor area of the second floor. On the third day we’d have ticketholder and passholder lines all outside. That became a concern because of the rain. After that we returned to having ticketholders indoors on the first and passholders indoors on the second. A bit of getting used to.
I was able to take advantage of my film viewing opportunities as often as I could. One highlight was the Rio Theatre showing films at 11:30 in the evening. That was actually one of my best chances to see films. Yes, I’d be very tired the following morning but it was worth it for my VIFF fix. This year featured an additional treat for volunteers however it would have to wait until after the Festival was officially finished. The treat was free films for the repeat screenings in the week that followed the Festival. Volunteers were allowed only 5% of the seats during the actual Festival but repeats allowed for 20% of the seats up for volunteers. That explains why you see so many of my reviews coming late. It was great for me because it allowed me to see three more films and do some more volunteering at the SFU Woodwards Theatre. Oh yeah, that’s another thing. VIFF repeats were not strictly limited to the Vancity theatre this year. They also added in repeat screenings at both the Rio and the SFU Theatre on Saturday and Sunday. I volunteered at SFU that Sunday and finished the night taking stuff from both SFU and the Rio back to the storage of the main VIFF office downtown.
Those who’ve followed my blog may have noticed I saw sixteen films in total both at this year’s VIFF and the week of repeats. They came from many countries around the world like the US, Australia, South Africa, Israel, Iceland, Mexico, Poland, Croatia, I could go on. The list could even be extended if I add in filming locations like Laos, Cambodia, Cuba or India. The films ranged from dramas, to comedies to thrillers to documentaries to horror films. The quality ranged anywhere from film for art’s sake to moviemaking to getting their message across. The material ranged from entertainment-driven to message-driven to envelope-pushing to family friendly. I also saw two nation’s official entries for Best Foreign Language Film category at this year’s Oscars: Heli and The Rocket. One thing I felt I missed out on this year was my fix of short films. I did get a fix of it over at the reel Youth Film Festival but I would have liked to have seen more shorts shows. Also I only saw two Canadian films. Hopefully I’ll see more next year. If you want to see all my reviews of VIFF films, just click here.
The Festival also ended on a positive note for us volunteers. We were all given a volunteer screening at the Vancity Theatre to attend. Actually the VIFF organizers had to do two volunteer screenings of the film in order to accommodate the 700 volunteers for this year. I went to the one that was held late Friday evening. It was a good occasion. Out in the lobby there was your typical party food and we were all treated to at least one free drink. I was able to meet with people I volunteered with. There were door prizes given to people before the movie was shown. Then we were treated to The Fantastic Mr. Fox. I actually saw it four years ago but I was cool with seeing it again. Also have you ever noticed the things you see in a movie the second time you forgot you saw the first time?
As for the Festival itself, the Festival films attracted a total of 130,000 in gated admission. As a flat number, that’s 7% lower than last year and 20,000 shy of 2011’s record but that’s actually a very optimistic number to the VIFF staff. The reason being the new theatre facilities had less total capacity than those of last year and the VIFF staff were anticipating a smaller number. Don’t forget there were some facilities that took some time off from showing VIFF films. Like the SFU theatre had all of Monday the 6th off and the evening off on the 7th. Also the three screens at the International Village stopped showing movies on Sunday the 6th. Media coverage was extensive and mostly positive. Audience and filmmaker feedback was also very good regarding the films shown and the facilities. The VIFF wrap-up report called the ticket numbers ‘a record year.’ I assume that ‘record’ would be based on a per-screening analysis which is a good estimate of over 250 per screening.
Here is this year’s VIFF by the numbers:
-130,000+: gated attendance
-1000+: Film and Television forum delegates
-700+: volunteers
-515: public screenings
-341: films shown
212: feature length (60+ minutes)
-92: Canadian Films shown
31: feature length
55: shorts
6: mid-length
-85: non-fiction films shown
73: feature length
17: Canadian
-75: countries entering films
-64: Canadian premieres
-41: North American premieres
-27: International premieres (first screening outside home country)
-26: World Premieres
-16: days of showing films
-15: entries in the Best Foreign Language Film category for this year’s Oscars shown
-9: screens showing films
-7: theatres participating in the VIFF
Bonus Stats:
-27: media screenings
-26: VIFF repeats
Another year of good numbers. Now I know some of you want to know what were the award winners, right? Here they are:
ROGERS PEOPLE’S CHOICE AWARD
-LIKE FATHER, LIKE SON (Japan) dir. Koreeda Hirokazu,
VIFF MOST POPULAR INTERNATIONAL DOCUMENTARY FILM AWARD
-WADJDA (Saudi Arabia/Germany), dir. Haifaa Al Mansour
VIFF MOST POPULAR CANADIAN FILM AWARD
-DOWN RIVER, dir. Ben Ratner
WOMEN IN FILM AND TELEVISION ARTISTIC MERIT AWARD
-SARAH PREFERS TO RUN (Canada) dir. Chloe Robichaud
DRAGONS & TIGERS AWARD for YOUNG CINEMA
-ANATOMY OF A PAPERCLIP (Japan) dir. Ikeda Akira
Runner-Up: TRAP STREET (China), dir. Vivian Qu
Special Mention: FOUR WAYS TO DIE IN MY HOMETOWN (China), dir. Chai Chunya
BEST CANADIAN FEATURE FILM AWARD
– (tie)RHYMES WITH YOUNG GHOULS, dir. Jeff Barnaby
THAT BURNING FEELING, dir. Jason James
MOST PROMISING DIRECTOR OF A CANADIAN SHORT FILM
-Matthieu Arsenault for NATHAN
Honorable Mention: Timothy Yeung for 90 DAYS
BEST BC FILM:
-THE DICK KNOST SHOW, dir. Bruce Sweeney
MUST SEE BC AWARD:
-LEAP 4 OUR LIFE, dir. Gary Hawes
BC EMERGING FILMMAKER AWARD:
-Matthew Kowalchuk for LAWRENCE & HOLLOMAN
So there you go. Those are the winners of the 2013 Vancouver International Film Festival. A good end to a great VIFF. I know this year was a nervous year as we didn’t know what to expect with a new set of theatres to work with. Nevertheless it turned out great and we had our best per-screening rate ever. Next year’s VIFF is scheduled from September 25th to October 10th, 2014 and should be bigger and better. Also I hope one year the VIFF grows to achieve accreditation from the FIAPF: the International Federation of Film Producers Associations. Most of the big Film Festivals are accredited and the VIFF being accredited should definitely add to its attraction. Anyways see you next VIFF!
One thing about the Vancouver Film Fest is that they show a lot of films and shorts from upcoming filmmakers. They also show films made by youth or young filmmakers too. The Reel Youth Film Festival–which is a festival all it own and had its premiere at the VIFF on Sunday–showcases films from young filmmakers.
Most of the time whenever there’s a shorts segment show I see, I review all the shorts one by one. Now rather than review the shorts, I will just describe what I saw. Besides I wouldn’t consider it to be fair to critique student films.
The twenty-five films were chosen out of three-hundred entries. The films are from Canada and seven other countries and range from one minute to nine minutes. They consist of animation or live-action. They are filmed on typical motion picture format or typical run-of-the-mill video camera. They range from a played-out stories to music videos to animation exhibits to social messages. Some of the films appeared amateurish in quality, some appeared quite professional in quality. Most can be classified as G-rated works but two films in the festival were rated PG with one even including nudity and masturbation (non-explicit, of course). Three videos included were also part of the United Way’s contest to create a one-minute anti-bullying film. Two videos were from the UNIS student program including one of two girls growing up in a rural area of Vietnam.
The films show a lot through their eyes. A lot of it is often about school life, home life and even the work life they anticipate to have in the coming years. Sometimes they focus on other people such as gypsies, two sisters in Vietnam, a graffiti artist or an elderly man in the town. Sometimes they focus on social issues like bullying, corporate greed, homelessness or drugs. Sometimes they focus on fun aspects like dating, school irritations, social media and even the city they’re proud to call home. Sometimes they even focus on nonsense subjects like the death of a sandwich, being scared by a ghost, an office dork or a certain secret about Barbie we never knew.
The thing is that most of the students doing the filming may or may not want to take filmmaking to further directions in their life. Some–like the directors of Crack, Hank and Light Switch–appear to want to take filmmaking seriously in the future. Many others look like they prefer the direction of animation. Some are just amateurs doing it for fun. I guess that’s what the focus of the Reel Youth Film Festival is: more concerned about getting out their voice or creativity rather than the seriousness or professionalism of the craft.
The screening I saw Sunday evening was actually the World Premiere of the annual Reel Youth Film Festival. There will be one more showing at the VIFF on a Wednesday morning open for student groups. It will be showing at more locations to come and the Festival can act as a fundraiser for your community centre. If you’re interested in screenings or interested in showing it at a place you know, or even if you know a young filmmaker with dreams, just go to: http://www.reelyouth.ca/
One last thing. That evening I went had a ballot for all to fill out. The ballot was asking the voter of their three favorite films and their favorite local film. I don’t know if they will be doing it again in their next showings but I had a chance to pick my favorites:
More
Crack
Being Ernest
Fav Local: Too Old For Fairy Tales
The Reel Youth Film Festival is a good attraction at the VIFF. Who knows? Maybe one of the directors can make it big one day.
Ben Johnson taking the stand at the Dubin Inquiry in June 1989, eight months after testing positive for stanozolol at the Seoul Olympics.
“Sooner or later your ability to succeed on natural talent runs out when you run against a chemical barrier. The question became do you take drugs to try to win or do you content yourself with losing forever by staying away from them?”
– Charlie Francis
“I think about it for about three weeks before I say yes. Why should I train hard doing it clean and then these other guys are not clean? Face fear…I was young, in the business and (Jamie Astaphan) was a doctor and he said ‘If you don’t take it, you won’t make it.'”
– Ben Johnson
Back on Tuesday, I posted my memories and thoughts of the big run, the events leading up to it and the aftermath. It made sense since it was the 25th anniversary of that controversial run. Today is another 25th anniversary: the anniversary of the bad news hitting the fan. Here I will reflect on what I’ve learned from watching 9.79* and all that I’ve noticed in doping in the years since.
I know I talked a lot about the ESPN 30 For 30 Film 9.79* in my last article. For those who haven’t seen it, 9.79* is a very informative documentary about the Ben Johnson scandal that not only tells about the process of how Ben got into taking steroids but also about the changing world of track and field at the time as well as the widespread doping amongst those in the track world at the time too. It not only interviews Ben Johnson and Carl Lewis but all eight runners that participated in what’s commonly called ‘the dirtiest race in Olympic history:’
Lane 1: Robson da Silva – Brazil
Lane 2: Raymond Stewart – Jamaica
Lane 3: Carl Lewis – USA
Lane 4: Linford Christie – Great Britain
Lane 5: Calvin Smith – USA
Lane 6: Ben Johnson – Canada
Lane 7: Desai Williams – Canada
Lane 8: Dennis Mitchell – USA
It also interviews the coaches of Carl Lewis, Calvin Smith and even the coach of the US Olympic track team of 1988. Calvin Smith is of special focus too as he was the 100m dash World Record holder until Ben broke it at the 1987 Worlds. It also interviews two of Ben’s former teammates from the Scarborough Optimist Track Club: Angella Issajenko and Desai Williams who had stories of their own of what they saw around them and what they themselves did. It also interviews those associated with the USOC Doping programs like Dr. Robert Voy and Dr. Don Catlin from the UCLA lab during the 1984 Summer Olympics. Members of Canada’s Olympic Committee, Robert Armstrong from the Dubin Inquiry and a doping historian are also interviewed as well as Mary Ormsby: a Toronto Star journalist. Mary’s analysis of Ben Johnson and those associated with him as well as Canadian attitudes and even celebrations of Ben during those times really summed it up well and really struck me.
There are many key people who were not present in the film like Ben’s mother, Dr. Jamie Astaphan, human growth hormone Dr. Robert Kerr, Charles Dubin, Alexandre De Merode and Charlie Francis because they’re all now deceased. There is however one film footage of interview of Charlie from 2000. Also Andre Jackson, whose significance I will talk about later, is not interviewed either.
BEFORE IT ALL STARTED
Long before the whole Ben Johnson scandal, I knew about doping in sports. I first took an interest in the Olympic Games back in 1984 in the months leading up to the Los Angeles Olympics. I was a kid back then and with each preview show and each book I read, my curiosity grew and grew and I continued to learn more about the Games. Even seeing shows about Olympians past like The Olympiad widened my knowledge and excitement. However there was one Olympic preview show that focused on the subject of doping and anabolic steroids. They even made mention of athletes from the Pan American Games the year before that tested positive including two Canadian weightlifters.
Later on I’d learn just slightly more about doping. Actually I learned about an Olympic fatality from 1960. It was Danish cyclist Knud Enemark Jensen in the team road race. Two other members of the Danish team also dropped out of the race. The coach later admitted to giving his riders Roniacol. Amphetamines were also found in his autopsy. That would lead to the start of doping tests in 1968. The first athlete stripped of a gold medal for a doping violation was American swimmer Rick de Mont for using an asthma medication. Even though the substance is no longer on the banned list, the IOC won’t give back his gold medal. Steroid use was known in the 70’s and it was actually 1976 that the Olympic Games started testing for them. There were steroid positives in Montreal. Moscow in 1980 had no positive tests but some medalists including two track and field gold medalists had been banned for a positive steroid test in the past.
WHAT LED TO IT ALL
Back to the subject of Ben Johnson, I made mention of how Ben Johnson burst onto the international scene by winning bronze in the 100m dash at the 1984 Olympics. That was a great improvement from the World Championships a year before where we only got as far as the semifinals. His two bronze was rather quiet news for Canada’s athletes as they had their best Olympics ever with 44 medals. Ten of them gold. Our ten golds during those Games were not only a delight but a relief since our last Summer Olympics gold medal came back in 1968. Between that time we had to deal with the embarrassment in Montreal in 1976 of becoming the first and so far only host nation of a Summer Olympics to fail to win gold. We also had to deal with the heartache of our 1980 Summer Olympics team not even making it to Moscow as Canada joined the U.S. in boycotting those Olympics.
What was going on is that the sports world knew what was going on in terms of doping back during the 70’s and 80’s. Just like Calvin Smith said:”(Track athletes) know more than the public ever will.” I guess you can say that about every sport. Charlie Francis, Ben Johnson’s coach, would compete for Canada in the 100m dash at the 1972 Munich Olympics. He would hear rumors of how 80% of the field were on steroids. The crunch of sport being full of people on performance enhancing drugs would get heavier after the 1976 Olympics and the successes of athletes like the East German swimmers and weightlifters from various countries who many knew were doped but they won and passed the drug tests. When Charlie himself took to coaching, he was determined to make champions out of his athletes. However he had to deal with the challenge of an unlevel playing field and felt the only way to win was to encourage his own athletes to use steroids. That attitude: “If you don’t take it, you won’t make it.” He would give them drugs he knew the East Germans were taking at mass level. He even hired Dr. Jamie Astaphan after the 1984 Olympics to increase sophistication in his steroid program.
As for why Ben and his teammates agreed to take steroids, it was more than just about the desire to win. It also wasn’t until I saw the film that his athletes considered him not just a coach but a friend. Ben Johnson, Desai Williams and Angela Issajenko looked up to him very highly. They were Canadian immigrants from the Caribbean who felt like misfits and they took aback to Charlie how he made them feel like they belonged and how he helped them to succeed as athletes. In fact Francis helped coach all three of them to the 1984 Olympic Games where they all came home with Olympic medals. In addition to Ben’s two bronzes, Desai was part of Canada’s bronze medal-winning relay team and Angella was part of Canada’s silver medal-winning women’s 4*100m relay team. It’s that coach-athlete relationship thing that could have a lot to do with why they agreed to take the steroids at his encouragement. They looked up to him that much. Coach-athlete relationships are also of focus in 9.79* as it shows the relationships between Carl Lewis and Tom Tellez and Joe Douglas as well as Calvin Smith and his coach Wayne Williams. One thing the film showed me is that for all the show-off and braggart I always saw Carl Lewis to be, I admire him for the huge respect he had for his coaches and still has. Like he sang in his flop song: “You can’t win on your own.”
I’ll admit I knew a lot about doping even before the 1984 Summer Olympics. I’ll admit, as evident in my article from Tuesday, that I learned a lot of what was going on in the Scarborough Optimists Track Club and other athletic sources around that time. In watching the film 9.79*, the things that stuck most with me were the things I don’t remember or didn’t know about. The mention of the USOC and the drug testing programs back in 1983 were a surprise to me. Even as well the number of noticeable tampered or ‘chemically masked’ samples they attained and how none of the athletes were punished but warned instead. I’ll admit I didn’t pay much attention to the BALCO scandal that came to light in 2003. I knew only partial details and mention of Carl Lewis testing positive for a banned stimulant but I didn’t know all the facts. Also I didn’t know about the missing positive results from the last days of the 1984 Olympics. Nor did I know about Human Growth Hormone being untestable at the time. I’ve always known it to be testable but I forgot there was a time when it wasn’t.
This film gave more information about the doping programs created and the lightweight actions carried out. One of the things I was not surprised about was when Dr. Don Catlin talked about him asking the athletes why they were taking drugs. The answer was obvious: they want to win. Even as track and field was being professionalized, it became obvious that success was winning medals. In fact I remember the USOC conducted a survey in 1988 where they asked athletes who trained at the US Olympic Centre in Colorado Springs the survey question: “If you were given a pill that was guaranteed to make you Olympic champion but would kill you within five years, would you take it?” The result: 52% said “Yes.”
THERE’S MORE TO IT THAN DOPING
The film doesn’t just simply show you thoughts and opinions of those surrounding the event, and especially the subject of doping in track and field. The film also focuses on the sport of sprinting. It shows a lot of the training whether it be old videotapes of Ben’s workouts or even Dennis Mitchell coaching his young athletes. Ben will remind you in his conversations as demonstrated by Dennis Mitchell in his coaching that track athletes push their bodies beyond the human limits to be the best. Desai Williams summed it up well in his own words: “You work every single day, five or six days a week. You’re going to beat yourself into the ground. It’s tough: the sacrifice that every track person makes with no guarantee. None.”
The film also shows the times in which this was all happening too. The film also reminds us that this was happening at a huge turning point in track and field. Until 1980, professionals were not allowed to compete at the Olympics. If you wanted Olympic gold, you couldn’t make a single penny off your sport. Any money you made had to be a well-kept-secret. In fact track and field had separate amateur and professional leagues. Once professional athletes were given the green-light to compete in the Olympics in the early 80’s, things changed. Athletes who dreamed of Olympic gold didn’t have to accept under-the-table money anymore. Meets run by the IAAF could pay the athletes. Athletes in Olympic sports who had high profiles could hire agents. However professionalizing track and field it didn’t come without its growing pains. Meets hopping on the professional bandwagon had to market themselves. Hence Zurich’s Weltklasse being passed off as ‘The Olympics In One Night.’ Only athletes with big star status like Carl Lewis or Daley Thompson could command big appearance fees. The Carl Lewis/Ben Johnson rivalry was a great boost to the professionalizing of the sport and created a rivalry that drew crowds. Prize money per athlete varied anywhere from big money for the top finishers to chicken feed for the also-rans. It shouldn’t be a surprise that the prize money thing could cause problems in terms of doping.
That was quite an era for track. I don’t think there has been an athlete since Carl Lewis that could be that big of a draw, although I see a rival in Usain Bolt currently. There also hasn’t been a rivalry as exciting as the Carl Lewis/Ben Johnson rivalry. Not even the Carl Lewis/Mike Powell rivalry in the long jump that happened years later was as exciting, nor the rivalry of Carl Lewis vs. age during the mid-90’s. There isn’t a rivalry nowadays, not even Usain Bolt vs. Yohan Blake, that has the same excitement.
WHAT’S HAPPENED SINCE
Also remember how I talked about the East Germans and that being Angella Issajenko’s drive to hop on Charlie’s doping bandwagon? Well shortly after Germany reunified in 1990, just a year after the Dubin Inquiry concluded, the confessions were out that East Germany had a program of systematically administering steroid to their athletes headed by the Stasi, East Germany’s equal to the KGB. They knew which drugs to give which athletes, when to break them off to avoid detection, how often doses were needed to reach top performance and which drugs were undetectable at the time. After the confessions, many former East German Olympic champions have admitted to being part of the program. Some have asked their records be stripped and some are willing to give their medals back. One thing is many are reluctant to give their medals back, giving a common claim: “Yes, I was on steroids but I had the talent to win.” The thing is all of the records held by East Germans, even the world records, still stand and none of the medals have been demanded back by the IOC. That especially bites as a Canadian knowing that in three women’s swimming events in 1976, the fastest non-East German was a Canadian. It’s a shame. Three gold medals from Montreal that could’ve been and should be.
The thing was the intention of the Dubin Inquiry was not just to get to the bottom of Ben Johnson’s positive from Seoul. It was also to expose truths about doping in the sports world and hope to clean up sport not only in Canada but around the world too. If it did, it was quite minimal. You know how there are a lot of things that would eventually defeat their purpose over time like called ID and warning stickers on records? The Dubin Inquiry also defeated its purpose in a lot of aspects. This was the only time in history athletes confessed their doping use under oath. The subsequent punishments to the athletes who confessed caused many athletes to be a lot more protective of their innocence even after they test positive. Some would maintain their innocence to the point of taking their doping situation to court. They know that meets outside of the World Championships and the Olympic Games have doping labs that don’t have the same top-notch consistency and errors in procedures can result. They can use that to overturn their positive. There are even countries that know of positives in their own country but hide it around Olympic time so that the athlete can compete and win. A country like Canada can’t afford to do something like that, not after the embarrassment of Ben Johnson’s positive.
The 1996 Atlanta Games would present a new doping situation. There were many cases where athletes with positives outside of steroids would give explanations of taking medicine given by their team doctor. They’d be exonerated and they’d get their medals back. However it was made obvious at Sydney in 2000 that this kind of forgiveness was over when Romanian gymnast Andreea Raducan tested positive for a stimulant provided to her by the team doctor. Instead of exoneration, the stripping of her all-around gold medal stood and the doctor was suspended for two Olympic cycles. That was it. No more exonerations over a team doctor’s bad medicine. Enough was enough.
Doping still continues to be an issue in sport. New drug discoveries, new incentives or new needs to revamp the testing, new ways of dealing with doping, and even new commissions like WADA: the World Anti-Doping Agency, which was started in 1998 after officials believed the IOC lacked consistency in cracking down on dopers. WADA is headquartered in Montreal and headed by Canada’s Dick Pound who used to be the Vice-President of the IOC. In the 2000’s it was the Americans that were most under fire for doping in sport. If there were cover-ups during the 80’s, the cover-ups weren’t happening anymore as many sprinters were faced with positive drug tests. Marion Jones was the most famous as she would take years to confess her own steroid abuse since 2000. Even while two ex-husbands of hers had already tested positive during the times of her marriages, it still took her until 2007 to confess it all.
There are always new drugs. There are always new ways to try and get them and try to stay ahead of the tests. One thing is that there are some advancements. Out-of-competition testing has increased with surprise tests and even programs sponsored by the USOC where top runners volunteer to have themselves tested. One of which is sprinting star Allyson Felix. In addition, each Olympics takes doping tests to unprecedented levels than from before. Beijing 2008 introduced a new procedure where all tests would include samples frozen for four years and retested to crack down on athletes who thought they could be ‘ahead of the game.’ London 2012 had it so that every athlete in every sport that finished in the Top 5 in each event was tested. Also I don’t think we’ll ever see an equal to the sophistication of the East German doping program. That has to be the most successful systematic doping program of all time. China tried to copy that program in the 90’s but it wouldn’t work as positives resulted.
Steroid use isn’t just limited to sport. It’s also subject to professional wrestlers too and it was made a big issue in the wake of the murder-suicide of Chris Benoit and his family. Many believe ‘Roid Rage to be the cause. Steroid use is even rampant simply with men who go to the gym to work out. Ask anyone that works at a gym. There are even teenage boys and some as young as 11 going to guidance counselors and asking for steroids simply to look bigger. Even after they hear of the consequences, they still want it because they only care about their looks. I know there’s a lot of attention made to young girls and anorexia. I believe there should also be the same attention to young boys and steroids.
Interesting to note is that Track And Field is not the Olympic sport with the biggest doping problems. Weightlifting is. In fact just days before Ben Johnson would make the biggest doping news out of Seoul, two Bulgarian weightlifters who had won gold medals tested positive for diuretics, a drug possibly intended to be a masking agent. Funny how it could mask the steroids but failed to mask itself and caused the lifters to give back their gold medals, both receive the same sports ban as a steroid positive and cause the whole Bulgarian weightlifting team to return home prematurely and in embarrassment. Weightlifting has gotten tougher on doping. They have since changed the weights of weight classes and erased past records to start on a clean slate. They now give lifetime bans on the first steroid positive. They also place bans on nations who have multiple lifters that test positive consistently. One nation currently on that banned list is Bulgaria.
Funny thing is that the sprints are not the events in Track And Field with the biggest doping problem. It’s the throwing events. You’d be surprised how many Olympic medals have been given back in those events. The shot putters however have received the most doping positives and most returned medals. 9.79* presents the doping problem of the 1980’s and portrays it as the heyday of doping in sprints, or as Calvin Smith put it: “a time of big time drugs.” It doesn’t seem as rampant at first but 2013 shed light that it’s still a problem, if not at the same length as back in the 80’s. This year there were three doping positives from sprinters that made news which included former World Record holder Asafa Powell of Jamaica and former World Champion Tyson Gay of the US. In fact Powell tested positive for the same stimulant his Jamaican teammate Sherone Simpson tested positive for. This could cause suspicion over the Jamaican track program which has been so dominant in sprinting and hurdling over the past seven years.
ADDITIONAL NOTES ABOUT THE FINAL
Interesting thing about that final is that all of the runners in that final would have won Olympic medals in their careers. In fact you’ll see in 9.79* footage of the victory ceremony of the 1984 Men’s 4*100m relay: the US won gold with Jamaica silver and Canada bronze. There in that footage you’ll see five of the eight finalists: Lewis, Smith, Stewart, Johnson and Williams. As for the other three finalists:
Linford Christie who finished third would get his bronze upgraded to silver in the aftermath and would be Olympic 100m champion in 1992.
Robson da Silva won bronze in the 200m four days later.
Dennis Mitchell would have to wait until 1992 to win Olympic medals where he won bronze in the individual 100m and gold in the 4*100 relay which Carl Lewis anchored to a new world record.
Also interesting to note is the drug issues the other athletes faced after the 1988 Olympics:
Raymond Stewart: His doping issues came as a coach after he retired from running. It was made evident he was giving performance enhancing drugs to his athletes. The USADA banned him from coaching for life in 2010.
Carl Lewis: so far that banned stimulant was the only known violation he did. Had proper doping procedures been carried out, he would have been banned for three months including the 1988 Olympics. However the USOC exonerated Lewis when he showed an official the supplements he was taking and classified it as an ‘inadvertent positive.’
Linford Christie: he actually tested positive for a banned stimulant after the 100m dash final but was exonerated by the IOC’s disciplinary committee vote of 11 to 10 to keep him from sanctions. He wasn’t so lucky in 1999. An indoor meet in Germany tested him positive for Nandrolone and he was slapped with a two-year ban.
Dennis Mitchell: he was banned for two years in 1998 for showing high levels of testosterone.
You yourself would be interested seeing the reactions of them when they’re confronted by Gordon in 9.79* of their own doping issues. Raymond insists that what he was giving to athletes were Vitamin B12 and insists he’s innocent. Carl Lewis provided me with one of my favorite moments while watching 9.79* When confronted about his positive for the banned stimulant, he gets all defensive and even insists on the fact that the stimulant is no longer on the banned list. Looks like Carl isn’t completely the Mr. Clean he packages himself to be. Linford isn’t questioned about the stimulant from 1988 but he is about the nandrolone from 1999. He tries to make like he’s ‘Mr. Clean’ and denies his 1999 positive even though he never did anything to legally overturn the result. Dennis Mitchell appears to be the only one of the others with a positive test willing to confess his wrongdoings. He admits to making a bad coaching decision and bad choices along the way.
It looks as though the only athletes never to have any doping issues in their careers was Calvin Smith and Robson da Silva, just two. If I had my way, I’d give the gold to Smith, silver to da Silva, get all the semifinalists who failed to qualify together for a run-off and give the bronze to the winner. That should fix everything. That’s another thing about the film is that it shows Calvin to be the one that should’ve been Olympic champion and even the sprinting great that could’ve been. Makes you wonder what would’ve happened had the field been level. Also sad to see that he may have received the bronze medal after Johnson’s disqualification but there wasn’t a second medal ceremony. Reminds you that even after justice was done, that’s the one thing missing.
The crazy thing about the whole doping thing is that the most honest former athletes in 9.79* were the Canadians. Of course, the Dubin Inquiry exposed it all. Ben, Desai and Angella were all punished. The Canadian ones lost the most and they have nothing left to hide and no one left to hide it from. Ben however acts like he still feels he deserves respect for what he did. Almost like he feels that since the field was unlevel and he was just the one that didn’t get away, he should receive some sort of vindication. Even his mention of Andre Jackson and the sabotage he claims–he claims Andre slipped pills in his beers and training water and even admitted it to him years later–makes me question his character. I felt like saying to Ben: “Just admit the truth.” Besides the Dubin Inquiry exposed the facts that Astaphan injected Ben with stanazolol that was called Winstrol before the competition. I want to think that it was the injections from Astaphan that caused the positive in Seoul. For those that didn’t see the film, Jackson responded to Ben’s allegations with an uninterviewed answer: “Maybe I did, maybe I didn’t. What was carried out in 1998 cannot and will not be invalidated.” Nevertheless it does make me wonder how an athlete from the Santa Monica Track Club who never qualified for the Olympics was able to get Olympic credentials to be with the finalists and even be with Ben in the doping room. That claim from Douglas that he was there to see if Johnson was taking a masking agent to cover up steroids in his system even got me thinking.
Desai and Angella however made class acts of themselves in the film by being honest and setting the record straight about themselves, their own doping and about what it’s like to be an elite athlete. I don’t condone sports doping of any kind but can understand the pressure to win these athletes feel. However I now have more respect for Angella and Desai as they have appeared to get wiser over time.
Of the non-Canadians, the most honest Americans were the doping officials Voy and Catlin. Now that the BALCO scandal exposed the cover-up facts starting in 2003, they can tell the whole story. Funny how Carl and his coaches deny everything. Carl’s lifetime coach Tom Tellez insists: “As a coach I wouldn’t want to (encourage steroid use.)You’re not a coach anymore!” Yes, there’s no evidence to suggest Carl used steroids–even coach Douglas’ statement about Carl’s eyes suggest Carl’s innocence–but seeing how defensive Carl gets when the positive at the 1988 Olympic trials is brought up suggests Carl may have something to hide.
Calvin Smith however was a class act as he was able to tell it how he saw it. Robson was another class act too. I like how he made mention of the potential money he lost in that race and mentions: “…but I sleep very nice every night.” You probably can’t say that about those that doped, even those that passed every doping test in their career.
There are a lot of interesting notes about what has happened since that race. 9.79 is no longer the world’s fastest time. It would be 11 years until a runner was able to touch 9.79 and pass the drug tests. It was American Maurice Greene at the 1999 World Championships. For the record, Greene never tested positive in any of his drug tests. 9.79 his either been touched or surpassed by seven sprinters since. In fact 9.79 was only good enough for a bronze in the London Olympic final. The world record is now 9.58 set by Jamaica’s Usain Bolt in 2009. Bolt also holds the Olympic record with the 9.63 he ran in London last year. The Canadian Record is 9.84 and is owned by Donovan Bailey for his gold medal run in 1996 and Bruny Surin for his second-place finish at the 1999 Worlds.
There’s no record whether the Scarborough Optimists club still exists. It wouldn’t surprise me if it folded in the midst of the scandal. Charlie Francis returned to coaching after the Dubin inquiry but was later banned for life when he made it clear he would return to giving his athletes steroids. He would later become a respected personal trainer and in 2003 would secretly train American sprinters Tim Montgomery and Marion Jones who would later face heat for their own doping issues. Francis died in 2010 at the age of 61. Ben Johnson was a pallbearer at his funeral. Dr. Astaphan would continue to face doping and drug trafficking issues for years after the scandal. After a release from a US prison in 1996, he would return to St. Kitts where he practiced medicine until his death in 2006.
Angella Issajenko released a tell-all just two years after Johnson’s disqualification telling her story of how she got into sports and doping. She would later become a teaching assistant and a track coach. Desai Williams now works as a speed coach for the Toronto Argonauts football team and currently trains Olympic track athletes as well. Mark McKoy, who was not interviewed for 9.79*, would later move to Austria in the wake of his steroid admission and subsequent two year ban. He would continue to represent Canada until 1994 and would win gold in the 110m hurdles at the 1992 Olympics. He has since returned to Toronto where he now works as a personal athletics trainer and therapist.
Ben Johnson comes across in the film as a lonely person looking for vindication. Actually he’s not that lonely as he is both a father and a grandfather. Johnson may have tested positive three times as a runner in his career but he has found success on his own as a soccer trainer. He’s trained Diego Maradona and Muammar Gadhafi’s son. He also released an autobiography of his own in 2010: Seoul To Soul.
Many Canadians had felt that this moment made Canada look like a country that dopes to win. I myself didn’t really lose faith in my country’s athletes. In fact I was at the Summer Olympics in Barcelona where Canada won eighteen medals, seven of them gold. I will admit that the Ben Johnson incident did make me suspicious when I saw the men’s 400m hurdles and a new World record set by the US’s Kevin Young. I was also in Vancouver cheering on our winter athletes too. Many want to look at the Olympic athletes as noble people who compete for the honor of their country and that Ben Johnson’s positive scarred their dignity forever. We should also remember they face pressures we ourselves will never face like the pressure to win for their country or for prize money and even face a tainted playing field. Also they face the pressure of people saying they let us down if they don’t win gold. We the fans are guilty of that too. As for Olympians, I know for a fact that there was cheating in the ancient Olympics too. In fact cheaters during the ancient Olympics would have their names engraved on a stone wall to be disgraced for eternity.
Not all was lost since that infamous moment. The Canadian Olympic Team would eventually leave Seoul with ten medals. Three of them gold. Yeah, that’s one thing I didn’t like about the film. It made Canada look like a gold medal-starved country when in fact Montreal in 1976 would eventually become the last Summer Olympics where Canada failed to win a gold medal. Canada has left every Summer Olympics since with anywhere from the one gold won in London 2012 to ten golds won in Los Angeles in 1984. Canada would begin a strong anti-doping campaign of its own. One of the athletes within the infamous Scarborough Optimist ring, hurdler Mark McCoy would win gold in the 110m hurdles in 1992. The biggest treat came the following Olympics in Atlanta where Canada could again claim the World’s Fastest Man. This time it was Donovan Bailey. Like Ben Johnson, a Jamaican Émigré. Unlike Ben Johnson, he had a natural sprinter’s build. Combine that with excellent coaching and he won the 100m dash gold in a World Record time in 9.84. It only took two Olympics for a Canadian sprinter to redeem Canada’s reputation in the eyes of the sports world. Bailey then teamed up with three other Canadian teammates for the 4*100m relay and helped to win another gold. This was a remarkable feat as this Canadian team was the first 4*100 relay team to officially defeat the American team of the gold medal. Officially meaning cause the Americans to cross the finish line after the gold medal champions. Until then, the American team lost the gold only upon disqualifications and the 1980 boycott.
9.79* is one of those documentaries I watch over and over again. I know this blog looks like a mix of a 30 For 30 Film review with talk about doping but the film did remind me about the problem of doping in sport and even make me question a lot of the runners that didn’t test positive that race and still try to pass themselves off as clean even though there’s a lot of evidence suggesting otherwise. It also makes you question the braces on Carl Lewis from 1987 to 1988. Was he on Human Growth Hormone at the time? 9.79*not only gives us answers but it still leaves us with a lot of questions.
Hard to believe that it was 25 years ago the world was in shock. Canada was especially shocked. I too was shocked in disbelief even as I was watching the news that day. We would all receive more shocking news over the years about Ben Johnson, those associated with him and even his rivals at the time. You think that people would learn from this. They may have but probably not much. I remember going on Twitter to an account about sports quotes and one uncredited quote was: “It’s better to lose on principles than to win on lies.” Sadly most young athletes don’t feel that way.