2023 Oscars Best Picture Review: Anatomy Of A Fall (Anatomie d’Une Chute)

Sandra Huller plays writer Sandra Voyter suspected of killing her husband in the courtroom thriller Anatomy Of A Fall.

DISCLAIMER: This is from a blog of four reviews I originally posted on March 2, 2024. The original blog has been removed.

Anatomy Of A Fall first appears to be a common courtroom drama with a story of intrigue. Over time, you’ll learn it’s a film that’s a lot more.

Courtroom dramas have caught our intrigue time and time again. We’re presented with a criminal scenario or a legal scenario, but it’s up for us to decide whether they’re guilty or innocent or who to side with in a dispute. We learn the verdict and we’re left to decide if it’s the right verdict or not. This story is a unique story. It presents a case of a death from a fall. The deceased is the French husband of a German novelist. The fall happens from a chateau in a remote mountainous area of Grenoble. The first to notice the fall is the seeing-eye dog of the blind son. Questions arise. We learn of the troubled marriage. People turn against the woman. The prosecutor is determined to prove her guilty. The son watches despite his blindness, and seems like he doesn’t know what to think. Could he hold the truth? Could his seeing-eye dog also provide clues to the truth?

This isn’t simply a story of whether Samuel’s death is a murder, a suicide or an accident. It’s a story that develops over time with each new fact exposed, opinions from people in the story coming about, and your own opinions being formed. As we learn of Sandra Voyter, her turbulent marriage, and her recent liaisons, some of us are tempted to look down upon her and even suspect her of possible murder. As we learn about Samuel and his immaturities and later of his depression over the last few years, will that change our mind? The film is as much about how we see things and see people as it is about our story itself. Even possibly exposing sexist attitudes we didn’t think we had. There’s even the angle of the trial as seen through Daniel: the child caught in the middle. A blind boy, he has the biggest sense of the friction his parents have been going through. He lost his father and he’s at risk of losing his mother if she’s found guilty. During the time, he doesn’t know what to think of his mother and often feels lonely. Almost as if Snoop, his seeing-eye dog, is the only one who loves him and he can trust. Sometimes your concern shifts from how Sandra will be found by the courts to what will happen to Daniel. It’s like the film is two stories in one. Even Daniel’s testimony at the end will make you reconsider your stance in the case.

Top respect goes to director/writer Justine Triet. Triet has become only the eighth female director to be nominated for the Best Director Oscar. This film is actually a project she co-wrote with Arthur Haran for actress Sandra Huller to star in after the two worked together in 2019’s Sibyl. She creates a great story that presents a death and the question if it’s an accident or a murder. She presents it as a story of a French-speaking wife and a German-speaking husband who use English as a common ground to sort things out, but it adds friction. The death, the courtroom drama, the turbulent marriage, the communication barrier, and the son caught in the middle adds to the story. Even the ending which allows you to draw your own conclusion of the incident adds to the film.

Along with Triet, there was great acting from Sandra Huller. Her acting in this story helps create the character along with the actions and allows the audience to make their decisions in the case. Huller is as much of a storyteller as Triet herself. Also great is the performance of Milo Machado-Graner: the son caught in the middle. There are many times in the story, some thanks to camera shots of the courtroom drama, where one can think the film is as much about Daniel as it is about Sandra. He’s trying to make sense of what is happening. He is suspicious of his mother but is scared he will lose it all. There are times he tries to be tough with him teaching himself piano by sound clips, but you can tell he could break down. It seems like the dog Snoop is his one friend, especially with his sheltered upbringing. Graner makes him a boy you want to hug. Adding to the film is Messi The Dog as Snoop. Through Messi, we see Snoop is more than Daniel’s seeing-eye dog and best friend. He’s also one that hold clues to what could expose the truth. Additional great acting performances include Samuel Theis as Samuel Maleski, the husband that struggled with mental illness whose struggles threatened the family, and Antoine Reinartz as the prosecutor who will get you wondering if he wants justice done or simply to have Sandra found guilty.

This film has been lauded with buzz since the Cannes Film Festival. The film won the Palme d’Or at the and Triet became only the third female director in history to win. You know how I talked about Messi The Dog adding to the story? At Cannes, Messi was even given the Golden Dog Award for his efforts! Even after Cannes, film festival after film festival it was entered in would have this come away as the big winner. The film also won six European Film Awards. The film was not France’s official submission in the Best International Feature Film category. I assumed it’s because there’s too much English in the film, but other articles are suggesting there may be politicking.

Anatomy Of A Fall is a great legal drama that tells the story of a death in question and doesn’t only leave its fate to the juries, but for the audience to decide for themselves what they believe to be the truth. Even Triet herself won’t say if Sandra is guilty or not. All your call!

VIFF 2023 Review: The Sacrifice Game

The Sacrifice Game is a super-bizarre story of a Christmas dinner two private school girls will never forget. Try as they might!

Can you mix the horror movie genre with the Christmas season and be able to create a good movie of the mix? The American film The Sacrifice Game makes that brave attempt.

The film begins with what appears to be four guests approaching a Christmas party three days before Christmas 1971. The hosts don’t recognize them, but that doesn’t matter because the four ‘guests’ kill the family in their home. One of them paints an image with a victim’s blood on the window. The following day is the last day before Christmas for a boarding school. All the girls leave the school and the dorms to be with their families for Christmas. All except Samantha, whose father can’t see her for Christmas this year, and Clara who appears not to have a family. Rose, one of the teachers, is willing to have a Christmas dinner with the two girls at the school. She even gets her fiance Doug to help.

That same day, the group of four, maned Jude, Maisie, Jimmy and Grant, go to a nearby church and claim the priest as their latest victims. Before they leave him behind, they take a piece of his skin that has like a bizarre tattoo on it. As the time gets closer to the ‘party’ at the girls’ school, Samantha tries to start conversation with Clara. Clara is reluctant. It may appear shyness, but more like Clara has a secret. A secret notable from the scars on her skin. Also the girls at the school hear the news of the killings. It makes them nervous, but they think it’s a distant problem.

The next day, two days before Christmas, Rose is helping to organize the dinner and Doug is helping along. The two girls go to the more closed-off areas of the school building. They come across a lot of secret things, including books they’re not to read. Meanwhile the four claim their latest victim. A policeman stops their car on the road. As he inspects the car, he comes across the pieces of marked skin from their victims. He becomes the latest victim of the four. The following day, Christmas Eve, Rose has everything ready for the two girls and Doug is heading over to the school. The group of four approach Doug and kill him. They then enter the school where the three are waiting for Doug and the group kidnaps them.

This is it. It’s Christmas Eve and the group of four are now terrorizing the three girls all tied up. Jude, the de facto leader, talks about how lovely the party is in a sinister way. He terrorizes them at the dinner table and in the gift area. Then Jude tells of a force that he read in a book and he believes to be coming to this very school on Christmas Day. Rose chastises him for it, but she gets killed. Now it’s just the four and the girls as the four wait for the force to come at midnight.

Midnight happens, but the force the four were hoping for doesn’t appear immediately. Jude, who appeared to be the one in control, is now angry and out of control. The three others go searching around the school. This allows the two girls to break free and hope to escape, but their secret is revealed to one of the members. Over time, the four are both trying to look for the spirit and chase the girls down. Samantha and Clara search things out but Samantha discovers secrets about Clara. To best describe the ending without giving it all away, it becomes a twist and turn of events in which leave the four of them dead and Samantha shocked for life!

Doing any horror movie is always a challenge. Humor is welcome, but to a limit. The best element of a horror movie is to give the audience a sense of fear. People come to horror movies to be scared for fun. Adding in the theme of Christmas does set up for a risk of balancing out being funny with the aim of scaring people. This film does a good job as it tells the story over four days. The four are in search of a demon. The people they kill before they go to the school are people with a skin print they believe will connect them to the spirit they search out. They sense it at the school but they can’t find it only for an unlikely girl to be the very spirit they were looking for.

The intriguing thing about this film is that it comes close to the time another film about kids left behind during Christmas, The Holdovers, is about to come out in theatres. Here we have two female Holdovers at an all-girls school in the 70’s. This is different as the teacher is very willing to befriend the girls. She even brings her boyfriend to the dinner. Little did any of them know of the mayhem of terror to come.

The film is mostly successful in piecing the story together, but its flaws are noticeable. The most noticeable is the middle of the story where the team of murderers wait for the moment to happen. Usually in horror films, the biggest clinic would come at the very end. It comes at the middle and it seems like.it’s trying to drag the climax throughout the rest of the movie. I’m sure there are a lot of people that felt the film either get too slow or too confusing. Also that twist when it becomes Christmas and the big force they expect to come doesn’t, I think that will leave a lot people scratching their heads and wondering what’s going on. I have no problem with surprise plot twists, but as long as they’re done well. Also the portrayal of insanity in some of the characters like Jude. That seemed too over the top.

Overall I consider this to be a good film by director Jenn Wexler. This film she directs and co-wrote with Sean Redlitz is a good take on using Christmas as the setting of a horror story. Wexler has already had experience in directing horror with 2018’s The Ranger. Here she takes a story that’s unpredictable and adds a few twists to it. Although it’s not as smooth and one might question the choices she makes, it actually turns out to be better than your average horror film and doesn’t cross into the stupidity traps most horror films fall into. As far as acting, the two girls, played by Madison Baines and Georgia Acken, were the best performers. They both played two scared lonely girls who felt like misfits in a boarding school well. Acken transitioned into her horror character well. That’s what makes for a believable horror story.

You’d think it’s highly unlikely that a horror film would win awards at film festivals but The Sacrifice Game has won awards. At the Fantasia Film Festival, it won the Audience Award for the Best Canadian Feature. Even though this is an American film, it qualifies as a Canadian film in some festivals because it was filmed in Quebec. The Nashville Film Festival awarded it the Best Graveyard Shift Feature award!

The Sacrifice Game is not the first horror movie to mix a horror plot with the Christmas season, nor is it the best. Nevertheless it does take full advantages of putting the Holiday season in its plot and even paves the way for an unlikely heroine!

DVD Review: Elle

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Isabelle Huppert plays a woman caught is a troubling time in her life in Elle.

Elle was one of those films that came around the time of the Academy Awards. It has a lot of interesting elements, but it features a lot of elements some would first find unwatchable. Is it worth it?

The film begins with a cat witnessing the rape of her owner Michele LeBlanc (that’s right). The masked rapist immediately leaves. Michele just calmly cleans up themes and resumes her life, but doesn’t call the police. Michele returns back to her job as CEO of a video game company where her male employees either lust after her or view her as a ‘bitch.’ She tries to maintain a relationship with her son Vincent but feels detached as she feels he’s being controlled by her pregnant girlfriend. She has a troubled relationship with her mother who is narcissistic and has a thing for younger men. She’s having a love affair with Robert, the husband of her best friend and business partner Anna, but also has caught the eye of her new neighbor Patrick, although his devoutly Catholic wife Anna is unaware of this. Michele also has a troubled past.

The reason why Michele doesn’t call the police is because she has a sordid past. She is the daughter of a mass murderer who was arrested and imprisoned over 40 years ago when Michele was 10 years-old and even involved Michele in his murder spree. His parole hearing is coming up and the events from the past still haunt her. Her friends plead for her to report the rape to the police but Michele won’t, fearing the police have it in for her. Life is hard for Michele as she receives harassing text messages form a man claiming to watch her. She’s also the victim of a hacked video game which shows an alien with her face being raped by another alien. She learns the male colleague who made the hacked video game is infatuated with her but not the rapist. Her ex-husband learned of the news and tried looking out for her safety.

Christmas only adds to the stress as her mother falls into a stroke and her dying wish to Michele is to see her father. Michele tells her son Vincent she believes he’s not the father of his girlfriend’s child. The rapist returns for the third time, but Michele takes of the mask to discover it’s Patrick. Even though she now knows, she still doesn’t call the police nor have an alarm installed in her house.

Michele goes to visit her father in prison only to learn he hung himself. On the ride home, she gets into a car accident. She calls her friends instead of an ambulance, but the only one who responds to the call is Patrick. Michele gives Patrick a shocking confession of her feelings toward him which leaves Patrick shocked and confused. Then the day of the celebration of the launch of the new video game. At the party, she confessed to Anne her affair with Robert, which breaks Anna’s heart. The story ends with a tensely climactic moment and an ending that comes across as triumphant.

The thing about this film is that it deals with a complicated cat-and-mouse situation. Michele wants to get her rapist arrested but she is afraid to call the police, feeling they’re after her. That could also explain why she wouldn’t call an ambulance after the car crash: because of her past. She has a sense of who did it, but she feels an attraction to him. She is caught in situations in her work, in her family and even within her circle of friends at the same time. It’s enough to make anyone snap. It even turns her into a spiteful bitter person to whomever she meets up with. You hope that her rapist is caught but you’re left wondering how will it end? Will he be caught? Will Michele be the one who ends up killed? Will her rapist end up her new lover? It keeps you intrigued.

One thing about this is that this film is a psychological thriller that succeeds in taking subject matter that is disturbing and even unwatchable and turns it into a story that becomes positive in the end. Normally I am very nervous about the subject of rape in a film. In fact the very opening scene of the rape (as witnessed by the cat) and her bleeding vagina in the bath really had me questioning what Paul Verhoeven was up to. I’ll admit I had a mistrust to Verhoeven because I know he has a reputation for films like Basic Instinct and Showgirls. I still haven’t forgotten the misogyny of the latter and I was anticipating misogyny in the film at first. Even the scene that appears like Michele is consenting to the rape of Patrick makes me wonder, in addition to knowing Michele actually gets sexual satisfaction from it. In the end, the film delivers a strong female character who is able to piece the puzzle together. It’s at the end we see Michele as if she triumphed in the situation.

SPOILER ALERT – IF YOU DO NOT WANT TO KNOW THE ENDING, BYPASS THIS PARAGRAPH: The ending is a surprise as well. Throughout the whole film, you see Michele as a bitter, hurting, troubled woman with the world seemingly against her or bothering her in every which way. However it’s right after Patrick is killed that everything magically becomes right. We see how Rebecca isn’t as hurt over Patrick’s death as she’s moving out, and makes it obvious she knew what Patrick was up to. We see how Vincent has been able to get better in his career and relationship. We see how Michele is finally able to make peace with her father. We also see how Michele makes peace with both Josie and Anna as they’ve both left Robert, and even resumes the strong friendship with Anna. It’s like life for all during the time of Michele being raped was what was causing friction in the lives of Michele and those around her, and it was Patrick’s death at the hands of Vincent that set everything right for all. Normally something like that wouldn’t work in terms of a story. I mean how is it possible for a rape victim to recover from what happened seemingly overnight? But the way it was played out in the story made it look very believable and made it look like the story ended on the right note. Quite an accomplishment, especially for a psychological thriller.

This film is actually an adaptation of a French novel titled Oh. I’ve never read the novel but David Birke does a very good job in creating a story that’s both a psychological thriller and a big puzzle that somehow is able to get all the pieces to fit in the end. Paul Verhoeven also did a good job of directing. I will admit I did get suspicious with him, especially after seeing certain scenes. However it’s in the end that I feel he did a very good job of creating a strong female character despite appearing to push the envelope at times. However making the story work also came down to Isabelle Huppert in her performance of the protagonist Michele. She had to portray a character who seemed to have everything pushing her to snap but somehow keep her composure throughout the ordeal, despite being bitter and spiteful, and appear triumphant in the end. She accomplished that feat excellently. Supporting performances of note include Laurent Lafitte as the troubled neighbor Patrick and Anne Consigny as Anna: the friend caught in the love triangle.

Elle begins as a film that one would expect to be misogynist, but instead paves the way for a female character who triumphs in the end. It’s the film’s surprising twists and turns that make it.