VIFF 2024 Review: There, There

A young home-care nurse (played by Katie Mattattall) and her elderly patient (played by Marlene Jewell) form an unlikely friendship in There, There.

One thing at the VIFF is that it’s known for showcasing works from various filmmakers from Canada. There, There is the latest film from Nova Scotia director Heather Brown. It tells of an unlikely friendship of two people.

Ruth is an elderly woman living in her small Halifax home. She is doing the best she can to live her life but she is limited in both her physical ability and her mental ability. She does get home care from a young nurse named Shannon. Shannon helps with Ruth through her daily life and even helps her with playing television bingo and getting bread crumbs for Ruth to mix seeds and feed birds. Feeding birds is a favorite past-time of Ruth. Shannon is roommates with her best friend who is a social media influencer. Sometimes Shannon helps with her videos.

Soon, we learn both women are going through difficulties in their lives. For Ruth, her memory has been declining. She sees a doctor concerned she may be developing dementia. She also notices her house has been getting more insects. She buys bug spray from her local store and tapes dead bugs on paper to show the doctor. She fears the bugs are entering her body. She experiences incontinence one day. As for people in her life, Shannon is the only one who visits and the storekeeper appears to be the only other person who talks to her.

As for Shannon, she’s pregnant. Her boyfriend, who has goals of being a race car driver, has abandoned her. Even blocking her communication from social media messages. Despite that, she’s looking to get her boyfriend to face up. She even goes to the racetrack to no avail. She searches for a lawyer to take him to court once the baby is born. Meanwhile her best friend seems to be more focused on social media than on their friendship.

For a while, the two are able to find the time they need to relax. Ruth is able to make her way to the parks or the street areas where she’s able to feed the birds. Despite her pregnancy, Shannon is able to find time for a night out. The two are also helpful to each other in their own ways. There was one time when Shannon was in tears while nursing and Ruth gives her comfort. Shannon also gave Ruth her phone number in case any problems. Then almost simultaneously, everything changed. Ruth found herself stuck in an unknown place and lost in the night. Around that same time, Shannon goes into labor.

Also simultaneously, both women experience the changes in their lives. Ruth is unfit to live alone anymore. Her dementia has gotten so bad, she now has to be in a nursing home. Shannon has given birth to her daughter. For a period of time, the place she lives in becomes a place for three. Both women also learn the new changes in their lives cause them problems. Ruth may get fed, bathed and included in activities of vitality, but she can’t go out of her nursing home to feed the birds like she used to. The doors are securely locked so none of their residents can leave unassisted. As for other belongings, most of hers are now gone and she relies on donations. One donation bag, she finds a baby doll she keeps. For Shannon, her friend moves out of the place because she finds living with someone else’s baby a discomfort for her life. Shannon is still trying to pursue her boyfriend. One time, she goes to a car wash after spotting him in hopes of confronting him and showing him his child.

One day, a ray of hope. Shannon pays a visit to Ruth at the nursing home. They watch a show together. Shannon brought some bread crumbs and is able to take Ruth out to a park to feed the birds. During the visit, Ruth claims no one has visited her in years. Shannon lets her know she’ll be there. The film ends in a quiet moment with both women at their place of rest and symbolizing how they both share a bond.

This is a film of two types of women who would be seen as getting the short ends of the stick. We have a lonely elderly woman in the last years of her life concerned for her physical and mental well-being, but still trying to life as vital of a life she can. We also have a young woman who’s pregnant sooner than she hoped through a boyfriend that ended up to be irresponsible. In what should be a carefree time in her life, she faces a lot of pressures and frustrations and it’s slowly becoming a discomfort for her roommate. I’m sure you may know a woman in either of these situations. Although it’s a case where they are normally supposed to be associated with each other just as nurse and patient, it becomes a lot more over time. Just as the sudden changes happen for both of them, they reunite and it becomes obvious they have a bond between them. The story becomes a case of two lonely Halifax women of different backgrounds finding a type of unity with each other. It’s as much heartwarming as it is heartbreaking.

Some people may dismiss this as a boring film. It’s important to know when you go to a film not knowing what it’s about or just going to a film because it’s available for you to see, you should welcome what you see and judge once it’s over. From how I’ve seen it, this is a story of two women of two backgrounds that are quite common in our society. The story moves slowly but each scene tells a lot of what the two women are dealing with and how they live their lives at any given point of time. For those that have seen this film, you will notice many scenes where there is no dialogue. It’s likely the scenes were meant to do its own storytelling by imagery instead of words. With each scene without dialogue, it does a very good job of telling its story and creating the scene. The film’s mix of using scenes of dialogue and scenes of wordless imagery help in telling the stories of both women, their separate lives and their unique bond.

It’s been said by many that films should not answer everything about the story. It should have the audience asking questions or forming their answers. What the film shows presents a lot. What the film doesn’t show also presents a lot too. After seeing the film, it did leave me with a lot of questions about both Ruth and Shannon. For Ruth, it had me wondering about her past life. It left me wondering was she ever married? Does she have any family of her own, like surviving siblings, nieces or nephews? How come it’s only Shannon and the storekeeper that treat her like she exists? For Shannon, it leaves me wondering about her present and her future. Will she raise her daughter well? What about her own family? Does she not keep in contact with them? Also will she get her boyfriend to face the music? He owes her and the child. This film is very good in getting me to ask a lot of questions.

As is, this is a very good film by Nova Scotia director Heather Young. This is her fourth film and second feature. She presents a good story of two women who would be overlooked in our society but form a bond not just by one being dependent on the other but sharing a closeness that words don’t need to make present. It’s by the actions, by the moments together and even by the time alone. Young also does a smart job of choosing to have non-actors play the two main roles. Having non-actors helped with the performances here. The performance from Marlene Jewell of the elderly Ruth is very good and very believable. A retired nurse herself, she is probably very familiar with women in this type of setting or situation. She plays the part very believably. Katie Mattatall is also excellent in her role as Shannon. I don’t know of her own life but she played the frustrations of a young abandoned pregnant woman very well and very believably. She makes you feel Shannon’s situation.

There, There is a unique story about two different women who develop a special bond. It’s also a story that tells more in its images than its dialogue. That’s the most unique element of the film.

My Predictions For The 2020 Academy Awards

To think that before 2020, the Academy was strict about having films viewed in theatres. Internet films were off limits. Then the pandemic happened. Most of the theatres were closed. Most films had to put themselves on online streaming services to have themselves viewed. The Academy became more forgiving in that aspect and allowed for more streamed films to be submitted as entries. The pandemic also caused the Oscars themselves to be delayed until the last Sunday of April. That also meant those other ‘influencer’ award shows would have to delay in compensation of the pandemic too.

Whatever the situation, I was able to see all eight Best Picture nominees. Yes, it involved signing up for more than one streaming service and renting movies on Youtube, but it had to be this year. Hopefully next year, I’ll be back in the theatres. As for this year, I saw them all and now I’m ready to make my opinions for the winners for the 93rd Academy Awards:

BEST PICTURE

Last year, Olly Gibbs did a similar picture of the Best Picture contenders. This year he does it again! I’ll bet most of you who have seen any of the Best Picture nominees most likely saw it through a streaming service. That seems to be the case this year. The favorites were seen through a wide variety of streaming methods like Netflix, Hulu, Disney+ or Amazon Prime. For most, it was the only way to access any of the Best Picture nominees.

Normally I’d publish separate reviews of the various Best Picture nominees and include the link to the blog in my review. This was not the case that I reviewed them before Oscar day. Separate reviews will have to come later. In the meantime, here’s my take on the eight Best Picture nominees:

The Father: To make a film about dementia that’s watchable is a big challenge. Having a lead actor like Anthony Hopkins helps. However this is a unique story as it goes through the father’s life as he and his daughter are going through major changes in their lives. The father’s struggle with dementia gives hints to his past. It makes for a unique and telling story. However I don’t see it as having what it takes to win Best Picture.

Judas And The Black Messiah: This is the story of the Black Panther with a big following and the FBI agent who sets him up for his assassination. It’s to do about a powerful leader who had a love for his woman and the FBI who poses as the leader’s friend only to lead him to the fatal heist. This is an intriguing story that gives you a piece of history that is often overlooked. Also it provides insight on the secret that haunted the FBI agent until the end of his life. Excellent film worthy of Best Picture, but unable to contend due to the tightness of this year’s competition.

Mank: For those who like seeing films of the Golden Age of Hollywood, you’ll like seeing Mank. This is a film that focuses on Herman Mankiewicz, Hollywood scriptwriter and producer. It focuses on his messing with the political system, his difficulties in the Hollywood studio system and his struggle with alcohol. It presents a unique story for someone that should be presented as unlikeable as most of the Hollywood producers should be seen. This is a film with Best Picture marked on it, but a certain other film has better Best Picture clout.

Minari: There have been stories of immigrants in pursuit of the American Dream before. This is a unique story because it’s of Korean farmers seeking to pursue the American Dream in Arkansas in the 1980’s. It’s of a family that tries to pursue a better life, brings the grandmother over in hopes to build the family back up, and a son struggling with a heart condition. This is a very personal story from writer/director Lee Isaac Chung. It has Best Picture potential, but there are at least three other films that are seen as stronger contenders.

Nomadland: This is an introspective look at the modern-day American nomad. Desperation in an economy that failed them is what caused them to adopt this modern style of the nomad life. However it’s something that they don’t just simply get used to doing, but it becomes a lifestyle for all those involved. There is a central character named Fern who first appears she has no choice but to accept this nomad life. Even as things don’t get any better, she learns to make it her own life, embrace her experiences, and then be able to say goodbye to her own life. This is an excellent personal story that really caught a lot of people’s eyes. That’s why I make it my Will Win pick.

Promising Young Woman: This is definitely a film that’s been made with rage in mind. And good reason. When the #MeToo movement came out, it highlighted a lot of problems. This is a rape revenge film that focuses on a friend’s rape and the failings that went around her like the friend who wouldn’t believe, the college system that hides things for the protection of their reputation, the friend of the rapist who watched and did nothing. The film also focuses on the culture of misogyny that provokes date rape. Cassie is the central figure that first comes off like she is the one to put misogyny in its place and later tries to get revenge for her friend’s rape. I think it’s the Generation X-er in me that likes how this film is like a lightning rod on society. That’s why I call it my Should Win pick.

Sound Of Metal– This is a unique story of a drummer who goes deaf and doesn’t know how to struggle with hearing loss. His willingness to accept deafness and move on with his life or his desire for a hearing implant that will give him his old life back is the central part of the story. This is a very good story that relies on images and sounds to tell of the musician’s struggle and also of the new life he tries to get used to. Very good film. Also in a year where this year’s batch of Best Picture contenders have been commonly described as ‘a pack of downers,’ this is the most uplifting film without going too overboard in its uplifting moments.

Trial Of The Chicago 7: This is a historical film that comes at the right time. It was released at a time when there was, and still is, a lot of political turmoil in the United States. It’s about a group of men arrested and tried for taking a stand for what they believed in. It’s about a corrupt judge who constantly made the wrong decisions on others. It’s about a political system that’s all about keeping the order of things. Centrally it’s about a leader who needed to fasce his fears and muster the courage displayed by the others. Excellent retelling of a historical moment. Among one of the top contenders for the win, but this is the year for Nomadland.

BEST DIRECTOR

Should Win and Will Win: Chloe Zhao – Nomadland

Directors nominate the Best Director nominees. This Oscar category is known for its all-too-frequent exclusion of female nominees. The first was back in 1976: Lina Wertmuller for Seven Beauties. Since then, it’s been Jane Campion for The Piano in 1993, Sofia Coppola, daughter of Francis Ford Coppola, for Lost In Translation in 2003, Kathryn Bigelow in 2009 for The Hurt Locker (which she won), and before this year, the last was Greta Gerwig for Lady Bird back in 2017. Five female nominees before the 2020 nominees were announced. This year made Oscar history as the first year two women were nominated for Best Director: Chloe Zhao and Emerald Fennell. The two female directors have the most talked-about films of this Oscar season: Nomadland and Promising Young Woman. It looks as though Zhao is poised to become only the second female winner of the Best Director category.

Also who knows after this year? Maybe in the future, two or three female Best Director nominees will become the annual norm.

BEST ACTOR

Should Win and Will Win: Chadwick Boseman – Ma Rainey’s Black Bottom

Most of us will remember Chadwick Boseman as T’Challa the Black Panther in the MCU. Since his death, there has been a lot of attention paid to a lot of his other works of the past. As 2020 was drawing to a close, the big focus was his performance as Levee Green in Ma Rainey’s Black Bottom. In fact it’s his performance as Levee that steals the show from Ma. It makes it more the story about Levee’s own struggle for fame and fortune and his inner hurt and struggles. His portrayal of Levee Green cuts deep to the core. Giving him the Best Actor Oscar is the best way to remember him.

BEST ACTRESS

Should Win and Will Win: Viola Davis – Ma Rainey’s Black Bottom

Boseman may have stolen the film as Levee Green, but Viola’s performance of Ma Rainey helped give this film its powerful 1-2 punch. Davis’ character is both that of an entertainer whose beloved and a person subject to the same hurt and harshness a black woman in America gets. As she cuts her record Ma Rainey’s Black Bottom, you can tell the wrath she feels towards her lifetime and her struggles are present in the story. That’s why I feel Viola deserves the Best Actress Oscar.

BEST SUPPORTING ACTOR

Should Win and Will Win: Daniel Kaluuya – Judas And The Black Messiah

This year’s Oscars had a surprise with two Supporting Actor nominations for Judas And The Black Messiah. The nomination for Kaluuya was not a surprise as he won the Golden Globe for supporting actor. The nomination for LaKeith Stanfield was a surprise as it was felt Stanfield played the lead as Bill O’Neal. That had a lot of people wondering who’s the lead if O’Neal is supporting? I can’t answer that question. I will say that Stanfield didn’t get a single lead acting win or nomination so the Supporting Actor campaign was very successful here. Nevertheless the film belongs to Kaluuya for his performance of the late Black Panther Fred Hampton. He was very good at portraying Hampton both as a rebel with a cause and as a man with a lot of love.

BEST SUPPORTING ACTRESS

Should Win and Will Win: Youn Yuh-jung – Minari

Youn Yuh-jung is an actress with an illustrious career in South Korea. Minari is pretty much the film where she’s introduced to North America. And it’s a great performance as a grandmother who first exhibits over-the-top behavior to becoming closer with grandson David to struggling with life after a stroke. She helped make the grandmother the central character of the story and it’s because of this I feel she should win here.

BEST ORIGINAL SCREENPLAY

Should Win and Will Win: Emerald Fennell – Promising Young Woman

For a long time, Emerald Fennell was just another struggling actress. Her biggest success is in the British television series Call The Midwife. She also had good roles in film such as in Anna Karenina, Pan and The Danish Girl. Her first attempt at directing and writing was in the short film Careful How You Go. Promising Young Woman is her first attempt at a feature-length film and boy is it an eyebrow raiser. There have been ‘rape revenge’ movies before, but this is a film that doesn’t just get revenge on the rapist. It’s a story of one who has a reckoning of all those involved in her best friend’s rape like the friend that didn’t believe her, the college administration ‘protecting the boys’ futures,’ the lawyer who was menacing to the victim upon his client’s command, and the friend of the rapist who just watched and stood by. This is an angry film, but well written and well thought-out. Fennell’s feature went the furthest this year.

BEST ADAPTED SCREENPLAY

Should Win and Will Win: Chloe Zhao – Nomadland

For those that read Jessica Bruder’s book Nomadland: Surviving America in the Twenty-First Century, one would know it’s not a novel. It’s a set of stories of people that are modern-day nomads in America. Zhao was able to create a story of a fictional woman coming from an actual economic setback. She makes a nomad of herself because of the desperate times she was going through and of the people she meets along the way. It has a beginning, middle and end and it’s a story that is a reflection of life. That’s why Nomadland has to be the winner here.

BEST ANIMATED FEATURE

Will Win: Soul

BEST CINEMATOGRAPHY

Should Win and Will Win: Eric Messerschmidt – Mank

BEST COSTUME DESIGN

Will Win: Ann Roth – Ma Rainey’s Black Bottom

BEST DOCUMENTARY FEATURE

Will Win: My Octopus Teacher

BEST FILM EDITING

Will Win: Mikkel E. G. Nielsen – Sound Of Metal

BEST HAIR AND MAKE-UP

Will Win: Sergio Lopez-Rivera, Mia Neal and Jamika Wilson – Ma Rainey’s Black Bottom

BEST INTERNATIONAL FEATURE FILM

Will Win: Another Round (Denmark)

BEST ORIGINAL SCORE

Will Win: Trent Reznor, Atticus Ross and Jon Batiste – Soul

BEST ORIGINAL SONG

Will Win: “Speak Now” – One Week In Miami

BEST PRODUCTION DESIGN

Will Win: Donald Graham Burt & Jan Pascale – Mank

BEST SOUND

Will Win: Sound Of Metal

BEST VISUAL EFFECTS

Will Win: The Midnight Sky

SHORT FILM PREDICTIONS

For my reviews of the nominees and predictions for the wins for the various shorts categories, just click here for Animation and Live-Action and here for Documentaries.

JUST ONE MORE – TOP OSCAR UPSETS

Here are the six upsets I anticipate are most likely to happen. In category order:

  • Carey Mulligan for Best Actress in Promising Young Woman
  • Maria Balakova for Best Supporting Actress in Borat Subsequent Moviefilm
  • Lee Isaac Chung for Best Original Screenplay for Minari
  • Joshua James Richards for Best Cinematography for Nomadland
  • Time for Best Documentary
  • Tenet for Best Visual Effects

And there you have it. Those are my predictions for the winners of the 93rd Academy Awards. The Oscars ceremony promises to be like a film. We’ll have to wait and see!

VIFF 2013 Review: Reel Youth Film Festival

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One thing about the Vancouver Film Fest is that they show a lot of films and shorts from upcoming filmmakers. They also show films made by youth or young filmmakers too. The Reel Youth Film Festival–which is a festival all it own and had its premiere at the VIFF on Sunday–showcases films from young filmmakers.

Most of the time whenever there’s a shorts segment show I see, I review all the shorts one by one. Now rather than review the shorts, I will just describe what I saw. Besides I wouldn’t consider it to be fair to critique student films.

The twenty-five films were chosen out of three-hundred entries. The films are from Canada and seven other countries and range from one minute to nine minutes. They consist of animation or live-action. They are filmed on typical motion picture format or typical run-of-the-mill video camera. They range from a played-out stories to music videos to animation exhibits to social messages. Some of the films appeared amateurish in quality, some appeared quite professional in quality. Most can be classified as G-rated works but two films in the festival were rated PG with one even including nudity and masturbation (non-explicit, of course). Three videos included were also part of the United Way’s contest to create a one-minute anti-bullying film. Two videos were from the UNIS student program including one of two girls growing up in a rural area of Vietnam.

The films show a lot through their eyes. A lot of it is often about school life, home life and even the work life they anticipate to have in the coming years. Sometimes they focus on other people such as gypsies, two sisters in Vietnam, a graffiti artist or an elderly man in the town. Sometimes they focus on social issues like bullying, corporate greed, homelessness or drugs. Sometimes they focus on fun aspects like dating, school irritations, social media and even the city they’re proud to call home. Sometimes they even focus on nonsense subjects like the death of a sandwich, being scared by a ghost, an office dork or a certain secret about Barbie we never knew.

The thing is that most of the students doing the filming may or may not want to take filmmaking to further directions in their life. Some–like the directors of Crack, Hank and Light Switch–appear to want to take filmmaking seriously in the future. Many others look like they prefer the direction of animation. Some are just amateurs doing it for fun. I guess that’s what the focus of the Reel Youth Film Festival is: more concerned about getting out their voice or creativity rather than the seriousness or professionalism of the craft.

The screening I saw Sunday evening was actually the World Premiere of the annual Reel Youth Film Festival. There will be one more showing at the VIFF on a Wednesday morning open for student groups. It will be showing at more locations to come and the Festival can act as a fundraiser for your community centre. If you’re interested in screenings or interested in showing it at a place you know, or even if you know a young filmmaker with dreams, just go to: http://www.reelyouth.ca/

One last thing. That evening I went had a ballot for all to fill out. The ballot was asking the voter of their three favorite films and their favorite local film. I don’t know if they will be doing it again in their next showings but I had a chance to pick my favorites:

  1. More
  2. Crack
  3. Being Ernest
  • Fav Local: Too Old For Fairy Tales

The Reel Youth Film Festival is a good attraction at the VIFF. Who knows? Maybe one of the directors can make it big one day.